Twentieth-Century Music

Papers
(The median citation count of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Damage and Renewal at the Württembergische Staatstheater, Stuttgart8
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach5
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’4
Listening to Radioactive Rubble: Vocal Decay, Gender, and Nuclear Ruination in the Marshall Islands3
TCM volume 20 issue 3 Cover and Back matter3
Mimetic Mechanicity: TheIron Foundryand Vernacular Internationalism in the 1930s3
Cannibalizing Bach: Villa-Lobos in Europe, 19363
Hearing Global Britishness on the BBC'sCommonwealth of Song(1953–1961)3
When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–20162
TCM volume 19 issue 2 Cover and Front matter2
Presenting Soviet Music: Gubaidulina, Schnittke, and Others at the Helsinki Week of New Soviet Music in 19842
TCM volume 19 issue 3 Cover and Front matter2
Migration, the Dodecaphonic Diaspora and the Transnational Network of Musical Modernism: The Varied Career of Hans-Joachim Koellreutter2
The Repercussions of George Rochberg's Rubble Rhetoric2
Memory, Resistance, and Liberation in XLIII Memoriam Vivere and Other Works2
Uncovering the Roots of Musica Elettronica: Viva Early Concerts, Improvisation, and the Influence of the Living Theatre (1966–1968)2
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer2
TCM volume 20 issue 2 Cover and Back matter1
Clashing Neoclassicisms: Ernst Krenek’s Leben des Orest at the Berlin Kroll Opera1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain1
Notes on Contributors1
Attachment after the End: Grief and Repair in Modernist Percussion1
‘Our Ship Drum Earth’: Decolonial Musicking in Ernesto Neto’s Percussion Installation in Lisbon1
Notes on Contributors1
Representations of Metaphysical Temporality in the Libretto of Einojuhani Rautavaara's Vincent with a Corresponding Resemblance to Alban Berg's 1
Notes on Contributors1
Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today1
Compositions That Listen0
Hearing the Musical Resonances of Catastrophe0
Musical Submersion in Anthropocene Seas: Oceanic Aesthetics in Björk and John Luther Adams0
Budhaditya Chattopadhyay, The Auditory Setting: Environmental Sounds in Film and Media Arts (Edinburgh: University of Edinburgh Press, 2021), ISBN 9781474474382.0
Interruptions and Discontinuity: Constructing a Segregated Intercultural Musical Space in Tan Dun’s Concerto for String Quartet and Pipa0
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).0
TCM volume 19 issue 3 Cover and Back matter0
Virals, Memes, and the Lick's Circulation through Online Jazz Communities0
Bibliography0
Notes on Contributors0
What Can Music Say about the World in Which We Live?0
Reiterating Hierarchy and the Failed Promise of the Global0
Breakdowns and the Aesthetic of Disorientation in Festival-House Music0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India0
Ode to Gravity (1970–1995): Music, Experimentation, and Sound Sensitivity0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin0
Introduction to the Special Issue on Music and Democratic Transition0
The Panama Songs: Colonial Structures in US Popular Music between 1900 and 19200
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges0
The Musical Text: Theorizing Openness after Structuralism0
Notes on Contributors0
Musical Orientalism and the Sublimation of Homosexuality in Early Twentieth-Century Spain0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts (Cambridge and London: MIT Press, 2020), ISBN: 978-0-262-04478-3 (hb).0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville0
TCM volume 20 issue 3 Cover and Front matter0
Lucy Caplan, Dreaming in Ensemble: How Black Artists Transformed American Opera (Cambridge, MA: Harvard University Press, 2025), 336pp. ISBN 978-0-674-260
Brian Kane, Hearing Double: Jazz, Ontology, Auditory Culture (New York: Oxford University Press, 2024), ISBN 978-0-190-60050-1 (hb).0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-20
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)0
TCM volume 20 issue 2 Cover and Front matter0
Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge0
Minjung Kayo: Imagining Democracy through Song in South Korea0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don0
All Songs Considered: The Persuasive Listening of Music Podcasts0
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media0
Sounding Cosmopolitan Modernity: Magic-City, la Parisienne , and the Tango, 1911–19140
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War0
Notes on Contributors0
Notes on Contributors0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style0
Norwegian Nationalism and the Ethnographic ‘Village’: Senegalese Musicians at Kongolandsbyen, Oslo, 19140
Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought (Chicago and London: University of Chicago Press, 2021), ISBN: 978-0-226-76298-2 (cloth).0
The Forty Part Motetin New York City after 9/110
Philip Ross Bullock and Daniel M. Grimley (eds.) Music's Nordic Breakthrough: Aesthetics, Modernity, and Cultural Exchange, 1890–1930 (Woodbridge: Boydell Press, 2021), ISBN: 978-1-78327-568-7 (hb).0
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's FilmThe Skin I Live In(2011)0
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment0
Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–19340
Neoliberal Reason, Contemporary Music, and Proximal Critique0
TCM volume 19 issue 2 Cover and Back matter0
Rethinking Post-Authoritarian Chile through Its Popular Music0
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project0
Singing on Solid Ground: Music Education in Post-Earthquake Haiti0
Michiko Toyama Disrupts the Historiography of Modernism0
Notes on Contributors0
Roberto Kolb-Neuhaus, Silvestre Revueltas: Sounds of a Political Passion (New York: Oxford University Press, 2023), ISBN 978-0-199-75148-8 (Hb).0
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone0
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).0
Rock-a-Cha-Cha: The Erased Impact of Latin American Music on the Rhythmic Transformation of US Popular Music0
Introduction to the Special Issue on Global Musical Modernisms0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–19460
Before and Besides Werktreue: (Re)inventing Operatic Staging at the 1930s Maggio Musicale Fiorentino0
TCM volume 20 issue 1 Cover and Front matter0
‘Why, Miles, what a funny song! Did I teach you that?’: The Turn of the Screw, Reading, Imagination, and the Uncanny0
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory0
Global Musical Modernisms as Decolonial Method0
Von Haus zu Haus : Kurt Reinhard, Erich Stockmann, and the Berlin Phonogram Archive in the Shadow of the Berlin Wall0
Christopher Morris, Screening the Operatic Stage: Television and Beyond (Chicago and London: University of Chicago Press, 2024), xii, 256pp. ISBN: 978-0-0
Destroying the Imagined City0
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming0
The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney0
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History0
Notes on Contributors0
Rubbled Cities – Sounds and Silence: A Travelogue0
The Current Situation of an African Composer0
TCM volume 20 issue 1 Cover and Back matter0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).0
The Eternal Path between Sound and Sense: Luciano Berio's Linguistic Exploration in Sinfonia and Coro0
Silenced Voices: Addressing Human Rights Violations Through Musical Drama0
Through the Lens of Socialist Realism: Nikos Skalkottas's Turn to Tonality in the 1940s0
Andrew Simon, Media of the Masses: Cassette Culture in Modern Egypt (Stanford, CA: Stanford University Press, 2022), ISBN 9781503631441 (pb).0
Notes on Contributors0
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).0
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’0
On Censorship, Silence, and Rubble: Reflections on the Destruction of a Performance Venue in Mexico City0
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium0
Free Electric Music: The Groupe d’Expression Directe de Châteauvallon and Opus N0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).0
‘Chile – Ballad of the Cameraman’: New Song and ‘Revolutionary’ South America in Wolf Biermann's Anthems of East German Critical Solidarity0
Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype0
Notes on Contributors0
Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance0
Robert Wannamaker, The Music of James Tenney, 2 vols. (Urbana, IL: University of Illinois Press, 2021), ISBN 9780252043673 and 9780252043680.0
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