Cultural Geographies

Papers
(The TQCC of Cultural Geographies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
What is relationality? Indigenous knowledges, practices and responsibilities with kin142
Negativity: space, politics and affects19
The asymmetrical anthropocene: resilience and the limits of posthumanism15
Un-homing with words: economic discourse and displacement as alienation11
‘Imagine you are a Dog’: embodied learning in multi-species research10
Remembering and forgetting floods and droughts: lessons from the Welsh colony in Patagonia10
Where crises converge: the affective register of displacement in Mexico City’s post-earthquake gentrification10
The bad environmentalism of ‘nature is healing’ memes10
The taking place of older age9
Walking, knowing, and the limits of the map: performing participatory cartographies in Indigenous landscapes8
Spaces of exposure: Re-thinking ‘publicness’ through public transport8
Essential workers and the cultural politics of appreciation: sonic, visual and mediated geographies of public gratitude in the time of COVID-197
Memory, Don’t Speak! Monumental neglect and memorial sacrifice in contemporary Estonia7
“We gon be alright:” containment, creativity, and the birth of hip-hop7
Haunting, ruination and encounter in the ordinary Anthropocene: storying the return Florida’s wild flamingos7
Filmmaking practice and animals’ geographies: attunement, perspective, narration6
Care-full research ethics in multispecies relations on dairy farms6
The problem of critique in art-geography: five propositions for immanent evaluation after Deleuze6
Animal work, memory, and interspecies care: police horses in multispecies urban imaginaries6
Geographies of the event? Rethinking time and power through digital interfaces6
“My dog and I, we need the park”: more-than-human agency and the emergence of dog parks in Poland, 2015–20206
Toward a critical posthuman geography6
Cruising landscape-objects: inland waterway guidebooks and wayfinding with them6
Absence as an affordance: thinking with(out) water on the inland waterways5
Curating #AanaJaana [#ComingGoing]: gendered authorship in the ‘contact zone’ of Delhi’s digital and urban margins5
Gentrification and neighborhood melancholy. Collective sadness and ambivalence in Dortmund’s Hörde district5
Melancholia is (geo)political! Postcolonial geography in the Wednesday Demonstration in Seoul5
Endurance, exhaustion and the lure of redemption4
The post-industrial English canalscape: from enclosure to enlacement4
The psychic life of gentrification: mapping desire and resentment in the gentrifying city4
Between field and home: notes from the balcony4
Theorising the deaf body: using Lefebvre and Bourdieu to understand deaf spatial experience4
Can one artist name an unnamed road after himself?4
Hunting ghosts: on spectacles of spectrality and the trophy animal4
Finding comfort and conviviality with urban trees4
Religion in times of crisis: Innovative lay responses and temporal-spatial reconfigurations of temple rituals in COVID-19 China4
After precarity: A geography of dark news and digital hope on the island of Lolland3
Walking Rome without leaving home: practicing cultural geography during the COVID-19 pandemic3
Picturing these days of love and rage: Extinction Rebellion’s ‘Impossible Rebellion’3
Micro-atmospheres of place: light and dark on a modernist housing scheme3
Moving sonic geographies: realising the Eerie countryside in music and sound3
More-than-human geographies: an encounter with Serres’ universality3
Creative geographies of Islam: the case of Islamic and traditional visual arts scene in Istanbul3
Space out of joint: absurdist geographies of the Anthropocene3
The work of repair: land, relation, and pedagogy3
Tracks to gay elsewheres: cultural attachment and spatial imaginaries3
Geographies of imagination: why decolonizing Polish children’s classics matters3
On burning ground: Theatre of the Oppressed and ecological crisis in Bolivia3
Becoming-elemental – a thermal imaginary in the Anthropocene2
Stories, crisis, and meaning-making: storying possibility and community in the terrain of cultural struggle2
“¡Tengo gloria bendita!”: pitching and the sonic production of place atmospheres under increasing marketplace regulation2
The ruin(s) of Chiloé?: An ethnography of buildings de/reterritorializing2
Posthuman landscapes2
Disturbing geographies and in/stability in and around a supermarket with a middle-aged man with learning impairments2
Kochi: provincialising postcolonial metro-cosmopolitan spatialities2
Conjunctions of Islam: rethinking the geographies of art and piety through the notebooks of Ahmet Süheyl Ünver2
Geography of placemories: deciphering spatialised memories2
Taking back taste in food bank Britain: on privilege, failure and (un)learning with auto-corporeal methods2
Hostile prototypes: plastic urbanism in San Francisco2
Politics of (dis)assembling – (re)moving borders across Europe1
A virtual island journey: place and place writing in lockdown1
Articulating worlds otherwise: decolonial geolinguistic praxis, multi-epistemic co-existence, and intercultural education and development programing in the Peruvian Andes1
Being a Chinese Passenger: Practicing Quality and Civilization on the Rail1
Old Detroit, New Detroit: “Makers” and the impasse of place change1
Digital encounters with microbial ecologies in a polluted urban river1
‘Ooh it were mucky’: mapping memories of New Basford, Nottingham1
Earthling: the labourer and the soil1
Remembered belonging: encounters with the spectral more-than amidst landscapes of decline1
How many Kirulapana Canals are there in Colombo? Reading everyday imageries and imaginations using southern theory1
Allure in the uninhabitable: on affect, space, and Blackness in gentrifying Philadelphia1
Collaging to find river connections and stimulate new meanings1
The ‘social’ within our walls: stamped bricks as hidden socio-material entanglements1
Narrative, the Chilean social explosion, and affective geography: on the catharsis of the ‘artistic candlelight vigil’ of Valparaíso1
Cognac and the comportment of the quality Chinese consumer1
Dreamlands: stories of enchantment and excess in a search for lost sensations1
All Lines Flow In: excavating the geophilosophical relations of Singapore’s infrastructure through SEA STATE1
Walking, storytelling and melancholy survivals: memorialization of the ‘Troubles’ in Belfast’s City Centre1
Street art, heritage and affective atmospheres1
Body mapping: feminist-activist geographies in practice1
Eating to become ‘good’ citizens: exploring the visceral biopolitics of eating in Singapore1
Breathing places: Three filmmaking investigations1
Emplaced sounding: voice, identity and place in Zadie Smith’s NW1
Seismic media: art and geological co-creation in Ōtautahi Christchurch, Aotearoa New Zealand1
Intimate geographies of virginal blood1
‘Nothing to practice’: Julius Eastman, queer composition, and Black sonic geographies1
Sonic methodologies for more-than-human geographies: the politics of listening in a traditional slaughterhouse in the UK1
Starting to care: making place with microbes1
Opening spatial hinges with mindful writing practice: negotiating Philip Pullman’s secret commonwealth1
From heterotopia to alloútopia: more-than-human geographies of Singapore’s underwater Equarius Hotel1
Spaces of fluidity: articulating ‘politics of presence’ through place-based activism in Iqrit (Israel)1
Aboriginal cultural values framework: producing and communicating Bunurong values and meanings within Bunurong Country1
Infrastructural occupations: waste and electricity in Palestine1
Exhibiting toxicity: sprayed strawberries and geographies of hope1
Enacting sustainability through glass: a study of ontological politics in the proclaimed role model neighbourhood of Vallastaden1
Australian landscape memoir as conservationist vehicle: Winton, Tredinnick, Greer1
Vegetal HydroPoetics: an arts-based practice for plant studies1
‘Y Compartimos. . .’: the collective creation of performed fiction in practice1
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