Textile-Cloth and Culture

Papers
(The TQCC of Textile-Cloth and Culture is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The Lesbian Quilt Manifesto9
The Fabric of Our Lives: Reflections From Maria Balshaw7
Linen Refi Threads in Renaissance Florence: The Making and the Use in Textiles and Tapestries5
Continuity and Innovation: The Traditional Inheritance of the Modern Vietnamese Áo Dài5
Interpretation of Midas Monument in Knitted Surface Design with Impressionist Approach5
The 4th Hangzhou Triennial of Fiber Art The 4th Hangzhou Triennial of Fiber Art , Zhejiang Art Museum, October 18 – December 5, 2022 5
Designing Dua Negeri (Two Countries) Batik Influenced by Indonesia and Thailand Shared Culture to Enrich the Batik Repertoire in Both Countries5
In Kind: A Dialogue on Repair4
Materializing the Invisible: Embodied Translation of Domestic Labor Through Textile Resist-Dyeing Practices4
Tate Britain Commission: Hew Locke's The Procession3
Exhibition Review3
The Feminine Artistry of Banjara Embroidery of Telangana3
A Saussurean Semiotic Study of Symbolism in Keringkam Motifs: Interpreting Sarawak Malay Embroidery Within an Islamic Cultural Framework3
“Out of Place”: Cross-Cultural Collaboration and Virtual Space3
The Lives behind the Luxurious Threads: Beleaguered Sustainability of Kashmir’s Pashmina Artisans3
Authenticity and Place-Based Knitwear: Fair Isle and Aran Knitting in Shetland and the West of Ireland3
SLOW CLOSE LOOKING: Inside The Davis Street Drawing Room2
Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria2
Cultural Signification and Craftsmanship of Gollabhama Sarees2
Traditional Bomkai Saree from the Ganjam District of Odisha, India: A Sight to Behold2
Textiles: Tracing Our Presence2
The Cultural Biography of Mohair: From Ottoman Sof Weaving to Contemporary Rural Development in Turkey2
Threads of Memory, Knots of Continuity: Bandhani from Kutch2
Historical and Scientific Discussion on Four Major Colors of Natural Dyes Used for Traditional Textiles in the Indian Subcontinent2
Iris van Herpen: The Body2
Yarn over Police Brutality: Race and the Occupation of Rochester City Hall’s Steps during the Daniel Prude Protest2
Photographs of Jewish Clothing in Nazi Germany and the Shoah: Visual Records of Economic Assaults, Exploitation, and Plunder2
Tradition, Change and Meaning: Textile Banners of the Durham Miners’ Gala2
Weaving Prayer. The Fabrication of Worship in the Convent of St Agnes, Emmerich, in the Fifteenth Century2
Tangaliya of Kutch: Journey from Tradition to Contemporary2
Impossible Numbers: Using the Linguistics of Labor-Intensity to Embroider a Text-Less Postcrisis Story2
Alchemization of Scrap Fabrics Narratives: From Small Ateliers, Off-Cuts, Threads, and Forgotten Scraps to Practical Creations of Textile Artifacts2
Silent Messages: The Role of İğne Oyası in Konya’s Dürü Tradition2
Stitching the Intifada: Embroidery and Resistance in Palestine2
Made Done and Mended: Textiles Salvaged, Saved and Sewn1
Costume and Culture: Indigenous Tribes of the Himalayas1
Weaving as a Livelihood Option: A Study of the Bhulia Weaver Community in Odisha, India1
The Historical and Cultural Legacy of Muslin in South Asia: From Colonial Decline to Contemporary Revival1
Cultural Textiles in Italy: Analyzing Pictorial Weaving in Graziella Guidotti’s Dentro il verziere (Inside the Orchard)1
Ananse Ntentan and the Code of Minimalism: Scrutinizing Sculptural Thread Art Through Spider Web-Inspired Artworks1
Threads of Tradition: An Ethnographic Account of Silkworm Rearing Among the Pahari Tribe in Jammu and Kashmir1
A Heritage “Nettle” Sheet Reveals the First Physical Evidence of a Hemp/Hop Textile from Denmark1
Adoption of Patterns and Adaption of Cultures: Silk Textiles of the Khitan Liao (907-1125)1
Can Cloth Escape Gender? Queer Materiality and Androgynous Esthetics in Jamdani, Tangail, and Kantha1
Textile Translations: Weaving Stories, Touching Meanings1
Indigenous Weaving Knowledge of the Ta Oi Ethnic Minority in Vietnam: Material Foundations of Dzeng Textiles1
Beyond Representationalism: The Performative Materialities and Affective Dimension of Lin Tianmiao’s the Proliferation of Thread Winding1
In Conversation with Jen Cable and Betsy Greer: What ‘Craftivism’ Means Now1
Thread Bearing Witness at the Somerset Rural Life Museum, Glastonbury1
Lace as A Cultural Element in Turkish Home Decoration1
Weaving Webs of Protection: Gringsing Textiles1
The Twofold Manifestation of Perfectionism in Textile Craft: Experiences of Self-Identified Perfectionists1
Ties That Bind or Exclude? Knitting and Craft Groups as Contested Spaces of Inclusion and Exclusion1
Poland in Blue: The Phenomenon of the Denim Clothing Industry in Polish Society During the Socialistic Period1
Dressing for the End of Time: Nihilism, Ritual and Nietzsche, in Rick Owen’s Temple of Love1
Indian Ikats and the Handloom Sector at a Crossroads – A Case Study of the Pochampally Ikat Weavers in Telangana (India)1
Celebrating 10 years of Wari Watai. Cu Fibers 2024 – Objects1
Threads of Identity: Exploring Gendered Costume Practices in the Raika Community of Western Rajasthan, India1
Magdalena Abakanowicz: Every Tangle of Thread and Rope , London, UK: Tate Modern, 17 November 2022 to 21 May 2023 Magdalena Abakanowicz: Every Tangle of Thread and Ro1
On Not Looking Jewish: Visualizing Submerged Memories and Appearances1
Clothing as Identity: The Transition of Chinese Fashion from Republican China to New China1
The Culture Process Applied to the Hñahñu Artisanal Textile Embroidery in Mexico1
Knitting Close to the Edge1
From Chest to Everyday Life: The Living Culture of Turkish Crochet Lace1
A Model for Combining Wearable Technology and Cheongsam Design1
A Biographic-Narrative of the Masquerade Collections of Alhassan Mahamudu Saliga: Reechoing the Textile Art Future1
What is to Hand: The Fold as Landscape Within Textile Imagination1
Strengthening Batik Character Using Sundanese Cultural Background (Case Study: Hasan Batik of Bandung Batik Pioneers)1
In Praise of the Scarf: Its Role as Social Skin in Rites of Passage1
Exhibition Review1
Stab It, Strangle It 1 : Media Representations of Knitters, and Subversions of the Stereotype to Reflect Inclusion and Diversity1
Bark/Birch/Birkenau (A Conversation with Giuseppe Penone, Georges Didi-Huberman and Gerhard Richter)1
The Jordanian Shemagh: From Fabric and Colors to Cultural and Social Symbolism1
From Performance to Pollution: Examining the Environmental Consequences of Masquerade Costume Waste in Sekondi-Takoradi1
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