Twentieth-Century Music

Papers
(The TQCC of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art7
Leaders of the New School? Music Departments, Hip-Hop, and the Challenge of Significant Difference6
All Songs Considered: The Persuasive Listening of Music Podcasts5
‘Irrational Nuances’: Interpreting Stockhausen'sKlavierstück I3
Colonialism, Cosmopolitanism, and Nationalism: The Performativity of Western Music Endeavours in Interwar Shanghai3
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film3
The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana2
The Historiography of the Twentieth-Century Classical Performer: Life, Work, Artistry2
‘How We Were Never Posthuman’: Technologies of the Embodied Voice in Pamela Z'sVoci2
Against ‘John Cage Shock’: Rethinking John Cage and the Post-war Avant-garde in Japan2
Afterword: The Expense of Exclusion – US Musicology and Popular Music2
‘The Timpani Beats Just Hit on My Heart!’ Music, Memory, and Diplomacy in the Philadelphia Orchestra's 1973 China Tour2
Introduction to the Special Issue on Musics of Coeval East Asia2
The Musical Text: Theorizing Openness after Structuralism1
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming1
Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan1
Global Musical Modernisms as Decolonial Method1
Virals, Memes, and the Lick's Circulation through Online Jazz Communities1
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’1
Introduction to the Special Issue on Global Musical Modernisms1
Hybrid in Form, Socialist in Content: The Formal Politics ofChŏlgain the North Korean Revolutionary OperaSea of Blood1
Hearing the Musical Resonances of Catastrophe1
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media1
Singing on Solid Ground: Music Education in Post-Earthquake Haiti1
Ontological Appropriation: Boulez and Artaud1
Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype1
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project1
Rethinking Post-Authoritarian Chile through Its Popular Music1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain1
Cruising Utopia with Brittany Howard:Jaime's Queer Afrofuturism1
Looking Towards the Future: Popular Music Studies and Music Scholarship1
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium1
Notes on Contributors0
Notes on Contributors0
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone0
Graham Griffiths, ed., Stravinsky in Context (Cambridge: Cambridge University Press, 2021), ISBN: 978-1-108-42219-2 (hb).0
Philip Ross Bullock and Daniel M. Grimley (eds.) Music's Nordic Breakthrough: Aesthetics, Modernity, and Cultural Exchange, 1890–1930 (Woodbridge: Boydell Press, 2021), ISBN: 978-1-78327-568-7 (hb).0
The End of Song: Improvisation as Social Critique in Brazil0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-20
Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge0
Michiko Toyama Disrupts the Historiography of Modernism0
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair0
TCM volume 18 issue 1 Cover and Front matter0
Notes on Contributors0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin0
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).0
TCM volume 19 issue 2 Cover and Front matter0
Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era (Chicago and London: University of Chicago Press, 2019), ISBN: 978-0-226-64006-8 (cloth), ISBN: 978-0-226-64023-5 (pb)0
Jeanice Brooks, ed., Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020), ISBN: 978-0-22675-068-2 (hb), ISBN: 978-0-22675-071-2 (pb).0
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment0
TCM volume 19 issue 1 Cover and Back matter0
Lorraine Plourde, Tokyo Listening: Sound and Sense in a Contemporary City (Middletown, CT: Wesleyan University Press, 2019), ISBN: 978-0-8195-7883-9 (hb), ISBN: 978-0-8195-7884-6 (pb), and ISBN: 978-00
TCM volume 20 issue 2 Cover and Front matter0
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).0
TCM volume 18 issue 2 Cover and Back matter0
K. E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries (New York: Oxford University Press, 2019), ISBN: 978-0-19-092352-5 (hb), 978-0-19-092353-2 (pb).0
Identity and the Neoclassical Ideal in Martha Graham and Carlos Chávez'sDark Meadow0
Afterword: The Expense of Exclusion – US Musicology and Popular Music – ERRATUM0
TCM volume 18 issue 1 Cover and Back matter0
The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–19460
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).0
Christophe Levaux, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style, trans. Rose Vekony (Oakland: University of California Press, 2020), ISBN: 978-0-520-29527-8 (pb). - 0
Destroying the Imagined City0
Introduction to the Special Issue on Music and Democratic Transition0
‘Chile – Ballad of the Cameraman’: New Song and ‘Revolutionary’ South America in Wolf Biermann's Anthems of East German Critical Solidarity0
(De)constructing Argentine Women: Gender, Nation, and Identity in ‘Alfonsina y el mar’0
TCM volume 18 issue 3 Cover and Front matter0
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach0
Notes on Contributors0
Listening to Radioactive Rubble: Vocal Decay, Gender, and Nuclear Ruination in the Marshall Islands0
Notes on Contributors0
‘Seeing’ Music in Early Twentieth Century Colonial Algeria0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality0
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges0
Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought (Chicago and London: University of Chicago Press, 2021), ISBN: 978-0-226-76298-2 (cloth).0
Andrew Simon, Media of the Masses: Cassette Culture in Modern Egypt (Stanford, CA: Stanford University Press, 2022), ISBN 9781503631441 (pb).0
TCM volume 20 issue 1 Cover and Front matter0
TCM volume 19 issue 3 Cover and Front matter0
Rubbled Cities – Sounds and Silence: A Travelogue0
Julian Johnson, After Debussy: Music, Language, and the Margins of Philosophy (New York: Oxford University Press, 2020), ISBN: 978-0-190-06682-6 (hb)0
TCM volume 19 issue 1 Cover and Front matter0
TCM volume 18 issue 3 Cover and Back matter0
‘Play the Rain Down’: Prince, Paul Morton, and the Idea of Black Ecstasy0
Across the Great Divide: Popular Music Studies and the Public0
TCM volume 20 issue 2 Cover and Back matter0
Mimetic Mechanicity: TheIron Foundryand Vernacular Internationalism in the 1930s0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi0
Notes on Contributors0
TCM volume 20 issue 3 Cover and Front matter0
Hearing Global Britishness on the BBC'sCommonwealth of Song(1953–1961)0
TCM volume 18 issue 2 Cover and Front matter0
Notes on Contributors0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville0
Notes on Contributors0
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's FilmThe Skin I Live In(2011)0
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War0
Notes on Contributors0
Notes on Contributors0
Reiterating Hierarchy and the Failed Promise of the Global0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History0
Neoliberal Reason, Contemporary Music, and Proximal Critique0
The Forty Part Motetin New York City after 9/110
Transcending the Past: Singing and the Lingering Cold War in the Korean Christian Diaspora0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style0
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)0
The Panama Songs: Colonial Structures in US Popular Music between 1900 and 19200
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory0
Cannibalizing Bach: Villa-Lobos in Europe, 19360
The Repercussions of George Rochberg's Rubble Rhetoric0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don0
Minjung Kayo: Imagining Democracy through Song in South Korea0
TCM volume 19 issue 3 Cover and Back matter0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts (Cambridge and London: MIT Press, 2020), ISBN: 978-0-262-04478-3 (hb).0
John Howland, Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (Oakland: University of California Press, 2021), ISBN: 978-0-520-30010-1 (hb), 978-0-520-30011-8 (p0
Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance0
TCM volume 20 issue 1 Cover and Back matter0
Notes on Contributors0
Damage and Renewal at the Württembergische Staatstheater, Stuttgart0
Danijela Kulezic-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (New York: Oxford University Press, 2020), ISBN: 9780190855314 (hb), 9780190855321 0
Rautavaara'sCantus Arcticus: National Exoticism or International Modernism?0
TCM volume 19 issue 2 Cover and Back matter0
Makis Solomos, From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music, Routledge Research in Music (Abingdon: Routledge, 2020), ISBN: 978-0-367-19213-6 (hbk)0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).0
Bibliography0
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer0
TCM volume 20 issue 3 Cover and Back matter0
Dylan Robinson,Hungry Listening: Resonant Theory for Indigenous Sound Studies(Minneapolis: University of Minnesota Press, 2020), ISBN: 978-1-5179-0768-6 (hc); ISBN: 978-1-5179-0769-3 (pb0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)0
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