Textile-Cloth and Culture

(The TQCC of Textile-Cloth and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 500 papers]. The publications cover those that have been published in the past four years, i.e., from 2019-08-01 to 2023-08-01.)
Textile Material Metaphors to Describe Feminist Textile Activisms: From Threading Yarn, to Knitting, to Weaving Politics6
The State of Kete Development in the Volta Region5
“Making It For Our Country”: An Ethnography of Mud-Dyeing on Amami Ōshima Island4
Masked Narratives: Manifestations of a Disaster3
Examining the White Karelian Textile Tradition of the Late Nineteenth Century—Focus on Plant Fibers3
Principles and Pilfering: Nottingham Lace Design Pedagogy2
A Revival for Thailand’s Textile Traditions: New Value for Local Materials (Eri Silk) through Art Practice2
Working, Singing, and Telling in the 19th-Century Flemish Pillow-Lace Industry2
The Textilesphere: The Threshold of Everyday Contacts2
Reflections onBummock: The Lace ArchiveSymposium2
Unraveling Psychologically: Knitting in Performance Costume and the Themes of You Got Older (2015)2
Lux Perpetua: Future Pioneers Utilizing Historical Precedent as Design Innovation Within Fashion2
Textile and Place2
Introduction: Missing Persons and Hidden Heritages in European Lace Making2
The Domestic Veil: The Net Curtain in the Uncanny Home2
A Matter of Life and Death2
The Hidden Potential of Textiles: How Do They Heal and Reveal Traumas?2
Unravelling the Battle of Britain Lace Panel2
Sustainable Craft Design Systems for Handloom Weavers2
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana2
Exploring Cultural Value and its Sustainability of Balinese Handwoven Textiles1
Traditional Woolen Namda (Felted Fabrics) from Tonk, Rajasthan: A Livelihood Initiative for Rural Women1
A Costume Analysis of the Film “Lost in Translation” (Coppola, 2003)1
Knotty Problems: The Complexity of the Knot in Sewing1
Terroir in a Dress. Understanding Antwerp-Style Fashion1
A Hybrid Alternative for Mobile Generations: Fashion Interior as a Portable Architecture for Indonesian Millennials1
Introduction: Cloth and Textile in Translation1
CONTEXTILE2020, PLACES OF MEMORY: Inter-Discourses of a Textile Territory.1
Evolving a Tapestry Practice at Rorke’s Drift: Women’s Alliances, Agencies and Visual Syntaxes in the Loom1
Traditional Fine Homespun Hemp Linen Fabrics: About Qualities and Usages in Ritual and Secular Contexts1
A Brief Introduction to Body-Oriented Parametric Design for 3D-Printed Fashion and Textiles1
Women and Children in the Machine-Made Lace Industry in Britain and France (1810–60)1
“The Other Side of the Brocade”: Translating Fashion Blogs and Data Mining1
Authenticity and Place-Based Knitwear: Fair Isle and Aran Knitting in Shetland and the West of Ireland1
Embroidery as Activist Translation in Latin America1
Knitting Two Together (K2tog), “If You Meet Another Knitter You Always Have a Friend”1
Undocumented Textiles: Material Expressions of Indian Ocean Identities in Literature1
Knitting Algorithmic Assemblages1
When Life Hangs by a Thread: Representations of Covid-19 by the Mapula Embroidery Project1
Weaving Beyond the Binary1
Value and Cultural Voice in Australian Aboriginal Textiles1
The Place of Shetland Knitting1
Stranded Iconographies: The Journeys of Tapestries from Rorke’s Drift, 19650
Unspooling Die Gramgewinde: Writing with Gunta Stölzl on Grief-Threads and Grief-Portals0
Controlled Rummage as Artistic Strategy: Exposing the Bummock of the Lace Archive0
Traditional and Contemporary Facets of String Puppets of Rajasthan0
Ottoman Dress and Design in the West: A Visual History of Cultural Exchange0
Knitwork: Creativity and the Manufacture of British Designer Knitwear in the 1980s0
Collected, Weaved and Trapped Colors in Chaco (Argentina)0
Life is Short, Art is Long, Crisis is FleetingKairos or Weaving the Right Moment*0
Dressing Up: “Reading” Costume in the Photograph Albums of Nineteenth-Century Bourgeois Jews0
The Knitted Fabric of Finland: Contemporary Handcrafted Wooly Socks Depicting the Nation State0
Stab It, Strangle It1: Media Representations of Knitters, and Subversions of the Stereotype to Reflect Inclusion and Diversity0
Embroidering the Traumatized “Cloth-Skin-Body”: Suffragette Embroidered Cloths Worked in Holloway Prison, 1911–19120
Ten Perspectives of the Gáppte: Materializing Different Ways of Being Sámi0
The Unsettling Truths of Settling: Ghostscapes in Domestic Textiles0
Communication and Challenges of Capacity Development: A Case Study of Bagru Hand Block Printing0
Made in Italy: Translating Cultures from Gucci to Dapper Dan and Back0
An Ethical Approach to Sericulture: Production of Peace Silk in Hatay/Turkey0
Lesbian Knitting: From Self-Sufficiency to Self-Representation0
The “Authenticity Discourse” in Contemporary Application of West African Textiles0
Exhibition Review: Invasive Queer Kudzu, Aaron McIntosh, Richmond, VA: 1708 Gallery, March 29–May 4, 2019.0
Thread - An exhibition of Contemporary Textile Practices0
Invisible Labor: Notes on a Lesser-Known Community of Makers of Menswear in Jaipur0
Textiles and the Acknowledgement of Unidentified Dead0
In Memoriam: Curator, Educator, and Editorial Board Member, Linda Eaton0
Shakespeare in Rajasthan: Character, Emotion, and Gesture in Clothing0
Boundless Encounters—The Impression of the 2019 3rd Hangzhou Triennial of Fiber Art0
From Underwear to Outerwear: The Influence of Machinery on Creativity and Garment Styling in the Scottish Knitwear Industry, 1920s–1970s0
Anne Wilson, “If We Asked about the Sky” and Kustaa Saksi, “First Symptoms”0
Fashion, Gender and Agency in Latin American and Spanish Literature0
Jewish Women, English Dress: From Kindertransport to Women in Uniform in Wartime England0
Identification of Blended Hemp Textiles from the Middle Ages to the 20th Century0
Exhibition Review0
Consumption Pattern and the Factors of the Handloom Weavers in Charghat Upazila of Rajshahi District in Bangladesh0
Textile Memories0
Hidden Hands and Missing Persons0
Dangerous Coats0
A Designer’s Perspective on a Creative Era in Knitwear Design: British Fashion Knitwear 1970–19900
Life, after Life: Textile Crafts in India and Communities of Practice0
Criminal Quilts, Gunnersbury Park Museum, London, 2–3 November 20190
I Craft Affect into Experimental Cloth Formations0
Story of Pharad: In the Words of the Artisan0
This Long Thread: Women of Color on Craft, Community, and Connection,0
Knitting: The Destructive Yarn-Bomb0
The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making0
Life after Death: A Saree as Memoir0
“An Index of Gentility”: Representations of Needlework in Dombey and Son0
Ties That Bind or Exclude? Knitting and Craft Groups as Contested Spaces of Inclusion and Exclusion0
Jewish Dress through Visual Sources: An Introduction0
Annet Couwenberg: Sewing Circles,0
Traditional Woven Bags from Hakkâri Province0
STEAM at Work: “Translating” Science into Dress0
A Knot Dress to Encapsulate Its Maker’s Wish0
Shapes of Movement, in Weaving and in Architecture0
Fashionable Bauhaus: Translating the Bauhaus Esthetics into Textile and Fashion Design0
Endings and Beginnings: Reflections on Crafting and Mothering0
Fashionable Traditions: Asian Handmade Textiles in Motion0
The Reflection of Ancient Ages Ganos Mountain Byzantine Amphoras on Fabric and Clothing Design0
Trauma Memory in Stitch, Sound and Word: From the Troubles and Conflict to Reconciliation and Peace0
Translating Tigers: The Visual Rhetoric of Fashion Communication in Kenzo’s Logo0
Lenore Tawney: Mirror of the Universe0
The Language of Miao Embroidery: Exploring the Traditional “Embroidered Rear Skirt Panels” Worn by the Miao Women of the Huawu Village0
Fiber: The Shared Code of Art and Design—On the 2021 Fiber Code Exhibition0
Tate Britain Commission: Hew Locke's The Procession0
Australian Aboriginal Textiles: Value Beyond Fashion0
A Return Through the Origins of Modernity … Pishi-pishimanta, awaspa, ñawpa kawsayniyta, saphiykunata, tarishani …0
Constructed Masculinities: Unpicking Working-Class Masculinities through Knitting0
Rasam Pagdi: Performing Textile Masculinities0
Senzeni Marasela’s Reworking of Women’s Histories in Beyond Booty: Covering Sarah Baartman and Other Tales0
Received, in Shadows and Silence0
“Y Sin Embargo Te Quiero” (And Yet, I Love You): An Ethnographic Study of Economic Policy and Colonial Hegemonies Encoded in the Recommodification of Used Garments0
Rozanne Hawksley0
CTRL/Shift exhibition, Midlands Arts Centre, Birmingham, 21st July – 9th September 20180
Call for Papers, Special Issue: Life, after Life: Textile Crafts in India and Communities of Practice0
Introduction: Textiles and Trauma0
Material Matters in Paintings at the End of an Era0
Creating Paradise Through a Palimpsest of Textile Higher Education and Community-Based Research0
History in Fashion, 1500 Years of Embroidery in Fashion, Leipzig: Grassi Museum0
Weaving as a Livelihood Option: A Study of the Bhulia Weaver Community in Odisha, India0
Woven under Glass: Francis Bacon’s Linen and the Queerness of His Materials0
Reflecting a Diaspora: In-between Whitework and Indigo0
The Processing of Used Clothing as a Survival Strategy: The Łódź Ghetto Textile Industry in Official Visual Documents of the Judenrat0
From Embroidered Painting to Needle Words0
Styling the “Ivy” Man: Jewish Men as Creators and Consumers of an American Style, 1940–19650
Lederhosen, Dirndl, and a Sense of Belonging: Jews and Trachten in Pre-1938 Austria0
Wearing Trauma on Her Sleeve: A Jumlo as a Witness and Recorder of Colonial Boundaries0
Judith Scott: Capturing the Texture of Sensation0
Fabrications: Using Knitted Artworks to Challenge Developers’ Narratives of Regeneration and Recognise Manchester’s South Asian Working Class Textiles Businesses0
Passion Flower and Wheel of Fortune: An Oya Motif as an Example of Textile Form and Color Design0
Clothing, Emotion and Consumption in Colonial New South Wales0
The Dementia Darnings0
İmren Erşen Oya Müzesi0
Knitting and Everyday Meaning-Making0
Exhibition Review0
Pattu Craft of Western Rajasthan: Design Interventions in View of Changing Socio-Cultural Environment0
Creativity and Design in a Contemporary Knitwear Business: An Interview with Di Gilpin and Sheila Greenwell0
Challenges and Scope of Development: A Case Study of Paithani Weavers of Maharashtra (India)0
Modern Confections: Jews, New Women, and the Business of Fashion in Imperial Berlin0
The Art of Mirror Embroidery on Women’s Wear and Home Furnishing Products, in Two Villages of Sanghar Sindh0
Castaways: Art from the Material World0
Jewish Beauty Pageants in Interwar Poland: Entertainment, Beauty Ideal, and National Emotions0
Introduction: Creativity in Knitted Textiles in Historical Context0
Razzle, Dazzle and the Black Fantastic0
Chinese Folk Embroidery Bellyband: The Intersection of Loving Symbol, Emotional Release, and Spiritual Needs0
Weaves and Voices: Tracing the Journey of the Indian Saree0
Economic Effects of Covid-19 on the Indian Carpet Industry0
Exhibition Review0
Risky, Subversive, and Deviant? A Criminological Analysis of Guerrilla Knitting0
Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria0
Textures of Understanding0
Photographs of Jewish Clothing in Nazi Germany and the Shoah: Visual Records of Economic Assaults, Exploitation, and Plunder0
A Dialogue about Social Weaving: The Weaving Kiosk and Weaving Lab0
Phad: The Scoping Review of Ritualistic, Performative Audio-Visual Folk Tradition of Rajasthan0
Exhibition Review0
Natural Practices: The Creative Autonomy Encoded within First Nations Dye and Weaving Processes of the Chilkat Blanket0
Dialog/Dialogue Street Stories: A Window to the Past; Footsteps in the Present0
Exhibition Review0
Alluring Monotony + Luminous Grids0
Deco Dandy: Designing Masculinity in 1920s Paris0
Exhibition Review0
Aambkapad, Chira, Khun, and more – Intercultural Influences on Fabrics of the Peshwas of Pune, India0
Fabric: The Map of Our Lives0
Domestic Trauma: Textile Responses to Confinement, Coercion and Control0
Letter to the Editor0
Leather Craft of Chamba: Heritage of Royality0
Stitching New Life into Old – A Commission of a Coat0
Pliable Logic as a Practice-Led Research Methodology for Textile Practice0
Empire of Style: Silk and Fashion in Tang China0
Bisa Butler: Portraits0
Queering the Subversive Stitch: Men & the Culture of Needlework0
Neo-Victorianism, Feminism, and Lace: Amy Atkin’s Place at the Dinner Table0
Illuminating the Self, Newcastle upon Tyne: Hatton Gallery, January 18–May 8 20200
Blue Skies Have Never Been So Blue0
Stitching Alive by Marjorie Coleman0
Glimpses of Comfort: Embroideries of Self in the Imagined Worlds of Kantha Textiles from Late-Colonial Bengal0
The Erotic Cloth: Seduction and Fetishism in Textiles0
Khadi Textiles, Women and Rural Development: An Analysis from Past to Present0
From Shirts to Arpilleras – Derry’s Textile Heritage Continues0
Red Cashmere Cardigan, J’adore0
Patterns and Programs: Replication and Creativity in the Place-Based Knitting of Shetland and Ireland0
The 4th Hangzhou Triennial of Fiber Art0
Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria0
Embroidered Voices: Exposing Hidden Trauma Stories of Apartheid0
Catherine Harper, “Áine” (2020), 150 × 200 cms, Stitched and Quilted “Intimate Textiles” Artwork0
Textile Garden, July 15–October 30, 2022, Museum für Gestaltung, Ausstellungsstrasse, Zürich0
Coping COVID-19: Karur in the Past, Through the Present and into the Future0
Stitching a Divided City0
Mark R. Smith: Phalanxes0
Caring Through Cloth: Textiles and the Trauma of Stillbirth0
Crafting Anatomies: Archives, Dialogues, Fabrications0
Exhibition Review0
Body, Dress, and Symbolic Capital: Multifaceted Presentation of PUGREE in Colonial Governance of British India0
What is to Hand: The Fold as Landscape Within Textile Imagination0
Anni Albers: Tate Modern, London, 11th October 2018 – 27th January 20190
Dinh Q Lê, Photographing the Thread of Memory0
Thread Bearing Witness at the Somerset Rural Life Museum, Glastonbury0
Will There Be Womanly Times? Reflections on the Work of Ellen Lesperance0
Contemporary Indigenous Textiles from Australia’s Tropic Zone0
Weaving Webs of Protection: Gringsing Textiles0
The Story of the Karuna Textile Doll0
Materializing Migration: Weaving the Mashrabiya in Nevin Aladağ’sScreens I–III(2016)0
Paris Fashion and World War Two: Global Diffusion and Nazi Control0
The New Normal: Textile Crafts in Kutch Amidst the COVID-19 Pandemic0
Yarn over Police Brutality: Race and the Occupation of Rochester City Hall’s Steps during the Daniel Prude Protest0
The Afterlife of Early Modern Images of Jews0
Knitting Close to the Edge0
Technical Thinking on Chinese Embroidered Paintings0
Annet Couwenberg: Altering Patterns0
Seams and Edges in a Garment: A Practice-Led Research0
Janet Kennedy: A Life in Color0
Magdalena Abakanowicz: Every Tangle of Thread and Rope, London, UK: Tate Modern, 17 November 2022 to 21 May 20230
Exhibition Review0
Poetic Entanglement0
Fashion, Society and the First World War: International Perspectives0
A Woven Decree0
On Not Looking Jewish: Visualizing Submerged Memories and Appearances0
Beyond Weaving: Transdisciplinarity and the Bauhaus Weaving Workshop0
Typology and Fashion Usage Trends of Ankara in the Twenty-First Century South-Western Nigeria0
Clothing Death: Harry Clarke’s Designs for Edgar Allan Poe’s Dead Brides, from Word to Image0
Material Memories in Storage: The Aftermath of Site-Specific, Collectively Made Textiles0
Selected Indigenous Ethiopian Traditional Weaving Designs for Beauty and Diversity of Ethiopian People0
Dad's Shirts0
The Ladies Ulster in the 1870s and 1880s: From “Eccentric-Looking” to “Beau Ideal”0
Textiles and Memories0