OOIR: Observatory of International Research

Papers

(The TQCC of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Against Populism: Music, Classification, Genre	5
Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art	4
Latin American Songs in the GDR and the East German Singer-Songwriter Repertoire (1970–2000): Gerhard Schöne's ‘Meine Geschwister’ in the Light of Translation Studies	4
‘Irrational Nuances’: Interpreting Stockhausen'sKlavierstück I	3
Colonialism, Cosmopolitanism, and Nationalism: The Performativity of Western Music Endeavours in Interwar Shanghai	3
Leaders of the New School? Music Departments, Hip-Hop, and the Challenge of Significant Difference	3
All Songs Considered: The Persuasive Listening of Music Podcasts	3
‘The Timpani Beats Just Hit on My Heart!’ Music, Memory, and Diplomacy in the Philadelphia Orchestra's 1973 China Tour	2
The Historiography of the Twentieth-Century Classical Performer: Life, Work, Artistry	2
‘How We Were Never Posthuman’: Technologies of the Embodied Voice in Pamela Z'sVoci	2
Introduction to the Special Issue on Musics of Coeval East Asia	2
Musicology and Decolonial Analysis in the Age of Brexit	2
The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana	1
Ontological Appropriation: Boulez and Artaud	1
Reading the Musical Surreal through Poulenc's Fifth Relations	1
Art Music and Transterritoriality: Reflections on Cuban Migrations to Europe during the 1990s	1
An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music	1
Afterword: The Expense of Exclusion – US Musicology and Popular Music	1
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’	1
Introduction to the Special Issue on Global Musical Modernisms	1
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project	1
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film	1
Against ‘John Cage Shock’: Rethinking John Cage and the Post-war Avant-garde in Japan	1
‘They Fell Like Meteorites’: Avatars of the Andean Sound and Their Reception by Italian Music Groups (1973–1996)	1
Global Musical Modernisms as Decolonial Method	1

Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype	1
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium	1
Hybrid in Form, Socialist in Content: The Formal Politics of Chŏlga in the North Korean Revolutionary Opera Sea of Blood	1
Hearing the Musical Resonances of Catastrophe	1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain	1
Singing on Solid Ground: Music Education in Post-Earthquake Haiti	1
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War	0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality	0
In Between: Cultural Exchange and Competing Systems	0
(De)constructing Argentine Women: Gender, Nation, and Identity in ‘Alfonsina y el mar’	0
Afterword: The Expense of Exclusion – US Musicology and Popular Music – ERRATUM	0
TCM volume 20 issue 2 Cover and Back matter	0
TCM volume 18 issue 3 Cover and Front matter	0
Laura Tunbridge, Singing in the Age of Anxiety: Lieder Performances in New York and London Between the Wars (Chicago: University of Chicago Press, 2018), ISBN 978-0-226-56357-2 (pb).	0
Notes on Contributors	0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.	0
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer	0
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges	0
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’	0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin	0
Looking Towards the Future: Popular Music Studies and Music Scholarship	0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair	0
Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era (Chicago and London: University of Chicago Press, 2019), ISBN: 978-0-226-64006-8 (cloth), ISBN: 978-0-226-64023-5 (pb)	0
Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance	0
TCM volume 19 issue 2 Cover and Front matter	0
Notes on Contributors	0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).	0
TCM volume 19 issue 1 Cover and Back matter	0
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment	0
John Howland, Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (Oakland: University of California Press, 2021), ISBN: 978-0-520-30010-1 (hb), 978-0-520-30011-8 (p	0
Seth Brodsky, From 1989, or European Music and the Modernist Unconscious (Oakland: University of California Press, 2017), ISBN: 9780520279360 (hb).	0
TCM volume 18 issue 2 Cover and Back matter	0
TCM volume 19 issue 3 Cover and Back matter	0
Transatlantic Techno Myths: The 1994 Arica Eclipse Rave as an Example of the History and Historiography of Electronic Dance Music between Chile and Germany	0
TCM volume 18 issue 1 Cover and Back matter	0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi	0
Mimetic Mechanicity: The Iron Foundry and Vernacular Internationalism in the 1930s	0
K. E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries (New York: Oxford University Press, 2019), ISBN: 978-0-19-092352-5 (hb), 978-0-19-092353-2 (pb).	0
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's Film The Skin I Live In (2011)	0
Notes on Contributors	0
TCM volume 20 issue 3 Cover and Back matter	0
Makis Solomos, From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music, Routledge Research in Music (Abingdon: Routledge, 2020), ISBN: 978-0-367-19213-6 (hbk)	0
Dylan Robinson,*Hungry Listening: Resonant Theory for Indigenous Sound Studies*(Minneapolis: University of Minnesota Press, 2020), ISBN: 978-1-5179-0768-6 (hc); ISBN: 978-1-5179-0769-3 (pb	0
Christophe Levaux, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style, trans. Rose Vekony (Oakland: University of California Press, 2020), ISBN: 978-0-520-29527-8 (pb). -	0
Hearing Global Britishness on the BBC's Commonwealth of Song (1953–1961)	0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN	0
Graham Griffiths, ed., Stravinsky in Context (Cambridge: Cambridge University Press, 2021), ISBN: 978-1-108-42219-2 (hb).	0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private	0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-2	0
Notes on Contributors	0

TCM volume 20 issue 3 Cover and Front matter	0
Philip Ross Bullock and Daniel M. Grimley (eds.) Music's Nordic Breakthrough: Aesthetics, Modernity, and Cultural Exchange, 1890–1930 (Woodbridge: Boydell Press, 2021), ISBN: 978-1-78327-568-7 (hb).	0
The Forty Part Motet in New York City after 9/11	0
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde (New York: Oxford University Press, 2019), ISBN: 9780190868192 (hb).	0
Jeanice Brooks, ed., Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020), ISBN: 978-0-22675-068-2 (hb), ISBN: 978-0-22675-071-2 (pb).	0
Transcending the Past: Singing and the Lingering Cold War in the Korean Christian Diaspora	0
Cannibalizing Bach: Villa-Lobos in Europe, 1936	0
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming	0
Identity and the Neoclassical Ideal in Martha Graham and Carlos Chávez'sDark Meadow	0
Notes on Contributors	0
TCM volume 20 issue 1 Cover and Back matter	0
‘Seeing’ Music in Early Twentieth Century Colonial Algeria	0
TCM volume 20 issue 1 Cover and Front matter	0
Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought (Chicago and London: University of Chicago Press, 2021), ISBN: 978-0-226-76298-2 (cloth).	0
Introduction to the Special Issue on Musical Trajectories between Latin America and Europe, 1970–2000	0
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media	0
Danijela Kulezic-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (New York: Oxford University Press, 2020), ISBN: 9780190855314 (hb), 9780190855321	0
Rubbled Cities – Sounds and Silence: A Travelogue	0
TCM volume 17 issue 2 Cover and Back matter	0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).	0
‘Play the Rain Down’: Prince, Paul Morton, and the Idea of Black Ecstasy	0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style	0
Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan	0
Cruising Utopia with Brittany Howard: Jaime's Queer Afrofuturism	0
TCM volume 17 issue 3 Cover and Front matter	0
Listening to Radioactive Rubble: Vocal Decay, Gender, and Nuclear Ruination in the Marshall Islands	0
Across the Great Divide: Popular Music Studies and the Public	0
TCM volume 18 issue 2 Cover and Front matter	0
Reiterating Hierarchy and the Failed Promise of the Global	0
Destroying the Imagined City	0
The End of Song: Improvisation as Social Critique in Brazil	0
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)	0
Introduction to the Special Issue on Music and Democratic Transition	0
Bibliography	0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–1946	0
Notes on Contributors	0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India	0
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).	0
Notes on Contributors	0
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone	0
TCM volume 17 issue 2 Cover and Front matter	0
TCM volume 20 issue 2 Cover and Front matter	0
Ausentes presentes: Art Music from the Chilean Exile in the Anacrusa Festivals at the Goethe-Institute Santiago (1985–89)	0
The Musical Text: Theorizing Openness after Structuralism	0
Notes on Contributors	0
TCM volume 19 issue 1 Cover and Front matter	0
Michiko Toyama Disrupts the Historiography of Modernism	0
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).	0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).	0
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory	0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville	0
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).	0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don	0
Minjung Kayo: Imagining Democracy through Song in South Korea	0
The Repercussions of George Rochberg's Rubble Rhetoric	0
Oliver Soden, Michael Tippett: The Biography (London: Weidenfeld & Nicolson, 2019), ISBN 978-1-474-60602-8 (hb). - Roger Savage, The Pre-History of ‘The Midsummer Marriage’, RMA Monographs 34 (Abi	0
Julian Johnson, After Debussy: Music, Language, and the Margins of Philosophy (New York: Oxford University Press, 2020), ISBN: 978-0-190-06682-6 (hb)	0
Virals, Memes, and the Lick's Circulation through Online Jazz Communities	0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts (Cambridge and London: MIT Press, 2020), ISBN: 978-0-262-04478-3 (hb).	0
European Professors at the Cursos Latinoamericanos de Música Contemporánea: Two experiences – Piriápolis, 1974; Buenos Aires, 1977	0
World Music Without Profit	0
Notes on Contributors	0
TCM volume 19 issue 3 Cover and Front matter	0
Lorraine Plourde, Tokyo Listening: Sound and Sense in a Contemporary City (Middletown, CT: Wesleyan University Press, 2019), ISBN: 978-0-8195-7883-9 (hb), ISBN: 978-0-8195-7884-6 (pb), and ISBN: 978-0	0
‘Devenir compositeur’: Notes on the Insertion of Argentine Composers in the Contemporary French Music Scene (1970–2000)	0
TCM volume 19 issue 2 Cover and Back matter	0
TCM volume 18 issue 3 Cover and Back matter	0
Damage and Renewal at the Württembergische Staatstheater, Stuttgart	0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History	0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)	0
Notes on Contributors	0
Rethinking Post-Authoritarian Chile through Its Popular Music	0
Ice(d) Music/Cello/Bodies: Re-staging Charlotte Moorman'sIce Music(1972–2018)	0
TCM volume 17 issue 3 Cover and Back matter	0
Rautavaara'sCantus Arcticus: National Exoticism or International Modernism?	0
TCM volume 18 issue 1 Cover and Front matter	0
Notes on Contributors	0
Notes on Contributors	0