Twentieth-Century Music

Papers
(The TQCC of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’5
Damage and Renewal at the Württembergische Staatstheater, Stuttgart3
TCM volume 20 issue 3 Cover and Back matter3
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach3
Hybrid in Form, Socialist in Content: The Formal Politics ofChŏlgain the North Korean Revolutionary OperaSea of Blood2
Mimetic Mechanicity: TheIron Foundryand Vernacular Internationalism in the 1930s2
Rautavaara'sCantus Arcticus: National Exoticism or International Modernism?2
Hearing Global Britishness on the BBC'sCommonwealth of Song(1953–1961)2
Notes on Contributors2
Listening to Radioactive Rubble: Vocal Decay, Gender, and Nuclear Ruination in the Marshall Islands1
Cannibalizing Bach: Villa-Lobos in Europe, 19361
Dylan Robinson,Hungry Listening: Resonant Theory for Indigenous Sound Studies(Minneapolis: University of Minnesota Press, 2020), ISBN: 978-1-5179-0768-6 (hc); ISBN: 978-1-5179-0769-3 (pb1
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer1
TCM volume 19 issue 1 Cover and Front matter1
TCM volume 19 issue 2 Cover and Front matter1
TCM volume 19 issue 3 Cover and Front matter1
Graham Griffiths, ed., Stravinsky in Context (Cambridge: Cambridge University Press, 2021), ISBN: 978-1-108-42219-2 (hb).1
The Repercussions of George Rochberg's Rubble Rhetoric1
Representations of Metaphysical Temporality in the Libretto of Einojuhani Rautavaara's Vincent with a Corresponding Resemblance to Alban Berg's Wozzeck1
TCM volume 20 issue 2 Cover and Back matter1
When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–20161
Migration, the Dodecaphonic Diaspora and the Transnational Network of Musical Modernism: The Varied Career of Hans-Joachim Koellreutter1
Notes on Contributors1
Attachment after the End: Grief and Repair in Modernist Percussion1
Makis Solomos, From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music, Routledge Research in Music (Abingdon: Routledge, 2020), ISBN: 978-0-367-19213-6 (hbk)1
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).0
Breakdowns and the Aesthetic of Disorientation in Festival-House Music0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India0
Andrew Simon, Media of the Masses: Cassette Culture in Modern Egypt (Stanford, CA: Stanford University Press, 2022), ISBN 9781503631441 (pb).0
Before and Besides Werktreue: (Re)inventing Operatic Staging at the 1930s Maggio Musicale Fiorentino0
The Musical Text: Theorizing Openness after Structuralism0
Introduction to the Special Issue on Music and Democratic Transition0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style0
Notes on Contributors0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts (Cambridge and London: MIT Press, 2020), ISBN: 978-0-262-04478-3 (hb).0
Through the Lens of Socialist Realism: Nikos Skalkottas's Turn to Tonality in the 1940s0
Robert Wannamaker, The Music of James Tenney, 2 vols. (Urbana, IL: University of Illinois Press, 2021), ISBN 9780252043673 and 9780252043680.0
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)0
TCM volume 18 issue 2 Cover and Back matter0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN0
Musical Submersion in Anthropocene Seas: Oceanic Aesthetics in Björk and John Luther Adams0
‘Chile – Ballad of the Cameraman’: New Song and ‘Revolutionary’ South America in Wolf Biermann's Anthems of East German Critical Solidarity0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville0
‘Seeing’ Music in Early Twentieth Century Colonial Algeria0
Minjung Kayo: Imagining Democracy through Song in South Korea0
Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance0
‘Irrational Nuances’: Interpreting Stockhausen'sKlavierstück I0
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film0
Julian Johnson, After Debussy: Music, Language, and the Margins of Philosophy (New York: Oxford University Press, 2020), ISBN: 978-0-190-06682-6 (hb)0
K. E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries (New York: Oxford University Press, 2019), ISBN: 978-0-19-092352-5 (hb), 978-0-19-092353-2 (pb).0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don0
Rubbled Cities – Sounds and Silence: A Travelogue0
Singing on Solid Ground: Music Education in Post-Earthquake Haiti0
‘The Timpani Beats Just Hit on My Heart!’ Music, Memory, and Diplomacy in the Philadelphia Orchestra's 1973 China Tour0
Christophe Levaux, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style, trans. Rose Vekony (Oakland: University of California Press, 2020), ISBN: 978-0-520-29527-8 (pb). - 0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi0
‘How We Were Never Posthuman’: Technologies of the Embodied Voice in Pamela Z'sVoci0
Against ‘John Cage Shock’: Rethinking John Cage and the Post-war Avant-garde in Japan0
All Songs Considered: The Persuasive Listening of Music Podcasts0
Neoliberal Reason, Contemporary Music, and Proximal Critique0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History0
Notes on Contributors0
TCM volume 20 issue 3 Cover and Front matter0
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin0
TCM volume 20 issue 1 Cover and Back matter0
Rethinking Post-Authoritarian Chile through Its Popular Music0
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium0
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone0
Notes on Contributors0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).0
Introduction to the Special Issue on Global Musical Modernisms0
TCM volume 19 issue 1 Cover and Back matter0
Colonialism, Cosmopolitanism, and Nationalism: The Performativity of Western Music Endeavours in Interwar Shanghai0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.0
Transcending the Past: Singing and the Lingering Cold War in the Korean Christian Diaspora0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–19460
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’0
‘Why, Miles, what a funny song! Did I teach you that?’: The Turn of the Screw, Reading, Imagination, and the Uncanny0
Notes on Contributors0
TCM volume 20 issue 1 Cover and Front matter0
Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–19340
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media0
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory0
Global Musical Modernisms as Decolonial Method0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-20
Budhaditya Chattopadhyay, The Auditory Setting: Environmental Sounds in Film and Media Arts (Edinburgh: University of Edinburgh Press, 2021), ISBN 9781474474382.0
Rock-a-Cha-Cha: The Erased Impact of Latin American Music on the Rhythmic Transformation of US Popular Music0
TCM volume 18 issue 3 Cover and Back matter0
Philip Ross Bullock and Daniel M. Grimley (eds.) Music's Nordic Breakthrough: Aesthetics, Modernity, and Cultural Exchange, 1890–1930 (Woodbridge: Boydell Press, 2021), ISBN: 978-1-78327-568-7 (hb).0
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).0
Notes on Contributors0
Reiterating Hierarchy and the Failed Promise of the Global0
Notes on Contributors0
Bibliography0
The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney0
Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought (Chicago and London: University of Chicago Press, 2021), ISBN: 978-0-226-76298-2 (cloth).0
Notes on Contributors0
TCM volume 19 issue 3 Cover and Back matter0
The Forty Part Motetin New York City after 9/110
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's FilmThe Skin I Live In(2011)0
Notes on Contributors0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).0
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project0
The Eternal Path between Sound and Sense: Luciano Berio's Linguistic Exploration in Sinfonia and Coro0
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment0
‘Play the Rain Down’: Prince, Paul Morton, and the Idea of Black Ecstasy0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)0
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War0
TCM volume 19 issue 2 Cover and Back matter0
Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge0
Roberto Kolb-Neuhaus, Silvestre Revueltas: Sounds of a Political Passion (New York: Oxford University Press, 2023), ISBN 978-0-199-75148-8 (Hb).0
Brian Kane, Hearing Double: Jazz, Ontology, Auditory Culture (New York: Oxford University Press, 2024), ISBN 978-0-190-60050-1 (hb).0
The Panama Songs: Colonial Structures in US Popular Music between 1900 and 19200
Virals, Memes, and the Lick's Circulation through Online Jazz Communities0
On Censorship, Silence, and Rubble: Reflections on the Destruction of a Performance Venue in Mexico City0
Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype0
Michiko Toyama Disrupts the Historiography of Modernism0
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming0
TCM volume 18 issue 2 Cover and Front matter0
TCM volume 20 issue 2 Cover and Front matter0
Jeanice Brooks, ed., Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020), ISBN: 978-0-22675-068-2 (hb), ISBN: 978-0-22675-071-2 (pb).0
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).0
Lorraine Plourde, Tokyo Listening: Sound and Sense in a Contemporary City (Middletown, CT: Wesleyan University Press, 2019), ISBN: 978-0-8195-7883-9 (hb), ISBN: 978-0-8195-7884-6 (pb), and ISBN: 978-00
Introduction to the Special Issue on Musics of Coeval East Asia0
Notes on Contributors0
Hearing the Musical Resonances of Catastrophe0
Afterword: The Expense of Exclusion – US Musicology and Popular Music – ERRATUM0
John Howland, Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (Oakland: University of California Press, 2021), ISBN: 978-0-520-30010-1 (hb), 978-0-520-30011-8 (p0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private0
Notes on Contributors0
(De)constructing Argentine Women: Gender, Nation, and Identity in ‘Alfonsina y el mar’0
Notes on Contributors0
Destroying the Imagined City0
TCM volume 18 issue 3 Cover and Front matter0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain0
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