Twentieth-Century Music

Papers
(The TQCC of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Damage and Renewal at the Württembergische Staatstheater, Stuttgart5
TCM volume 20 issue 3 Cover and Back matter3
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’3
Hearing Global Britishness on the BBC'sCommonwealth of Song(1953–1961)3
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach3
Rautavaara'sCantus Arcticus: National Exoticism or International Modernism?3
Notes on Contributors3
Mimetic Mechanicity: TheIron Foundryand Vernacular Internationalism in the 1930s3
Uncovering the Roots of Musica Elettronica: Viva Early Concerts, Improvisation, and the Influence of the Living Theatre (1966–1968)2
Migration, the Dodecaphonic Diaspora and the Transnational Network of Musical Modernism: The Varied Career of Hans-Joachim Koellreutter2
Listening to Radioactive Rubble: Vocal Decay, Gender, and Nuclear Ruination in the Marshall Islands2
When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–20162
Presenting Soviet Music: Gubaidulina, Schnittke, and Others at the Helsinki Week of New Soviet Music in 19842
Cannibalizing Bach: Villa-Lobos in Europe, 19362
TCM volume 19 issue 3 Cover and Front matter2
Graham Griffiths, ed., Stravinsky in Context (Cambridge: Cambridge University Press, 2021), ISBN: 978-1-108-42219-2 (hb).2
Clashing Neoclassicisms: Ernst Krenek’s Leben des Orest at the Berlin Kroll Opera1
Attachment after the End: Grief and Repair in Modernist Percussion1
TCM volume 20 issue 2 Cover and Back matter1
Representations of Metaphysical Temporality in the Libretto of Einojuhani Rautavaara's Vincent with a Corresponding Resemblance to Alban Berg's 1
Dylan Robinson,Hungry Listening: Resonant Theory for Indigenous Sound Studies(Minneapolis: University of Minnesota Press, 2020), ISBN: 978-1-5179-0768-6 (hc); ISBN: 978-1-5179-0769-3 (pb1
The Repercussions of George Rochberg's Rubble Rhetoric1
Notes on Contributors1
‘Our Ship Drum Earth’: Decolonial Musicking in Ernesto Neto’s Percussion Installation in Lisbon1
TCM volume 19 issue 2 Cover and Front matter1
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer1
TCM volume 19 issue 1 Cover and Front matter1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain1
Introduction to the Special Issue on Global Musical Modernisms0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi0
TCM volume 20 issue 3 Cover and Front matter0
Virals, Memes, and the Lick's Circulation through Online Jazz Communities0
Notes on Contributors0
The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney0
Notes on Contributors0
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory0
TCM volume 19 issue 3 Cover and Back matter0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History0
Notes on Contributors0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin0
Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–19340
The Musical Text: Theorizing Openness after Structuralism0
Bibliography0
Rethinking Post-Authoritarian Chile through Its Popular Music0
TCM volume 19 issue 1 Cover and Back matter0
Rock-a-Cha-Cha: The Erased Impact of Latin American Music on the Rhythmic Transformation of US Popular Music0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–19460
Notes on Contributors0
‘Why, Miles, what a funny song! Did I teach you that?’: The Turn of the Screw, Reading, Imagination, and the Uncanny0
TCM volume 20 issue 1 Cover and Front matter0
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment0
Von Haus zu Haus : Kurt Reinhard, Erich Stockmann, and the Berlin Phonogram Archive in the Shadow of the Berlin Wall0
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality0
TCM volume 19 issue 2 Cover and Back matter0
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media0
Notes on Contributors0
All Songs Considered: The Persuasive Listening of Music Podcasts0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN0
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War0
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium0
Rubbled Cities – Sounds and Silence: A Travelogue0
‘Play the Rain Down’: Prince, Paul Morton, and the Idea of Black Ecstasy0
‘Chile – Ballad of the Cameraman’: New Song and ‘Revolutionary’ South America in Wolf Biermann's Anthems of East German Critical Solidarity0
Notes on Contributors0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-20
Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).0
Sounding Cosmopolitan Modernity: Magic-City, la Parisienne , and the Tango, 1911–19140
(De)constructing Argentine Women: Gender, Nation, and Identity in ‘Alfonsina y el mar’0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don0
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's FilmThe Skin I Live In(2011)0
Christopher Morris, Screening the Operatic Stage: Television and Beyond (Chicago and London: University of Chicago Press, 2024), xii, 256pp. ISBN: 978-0-0
Neoliberal Reason, Contemporary Music, and Proximal Critique0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).0
Singing on Solid Ground: Music Education in Post-Earthquake Haiti0
Norwegian Nationalism and the Ethnographic ‘Village’: Senegalese Musicians at Kongolandsbyen, Oslo, 19140
Andrew Simon, Media of the Masses: Cassette Culture in Modern Egypt (Stanford, CA: Stanford University Press, 2022), ISBN 9781503631441 (pb).0
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone0
Notes on Contributors0
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)0
Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype0
Notes on Contributors0
Robert Wannamaker, The Music of James Tenney, 2 vols. (Urbana, IL: University of Illinois Press, 2021), ISBN 9780252043673 and 9780252043680.0
The Eternal Path between Sound and Sense: Luciano Berio's Linguistic Exploration in Sinfonia and Coro0
Global Musical Modernisms as Decolonial Method0
TCM volume 20 issue 1 Cover and Back matter0
Musical Submersion in Anthropocene Seas: Oceanic Aesthetics in Björk and John Luther Adams0
Before and Besides Werktreue: (Re)inventing Operatic Staging at the 1930s Maggio Musicale Fiorentino0
John Howland, Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (Oakland: University of California Press, 2021), ISBN: 978-0-520-30010-1 (hb), 978-0-520-30011-8 (p0
Through the Lens of Socialist Realism: Nikos Skalkottas's Turn to Tonality in the 1940s0
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)0
Destroying the Imagined City0
Michiko Toyama Disrupts the Historiography of Modernism0
Lucy Caplan, Dreaming in Ensemble: How Black Artists Transformed American Opera (Cambridge, MA: Harvard University Press, 2025), 336pp. ISBN 978-0-674-260
Philip Ross Bullock and Daniel M. Grimley (eds.) Music's Nordic Breakthrough: Aesthetics, Modernity, and Cultural Exchange, 1890–1930 (Woodbridge: Boydell Press, 2021), ISBN: 978-1-78327-568-7 (hb).0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville0
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film0
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).0
Reiterating Hierarchy and the Failed Promise of the Global0
‘Irrational Nuances’: Interpreting Stockhausen'sKlavierstück I0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair0
Minjung Kayo: Imagining Democracy through Song in South Korea0
Interruptions and Discontinuity: Constructing a Segregated Intercultural Musical Space in Tan Dun’s Concerto for String Quartet and Pipa0
Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought (Chicago and London: University of Chicago Press, 2021), ISBN: 978-0-226-76298-2 (cloth).0
Budhaditya Chattopadhyay, The Auditory Setting: Environmental Sounds in Film and Media Arts (Edinburgh: University of Edinburgh Press, 2021), ISBN 9781474474382.0
Breakdowns and the Aesthetic of Disorientation in Festival-House Music0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private0
Ode to Gravity (1970–1995): Music, Experimentation, and Sound Sensitivity0
Silenced Voices: Addressing Human Rights Violations Through Musical Drama0
The Panama Songs: Colonial Structures in US Popular Music between 1900 and 19200
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).0
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’0
Brian Kane, Hearing Double: Jazz, Ontology, Auditory Culture (New York: Oxford University Press, 2024), ISBN 978-0-190-60050-1 (hb).0
Notes on Contributors0
Free Electric Music: The Groupe d’Expression Directe de Châteauvallon and Opus N0
TCM volume 20 issue 2 Cover and Front matter0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.0
The Forty Part Motetin New York City after 9/110
Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance0
Introduction to the Special Issue on Music and Democratic Transition0
‘Seeing’ Music in Early Twentieth Century Colonial Algeria0
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project0
Hearing the Musical Resonances of Catastrophe0
Notes on Contributors0
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).0
Roberto Kolb-Neuhaus, Silvestre Revueltas: Sounds of a Political Passion (New York: Oxford University Press, 2023), ISBN 978-0-199-75148-8 (Hb).0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts (Cambridge and London: MIT Press, 2020), ISBN: 978-0-262-04478-3 (hb).0
On Censorship, Silence, and Rubble: Reflections on the Destruction of a Performance Venue in Mexico City0
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