OOIR: Observatory of International Research

Papers

(The median citation count of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’	9
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach	5
TCM volume 20 issue 3 Cover and Back matter	5
When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–2016	3
Memory, Resistance, and Liberation in XLIII Memoriam Vivere and Other Works	3
Mimetic Mechanicity: TheIron Foundryand Vernacular Internationalism in the 1930s	3
Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today – ERRATUM	3
TCM volume 19 issue 3 Cover and Front matter	3
Uncovering the Roots of Musica Elettronica: Viva Early Concerts, Improvisation, and the Influence of the Living Theatre (1966–1968)	3
Cannibalizing Bach: Villa-Lobos in Europe, 1936	3
Representations of Metaphysical Temporality in the Libretto of Einojuhani Rautavaara's Vincent with a Corresponding Resemblance to Alban Berg's	2
Migration, the Dodecaphonic Diaspora and the Transnational Network of Musical Modernism: The Varied Career of Hans-Joachim Koellreutter	2
Clashing Neoclassicisms: Ernst Krenek’s Leben des Orest at the Berlin Kroll Opera	2
Hydrophones and the Historical Making of a Transatlantic Caribbean Oceanic Anthropocene	2
Presenting Soviet Music: Gubaidulina, Schnittke, and Others at the Helsinki Week of New Soviet Music in 1984	2
Playing with Travelling Ideas and Practices in Music: On the Creative Processes of the Grupo de Experimentación Musical (Buenos Aires, 1969–70)	2
Attachment after the End: Grief and Repair in Modernist Percussion	2
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer	2
Memory, Resistance, and Liberation in XLIII Memoriam Vivere and Other Works – ERRATUM	1
Notes on Contributors	1
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment	1
Through the Lens of Socialist Realism: Nikos Skalkottas's Turn to Tonality in the 1940s	1
TCM volume 20 issue 2 Cover and Back matter	1
Notes on Contributors	1
Notes on Contributors	1

TCM volume 20 issue 1 Cover and Back matter	1
Notes on Contributors	1
‘Our Ship Drum Earth’: Decolonial Musicking in Ernesto Neto’s Percussion Installation in Lisbon	1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain	1
Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today	1
Introduction to the Special Issue on Music and Democratic Transition	1
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India	1
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone	0
Christopher Morris, Screening the Operatic Stage: Television and Beyond (Chicago and London: University of Chicago Press, 2024), xii, 256pp. ISBN: 978-0-	0
Luis Alvarado and Alejandra Cárdenas (eds.), Switched On: The Dawn of Electronic Sound by Latin American Women (Berlin: Contingent Sounds, 2024), ISNB: 9	0
Introduction to the Special Issue on Transatlantic Encounters in Twentieth-Century Sound and Music	0
The Current Situation of an African Composer – ERRATUM	0
Von Haus zu Haus : Kurt Reinhard, Erich Stockmann, and the Berlin Phonogram Archive in the Shadow of the Berlin Wall	0
Sounding Cosmopolitan Modernity: Magic-City, la Parisienne , and the Tango, 1911–1914	0
Norwegian Nationalism and the Ethnographic ‘Village’: Senegalese Musicians at Kongolandsbyen, Oslo, 1914	0
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming	0
TCM volume 19 issue 3 Cover and Back matter	0
Aural Diplomacy. Listening to Hello Americans (1942–1943) by Orson Welles	0
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War	0
Michiko Toyama Disrupts the Historiography of Modernism	0
The Musical Text: Theorizing Openness after Structuralism	0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality	0
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’	0
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's FilmThe Skin I Live In(2011)	0
Ode to Gravity (1970–1995): Music, Experimentation, and Sound Sensitivity	0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin	0
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges	0
Andrew Simon, Media of the Masses: Cassette Culture in Modern Egypt (Stanford, CA: Stanford University Press, 2022), ISBN 9781503631441 (pb).	0
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).	0
Roberto Kolb-Neuhaus, Silvestre Revueltas: Sounds of a Political Passion (New York: Oxford University Press, 2023), ISBN 978-0-199-75148-8 (Hb).	0
On Censorship, Silence, and Rubble: Reflections on the Destruction of a Performance Venue in Mexico City	0
Reiterating Hierarchy and the Failed Promise of the Global	0
‘Chile – Ballad of the Cameraman’: New Song and ‘Revolutionary’ South America in Wolf Biermann's Anthems of East German Critical Solidarity	0
The Forty Part Motetin New York City after 9/11	0
Brian Kane, Hearing Double: Jazz, Ontology, Auditory Culture (New York: Oxford University Press, 2024), ISBN 978-0-190-60050-1 (hb).	0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).	0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–1946	0
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory	0
Rock-a-Cha-Cha: The Erased Impact of Latin American Music on the Rhythmic Transformation of US Popular Music	0
TCM volume 20 issue 2 Cover and Front matter	0
Budhaditya Chattopadhyay, The Auditory Setting: Environmental Sounds in Film and Media Arts (Edinburgh: University of Edinburgh Press, 2021), ISBN 9781474474382.	0
Robert Wannamaker, The Music of James Tenney, 2 vols. (Urbana, IL: University of Illinois Press, 2021), ISBN 9780252043673 and 9780252043680.	0
Global Musical Modernisms as Decolonial Method	0
Andean Pentatonism and Pampean Chromaticism? Representations of the Mapuche World in the Musical and Musicological Work of Carlos Lavín Acevedo (1883–1962)	0
Musical Submersion in Anthropocene Seas: Oceanic Aesthetics in Björk and John Luther Adams	0
The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney	0
What Can Music Say About the World in Which We Live?	0
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media	0
Notes on Contributors	0
‘Why, Miles, what a funny song! Did I teach you that?’: The Turn of the Screw, Reading, Imagination, and the Uncanny	0

Notes on Contributors	0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville	0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair	0
TCM volume 20 issue 3 Cover and Front matter	0
Breakdowns and the Aesthetic of Disorientation in Festival-House Music	0
Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–1934	0
Neoliberal Reason, Contemporary Music, and Proximal Critique	0
Silenced Voices: Addressing Human Rights Violations Through Musical Drama	0
The Panama Songs: Colonial Structures in US Popular Music between 1900 and 1920	0
Musical Orientalism and the Sublimation of Homosexuality in Early Twentieth-Century Spain	0
Virals, Memes, and the Lick's Circulation through Online Jazz Communities	0
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium	0
Notes on Contributors	0
Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge	0
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)	0
Before and Besides Werktreue: (Re)inventing Operatic Staging at the 1930s Maggio Musicale Fiorentino	0
American Echoes: Bronislaw Huberman’s Pan-Europe and the Founding of the Palestine Symphony Orchestra	0
Minjung Kayo: Imagining Democracy through Song in South Korea	0
Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype	0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don	0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).	0
TCM volume 20 issue 1 Cover and Front matter	0
Notes on Contributors	0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.	0
All Songs Considered: The Persuasive Listening of Music Podcasts	0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private	0
Sensing the World: Pianos as Media of Transatlantic Encounters, between East Africa, Europe, and North America	0
Interruptions and Discontinuity: Constructing a Segregated Intercultural Musical Space in Tan Dun’s Concerto for String Quartet and Pipa	0
Compositions That Listen	0
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).	0
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project	0
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film	0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi	0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN	0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style	0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-2	0
The Current Situation of an African Composer	0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).	0
The Eternal Path between Sound and Sense: Luciano Berio's Linguistic Exploration in Sinfonia and Coro	0
Lucy Caplan, Dreaming in Ensemble: How Black Artists Transformed American Opera (Cambridge, MA: Harvard University Press, 2025), 336pp. ISBN 978-0-674-26	0
Notes on Contributors	0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History	0
Introduction to the Special Issue on Global Musical Modernisms	0
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).	0
Free Electric Music: The Groupe d’Expression Directe de Châteauvallon and Opus N	0
Notes on Contributors	0
Canadian Cultural Diplomacy and Transatlantic Musical Exchanges during the 1970s	0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)	0
Rethinking Post-Authoritarian Chile through Its Popular Music	0