Eighteenth-Century Music

Papers
(The median citation count of Eighteenth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Music, Pantomime & Freedom in Enlightenment France Hedy Law Woodbridge: Boydell, 2020 pp. xx + 265, ISBN 978 1 783 2756 011
Calcutta 1789: À la Croisée de l'Europe et de l'Inde Christopher Palameta and Notturna ATMA Classique ACD22831, 2023; one disc, 64 minutes1
When Disability and Music Met Maker Culture: The Long(er) History of Accessible Music Notation1
ECM volume 20 issue 1 Cover and Front matter1
The Tartini Moment1
W. A. Mozart's Opera Fragments: Then and Now1
Dubourg, Geminiani and the Violin Concerto in D Major: A Misattribution1
Cosmic Harmonies: A Symposium Celebrating the Life, Science, Music, and Legacy of William Herschel (1738–1822) University of York, 19 June 20221
Leichte Klaviersonaten, Collections I and II Daniel Gottlob Türk (1750–1813), ed. Michael Tsalka and Angélica Minero Escobar Hong Kong: Artaria Editions, 2019 Collection I: pp. viii + 37, ISBN 978 9 80
Hypermetric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Danuta Mirka New York: Oxford University Press, 2021 pp. 389 + xiii, ISBN 978 0 197 54890 50
Mozart and Salzburg: Mozart Society of America and Society for Eighteenth-Century Music Joint Conference Salzburg, 26–29 May 20220
Zelenka Conference Prague 2021: Seventh Edition Velkopřevorský palác, Prague, 16 October 20210
ECM volume 19 issue 2 Cover and Front matter0
Notes on Contributors0
Economy, Management and Staging of Performances in the 17th and 18th Centuries0
American Handel Society Conference Indiana University, 11–14 March 20210
ECM volume 22 issue 1 Cover and Back matter0
The Viennese Ballroom in the Age of Beethoven Erica Buurman Cambridge: Cambridge University Press, 2022 pp. xiv + 193, ISBN 978 1 108 49585 10
Periodization and Hispanic Music of the Eighteenth Century: Some Reflections0
Modern Premiere of Franz Weiss's ‘Razumovsky’ Quartets0
J. G. Graun: Chamber Music from the Court of Frederick the Great Franz Benda (1709–1786), Carl Heinrich Graun (1703/1704–1759), Johann Gottlieb Graun (1702/1703–1771), Johann Gottlieb Janitsch (1708–<0
Beethoven Exhibition at the British Library0
Thema da capo: Another Look at Mozart's Embellishments0
Le sacre stimmate di San Francesco d'Assisi Maria Anna von Raschenau (c1650–1714), ed. Janet K. Page Middleton, WI: A-R Editions, 2019 pp. xxxviii + six plates + 92, ISBN 978 1 987 20255 70
Reassessing Haydn's Sacred Music0
Ninth Biennial Conference of the Society for Eighteenth-Century Music Stockholm, 6–7 and 13–14 August 20210
20th Biennial International Conference on Baroque Music0
The Manuscript Source of Philippe II d'Orléans's Cantates françaises: A New Light on Early Eighteenth-Century Transnational Networks of Connoisseurship and Collecting0
Sonate per Clavicembalo, volumes 9 and 10 Domenico Scarlatti (1685–1757), ed. †Emilia Fadini and Marco Moiraghi Milan: Ricordi, 2016 and 2021 Volume 9, pp. xv + 282, ISBN 978 8 875 92984 8 Volume 10, 0
Women, Opera and the Public Stage in Eighteenth-Century Venice0
Redemption and the Modern Age – Handel's Messiah between the Late 18th and the 21st Century Georg-Friedrich-Händel-Gesellschaft and Martin-Luther-Universität Halle-Wittenberg, Halle (Saale), 290
Historically Informed Performance: Theory and Practice of the 18th-Century Musical and Theatrical Repertoire0
Authentisch? Zum Umgang mit Emotionen in der Alten Musik0
Six Chamber Cantatas with Strings (1708): Works for Soprano or Alto with Violins, Violoncello, and Basso Continuo from A-Wn, Mus. Hs. 17607 Antonio Bononcini (1677–1726), ed. Lawrence Bennett Middleto0
J. W. Windsor and the First English Translation of Marpurg's Abhandlung von der Fuge0
Sonatas a Violino Solo e Basso Gaetano Brunetti (1744–1798) Carlos Gallifa (violin) / Galatea Ensemble Lindoro NL3055, 2022; one disc, 55 minutes0
Women and Music in the Early Modern Age Palácio Nacional de Queluz, 2–4 July 20210
Laudate Pueri Dominum Niccolò Jommelli (1714–1774), ed. António Jorge Marques Lucca: Libreria Musicale Italiana, 2021 pp. xv + 165, ISBN 978 8 855 43074 60
Music Theatre and the Holy Roman Empire: The German Musical Stage at the Turn of the Nineteenth Century Austin Glatthorn Cambridge: Cambridge University Press, 2022 pp. xix + 369, ISBN 978 1 316 512490
Clementi and the Woman at the Piano: Virtuosity and the Marketing of Music in Eighteenth-Century London Erin Helyard Liverpool: Liverpool University Press, 2022 pp. xx + 313, ISBN 978 1 80085 625 70
Beethovens Missa solemnis: Das ‘gröste Werk, welches ich bisher geschrieben’ Cologne, 4–6 November 20210
Spanish Roots: Music in Iberia and Latin America0
Trendsetter: Telemann und Keiser0
Latin Pastorellas Joseph Anton Sehling (1710–1756), ed. Milada Jonášová Prague: Academus, 2017 pp. xli + 49, ISBN 978 8 088 08117 30
Cayetano Brunetti: Complete Oboe Sextets Gaetano (Cayetano) Brunetti (1744–1798) Il Maniatico Ensemble / Robert Silla (oboe) IBS Classical IBS92021; two discs, 130 minutes0
Classics Off-Centre: Performing and Listening to the Music of Haydn, Mozart and Beethoven during the Long Nineteenth Century0
Musical Improvisation in the Baroque Era Fulvia Morabito, ed. Turnhout: Brepols, 2019 pp. xvi + 405, ISBN 978 2 503 58369 30
Sonatas for Pianoforte and Violin Ludwig van Beethoven (1770–1827), ed. Clive Brown Kassel: Bärenreiter, 2020 Two volumes (each with score/urtext violin part/performance part), pp. lxxv + 151/49/49, l0
The Temple of Fame and Friendship: Portraits, Music, and History in the C. P. E. Bach Circle Annette Richards Chicago: University of Chicago Press, 2022 pp. 336, ISBN 978 0 22680 626 60
Notes on Contributors0
Serenatas for Dublin Johann Sigismund Kusser (1660–1727), ed. Samantha Owens Middleton, WI: A-R Editions, 2020 pp. xxviii + 262, ISBN 978 1 9872 0450 60
Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century0
Haydn Society of North America Mini-Conference0
The Comedians of the King: Opéra Comique and the Bourbon Monarchy on the Eve of Revolution Julia Doe Chicago: University of Chicago Press, 2021 pp. vii + 314, ISBN 978 0 226 74339 40
International Conference on Musical Form Durham University, 21–23 June 20210
Database of Harpsichord and Clavichord Makers Goes Online0
Thirteenth Handel Institute Conference0
Salieri & Beethoven in Dialogue Antonio Salieri (1750–1825), Ludwig van Beethoven (1770–1827) Heidelberger Sinfoniker / Timo Jouko Herrmann (director) / Diana Tomsche, Joshua Whitener, Kai Preußke0
The Figured Bass Accompaniment in Europe Lucca, 9–12 September 20210
The Making of Jamaica's ‘First Composer’: Rethinking Samuel Felsted0
Lost Arias from Ifigenia in Tauri (1713) in Thomas Gray's Music Collection: ‘E posto in Musica dal Sig. Domenico Scarlatti’?0
ECM volume 20 issue 1 Cover and Back matter0
Becoming a Virtuosa: Advice from Vienna, 17690
In Search of the ‘Oriental Origin’: Rameau, Rousseau and Chinese Music in Eighteenth-Century France0
Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater Marcie Ray Rochester: University of Rochester Press, 2020 pp. xi + 191, ISBN 978 1 580 46988 30
ECM volume 21 issue 2 Cover and Front matter0
ECM volume 19 issue 1 Cover and Back matter0
Das Wiener Kärntnertortheater 1728–1748: Vom Städtischen Schauspielhaus zum Höfischen Opernbetrieb Andrea Sommer-Mathis and Reinhard Strohm, eds Vienna: Hollitzer, 2023 pp. xiv + 712, ISBN 978 3 990 90
Ocho Responsorios para los Maitines de la Santísima Trinidad Antonio Juanas (1762/1763–after 1816), ed. R. Ryan Endris Leinfelden-Echterdingen: Carus, 2019 pp. viii + 72, ISBN 979 0 007 18884 90
Notes on Contributors0
ECM volume 21 issue 2 Cover and Back matter0
Antonio Juanas: Premiere Recordings of Selected Choral Works Antonio Juanas (c1762–c1821) Collegium Mundi Novi / R. Ryan Endris (conductor) Centaur CRC3663, 2018; one disc, 64 minutes0
Musicianship in Development: Playing, Singing, Improvising and Composing Eighteenth-Century Music0
Opera Pasticcio in Eighteenth-Century Opera: Work Concept, Performance Practice, Digital Humanities Warsaw, 13–14 May 20210
Labours of Love: A Tribute to Caryl Clark's Vision0
ECM volume 20 issue 2 Cover and Back matter0
Erard: A Passion for the Piano Robert Adelson New York: Oxford University Press, 2021 pp. xii + 238, ISBN 978 0 197 56531 50
Musique et société dans les Caraïbes françaises, 1750–1810 Centre d’études supérieures de la Renaissance, Tours, 5–7 May 20220
ECM volume 21 issue 1 Cover and Front matter0
Musicking: Culturally Informed Performance Practices University of Oregon School of Music and Dance, 19–24 April 20220
Combining the Arts: Multimedia Performances in the Early 19th-Century Habsburg Empire0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution David Charlton Cambridge: Cambridge University Press, 2021 pp. xxiv + 368, ISBN 978 1 316 51584 60
Symphonies, volumes 1 and 2 Theodor von Schacht (1748–1823) Evergreen Symphony Orchestra / Gernot Schmalfuss (conductor) Volume 1, Classic Produktion Osnabrück CPO 777737–2, 2014; one disc, 78 minutes0
Carlo Goldoni and the Transformation of the Aria in Comic Opera, c1750–c17600
Texting Scarlatti0
Mozart and/as AI0
Chabanon, the Listening Self and the Prosopopoeia of Aesthetic Experience0
Handel: Interactions and Influences The Foundling Museum, London, and the Bridewell Centre, London, 19–21 November 20210
Sending Information on Vocal Range and Abilities in Eighteenth-Century Italy: New Insights into a Specific Opera Management Procedure, 1730–17600
Giuseppe Tartini (1692–1770): European Paths, Networks, Legacy0
The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century Nicholas Baragwanath New York: Oxford University Press, 2020 pp. xix + 410, ISBN 978 0 197 51408 50
ECM volume 22 issue 1 Cover and Front matter0
‘Theatre as a Nursery of Language’: Learning French through Vaudeville Tunes in Eighteenth-Century England0
ECM volume 19 issue 2 Cover and Back matter0
Tenth Biennial Conference of the Society for Eighteenth-Century Music0
Music, Dance, and Drama in Early Modern English Schools Amanda Eubanks Winkler Cambridge: Cambridge University Press, 2020 pp. xviii + 242, ISBN 978 1 108 85898 40
Analysing Rhetoric beyond Figures: Intonation and Discourse in Instrumental Music from the 18th Century Onwards0
Trois Quatuors Op. 42 Adalbert Gyrowetz (1763–1850) Quartetto Oceano OMF Records KDC-2093G, 2021; one disc, 64 minutes0
ECM volume 21 issue 1 Cover and Back matter0
Notes on Contributors0
Issues in Scholarship in Music of the 17th and 18th Centuries: Sources, Editing, Performance0
A Foretaste of Heaven: Musical Teleology in Mozart's Ave verum corpus, k6180
Handel as Miscellany0
ECM volume 20 issue 2 Cover and Front matter0
Beethoven on an Original Fortepiano in the 1930s: Arnold Dolmetsch, Ruth Eyre and a Stodart Instrument of 17900
Philon und Theone Georg Anton Benda (1722–1795), ed. Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp. xxiv + 166, ISBN 978 1 9872 0456 80
C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century0
Rethinking Bach Bettina Varwig, ed. New York: Oxford University Press, 2022 pp. xiv + 408, ISBN 978 0 190 94389 90
Haydn from the ‘Frontier’0
Attilio Ariosti (1666–1729) La Profezia d'Eliseo nell'assedio di Samaria Marie-Sophie Pollak, Marta Redaelli, Alessio Tosi, Mauro Borgioni, Matteo Pigato (soloists) / Ensemble Lorenzo da Ponte / Rober0
The Salon and the Senses in the Long Eighteenth Century: Interdisciplinary Perspectives Rutgers University, 4–5 March 20210
L'Altra Venezia Scaramuccia Snakewood Editions SCD202301, 2023; one disc, 77 minutes0
From Servant to Savant: Musical Privilege, Property, and the French Revolution Rebecca Dowd Geoffroy-Schwinden New York: Oxford University Press, 2022 pp. xxii + 328, ISBN 978 0 197 51151 00
Notes on Contributors0
Notes on Contributors0
Lettere e Documenti / Pisma in Dokumenti / Letters and Documents, two volumes Giuseppe Tartini (1692–1770), ed. Giorgia Malagò Trieste: Edizioni Università di Trieste, 2020 Volume 1, pp. 374, ISBN 9780
Music of the Clocks and Spheres: Mozart and Haydn's Experiments with Time0
ECM volume 19 issue 1 Cover and Front matter0
Mr Charles the Hungarian: Handel's Rival in Dublin Irish Baroque Orchestra / Peter Whelan Linn Records CKD 718, 2023; one disc, 64 minutes0
The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile Alejandro Vera, trans. Julianne Graper New York: Oxford University Press, 2020 pp. xii + 436, ISBN 978 0 190 90421 60
Die leidende und am Creutz sterbende Liebe Jesu Gottfried Heinrich Stölzel (1690–1749), ed. Warwick Cole Middleton, WI: A-R Editions, 2020 pp. xxxii + 220, ISBN 978 1 987 20613 50
When the Primo Uomo Is the Antagonist: The Twofold Dramaturgy of Metastasio's Operas0
Ouvertures à la française: migrations musicales dans l'espace germanique, 1660–1730 Louis Delpech Turnhout: Brepols, 2020 pp. 349, ISBN 978 2 503 58858 20
Heritage: The Music of Madrid in the Time of Goya Luigi Boccherini (1743–1805), Gaetano Brunetti (1744–1798), Manuel Canales (1747–1786), João Pedro de Almeida Mota (1744–c1817), Cristóbal de M0
The Hibernian Muse: Music for Ireland by Purcell and Cousser Johann Sigismund Cousser (1660–1727), Henry Purcell (1659–1695) Irish Baroque Orchestra / Peter Whelan (conductor) Linn CKD 685, 2022; one 0
The Rediscovery of the Nouvelle méthode pour apprendre à jouer de la harpe by Michel Corrette0
Antoine Reicha and the Making of the Nineteenth-Century Composer Fabio Morabito and Louise Bernard de Raymond, eds Bologna: Ut Orpheus, 2021 pp. xxix + 329, ISBN 978 8 881 09522 30
Telemann Studies Wolfgang Hirschmann and Steven Zohn, eds Cambridge: Cambridge University Press, 2022 pp. xxxii + 344, ISBN 978 1 108 49383 30
Jean-Louis Duport (1749–1819)Sonates & Duos for Cello Claudio Ronco and Emanuela Vozza Urania Records LDV14057, 2020; one disc, 77 minutes0
Tonadillas. Volumen 1: Obras del periodo 1768–1778 Jacinto Valledor (1744–1809), ed. Aurèlia Pessarrodona Madrid: Consejo Superior de Investigaciones Científicas, 2019 pp. 412, ISBN 978 8 400 10498 60
Six Settings Of ‘Ave Regina Coelorum’ (ZWV 128) Jan Dismas Zelenka (1679–1745), ed. Frederic Kiernan Middleton, WI: A-R Editions, 2018 pp. xvii + 64, ISBN 978 1 987 20053 90
Fluidity and ‘Animalism’ in Preparing Purcell0
Late Style and the Idea of the Summative Work in Bach and Beethoven University of Massachusetts Amherst, 24 April 20210
Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 20220
The Italian Opera Singers in Mozart's Vienna Dorothea Link Urbana: University of Illinois Press, 2022 pp. viii + 484, IBSN 978 0 252 04464 90
Topics and Schemata0
Journeys through Galant Expositions L. Poundie Burstein New York: Oxford University Press, 2020 pp. viii + 295, ISBN 978 0 190 0839910
How Sonata Forms: A Bottom-Up Approach to Musical Form Yoel Greenberg New York: Oxford University Press, 2022 pp. xi + 264, ISBN 978 0 197 52628 60
A History of Emotion in Western Music: A Thousand Years from Chant to Pop Michael Spitzer New York: Oxford University Press, 2020 pp. xii + 456, ISBN 978 0 190 06175 30
Johann Christian Bach: Operas and Dramatic Works0
Interdisciplinary Approaches to Musical Time0
Child Composers in the Old Conservatories: How Orphans Became Elite Musicians Robert O. Gjerdingen New York: Oxford University Press, 2020 pp. 355, ISBN 978 0 190 65359 00
Peculiar Attunements: How Affect Theory Turned Musical Roger Mathew Grant New York: Fordham University Press, 2020 pp. x + 168, ISBN 978 0 823 28774 10
The Musical Discourse of Servitude: Authority, Autonomy, and the Work-Concept in Fux, Bach, and Handel Harry White New York: Oxford University Press, 2020 pp. xvi + 307, ISBN 978 0 190 90387 90
Mozart and the Mediation of Childhood Adeline Mueller Chicago: University of Chicago Press, 2021 pp. xiii + 287, ISBN 978 0 226 62966 70
Musik im Umbruch: Wirken und Wirkungen von Johann Joachim Quantz0
Leonardo Vinci: Opere, Contesto, Fortuna0
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century Nicholas Mathew Chicago: University of Chicago Press, 2022 pp. vi + 243, ISBN 978 0 226 81984 60
The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England Alison C. DeSimone Clemson: Clemson University Press, 2021 pp. xiii + 315, ISBN 978 1 942 95477 40
Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent0
Notes on Contributors0
Listening to China: Sound and the Sino-Western Encounter, 1770–1839 Thomas Irvine Chicago: University of Chicago Press, 2020 pp. 263, ISBN 9 780226 6671260
Diogenio Bigaglia and His Dixit Dominus0
Archivo de Guatemala: Music from the Guatemala City Cathedral Archive El Mundo / Richard Savino (director) Naxos 8.574295, 2021; one disc, 74 minutes0
Symposium on Beethoven's Pianos The Center for Beethoven Research, Boston University, 8 November 20210
The Life behind the Music, the Life behind the Words: On Writing Poems about String Quartets by Haydn, Beethoven and Schubert0
Ulysses: Musicalisches Schauspiel Reinhard Keiser (1674–1739) Göttinger Barockorchester / Antonius Adamske (direction) Coviello Classics COV 92203, 2022; two discs, 150 minutes0
Let's Talk about Emotion0
Chamber Scenes: Musical Space, Medium, and Genre c. 18000
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