Textile-Cloth and Culture

Article	Citations
Knitting and Everyday Meaning-Making	6
Exploring Cultural Value and its Sustainability of Balinese Handwoven Textiles	5
A Brief Introduction to Body-Oriented Parametric Design for 3D-Printed Fashion and Textiles	4
Masked Narratives: Manifestations of a Disaster	4
The Hidden Potential of Textiles: How Do They Heal and Reveal Traumas?	4
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana	4
A Revival for Thailand’s Textile Traditions: New Value for Local Materials (Eri Silk) through Art Practice	4
Sustainable Craft Design Systems for Handloom Weavers	4
Selected Indigenous Ethiopian Traditional Weaving Designs for Beauty and Diversity of Ethiopian People	3
Traditional Woolen Namda (Felted Fabrics) from Tonk, Rajasthan: A Livelihood Initiative for Rural Women	2
Undocumented Textiles: Material Expressions of Indian Ocean Identities in Literature	2
Knitting Algorithmic Assemblages	2
Communication and Challenges of Capacity Development: A Case Study of Bagru Hand Block Printing	2
Embroidered Voices: Exposing Hidden Trauma Stories of Apartheid	2
A Costume Analysis of the Film “Lost in Translation” (Coppola, 2003)	2
Introduction: Cloth and Textile in Translation	2
Made in Italy: Translating Cultures from Gucci to Dapper Dan and Back	1
Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria	1
Ottoman Dress and Design in the West: A Visual History of Cultural Exchange	1
Terroir in a Dress. Understanding Antwerp-Style Fashion	1
When Life Hangs by a Thread: Representations of Covid-19 by the Mapula Embroidery Project	1
A Designer’s Perspective on a Creative Era in Knitwear Design: British Fashion Knitwear 1970–1990	1
A Dialogue about Social Weaving: The Weaving Kiosk and Weaving Lab	1
Aambkapad, Chira, Khun, and more – Intercultural Influences on Fabrics of the Peshwas of Pune, India	1
“Y Sin Embargo Te Quiero” (And Yet, I Love You): An Ethnographic Study of Economic Policy and Colonial Hegemonies Encoded in the Recommodification of Used Garments	1

Creating Paradise Through a Palimpsest of Textile Higher Education and Community-Based Research	1
The Processing of Used Clothing as a Survival Strategy: The Łódź Ghetto Textile Industry in Official Visual Documents of the Judenrat	1
Pattu Craft of Western Rajasthan: Design Interventions in View of Changing Socio-Cultural Environment	1
Challenges and Scope of Development: A Case Study of Paithani Weavers of Maharashtra (India)	1
Knotty Problems: The Complexity of the Knot in Sewing	1
The Predicament of Suzhou Embroidery: Implications of Intangible Cultural Heritage in China	1
The Ladies Ulster in the 1870s and 1880s: From “Eccentric-Looking” to “Beau Ideal”	1
Weaving Beyond the Binary	1
A Hybrid Alternative for Mobile Generations: Fashion Interior as a Portable Architecture for Indonesian Millennials	1
Authenticity and Place-Based Knitwear: Fair Isle and Aran Knitting in Shetland and the West of Ireland	1
Embroidery as Activist Translation in Latin America	1
The Afterlife of Early Modern Images of Jews	1
CONTEXTILE2020, PLACES OF MEMORY: Inter-Discourses of a Textile Territory.	1
From Underwear to Outerwear: The Influence of Machinery on Creativity and Garment Styling in the Scottish Knitwear Industry, 1920s–1970s	1
A Knot Dress to Encapsulate Its Maker’s Wish	1
Stormy Weather: Textile Art, Water and Climate Emergency	1
Introduction: Creativity in Knitted Textiles in Historical Context	1
Jewish Dress through Visual Sources: An Introduction	1
Typology and Fashion Usage Trends of Ankara in the Twenty-First Century South-Western Nigeria	1
“The Other Side of the Brocade”: Translating Fashion Blogs and Data Mining	1
Natural Practices: The Creative Autonomy Encoded within First Nations Dye and Weaving Processes of the Chilkat Blanket	1
Economic Effects of Covid-19 on the Indian Carpet Industry	1
The 4th Hangzhou Triennial of Fiber Art The 4th Hangzhou Triennial of Fiber Art , Zhejiang Art Museum, October 18 – December 5, 2022	1
Weaving as a Livelihood Option: A Study of the Bhulia Weaver Community in Odisha, India	1
Caring Through Cloth: Textiles and the Trauma of Stillbirth	1
Dinh Q Lê, Photographing the Thread of Memory Dinh Q Lê, Photographing the Thread of Memory , Musee du quai Branly – Jacques Chirac, 37 Quai Jacques Chirac, 75007 Paris,	1
Traditional Fine Homespun Hemp Linen Fabrics: About Qualities and Usages in Ritual and Secular Contexts	1
Trauma Memory in Stitch, Sound and Word: From the Troubles and Conflict to Reconciliation and Peace	1
I Craft Affect into Experimental Cloth Formations	0
A Woven Decree	0
Queering the Subversive Stitch: Men & the Culture of Needlework	0
In Conversation With Karie Westermann: “Whose Voices Are Loud? Whose Voices Are Being Heard?” Challenging Ideas About “Tradition” in Knitting	0
Janyak: Armenian Art of Knots and Loops	0
Knitwork: Creativity and the Manufacture of British Designer Knitwear in the 1980s	0
“Authentic and What Real Muslims Wore”: Medieval Textiles as a Source of Religious Authenticity in Contemporary Knitting Patterns	0
Catherine Harper, “Áine” (2020), 150 × 200 cms, Stitched and Quilted “Intimate Textiles” Artwork	0
Patterns and Programs: Replication and Creativity in the Place-Based Knitting of Shetland and Ireland	0
Body, Dress, and Symbolic Capital: Multifaceted Presentation of PUGREE in Colonial Governance of British India	0
Clothing Death: Harry Clarke’s Designs for Edgar Allan Poe’s Dead Brides, from Word to Image	0
Ties That Bind or Exclude? Knitting and Craft Groups as Contested Spaces of Inclusion and Exclusion	0
Crafting Anatomies: Archives, Dialogues, Fabrications	0
Wearing Trauma on Her Sleeve: A Jumlo as a Witness and Recorder of Colonial Boundaries	0
Textures of Understanding	0
Embroidering the Traumatized “Cloth-Skin-Body”: Suffragette Embroidered Cloths Worked in Holloway Prison, 1911–1912	0
“Out of Place”: Cross-Cultural Collaboration and Virtual Space	0
Knit is a Four-Letter Word	0
Exhibition Review	0
Fashion, Society and the First World War: International Perspectives Fashion, Society and the First World War: International Perspectives	0
Unspooling Die Gramgewinde: Writing with Gunta Stölzl on Grief-Threads and Grief-Portals	0
Western Minimalism in Design: Oriental Roots and Cultural Borrowings	0

Magdalena Abakanowicz: Every Tangle of Thread and Rope , London, UK: Tate Modern, 17 November 2022 to 21 May 2023 Magdalena Abakanowicz: Every Tangle of Thread and Ro	0
Chinese Folk Embroidery Bellyband: The Intersection of Loving Symbol, Emotional Release, and Spiritual Needs	0
Stab It, Strangle It1: Media Representations of Knitters, and Subversions of the Stereotype to Reflect Inclusion and Diversity	0
Stitching Alive by Marjorie Coleman	0
Pliable Logic as a Practice-Led Research Methodology for Textile Practice	0
Consumption Pattern and the Factors of the Handloom Weavers in Charghat Upazila of Rajshahi District in Bangladesh	0
In Memoriam: Curator, Educator, and Editorial Board Member, Linda Eaton	0
Modern Confections: Jews, New Women, and the Business of Fashion in Imperial Berlin	0
Life, after Life: Textile Crafts in India and Communities of Practice	0
Exhibition Review	0
Beyond Weaving: Transdisciplinarity and the Bauhaus Weaving Workshop	0
Dangerous Coats	0
Jewish Beauty Pageants in Interwar Poland: Entertainment, Beauty Ideal, and National Emotions	0
SLOW CLOSE LOOKING: Inside The Davis Street Drawing Room	0
The Reflection of Ancient Ages Ganos Mountain Byzantine Amphoras on Fabric and Clothing Design	0
Rasam Pagdi: Performing Textile Masculinities	0
Textiles: Tracing Our Presence	0
Designing Dua Negeri (Two Countries) Batik Influenced by Indonesia and Thailand Shared Culture to Enrich the Batik Repertoire in Both Countries	0
Janet Kennedy: A Life in Color	0
Sustainability: Repurposing Textile Wastes for Visual Artwork Using “Orifabrics”	0
Creativity and Design in a Contemporary Knitwear Business: An Interview with Di Gilpin and Sheila Greenwell	0
Exhibition Review	0
Fabric: The Map of Our Lives	0
The Language of Miao Embroidery: Exploring the Traditional “Embroidered Rear Skirt Panels” Worn by the Miao Women of the Huawu Village	0
Shapes of Movement, in Weaving and in Architecture	0
Shakespeare in Rajasthan: Character, Emotion, and Gesture in Clothing	0
Rozanne Hawksley	0
Beyond Phu-Tai Matmii Handwoven Silk Fabric: Weaving Pattern Design, Ancestral Wisdom, and Originality	0
Protecting “Paradise”: Anti-Nuclear Textiles in New Zealand	0
Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria	0
Story of Pharad: In the Words of the Artisan	0
Controlled Rummage as Artistic Strategy: Exposing the Bummock of the Lace Archive	0
Made Done and Mended: Textiles Salvaged, Saved and Sewn	0
Coping COVID-19: Karur in the Past, Through the Present and into the Future	0
Weaves and Voices: Tracing the Journey of the Indian Saree	0
Fashionable Bauhaus: Translating the Bauhaus Esthetics into Textile and Fashion Design	0
Endings and Beginnings: Reflections on Crafting and Mothering	0
Neo-Victorianism, Feminism, and Lace: Amy Atkin’s Place at the Dinner Table	0
Will There Be Womanly Times? Reflections on the Work of Ellen Lesperance	0
Australian Aboriginal Textiles: Value Beyond Fashion	0
The Lesbian Quilt Manifesto	0
Invisible Labor: Notes on a Lesser-Known Community of Makers of Menswear in Jaipur	0
Dressing Up: “Reading” Costume in the Photograph Albums of Nineteenth-Century Bourgeois Jews	0
Technical Thinking on Chinese Embroidered Paintings	0
Woven under Glass: Francis Bacon’s Linen and the Queerness of His Materials	0
Translating Tigers: The Visual Rhetoric of Fashion Communication in Kenzo’s Logo	0
Anne Wilson, “If We Asked about the Sky” and Kustaa Saksi, “First Symptoms”	0
Braiding the Identity of the Zenú People: Territory and Nature-Culture Relationships in the Crafting of the Vueltiao Hat	0
Poetic Entanglement	0
The “Authenticity Discourse” in Contemporary Application of West African Textiles	0
British Textile Biennial: Affirming the Roots of Textiles in East Lancashire and the Contemporary Curatorial Venture	0
Ob-La-Di, Oc-to-Pus (Life Goes on): a Modern Métis Fire Bag (2021)	0
Exhibition Review	0
Mark R. Smith: Phalanxes	0
A Return Through the Origins of Modernity … Pishi-pishimanta, awaspa, ñawpa kawsayniyta, saphiykunata, tarishani …	0
The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making	0
Razzle, Dazzle and the Black Fantastic The Black Fantastic , Nick Cave, The Hayward Gallery, South Bank Center, 29th June–18th September 2022 The Processi	0
Fashion, Gender and Agency in Latin American and Spanish Literature Fashion, Gender and Agency in Latin American and Spanish Literature	0
Photographs of Jewish Clothing in Nazi Germany and the Shoah: Visual Records of Economic Assaults, Exploitation, and Plunder	0
Introduction: Textiles and Trauma	0
Tate Britain Commission: Hew Locke's The Procession	0
Annet Couwenberg: Sewing Circles , Annet Couwenberg: Sewing Circles , Symmes Gardner, Annet Couwenberg, Caroline Kipp, Lori Rubeling, Mary Savig, Balt	0
Fabrications: Using Knitted Artworks to Challenge Developers’ Narratives of Regeneration and Recognise Manchester’s South Asian Working Class Textiles Businesses	0
Knitting Close to the Edge	0
Changing Identity in Chinese Fashion: Self-Choice and Preference During Late Qing Dynasty and Republican China	0
Dialog/Dialogue Street Stories: A Window to the Past; Footsteps in the Present	0
The Twofold Manifestation of Perfectionism in Textile Craft: Experiences of Self-Identified Perfectionists	0
Castaways: Art from the Material World	0
Bark/Birch/Birkenau (A Conversation with Giuseppe Penone, Georges Didi-Huberman and Gerhard Richter)	0
Yarn over Police Brutality: Race and the Occupation of Rochester City Hall’s Steps during the Daniel Prude Protest	0
Performing Reparative Craft: Oreet Ashery’s Passing through Metal	0
Maker to Wearer: A Transfer of Intention	0
Glimpses of Comfort: Embroideries of Self in the Imagined Worlds of Kantha Textiles from Late-Colonial Bengal	0
STEAM at Work: “Translating” Science into Dress	0
Fashionable Traditions: Asian Handmade Textiles in Motion	0
Re-Engineering Nubi : A Design-Driven Approach to Cultural Sustainability in Korean Fashion/Textile Practice	0
Clothing, Emotion and Consumption in Colonial New South Wales	0
On Not Looking Jewish: Visualizing Submerged Memories and Appearances	0
Fiber: The Shared Code of Art and Design—On the 2021 Fiber Code Exhibition	0
Stitching New Life into Old – A Commission of a Coat	0

“An Index of Gentility”: Representations of Needlework inDombey and Son	0
What is to Hand: The Fold as Landscape Within Textile Imagination	0
This Long Thread: Women of Color on Craft, Community, and Connection,	0
Thread Bearing Witness at the Somerset Rural Life Museum, Glastonbury	0
Correction	0
Stranded Iconographies: The Journeys of Tapestries from Rorke’s Drift, 1965	0
Styling the “Ivy” Man: Jewish Men as Creators and Consumers of an American Style, 1940–1965	0
Constructed Masculinities: Unpicking Working-Class Masculinities through Knitting	0
Hand Loom Weaving: The Threading of Kairos and Phronesis	0
Celebrating 10 Years of Wari Watai. Cu Fibers 2024 – Objects	0
Annet Couwenberg: Altering Patterns	0
Exhibition Review	0
Red Cashmere Cardigan, J’adore	0
Poland in Blue: The Phenomenon of the Denim Clothing Industry in Polish Society During the Socialistic Period	0
Textiles and the Acknowledgement of Unidentified Dead	0
Alluring Monotony + Luminous Grids	0
Bandolier Bags and Indigenous Modernism	0
Judith Scott: Capturing the Texture of Sensation	0
Thread - An exhibition of Contemporary Textile Practices	0
Life after Death: A Saree as Memoir	0
Domestic Trauma: Textile Responses to Confinement, Coercion and Control	0
Letter to the Editor	0
Re/Assembling the Imaginary: Counter-Narratives of Haiti’s Transnational Textile Industry	0
Risky, Subversive, and Deviant? A Criminological Analysis of Guerrilla Knitting	0
Exhibition Review	0
Deco Dandy: Designing Masculinity in 1920s Paris Deco Dandy: Designing Masculinity in 1920s Paris , John Potvin, Manchester: Manchester University Press, 2020. 300 pp.	0
Japanese Women’s Body Politics, Focusing on Clothing/Textiles in Pre- and Post-World War II Japanese Culture on Film	0
An Ethical Approach to Sericulture: Production of Peace Silk in Hatay/Turkey	0
Textile Garden , July 15–October 30, 2022, Museum für Gestaltung, Ausstellungsstrasse, Zürich	0
The Dementia Darnings	0
Bisa Butler: Portraits	0
Textile Memories Textile Memories: Copenhagen, Denmark: HEIRLOOM Center for Art and Archives, 4 November 2022 – 8 January 2023	0
İmren Erşen Oya Müzesi İmren Erşen Oya Müzesi , Permanent Collection, Eskişehir, Turkiye: Eskişehir Büyükşehir Belediyesi	0
Contemporary Indigenous Textiles from Australia’s Tropic ZoneContemporary Indigenous Textiles from Australia’s Tropic Zone	0
The Story of the Karuna Textile Doll	0
From Shirts to Arpilleras – Derry’s Textile Heritage Continues	0
Khadi Textiles, Women and Rural Development: An Analysis from Past to Present	0
Exhibition Review “I Write the Needles Praise” : A Century of Sampler Making, 1630s–1730s, Witney Antiques, November 7–26, 2022	0
Jewish Women, English Dress: From Kindertransport to Women in Uniform in Wartime England	0
The Fabric of Our Lives: Reflections From Maria Balshaw	0
Beyond Representationalism: The Performative Materialities and Affective Dimension of Lin Tianmiao’s the Proliferation of Thread Winding	0
Textiles and Memories	0
Knitting: The Destructive Yarn-Bomb	0
Paris Fashion and World War Two: Global Diffusion and Nazi Control	0
Identification of Blended Hemp Textiles from the Middle Ages to the 20thCentury	0
Exhibition Review	0
Tiwi Textiles Design, Making, Process	0
Weaving Webs of Protection: Gringsing Textiles	0
Phad: The Scoping Review of Ritualistic, Performative Audio-Visual Folk Tradition of Rajasthan	0
Traditional Woven Bags from Hakkâri Province	0
Dad's Shirts	0
Lederhosen,Dirndl, and a Sense of Belonging: Jews andTrachtenin Pre-1938 Austria	0
Stitching a Divided City	0
Ten Perspectives of the  Gáppte : Materializing Different Ways of Being Sámi	0
Exploring the Traditional Turkish Ucetek Entari of the Late Ottoman Era from the Izmir Ethnography Museum Collection	0
Traditional and Contemporary Facets of String Puppets of Rajasthan	0
Received, in Shadows and Silence Received, in Shadows and Silence : Review of Do Ho Suh Exhibition at the Museum of Contemporary Art Australia, November 4, 2022–F	0
The New Normal: Textile Crafts in Kutch Amidst the COVID-19 Pandemic	0
Leather Craft of Chamba: Heritage of Royality	0
The Lives behind the Luxurious Threads: Beleaguered Sustainability of Kashmir’s Pashmina Artisans	0
Lesbian Knitting: From Self-Sufficiency to Self-Representation	0