Eighteenth-Century Music

Papers
(The TQCC of Eighteenth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Handel as Miscellany1
EVIDENCE OF THE PRACTICAL APPLICATION OF SOLFEGGIO PATTERNS IN THE MANUSCRIPT FOR THE 1707 NEAPOLITAN PERFORMANCE OFLA FEDE TRADITA E VENDICATABY GASPARINI AND VIGNOLA1
Haydn from the ‘Frontier’1
Topics and Schemata1
ROUSSEAU'S AIR CHINOIS1
CHARLES WESLEY, METHODISM AND NEW ART MUSIC IN THE LONG EIGHTEENTH CENTURY1
MARK A. PETERS AND REGINALD L. SANDERS, EDS COMPOSITIONAL CHOICES AND MEANING IN THE VOCAL MUSIC OF J. S. BACH Lanham, MD: Lexington Books, 2018 pp. xxv + 328, isbn 978 1 498 55495 41
Dubourg, Geminiani and the Violin Concerto in D Major: A Misattribution1
Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century1
Thema da capo: Another Look at Mozart's Embellishments1
Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 20221
Lost Arias from Ifigenia in Tauri (1713) in Thomas Gray's Music Collection: ‘E posto in Musica dal Sig. Domenico Scarlatti’?0
ECM volume 20 issue 2 Cover and Back matter0
Haydn Society of North America Mini-Conference0
Tenth Biennial Conference of the Society for Eighteenth-Century Music0
DISSONANCE AND HARMONY: RESPONSE TO DANIEL R. MELAMED0
International Conference on Musical Form Durham University, 21–23 June 20210
Telemann Studies Wolfgang Hirschmann and Steven Zohn, eds Cambridge: Cambridge University Press, 2022 pp. xxxii + 344, ISBN 978 1 108 49383 30
RESPONSE TO RUTH TATLOW0
Historically Informed Performance: Theory and Practice of the 18th-Century Musical and Theatrical Repertoire0
Hypermetric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Danuta Mirka New York: Oxford University Press, 2021 pp. 389 + xiii, ISBN 978 0 197 54890 50
Salieri & Beethoven in Dialogue Antonio Salieri (1750–1825), Ludwig van Beethoven (1770–1827) Heidelberger Sinfoniker / Timo Jouko Herrmann (director) / Diana Tomsche, Joshua Whitener, Kai Preußke0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution David Charlton Cambridge: Cambridge University Press, 2021 pp. xxiv + 368, ISBN 978 1 316 51584 60
ECM volume 18 issue 2 Cover and Back matter0
Johann Christian Bach: Operas and Dramatic Works0
Le sacre stimmate di San Francesco d'Assisi Maria Anna von Raschenau (c1650–1714), ed. Janet K. Page Middleton, WI: A-R Editions, 2019 pp. xxxviii + six plates + 92, ISBN 978 1 987 20255 70
The Making of Jamaica's ‘First Composer’: Rethinking Samuel Felsted0
The Manuscript Source of Philippe II d'Orléans's Cantates françaises: A New Light on Early Eighteenth-Century Transnational Networks of Connoisseurship and Collecting0
Redemption and the Modern Age – Handel's Messiah between the Late 18th and the 21st Century Georg-Friedrich-Händel-Gesellschaft and Martin-Luther-Universität Halle-Wittenberg, Halle (Saale), 290
AYANA O. SMITH DREAMING WITH OPEN EYES: OPERA, AESTHETICS, AND PERCEPTION IN ARCADIAN ROME Oakland: University of California Press, 2019 pp. xiii + 311, isbn 978 0 520 29815 60
Music, Pantomime & Freedom in Enlightenment France Hedy Law Woodbridge: Boydell, 2020 pp. xx + 265, ISBN 978 1 783 2756 010
‘Theatre as a Nursery of Language’: Learning French through Vaudeville Tunes in Eighteenth-Century England0
EVA BADURA-SKODA THE EIGHTEENTH-CENTURY FORTEPIANO GRAND AND ITS PATRONS FROM SCARLATTI TO BEETHOVEN Bloomington: Indiana University Press, 2017 pp. xiii + 492, isbn 978 0 253 02263 90
DAVID YEARSLEY SEX, DEATH, AND MINUETS: ANNA MAGDALENA BACH AND HER MUSICAL NOTEBOOKS Chicago: University of Chicago Press, 2019 pp. xxxv + 324, isbn 978 0 226 61770 10
JEAN-BAPTISTE LEMOYNE (1751–1796)PHÈDRE Orfeo Orchestra / Purcell Choir / György Vashegyi (conductor) / Judith van Wanroij, Julien Behr, Tassis Christoyannis, Melody Louledjian, Jérôme Boutillier, Lud0
Notes on Contributors0
EDITORIAL0
Let's Talk about Emotion0
ECM volume 20 issue 1 Cover and Front matter0
STRING QUARTETS IN BEETHOVEN'S EUROPE UNIVERSITY OF AUCKLAND, 25–27 JULY 20200
ECM volume 21 issue 1 Cover and Back matter0
ECM volume 19 issue 2 Cover and Back matter0
The Rediscovery of the Nouvelle méthode pour apprendre à jouer de la harpe by Michel Corrette0
ECM volume 18 issue 1 Cover and Front matter0
Notes on Contributors0
Trois Quatuors Op. 42 Adalbert Gyrowetz (1763–1850) Quartetto Oceano OMF Records KDC-2093G, 2021; one disc, 64 minutes0
JACQUES MOREL (fl.c1700–1749)PREMIER LIVRE DE PIÈCES DE VIOLLE Alejandro Marías (viola da gamba) / La Spagna Brilliant Classics 95962, 2019; one disc, 72 minutes0
Notes on Contributors0
EMILY H. GREEN DEDICATING MUSIC, 1785–1850 Rochester, NY: University of Rochester Press, 2019 pp. xii + 247, isbn 978 1 580 46949 40
BACH AND MOZART: CONNECTIONS, PATTERNS, PATHWAYS STANFORD UNIVERSITY, 13–16 FEBRUARY 20200
Cayetano Brunetti: Complete Oboe Sextets Gaetano (Cayetano) Brunetti (1744–1798) Il Maniatico Ensemble / Robert Silla (oboe) IBS Classical IBS92021; two discs, 130 minutes0
BEETHOVEN AND THE PIANO: PHILOLOGY, CONTEXT AND PERFORMANCE PRACTICE LUGANO, 4–7 NOVEMBER 20200
Symphonies, volumes 1 and 2 Theodor von Schacht (1748–1823) Evergreen Symphony Orchestra / Gernot Schmalfuss (conductor) Volume 1, Classic Produktion Osnabrück CPO 777737–2, 2014; one disc, 78 minutes0
pieter hellendaal (1721–1799)‘CAMBRIDGE’ SONATAS Johannes Pramsohler (violin) / Gulrim Choï (cello) / Philippe Grisvard (harpsichord) Audax adx13720, 2020: one disc, 69 minutes0
Attilio Ariosti (1666–1729) La Profezia d'Eliseo nell'assedio di Samaria Marie-Sophie Pollak, Marta Redaelli, Alessio Tosi, Mauro Borgioni, Matteo Pigato (soloists) / Ensemble Lorenzo da Ponte / Rober0
Opera Pasticcio in Eighteenth-Century Opera: Work Concept, Performance Practice, Digital Humanities Warsaw, 13–14 May 20210
ECM volume 21 issue 2 Cover and Front matter0
Music, Dance, and Drama in Early Modern English Schools Amanda Eubanks Winkler Cambridge: Cambridge University Press, 2020 pp. xviii + 242, ISBN 978 1 108 85898 40
RESPONSE TO STEWART POLLENS0
How Sonata Forms: A Bottom-Up Approach to Musical Form Yoel Greenberg New York: Oxford University Press, 2022 pp. xi + 264, ISBN 978 0 197 52628 60
NOTES ON CONTRIBUTORS0
Archivo de Guatemala: Music from the Guatemala City Cathedral Archive El Mundo / Richard Savino (director) Naxos 8.574295, 2021; one disc, 74 minutes0
Thirteenth Handel Institute Conference0
Mr Charles the Hungarian: Handel's Rival in Dublin Irish Baroque Orchestra / Peter Whelan Linn Records CKD 718, 2023; one disc, 64 minutes0
Classics Off-Centre: Performing and Listening to the Music of Haydn, Mozart and Beethoven during the Long Nineteenth Century0
Das Wiener Kärntnertortheater 1728–1748: Vom Städtischen Schauspielhaus zum Höfischen Opernbetrieb Andrea Sommer-Mathis and Reinhard Strohm, eds Vienna: Hollitzer, 2023 pp. xiv + 712, ISBN 978 3 990 90
Sonatas for Pianoforte and Violin Ludwig van Beethoven (1770–1827), ed. Clive Brown Kassel: Bärenreiter, 2020 Two volumes (each with score/urtext violin part/performance part), pp. lxxv + 151/49/49, l0
Tonadillas. Volumen 1: Obras del periodo 1768–1778 Jacinto Valledor (1744–1809), ed. Aurèlia Pessarrodona Madrid: Consejo Superior de Investigaciones Científicas, 2019 pp. 412, ISBN 978 8 400 10498 60
Periodization and Hispanic Music of the Eighteenth Century: Some Reflections0
Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent0
Combining the Arts: Multimedia Performances in the Early 19th-Century Habsburg Empire0
Philon und Theone Georg Anton Benda (1722–1795), ed. Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp. xxiv + 166, ISBN 978 1 9872 0456 80
From Servant to Savant: Musical Privilege, Property, and the French Revolution Rebecca Dowd Geoffroy-Schwinden New York: Oxford University Press, 2022 pp. xxii + 328, ISBN 978 0 197 51151 00
Notes on Contributors0
Texting Scarlatti0
Musical Improvisation in the Baroque Era Fulvia Morabito, ed. Turnhout: Brepols, 2019 pp. xvi + 405, ISBN 978 2 503 58369 30
ECM volume 18 issue 2 Cover and Front matter0
Notes on Contributors0
Sonate per Clavicembalo, volumes 9 and 10 Domenico Scarlatti (1685–1757), ed. †Emilia Fadini and Marco Moiraghi Milan: Ricordi, 2016 and 2021 Volume 9, pp. xv + 282, ISBN 978 8 875 92984 8 Volume 10, 0
SARAH JUSTINA EYERLY MORAVIAN SOUNDSCAPES: A SONIC HISTORY OF THE MORAVIAN MISSIONS IN EARLY PENNSYLVANIA Bloomington: Indiana University Press, 2020 pp. xvi + 269, isbn 978 0 250
Musik im Umbruch: Wirken und Wirkungen von Johann Joachim Quantz0
LAURA LOHMAN HAIL COLUMBIA! AMERICAN MUSIC AND POLITICS IN THE EARLY NATION New York: Oxford University Press, 2020 pp. xiv + 326, isbn 978 0 190 93061 50
Latin Pastorellas Joseph Anton Sehling (1710–1756), ed. Milada Jonášová Prague: Academus, 2017 pp. xli + 49, ISBN 978 8 088 08117 30
Authentisch? Zum Umgang mit Emotionen in der Alten Musik0
The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century Nicholas Baragwanath New York: Oxford University Press, 2020 pp. xix + 410, ISBN 978 0 197 51408 50
L'Altra Venezia Scaramuccia Snakewood Editions SCD202301, 2023; one disc, 77 minutes0
ECM volume 19 issue 1 Cover and Front matter0
BEETHOVEN 2020: ANALYTICAL AND PERFORMATIVE PERSPECTIVES CONSERVATORIUM VAN AMSTERDAM, 29 FEBRUARY–1 MARCH 20200
Erard: A Passion for the Piano Robert Adelson New York: Oxford University Press, 2021 pp. xii + 238, ISBN 978 0 197 56531 50
Child Composers in the Old Conservatories: How Orphans Became Elite Musicians Robert O. Gjerdingen New York: Oxford University Press, 2020 pp. 355, ISBN 978 0 190 65359 00
AGOSTINO STEFFANI (1654–1728), ED. WALTRAUT ANNA LACH DIE OPERNEINAKTER LA LOTTA D'HERCOLE CON ACHELOO UND BACCANALI VON AGOSTINO STEFFANI MIT EINER EINFÜHRUNG ZUR FORM DES OP0
Symposium on Beethoven's Pianos The Center for Beethoven Research, Boston University, 8 November 20210
Antoine Reicha and the Making of the Nineteenth-Century Composer Fabio Morabito and Louise Bernard de Raymond, eds Bologna: Ut Orpheus, 2021 pp. xxix + 329, ISBN 978 8 881 09522 30
Musique et société dans les Caraïbes françaises, 1750–1810 Centre d’études supérieures de la Renaissance, Tours, 5–7 May 20220
INTERNATIONAL CONFERENCE ON COLONIAL MUSIC: MUSIC AND ARTS OF COLONIAL NEW SPAIN FLORIDA INTERNATIONAL UNIVERSITY, 5–7 MARCH 20200
‘PARALLEL PROPORTIONS’ IN J. S. BACH'S MUSIC0
Heritage: The Music of Madrid in the Time of Goya Luigi Boccherini (1743–1805), Gaetano Brunetti (1744–1798), Manuel Canales (1747–1786), João Pedro de Almeida Mota (1744–c1817), Cristóbal de M0
JOHANN JOSEPH RÖSLER (1771–1812), ED. ALENA HÖNIGOVÁ CONCERTO FOR PIANOFORTE AND ORCHESTRA NO. 2 IN E-FLAT MAJOR Kassel: Bärenreiter, 2018 pp. x + 105, ismn 979 0 260 10860 80
Ninth Biennial Conference of the Society for Eighteenth-Century Music Stockholm, 6–7 and 13–14 August 20210
RESPONSE TO JOHN KOSTER0
THE EARLY HISTORY OF THE CELLO IN NAPLES: GIOVANNI BONONCINI, ROCCO GRECO AND GAETANO FRANCONE IN A FORGOTTEN MANUSCRIPT COLLECTION0
Reassessing Haydn's Sacred Music0
Serenatas for Dublin Johann Sigismund Kusser (1660–1727), ed. Samantha Owens Middleton, WI: A-R Editions, 2020 pp. xxviii + 262, ISBN 978 1 9872 0450 60
20th Biennial International Conference on Baroque Music0
JEREMY YUDKIN FROM SILENCE TO SOUND: BEETHOVEN'S BEGINNINGS Woodbridge: Boydell, 2020 pp. xxi + 424, isbn 978 1 78327 479 60
MORE ON THE ACCADEMIES AT ESZTERHÁZA IN HAYDN'S TIME0
The Musical Discourse of Servitude: Authority, Autonomy, and the Work-Concept in Fux, Bach, and Handel Harry White New York: Oxford University Press, 2020 pp. xvi + 307, ISBN 978 0 190 90387 90
‘THE FAMOUS VIDAL’: NEW LIGHT ON THE LIFE AND WORKS OF A GUITARIST IN LATE EIGHTEENTH-CENTURY FRANCE0
John Eccles (c1668–1735), ED. MICHAEL BURDEN EUROPE'S REVELS FOR THE PEACE OF RYSWICK Middleton, WI: A-R Editions, 2019 pp. xxvii + 97, isbn 978 1 978 20306 60
ECM volume 21 issue 1 Cover and Front matter0
The Life behind the Music, the Life behind the Words: On Writing Poems about String Quartets by Haydn, Beethoven and Schubert0
ECM volume 18 issue 1 Cover and Back matter0
EDITORIAL0
GIANMARIO BORIO and ANGELA CARONE, EDS MUSICAL IMPROVISATION AND OPEN FORMS IN THE AGE OF BEETHOVEN Abingdon: Routledge, 2018 pp. x + 243, isbn 978 0 367 88462 80
Spanish Roots: Music in Iberia and Latin America0
FIRST BOUNTY OF THE NEW WAṄHAL CATALOGUE0
ECM volume 20 issue 1 Cover and Back matter0
Diogenio Bigaglia and His Dixit Dominus0
ECM volume 21 issue 2 Cover and Back matter0
Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater Marcie Ray Rochester: University of Rochester Press, 2020 pp. xi + 191, ISBN 978 1 580 46988 30
Modern Premiere of Franz Weiss's ‘Razumovsky’ Quartets0
The Italian Opera Singers in Mozart's Vienna Dorothea Link Urbana: University of Illinois Press, 2022 pp. viii + 484, IBSN 978 0 252 04464 90
C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century0
PATRIZIO BARBIERI QUARRELS ON HARMONIC THEORIES IN THE VENETIAN ENLIGHTENMENT Lucca: LIM, 2020 pp. xiv + 372, isbn 978 8 855 43022 70
Ulysses: Musicalisches Schauspiel Reinhard Keiser (1674–1739) Göttinger Barockorchester / Antonius Adamske (direction) Coviello Classics COV 92203, 2022; two discs, 150 minutes0
THE SHAKESPEARE CONNECTION: BEETHOVEN'S STRING QUARTET OP. 18 NO. 1 AND THE VIENNA HAUSTHEATER0
Beethoven Exhibition at the British Library0
Giuseppe Tartini (1692–1770): European Paths, Networks, Legacy0
Die leidende und am Creutz sterbende Liebe Jesu Gottfried Heinrich Stölzel (1690–1749), ed. Warwick Cole Middleton, WI: A-R Editions, 2020 pp. xxxii + 220, ISBN 978 1 987 20613 50
MANUEL DE SUMAYA (c1678–1755), ED. DREW EDWARD DAVIES VILLANCICOS FROM MEXICO CITY Middleton, WI: A-R Editions, 2019 pp. xliii + 231, isbn 978 1 978 20202 10
Listening to China: Sound and the Sino-Western Encounter, 1770–1839 Thomas Irvine Chicago: University of Chicago Press, 2020 pp. 263, ISBN 9 780226 6671260
Chamber Scenes: Musical Space, Medium, and Genre c. 18000
Database of Harpsichord and Clavichord Makers Goes Online0
Six Settings Of ‘Ave Regina Coelorum’ (ZWV 128) Jan Dismas Zelenka (1679–1745), ed. Frederic Kiernan Middleton, WI: A-R Editions, 2018 pp. xvii + 64, ISBN 978 1 987 20053 90
ECM volume 19 issue 1 Cover and Back matter0
The Tartini Moment0
Sonatas a Violino Solo e Basso Gaetano Brunetti (1744–1798) Carlos Gallifa (violin) / Galatea Ensemble Lindoro NL3055, 2022; one disc, 55 minutes0
Notes on Contributors0
Ocho Responsorios para los Maitines de la Santísima Trinidad Antonio Juanas (1762/1763–after 1816), ed. R. Ryan Endris Leinfelden-Echterdingen: Carus, 2019 pp. viii + 72, ISBN 979 0 007 18884 90
American Handel Society Conference Indiana University, 11–14 March 20210
Peculiar Attunements: How Affect Theory Turned Musical Roger Mathew Grant New York: Fordham University Press, 2020 pp. x + 168, ISBN 978 0 823 28774 10
BEETHOVEN THE EUROPEAN LUCCA, 4–6 DECEMBER 20200
Beethoven on an Original Fortepiano in the 1930s: Arnold Dolmetsch, Ruth Eyre and a Stodart Instrument of 17900
Women and Music in the Early Modern Age Palácio Nacional de Queluz, 2–4 July 20210
Becoming a Virtuosa: Advice from Vienna, 17690
Jean-Louis Duport (1749–1819)Sonates & Duos for Cello Claudio Ronco and Emanuela Vozza Urania Records LDV14057, 2020; one disc, 77 minutes0
Late Style and the Idea of the Summative Work in Bach and Beethoven University of Massachusetts Amherst, 24 April 20210
ECM volume 20 issue 2 Cover and Front matter0
Ouvertures à la française: migrations musicales dans l'espace germanique, 1660–1730 Louis Delpech Turnhout: Brepols, 2020 pp. 349, ISBN 978 2 503 58858 20
Musicking: Culturally Informed Performance Practices University of Oregon School of Music and Dance, 19–24 April 20220
The Hibernian Muse: Music for Ireland by Purcell and Cousser Johann Sigismund Cousser (1660–1727), Henry Purcell (1659–1695) Irish Baroque Orchestra / Peter Whelan (conductor) Linn CKD 685, 2022; one 0
GLENDA GOODMAN CULTIVATED BY HAND: AMATEUR MUSICIANS IN THE EARLY AMERICAN REPUBLIC New York: Oxford University Press, 2020 pp. xxv + 243, isbn 9 780 190 88492 50
In Search of the ‘Oriental Origin’: Rameau, Rousseau and Chinese Music in Eighteenth-Century France0
CARYL CLARK AND SARAH DAY-O'CONNELL, EDS THE CAMBRIDGE HAYDN ENCYCLOPEDIA Cambridge: Cambridge University Press, 2019 pp. xxxviii + 486, isbn 978 1 107 12901 60
MIXED METRE IN A MIXED TASTE: TELEMANN AND EIGHTEENTH-CENTURY METRIC THEORY0
Mozart and Salzburg: Mozart Society of America and Society for Eighteenth-Century Music Joint Conference Salzburg, 26–29 May 20220
Cosmic Harmonies: A Symposium Celebrating the Life, Science, Music, and Legacy of William Herschel (1738–1822) University of York, 19 June 20220
W. DEAN SUTCLIFFE INSTRUMENTAL MUSIC IN AN AGE OF SOCIABILITY: HAYDN, MOZART AND FRIENDS Cambridge: Cambridge University Press, 2020 pp xiv + 598, isbn 978 1 107 01381 00
Antonio Juanas: Premiere Recordings of Selected Choral Works Antonio Juanas (c1762–c1821) Collegium Mundi Novi / R. Ryan Endris (conductor) Centaur CRC3663, 2018; one disc, 64 minutes0
JOSEPH BRENTNER (1689–1742): A CATALOGUE OF HIS WORKS0
The Salon and the Senses in the Long Eighteenth Century: Interdisciplinary Perspectives Rutgers University, 4–5 March 20210
LEONARDO J. WAISMAN UNA HISTORIA DE LA MÚSICA COLONIAL HISPANOAMERICANA Buenos Aires: Gourmet Musical Ediciones, 2019 pp. 478, isbn 978 9 873 82324 40
ECM volume 19 issue 2 Cover and Front matter0
Laudate Pueri Dominum Niccolò Jommelli (1714–1774), ed. António Jorge Marques Lucca: Libreria Musicale Italiana, 2021 pp. xv + 165, ISBN 978 8 855 43074 60
Handel: Interactions and Influences The Foundling Museum, London, and the Bridewell Centre, London, 19–21 November 20210
The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England Alison C. DeSimone Clemson: Clemson University Press, 2021 pp. xiii + 315, ISBN 978 1 942 95477 40
IN SEARCH OF PERFECT HARMONY: GIUSEPPE TARTINI'S MUSIC AND MUSIC THEORY IN LOCAL AND EUROPEAN CONTEXTS LJUBLJANA, 16–17 NOVEMBER 20200
NOTES ON CONTRIBUTORS0
Zelenka Conference Prague 2021: Seventh Edition Velkopřevorský palác, Prague, 16 October 20210
AN UNKNOWN TRIBUTE BY FARINELLI TO KING PHILIP V OF SPAIN0
BACH E L'ITALIA TURIN, 26–28 NOVEMBER 20200
A Foretaste of Heaven: Musical Teleology in Mozart's Ave verum corpus, k6180
Beethovens Missa solemnis: Das ‘gröste Werk, welches ich bisher geschrieben’ Cologne, 4–6 November 20210
RUSSELL STINSON BACH'S LEGACY: THE MUSIC AS HEARD BY LATER MASTERS New York: Oxford University Press, 2020 pp. ix + 177, isbn 978 0 190 09122 40
Music of the Clocks and Spheres: Mozart and Haydn's Experiments with Time0
ORPHEUS INSTITUUT ACQUIRES THE LIBRARY OF TON KOOPMAN0
Music Theatre and the Holy Roman Empire: The German Musical Stage at the Turn of the Nineteenth Century Austin Glatthorn Cambridge: Cambridge University Press, 2022 pp. xix + 369, ISBN 978 1 316 512490
NICCOLÒ JOMMELLI (1714–1774) REQUIEM & MISERERE MISSA PRO DEFUNCTIS IN E FLAT MAJOR (HOCJ A1.3) FOR FOUR VOICES, STRINGS AND BASSO CONTINUO Il Gardellino Vocal Ensemble & Baroque Orchestra / P0
The Comedians of the King: Opéra Comique and the Bourbon Monarchy on the Eve of Revolution Julia Doe Chicago: University of Chicago Press, 2021 pp. vii + 314, ISBN 978 0 226 74339 40
EIGHTEENTH-CENTURY SYMPHONY ARCHIVE, NOW ONLINE0
Fluidity and ‘Animalism’ in Preparing Purcell0
The Viennese Ballroom in the Age of Beethoven Erica Buurman Cambridge: Cambridge University Press, 2022 pp. xiv + 193, ISBN 978 1 108 49585 10
Mozart and the Mediation of Childhood Adeline Mueller Chicago: University of Chicago Press, 2021 pp. xiii + 287, ISBN 978 0 226 62966 70
Trendsetter: Telemann und Keiser0
Labours of Love: A Tribute to Caryl Clark's Vision0
Chabanon, the Listening Self and the Prosopopoeia of Aesthetic Experience0
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century Nicholas Mathew Chicago: University of Chicago Press, 2022 pp. vi + 243, ISBN 978 0 226 81984 60
Lettere e Documenti / Pisma in Dokumenti / Letters and Documents, two volumes Giuseppe Tartini (1692–1770), ed. Giorgia Malagò Trieste: Edizioni Università di Trieste, 2020 Volume 1, pp. 374, ISBN 9780
The Figured Bass Accompaniment in Europe Lucca, 9–12 September 20210
Interdisciplinary Approaches to Musical Time0
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