Eighteenth-Century Music

Papers
(The median citation count of Eighteenth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Calcutta 1789: À la Croisée de l'Europe et de l'Inde Christopher Palameta and Notturna ATMA Classique ACD22831, 2023; one disc, 64 minutes3
Opera and Enlightenment: Thoughts on How We Approach Eighteenth-Century Works2
Die Tradition des italienischen Oratoriums im Wien des 17. und 18. Jahrhunderts1
Music, Pantomime & Freedom in Enlightenment France Hedy Law Woodbridge: Boydell, 2020 pp. xx + 265, ISBN 978 1 783 2756 011
W. A. Mozart's Opera Fragments: Then and Now1
Dubourg, Geminiani and the Violin Concerto in D Major: A Misattribution1
When Disability and Music Met Maker Culture: The Long(er) History of Accessible Music Notation1
Cosmic Harmonies: A Symposium Celebrating the Life, Science, Music, and Legacy of William Herschel (1738–1822) University of York, 19 June 20221
ECM volume 20 issue 1 Cover and Front matter1
The Tartini Moment1
String Virtuosi in Eighteenth-Century Naples: Culture, Power, and Music Institutions Guido Olivieri Cambridge: Cambridge University Press, 2023 pp. xviii + 300, ISBN 978 1 009 27368 80
Reframing the Gaze: Maria Theresia Paradis, Blind Musicians, and Musical Culture before and after Braille0
Women as Agents for the Pan-European Mobility of Italian Opera in the Eighteenth Century0
Antoine Reicha and the Making of the Nineteenth-Century Composer Fabio Morabito and Louise Bernard de Raymond, eds Bologna: Ut Orpheus, 2021 pp. xxix + 329, ISBN 978 8 881 09522 30
Analysing Rhetoric beyond Figures: Intonation and Discourse in Instrumental Music from the 18th Century Onwards0
In Search of the ‘Oriental Origin’: Rameau, Rousseau and Chinese Music in Eighteenth-Century France0
Research Reloaded: The New Digital Catalogue of Georg Philipp Telemann’s Works0
Texting Scarlatti0
20th Biennial International Conference on Baroque Music0
Tenth Biennial Conference of the Society for Eighteenth-Century Music0
Notes on Contributors0
ECM volume 19 issue 2 Cover and Front matter0
Ulysses: Musicalisches Schauspiel Reinhard Keiser (1674–1739) Göttinger Barockorchester / Antonius Adamske (direction) Coviello Classics COV 92203, 2022; two discs, 150 minutes0
Music, Dance, and Drama in Early Modern English Schools Amanda Eubanks Winkler Cambridge: Cambridge University Press, 2020 pp. xviii + 242, ISBN 978 1 108 85898 40
C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century0
Musik im Umbruch: Wirken und Wirkungen von Johann Joachim Quantz0
Leonardo Vinci: Opere, Contesto, Fortuna0
Mozart the Performer: Variations on the Showman’s Art Dorian Bandy Chicago: University of Chicago Press, 2023pp. ix + 288, isbn 978 0 226 82855 80
Lost Arias from Ifigenia in Tauri (1713) in Thomas Gray's Music Collection: ‘E posto in Musica dal Sig. Domenico Scarlatti’?0
Performing the Eighteenth Century: Theatrical Discourses, Practices, and Artefacts Magnus Tessing Schneider and Meike Wagner, eds Stockholm: Stockholm University Press, 2023 pp. xxii + 312, ISBN 978 90
Becoming a Virtuosa: Advice from Vienna, 17690
Database of Harpsichord and Clavichord Makers Goes Online0
Music of the Clocks and Spheres: Mozart and Haydn's Experiments with Time0
Issues in Scholarship in Music of the 17th and 18th Centuries: Sources, Editing, Performance0
Beethoven on an Original Fortepiano in the 1930s: Arnold Dolmetsch, Ruth Eyre and a Stodart Instrument of 17900
Classics Off-Centre: Performing and Listening to the Music of Haydn, Mozart and Beethoven during the Long Nineteenth Century0
ECM volume 22 issue 2 Cover and Back matter0
Peculiar Attunements: How Affect Theory Turned Musical Roger Mathew Grant New York: Fordham University Press, 2020 pp. x + 168, ISBN 978 0 823 28774 10
Erard: A Passion for the Piano Robert Adelson New York: Oxford University Press, 2021 pp. xii + 238, ISBN 978 0 197 56531 50
Handel as Miscellany0
Opera Pasticcio in Eighteenth-Century Opera: Work Concept, Performance Practice, Digital Humanities Warsaw, 13–14 May 20210
Mr Charles the Hungarian: Handel's Rival in Dublin Irish Baroque Orchestra / Peter Whelan Linn Records CKD 718, 2023; one disc, 64 minutes0
Two String Quartets Op. 8 ‘Razumovsky’ Franz Weiss (1778–1830) Eybler Quartet Gallery Players of Niagara GPN24001, 2024; one disc, 81 minutes0
Trendsetter: Telemann und Keiser0
The Past Is Stranger Than We Hear0
Sonatas a Violino Solo e Basso Gaetano Brunetti (1744–1798) Carlos Gallifa (violin) / Galatea Ensemble Lindoro NL3055, 2022; one disc, 55 minutes0
The Viennese Ballroom in the Age of Beethoven Erica Buurman Cambridge: Cambridge University Press, 2022 pp. xiv + 193, ISBN 978 1 108 49585 10
Global Music and Religious Orders in the Early Modern Era0
Italien am Mittelrhein0
Handel: Interactions and Influences The Foundling Museum, London, and the Bridewell Centre, London, 19–21 November 20210
Symphonies (Volumes 1 and 2) Anton Zimmermann (1741– c 1781) L’arte del mondo/Werner Ehrhardt (conductor) Volume 1: Deutsche Harmonia Mundi DHM 1907585160
A New Dittersdorf Symphony Edition0
Das Wiener Kärntnertortheater 1728–1748: Vom Städtischen Schauspielhaus zum Höfischen Opernbetrieb Andrea Sommer-Mathis and Reinhard Strohm, eds Vienna: Hollitzer, 2023 pp. xiv + 712, ISBN 978 3 990 90
Mozart and/as AI0
Notes on Contributors0
Sammler*innen: Musikalische Öffentlichkeit und Ständische Identität, Wien 1740–1810 Martin Eybl Bielefeld: Transcript, 2022 pp. 588, ISBN 978 3 83766 267 20
Periodization and Hispanic Music of the Eighteenth Century: Some Reflections0
Notes on Contributors0
Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater Marcie Ray Rochester: University of Rochester Press, 2020 pp. xi + 191, ISBN 978 1 580 46988 30
Historically Informed Performance: Theory and Practice of the 18th-Century Musical and Theatrical Repertoire0
The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England Alison C. DeSimone Clemson: Clemson University Press, 2021 pp. xiii + 315, ISBN 978 1 942 95477 40
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution David Charlton Cambridge: Cambridge University Press, 2021 pp. xxiv + 368, ISBN 978 1 316 51584 60
Women, Opera and the Public Stage in Eighteenth-Century Venice0
Journeys through Galant Expositions L. Poundie Burstein New York: Oxford University Press, 2020 pp. viii + 295, ISBN 978 0 190 0839910
ECM volume 22 issue 2 Cover and Front matter0
Alessandro Scarlatti e Il Suo Tempo0
Laudate Pueri Dominum Niccolò Jommelli (1714–1774), ed. António Jorge Marques Lucca: Libreria Musicale Italiana, 2021 pp. xv + 165, ISBN 978 8 855 43074 60
Latin Pastorellas Joseph Anton Sehling (1710–1756), ed. Milada Jonášová Prague: Academus, 2017 pp. xli + 49, ISBN 978 8 088 08117 30
Beethoven Exhibition at the British Library0
Giuseppe Tartini (1692–1770): European Paths, Networks, Legacy0
J. W. Windsor and the First English Translation of Marpurg's Abhandlung von der Fuge0
Haydn Society of North America Mini-Conference0
The Temple of Fame and Friendship: Portraits, Music, and History in the C. P. E. Bach Circle Annette Richards Chicago: University of Chicago Press, 2022 pp. 336, ISBN 978 0 22680 626 60
Archivo de Guatemala: Music from the Guatemala City Cathedral Archive El Mundo / Richard Savino (director) Naxos 8.574295, 2021; one disc, 74 minutes0
Spanish Roots: Music in Iberia and Latin America0
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century Nicholas Mathew Chicago: University of Chicago Press, 2022 pp. vi + 243, ISBN 978 0 226 81984 60
Galant Schema Theory: Contemporary Approaches to Composition, Pedagogy, Performance0
Sending Information on Vocal Range and Abilities in Eighteenth-Century Italy: New Insights into a Specific Opera Management Procedure, 1730–17600
Modern Premiere of Franz Weiss's ‘Razumovsky’ Quartets0
L'Altra Venezia Scaramuccia Snakewood Editions SCD202301, 2023; one disc, 77 minutes0
Música en las Cortes Ibéricas (1700–1834): Ceremonial, Artes del Espectáculo y Representación del Poder Cristina Fernandes and Judith Ortega, eds Madrid: Sociedad Española de Musicología, 2023 pp. 6190
Thirteenth Handel Institute Conference0
Symposium on Beethoven's Pianos The Center for Beethoven Research, Boston University, 8 November 20210
Nature and Landscape in Schubert’s Time: An Interdisciplinary Approach0
ECM volume 21 issue 2 Cover and Front matter0
Handel’s Deidamia: Myth, Literature, Music0
The Making of Jamaica's ‘First Composer’: Rethinking Samuel Felsted0
From Servant to Savant: Musical Privilege, Property, and the French Revolution Rebecca Dowd Geoffroy-Schwinden New York: Oxford University Press, 2022 pp. xxii + 328, ISBN 978 0 197 51151 00
Listening to Disruption: Changing Acoustemologies in the Swiss Confederacy, c.1750–18150
Notes on Contributors0
ECM volume 19 issue 2 Cover and Back matter0
Reassessing Haydn's Sacred Music0
Labours of Love: A Tribute to Caryl Clark's Vision0
Notes on Contributors0
Trois Quatuors Op. 42 Adalbert Gyrowetz (1763–1850) Quartetto Oceano OMF Records KDC-2093G, 2021; one disc, 64 minutes0
Fluidity and ‘Animalism’ in Preparing Purcell0
Clementi and the Woman at the Piano: Virtuosity and the Marketing of Music in Eighteenth-Century London Erin Helyard Liverpool: Liverpool University Press, 2022 pp. xx + 313, ISBN 978 1 80085 625 70
Jean-Louis Duport (1749–1819)Sonates & Duos for Cello Claudio Ronco and Emanuela Vozza Urania Records LDV14057, 2020; one disc, 77 minutes0
Diogenio Bigaglia and His Dixit Dominus0
Chamber Scenes: Musical Space, Medium, and Genre c. 18000
ECM volume 20 issue 2 Cover and Back matter0
Lukaspassion 1744 Georg Philipp Telemann (1681–1767) Dresdner Kammerchor, Wrocław Baroque Orchestra, Sophie Junker (soprano), Maximilian Schmitt (tenor), Benedikt Kristjánsson (tenor), Michael Nagy (b0
Symphonies, volumes 1 and 2 Theodor von Schacht (1748–1823) Evergreen Symphony Orchestra / Gernot Schmalfuss (conductor) Volume 1, Classic Produktion Osnabrück CPO 777737–2, 2014; one disc, 78 minutes0
Hypermetric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Danuta Mirka New York: Oxford University Press, 2021 pp. 389 + xiii, ISBN 978 0 197 54890 50
Vivaldi’s Salterio Antonio Vivaldi (1678–1741) Franziska Fleischanderl and Il Dolce Conforto Christophorus CHR 77741, 2023; one disc, 74 minutes0
ECM volume 22 issue 1 Cover and Back matter0
Combining the Arts: Multimedia Performances in the Early 19th-Century Habsburg Empire0
Women and Musical Salons in the Enlightenment Rebecca Cypess Chicago: University of Chicago Press, 2022 pp. xxii + 368, isbn 978 0 226 681791 00
Johann Christian Bach: Operas and Dramatic Works0
Sonate per Clavicembalo, volumes 9 and 10 Domenico Scarlatti (1685–1757), ed. †Emilia Fadini and Marco Moiraghi Milan: Ricordi, 2016 and 2021 Volume 9, pp. xv + 282, ISBN 978 8 875 92984 8 Volume 10, 0
American Handel Society Conference0
Sound Space Court: Music, Acoustics and Space in Courtly Architecture in Early Modern Europe0
The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile Alejandro Vera, trans. Julianne Graper New York: Oxford University Press, 2020 pp. xii + 436, ISBN 978 0 190 90421 60
Attilio Ariosti (1666–1729) La Profezia d'Eliseo nell'assedio di Samaria Marie-Sophie Pollak, Marta Redaelli, Alessio Tosi, Mauro Borgioni, Matteo Pigato (soloists) / Ensemble Lorenzo da Ponte / Rober0
A Cultural History of Western Music, volume 4: A Cultural History of Western Music in the Age of Enlightenment David R. M. Irving and Estelle Joubert, eds London: Bloomsbury Academic, 2024 pp. xix + 20
Leichte Klaviersonaten, Collections I and II Daniel Gottlob Türk (1750–1813), ed. Michael Tsalka and Angélica Minero Escobar Hong Kong: Artaria Editions, 2019 Collection I: pp. viii + 37, ISBN 978 9 80
A History of Emotion in Western Music: A Thousand Years from Chant to Pop Michael Spitzer New York: Oxford University Press, 2020 pp. xii + 456, ISBN 978 0 190 06175 30
Cultivating Good Taste: Didactic Repertoires Printed in Eighteenth-Century Spain0
Notes on Contributors0
Notes on Contributors0
Lettere e Documenti / Pisma in Dokumenti / Letters and Documents, two volumes Giuseppe Tartini (1692–1770), ed. Giorgia Malagò Trieste: Edizioni Università di Trieste, 2020 Volume 1, pp. 374, ISBN 9780
Tonadillas. Volumen 1: Obras del periodo 1768–1778 Jacinto Valledor (1744–1809), ed. Aurèlia Pessarrodona Madrid: Consejo Superior de Investigaciones Científicas, 2019 pp. 412, ISBN 978 8 400 10498 60
Notes on Contributors0
The Comedians of the King: Opéra Comique and the Bourbon Monarchy on the Eve of Revolution Julia Doe Chicago: University of Chicago Press, 2021 pp. vii + 314, ISBN 978 0 226 74339 40
On Music Theory in Eighteenth-Century Norway: Johan Daniel Berlin’s Musicaliske Elementer (1744) and the Transfer of Theory0
The Theatre of Death: Noble Funerals with Music in Early Modern Europe0
Köchel-Verzeichnis: Thematisches Verzeichnis der Musikalischen Werke von Wolfgang Amadé Mozart Neal Zaslaw, ed. Wiesbaden: Breitkopf & Härtel, 2024 pp. cxxv + 1263, isbn0
Authentisch? Zum Umgang mit Emotionen in der Alten Musik0
Interdisciplinary Approaches to Musical Time0
ECM volume 22 issue 1 Cover and Front matter0
Ocho Responsorios para los Maitines de la Santísima Trinidad Antonio Juanas (1762/1763–after 1816), ed. R. Ryan Endris Leinfelden-Echterdingen: Carus, 2019 pp. viii + 72, ISBN 979 0 007 18884 90
ECM volume 21 issue 1 Cover and Front matter0
The Musical Discourse of Servitude: Authority, Autonomy, and the Work-Concept in Fux, Bach, and Handel Harry White New York: Oxford University Press, 2020 pp. xvi + 307, ISBN 978 0 190 90387 90
Musical Improvisation in the Baroque Era Fulvia Morabito, ed. Turnhout: Brepols, 2019 pp. xvi + 405, ISBN 978 2 503 58369 30
ECM volume 20 issue 2 Cover and Front matter0
Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera across Europe Tatiana Korneeva, ed. Turnhout: Brepols, 2021 pp. 232, isbn 9780
Carlo Goldoni and the Transformation of the Aria in Comic Opera, c1750–c17600
Musicking: Culturally Informed Performance Practices University of Oregon School of Music and Dance, 19–24 April 20220
Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century0
Music and Knowledge Making in the 18th Century0
Haydn from the ‘Frontier’0
Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent0
Zelenka Conference Prague 2021: Seventh Edition Velkopřevorský palác, Prague, 16 October 20210
The Life behind the Music, the Life behind the Words: On Writing Poems about String Quartets by Haydn, Beethoven and Schubert0
Topics and Hispanic Music (18th–21st Centuries): Topoi, Rhetoric and Narrativity0
Mozart and Salzburg: Mozart Society of America and Society for Eighteenth-Century Music Joint Conference Salzburg, 26–29 May 20220
Die leidende und am Creutz sterbende Liebe Jesu Gottfried Heinrich Stölzel (1690–1749), ed. Warwick Cole Middleton, WI: A-R Editions, 2020 pp. xxxii + 220, ISBN 978 1 987 20613 50
Mozart and the Mediation of Childhood Adeline Mueller Chicago: University of Chicago Press, 2021 pp. xiii + 287, ISBN 978 0 226 62966 70
Why Bach? Navigating 21st Century Scholarship, Performance, and Pedagogy0
Gluck-Gesamtausgabe, Reihe II: Tanzdramen, Band 3–5: Ballettmusiken Christoph Willibald Gluck (1714–1787), ed. Irene Brandenburg and Ingeborg Zechner Kassel: Bärenreiter, 2016, 2019 and 2022 Volume 3,0
J. G. Graun: Chamber Music from the Court of Frederick the Great Franz Benda (1709–1786), Carl Heinrich Graun (1703/1704–1759), Johann Gottlieb Graun (1702/1703–1771), Johann Gottlieb Janitsch (1708–<0
Philon und Theone Georg Anton Benda (1722–1795), ed. Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp. xxiv + 166, ISBN 978 1 9872 0456 80
Music Theatre and the Holy Roman Empire: The German Musical Stage at the Turn of the Nineteenth Century Austin Glatthorn Cambridge: Cambridge University Press, 2022 pp. xix + 369, ISBN 978 1 316 512490
Topics and Schemata0
The Figured Bass Accompaniment in Europe Lucca, 9–12 September 20210
Letters Written from the Theatre of Life: The Correspondence between the Poet Ranieri Calzabigi and His Patron Wenzel Anton von Kaunitz-Rietberg (c. 1764–1791) Jana Franková, Lenka Švandová Maršálková0
Händels Italienische Texte und Seine Textdichter0
ECM volume 20 issue 1 Cover and Back matter0
‘Theatre as a Nursery of Language’: Learning French through Vaudeville Tunes in Eighteenth-Century England0
The Hibernian Muse: Music for Ireland by Purcell and Cousser Johann Sigismund Cousser (1660–1727), Henry Purcell (1659–1695) Irish Baroque Orchestra / Peter Whelan (conductor) Linn CKD 685, 2022; one 0
Telemann Studies Wolfgang Hirschmann and Steven Zohn, eds Cambridge: Cambridge University Press, 2022 pp. xxxii + 344, ISBN 978 1 108 49383 30
The Letters of Dr Charles Burney, volume 3: 1794–1800 Charles Burney (1726–1814), ed. Stewart Cooke Oxford: Oxford University Press, 2023 pp. xviii + 640, ISBN 978 0 19873 984 50
The Italian Opera Singers in Mozart's Vienna Dorothea Link Urbana: University of Illinois Press, 2022 pp. viii + 484, IBSN 978 0 252 04464 90
The Cambridge Companion to The Magic Flute Jessica Waldoff, ed. Cambridge: Cambridge University Press, 2023 pp. xxv + 320, isbn<0
The Manuscript Source of Philippe II d'Orléans's Cantates françaises: A New Light on Early Eighteenth-Century Transnational Networks of Connoisseurship and Collecting0
Musicianship in Development: Playing, Singing, Improvising and Composing Eighteenth-Century Music0
Six Chamber Cantatas with Strings (1708): Works for Soprano or Alto with Violins, Violoncello, and Basso Continuo from A-Wn, Mus. Hs. 17607 Antonio Bononcini (1677–1726), ed. Lawrence Bennett Middleto0
When the Primo Uomo Is the Antagonist: The Twofold Dramaturgy of Metastasio's Operas0
Beethovens Missa solemnis: Das ‘gröste Werk, welches ich bisher geschrieben’ Cologne, 4–6 November 20210
ECM volume 21 issue 2 Cover and Back matter0
Musique et société dans les Caraïbes françaises, 1750–1810 Centre d’études supérieures de la Renaissance, Tours, 5–7 May 20220
How Sonata Forms: A Bottom-Up Approach to Musical Form Yoel Greenberg New York: Oxford University Press, 2022 pp. xi + 264, ISBN 978 0 197 52628 60
Serenatas for Dublin Johann Sigismund Kusser (1660–1727), ed. Samantha Owens Middleton, WI: A-R Editions, 2020 pp. xxviii + 262, ISBN 978 1 9872 0450 60
Cayetano Brunetti: Complete Oboe Sextets Gaetano (Cayetano) Brunetti (1744–1798) Il Maniatico Ensemble / Robert Silla (oboe) IBS Classical IBS92021; two discs, 130 minutes0
Economy, Management and Staging of Performances in the 17th and 18th Centuries0
Opera and the Spanish Empire: Genres, Encounters and Translations0
New Approaches to German Opera: Embodiment, Sounds, and Global Mobilities, c 1650–18300
Rethinking Bach Bettina Varwig, ed. New York: Oxford University Press, 2022 pp. xiv + 408, ISBN 978 0 190 94389 90
A Foretaste of Heaven: Musical Teleology in Mozart's Ave verum corpus, k6180
ECM volume 21 issue 1 Cover and Back matter0
Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 20220
Listening to China: Sound and the Sino-Western Encounter, 1770–1839 Thomas Irvine Chicago: University of Chicago Press, 2020 pp. 263, ISBN 9 780226 6671260
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