Textile-Cloth and Culture

Papers
(The median citation count of Textile-Cloth and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
The 4th Hangzhou Triennial of Fiber Art The 4th Hangzhou Triennial of Fiber Art , Zhejiang Art Museum, October 18 – December 5, 2022 9
Introduction: Cloth and Textile in Translation6
The Fabric of Our Lives: Reflections From Maria Balshaw6
The Lesbian Quilt Manifesto5
Terroir in a Dress. Understanding Antwerp-Style Fashion4
STEAM at Work: “Translating” Science into Dress4
Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria4
Designing Dua Negeri (Two Countries) Batik Influenced by Indonesia and Thailand Shared Culture to Enrich the Batik Repertoire in Both Countries4
Exhibition Review4
Authenticity and Place-Based Knitwear: Fair Isle and Aran Knitting in Shetland and the West of Ireland4
Traditional Woven Bags from Hakkâri Province3
The Lives behind the Luxurious Threads: Beleaguered Sustainability of Kashmir’s Pashmina Artisans2
Knotty Problems: The Complexity of the Knot in Sewing2
SLOW CLOSE LOOKING: Inside The Davis Street Drawing Room2
Clothing Death: Harry Clarke’s Designs for Edgar Allan Poe’s Dead Brides, from Word to Image2
Yarn over Police Brutality: Race and the Occupation of Rochester City Hall’s Steps during the Daniel Prude Protest2
“Out of Place”: Cross-Cultural Collaboration and Virtual Space2
Tradition, Change and Meaning: Textile Banners of the Durham Miners’ Gala2
Annet Couwenberg: Altering Patterns2
Knitting and Everyday Meaning-Making2
Tate Britain Commission: Hew Locke's The Procession2
Janet Kennedy: A Life in Color2
Stab It, Strangle It1: Media Representations of Knitters, and Subversions of the Stereotype to Reflect Inclusion and Diversity2
The Dementia Darnings2
Lace as A Cultural Element in Turkish Home Decoration1
Masked Narratives: Manifestations of a Disaster1
Celebrating 10 years of Wari Watai. Cu Fibers 2024 – Objects1
A Brief Introduction to Body-Oriented Parametric Design for 3D-Printed Fashion and Textiles1
Photographs of Jewish Clothing in Nazi Germany and the Shoah: Visual Records of Economic Assaults, Exploitation, and Plunder1
CONTEXTILE2020, PLACES OF MEMORY: Inter-Discourses of a Textile Territory.1
What is to Hand: The Fold as Landscape Within Textile Imagination1
On Not Looking Jewish: Visualizing Submerged Memories and Appearances1
Knitting Close to the Edge1
A Heritage “Nettle” Sheet Reveals the First Physical Evidence of a Hemp/Hop Textile from Denmark1
Leather Craft of Chamba: Heritage of Royality1
Stitching New Life into Old – A Commission of a Coat1
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana1
Magdalena Abakanowicz: Every Tangle of Thread and Rope , London, UK: Tate Modern, 17 November 2022 to 21 May 2023 Magdalena Abakanowicz: Every Tangle of Thread and Ro1
Clothing, Emotion and Consumption in Colonial New South Wales1
Textiles: Tracing Our Presence1
A Knot Dress to Encapsulate Its Maker’s Wish1
The Hidden Potential of Textiles: How Do They Heal and Reveal Traumas?1
Caring Through Cloth: Textiles and the Trauma of Stillbirth1
Weaving as a Livelihood Option: A Study of the Bhulia Weaver Community in Odisha, India1
Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria1
Beyond Representationalism: The Performative Materialities and Affective Dimension of Lin Tianmiao’s the Proliferation of Thread Winding1
Made Done and Mended: Textiles Salvaged, Saved and Sewn1
Poland in Blue: The Phenomenon of the Denim Clothing Industry in Polish Society During the Socialistic Period1
Communication and Challenges of Capacity Development: A Case Study of Bagru Hand Block Printing1
Traditional and Contemporary Facets of String Puppets of Rajasthan1
Bark/Birch/Birkenau (A Conversation with Giuseppe Penone, Georges Didi-Huberman and Gerhard Richter)1
An Ethical Approach to Sericulture: Production of Peace Silk in Hatay/Turkey1
Ties That Bind or Exclude? Knitting and Craft Groups as Contested Spaces of Inclusion and Exclusion1
Exhibition Review1
Life after Death: A Saree as Memoir1
A Costume Analysis of the Film “Lost in Translation” (Coppola, 2003)1
In Praise of the Scarf: Its Role as Social Skin in Rites of Passage1
Stitching a Divided City1
Queering the Subversive Stitch: Men & the Culture of Needlework1
Phad: The Scoping Review of Ritualistic, Performative Audio-Visual Folk Tradition of Rajasthan1
Sustainable Craft Design Systems for Handloom Weavers1
The Historical and Cultural Legacy of Muslin in South Asia: From Colonial Decline to Contemporary Revival1
Thread Bearing Witness at the Somerset Rural Life Museum, Glastonbury1
The Twofold Manifestation of Perfectionism in Textile Craft: Experiences of Self-Identified Perfectionists1
Weaving Webs of Protection: Gringsing Textiles1
Changing Identity in Chinese Fashion: Self-Choice and Preference During Late Qing Dynasty and Republican China0
Performing Reparative Craft: Oreet Ashery’s Passing through Metal0
The Predicament of Suzhou Embroidery: Implications of Intangible Cultural Heritage in China0
Exhibition Review0
Bandolier Bags and Indigenous Modernism0
Resisting Occupation Through Cultural Nonmovement: Palestinian Embroidery as a Multipurpose Tool0
Maker to Wearer: A Transfer of Intention0
Stranded Iconographies: The Journeys of Tapestries from Rorke’s Drift, 19650
Life, after Life: Textile Crafts in India and Communities of Practice0
Unspooling Die Gramgewinde: Writing with Gunta Stölzl on Grief-Threads and Grief-Portals0
Protecting “Paradise”: Anti-Nuclear Textiles in New Zealand0
Abra Abel : A Tapestry of Abrenian Culture and Heritage0
From Shirts to Arpilleras – Derry’s Textile Heritage Continues0
The New Normal: Textile Crafts in Kutch Amidst the COVID-19 Pandemic0
Knitting Algorithmic Assemblages0
The Processing of Used Clothing as a Survival Strategy: The Łódź Ghetto Textile Industry in Official Visual Documents of the Judenrat0
Jewish Women, English Dress: From Kindertransport to Women in Uniform in Wartime England0
Lederhosen,Dirndl, and a Sense of Belonging: Jews andTrachtenin Pre-1938 Austria0
Exploring the Traditional Turkish Ucetek Entari of the Late Ottoman Era from the Izmir Ethnography Museum Collection0
Undocumented Textiles: Material Expressions of Indian Ocean Identities in Literature0
I Craft Affect into Experimental Cloth Formations0
Wearing Trauma on Her Sleeve: A Jumlo as a Witness and Recorder of Colonial Boundaries0
Thread - An exhibition of Contemporary Textile Practices0
Trauma Memory in Stitch, Sound and Word: From the Troubles and Conflict to Reconciliation and Peace0
A Revival for Thailand’s Textile Traditions: New Value for Local Materials (Eri Silk) through Art Practice0
Knit is a Four-Letter Word0
Exhibition Review0
Rozanne Hawksley0
Dad's Shirts0
Exhibition Review “I Write the Needles Praise” : A Century of Sampler Making, 1630s–1730s, Witney Antiques, November 7–26, 20220
Glimpses of Comfort: Embroideries of Self in the Imagined Worlds of Kantha Textiles from Late-Colonial Bengal0
Coping COVID-19: Karur in the Past, Through the Present and into the Future0
Introduction: Creativity in Knitted Textiles in Historical Context0
Western Minimalism in Design: Oriental Roots and Cultural Borrowings0
Traditional Woolen Namda (Felted Fabrics) from Tonk, Rajasthan: A Livelihood Initiative for Rural Women0
Exhibition Review0
When Life Hangs by a Thread: Representations of Covid-19 by the Mapula Embroidery Project0
Deco Dandy: Designing Masculinity in 1920s Paris Deco Dandy: Designing Masculinity in 1920s Paris , John Potvin, Manchester: Manchester University Press, 2020. 300 pp.0
Embroidering the Traumatized “Cloth-Skin-Body”: Suffragette Embroidered Cloths Worked in Holloway Prison, 1911–19120
Typology and Fashion Usage Trends of Ankara in the Twenty-First Century South-Western Nigeria0
“Authentic and What Real Muslims Wore”: Medieval Textiles as a Source of Religious Authenticity in Contemporary Knitting Patterns0
Risky, Subversive, and Deviant? A Criminological Analysis of Guerrilla Knitting0
Red Cashmere Cardigan, J’adore0
Beyond Weaving: Transdisciplinarity and the Bauhaus Weaving Workshop0
Constructed Masculinities: Unpicking Working-Class Masculinities through Knitting0
Re/Assembling the Imaginary: Counter-Narratives of Haiti’s Transnational Textile Industry0
Stains of Significance: Exploring the Stain as a Carrier of Meaning in Monique Lecouna’s Textile Jewelry0
Ottoman Dress and Design in the West: A Visual History of Cultural Exchange0
The Reflection of Ancient Ages Ganos Mountain Byzantine Amphoras on Fabric and Clothing Design0
Correction0
This Long Thread: Women of Color on Craft, Community, and Connection,0
Re-Engineering Nubi : A Design-Driven Approach to Cultural Sustainability in Korean Fashion/Textile Practice0
Identification of Blended Hemp Textiles from the Middle Ages to the 20thCentury0
Embodying the Mind: Anagrammatical Storytelling in Harriet Powers’ Pictorial Quilt II0
Poetic Entanglement0
Threads of Empowerment. Conflict Textiles’ International Journey , Ulster Museum, Belfast, June 21, 2024–April 27, 20250
Exploring Symbolism and Myth in the Motifs of Pashmina Shawls: A Semiotic Analysis0
Modern Confections: Jews, New Women, and the Business of Fashion in Imperial Berlin0
Economic Effects of Covid-19 on the Indian Carpet Industry0
The Art and Value of Word-Men0
Dressing Up: “Reading” Costume in the Photograph Albums of Nineteenth-Century Bourgeois Jews0
Story of Pharad: In the Words of the Artisan0
Janyak: Armenian Art of Knots and Loops0
Will There Be Womanly Times? Reflections on the Work of Ellen Lesperance0
Introduction: Textiles and Trauma0
Fabrications: Using Knitted Artworks to Challenge Developers’ Narratives of Regeneration and Recognise Manchester’s South Asian Working Class Textiles Businesses0
Fashion, Society and the First World War: International Perspectives Fashion, Society and the First World War: International Perspectives 0
“To Buy Him a Pair of Gloves”: Glove Etiquette, Fashion Consumption and the Building of Respectable Images in The Newcomes0
Textiles and the Acknowledgement of Unidentified Dead0
The Afterlife of Early Modern Images of Jews0
Fiber: The Shared Code of Art and Design—On the 2021 Fiber Code Exhibition0
Jewish Beauty Pageants in Interwar Poland: Entertainment, Beauty Ideal, and National Emotions0
Weaves and Voices: Tracing the Journey of the Indian Saree0
Traditional Fine Homespun Hemp Linen Fabrics: About Qualities and Usages in Ritual and Secular Contexts0
Razzle, Dazzle and the Black Fantastic The Black Fantastic , Nick Cave, The Hayward Gallery, South Bank Center, 29th June–18th September 2022 The Processi0
The Story of the Karuna Textile Doll0
A Hybrid Alternative for Mobile Generations: Fashion Interior as a Portable Architecture for Indonesian Millennials0
Rasam Pagdi: Performing Textile Masculinities0
Chinese Folk Embroidery Bellyband: The Intersection of Loving Symbol, Emotional Release, and Spiritual Needs0
Challenges and Scope of Development: A Case Study of Paithani Weavers of Maharashtra (India)0
Fabric: The Map of Our Lives0
Body, Dress, and Symbolic Capital: Multifaceted Presentation of PUGREE in Colonial Governance of British India0
Made in Italy: Translating Cultures from Gucci to Dapper Dan and Back0
Sustainability: Repurposing Textile Wastes for Visual Artwork Using “Orifabrics”0
The Ladies Ulster in the 1870s and 1880s: From “Eccentric-Looking” to “Beau Ideal”0
The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making0
Neo-Victorianism, Feminism, and Lace: Amy Atkin’s Place at the Dinner Table0
Selected Indigenous Ethiopian Traditional Weaving Designs for Beauty and Diversity of Ethiopian People0
Shakespeare in Rajasthan: Character, Emotion, and Gesture in Clothing0
The “Authenticity Discourse” in Contemporary Application of West African Textiles0
Natural Practices: The Creative Autonomy Encoded within First Nations Dye and Weaving Processes of the Chilkat Blanket0
Creating Paradise Through a Palimpsest of Textile Higher Education and Community-Based Research0
Fashionable Bauhaus: Translating the Bauhaus Esthetics into Textile and Fashion Design0
Consumption Pattern and the Factors of the Handloom Weavers in Charghat Upazila of Rajshahi District in Bangladesh0
Pliable Logic as a Practice-Led Research Methodology for Textile Practice0
The Language of Miao Embroidery: Exploring the Traditional “Embroidered Rear Skirt Panels” Worn by the Miao Women of the Huawu Village0
Embroidered Voices: Exposing Hidden Trauma Stories of Apartheid0
British Textile Biennial: Affirming the Roots of Textiles in East Lancashire and the Contemporary Curatorial Venture0
A Return Through the Origins of Modernity … Pishi-pishimanta, awaspa, ñawpa kawsayniyta, saphiykunata, tarishani …0
Non-Verbal Language of Peshkir Motifs in Turkish Culture: A Case Study of Peshkir Collection in A.R. İzzet Koyunoğlu Museum0
In Conversation With Karie Westermann: “Whose Voices Are Loud? Whose Voices Are Being Heard?” Challenging Ideas About “Tradition” in Knitting0
In Memoriam: Curator, Educator, and Editorial Board Member, Linda Eaton0
Jewish Dress through Visual Sources: An Introduction0
Khadi Textiles, Women and Rural Development: An Analysis from Past to Present0
A Designer’s Perspective on a Creative Era in Knitwear Design: British Fashion Knitwear 1970–19900
“An Index of Gentility”: Representations of Needlework inDombey and Son0
Technical Thinking on Chinese Embroidered Paintings0
“Y Sin Embargo Te Quiero” (And Yet, I Love You): An Ethnographic Study of Economic Policy and Colonial Hegemonies Encoded in the Recommodification of Used Garments0
İmren Erşen Oya Müzesi İmren Erşen Oya Müzesi , Permanent Collection, Eskişehir, Turkiye: Eskişehir Büyükşehir Belediyesi0
Beyond Phu-Tai Matmii Handwoven Silk Fabric: Weaving Pattern Design, Ancestral Wisdom, and Originality0
Creativity and Design in a Contemporary Knitwear Business: An Interview with Di Gilpin and Sheila Greenwell0
Transforming Discarded Denim into Interior Art Through Box Furniture Design0
Shapes of Movement, in Weaving and in Architecture0
Hand Loom Weaving: The Threading of Kairos and Phronesis0
Lesbian Knitting: From Self-Sufficiency to Self-Representation0
Knitting: The Destructive Yarn-Bomb0
Analyzing Beaded Dress Imagery in Ozioma Onuzulike’s Strings the Length of Our Palm’s Seal. ChertLüdde Gallery, Berlin 12 November 2022–21 January 20230
Translating Tigers: The Visual Rhetoric of Fashion Communication in Kenzo’s Logo0
Knitwork: Creativity and the Manufacture of British Designer Knitwear in the 1980s0
Fashion, Gender and Agency in Latin American and Spanish Literature Fashion, Gender and Agency in Latin American and Spanish Literature 0
Braiding the Identity of the Zenú People: Territory and Nature-Culture Relationships in the Crafting of the Vueltiao Hat0
Alluring Monotony + Luminous Grids0
Domestic Trauma: Textile Responses to Confinement, Coercion and Control0
Fashionable Traditions: Asian Handmade Textiles in Motion0
The Nexus Between Crime and Textiles: Exploring the Sustainability Strategies of Ghana’s Textile Industry Through the Lens of Routine Activity Theory0
Received, in Shadows and Silence Received, in Shadows and Silence : Review of Do Ho Suh Exhibition at the Museum of Contemporary Art Australia, November 4, 2022–F0
Ob-La-Di, Oc-to-Pus (Life Goes on): a Modern Métis Fire Bag (2021)0
Dinh Q Lê, Photographing the Thread of Memory Dinh Q Lê, Photographing the Thread of Memory , Musee du quai Branly – Jacques Chirac, 37 Quai Jacques Chirac, 75007 Paris,0
Australian Aboriginal Textiles: Value Beyond Fashion0
Embroidery as Activist Translation in Latin America0
Ten Perspectives of the  Gáppte : Materializing Different Ways of Being Sámi0
Pharad Block Printing: A Cultural Treasure Resurging in Contemporary Times0
Textures of Understanding0
Judith Scott: Capturing the Texture of Sensation0
Tiwi Textiles Design, Making, Process0
“The Other Side of the Brocade”: Translating Fashion Blogs and Data Mining0
Weaving Beyond the Binary0
Contemporary Indigenous Textiles from Australia’s Tropic ZoneContemporary Indigenous Textiles from Australia’s Tropic Zone0
Stormy Weather: Textile Art, Water and Climate Emergency0
Styling the “Ivy” Man: Jewish Men as Creators and Consumers of an American Style, 1940–19650
Patterns and Programs: Replication and Creativity in the Place-Based Knitting of Shetland and Ireland0
Aambkapad, Chira, Khun, and more – Intercultural Influences on Fabrics of the Peshwas of Pune, India0
Exploring Cultural Value and its Sustainability of Balinese Handwoven Textiles0
Bisa Butler: Portraits0
Annet Couwenberg: Sewing Circles , Annet Couwenberg: Sewing Circles , Symmes Gardner, Annet Couwenberg, Caroline Kipp, Lori Rubeling, Mary Savig, Balt0
Textile Memories Textile Memories: Copenhagen, Denmark: HEIRLOOM Center for Art and Archives, 4 November 2022 – 8 January 20230
Is Upcycling the Best Approach for Designers to Contribute to Sustainable Textile Industry?0
From Underwear to Outerwear: The Influence of Machinery on Creativity and Garment Styling in the Scottish Knitwear Industry, 1920s–1970s0
Textile Garden , July 15–October 30, 2022, Museum für Gestaltung, Ausstellungsstrasse, Zürich 0
Japanese Women’s Body Politics, Focusing on Clothing/Textiles in Pre- and Post-World War II Japanese Culture on Film0
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