Visual Studies

Papers
(The TQCC of Visual Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
A photographic essay on socio-economic organisation – temporary shelters in Kelowna, British Columbia (Canada)16
Photography and reality. Reflections around the role of the photographer among photo students in Russia and Sweden10
The Astronomer's Chair: A Visual and Cultural History9
Images among images: a map scholar response9
Ephemeral literacies: reflecting on the impermanence of maize reading divination8
On AI colourisation: algorithms, ancestry, and colour beyond the black box7
The faces of Auschwitz: digital colourisation, ethics and the archive6
No heritage found on map: the vanishing villages of Hong Kong5
The patchwork method: on David Redmon and Ashley Sabin5
Dolors project: art-based polyethnography evoking contemporary rural mothering through photography, dance and chapbooks5
Naked modernisation: the rise and fall of the erotic humour magazines in 1930s Turkey4
Tracking transitions: an ethnographic visual study of the manual sand miners in Bihar, India4
Editorial4
New species in the Mediterranean: a visual essay on human impact on biodiversity4
Design cards as visual interventions: visualising and visioning net zero futures4
Gentrification and changing visual landscapes: a Google Street View analysis of residential upgrading and class aesthetics in Hamilton’s Lower City4
Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color4
Reweaving memory: Taiwan’s last coal miners4
Elements of a riot: forms of political violence in contemporary France4
Copyright as an ethical dimension of visual research: preserving ownership across the research process3
Survival and social support networks: visual narratives of labour market integration among highly skilled African immigrants in Quebec3
Pygmalion in the archive: the mythic desires of colourisation3
Visualising enclosure: the architecture of separation in campus life3
Neither spectacular nor ordinary: a visual essay on imaginations and homes in Beijing from 2007 to 20193
The distinctive reality of schizophrenia in Swallow Me Whole and HOAX Psychosis Blues : exploring comics and their narrative space3
Dressing and undressing Duchamp3
Rebel imaginings: street art in Yogyakarta, Indonesia3
Howard S. Becker and visual sociology3
Elaborated images as decolonial praxis3
Difficulties with diversity: reflections on representation in sandboxing studies3
Editors’ introduction3
Living in post-Brexit Britain during the pandemic: how did it feel for EU citizens?3
In light of #MeToo: reconsidering the art/artist relationship for better futures3
Facilitating Black identity and advocacy: creating cellphilms for reflecting on issues affecting Black students3
Black modernisms in the transatlantic world3
Being specific about ‘digital images’3
Using cellphilm-making as advocacy: adolescent girls’ access to reproductive health services in primary health care facilities in rural northern KwaZulu-Natal3
‘Breaking the chains’: reflections on the making of an ethnographic documentary on human rights violations against people with mental illness in Indonesia3
Interpreting visual meaning: analysing photo-elicitation interviews through the levels of visual framing3
Turning to the imaginary: Stuart Hall’s interventions in visual arts and cultural studies3
Prosody: an ode to the city3
Romaphobia and mainstreaming of nativism: visual representations of Roma during the Brexit referendum in the UK3
The shape of Utopia: the architecture of radical reform in nineteenth-century America3
Creating counter-landscapes: art-based research in two logistics parks in Frankfurt am Main and Kassel (Germany)3
Designing Chineseness: an interview with Mingxuan Shen on the New Wonton typeface3
Earthquakes, communities and heritage: Telling stories of resilience through co-designed immersive media2
A critical assessment of the Russian-language literature in the field of visual culture2
Visual stratification and algorithmic hegemony in digital visual culture of China2
Unfolding the entangled geosemiotics of technologically-mediated gated communities: Mountain View ’s (2021) advertisement as a case study2
Embodying Art – How We See, Think, Feel, and Create2
Visualizing entrenched historical trauma and inherited fear: a linguistic and semiotic landscape account of Jakarta’s traditional Chinatown Glodok2
Making a scene!: How visionary individuals created an international photography scene in Houston, Texas2
Graphic journeys: virtual dark tourism in Joe Sacco’s Palestine and Footnotes in Gaza2
A visual essay of everyday life at the Finnish-Russian border after (and before?) the Iron Curtain2
Editorial2
Kejawen tradition and sacred water practices in Central Java, Indonesia2
Editorial2
Wake up, this is Joburg2
The social life of private thoughts2
Looking at Laurie; reconsidering an image of ‘madness’2
Social semiotic analysis of photographic portrayals of Iranian elders on websites2
Editorial2
When the cannons roar, comics panels fall silent: on silent representations of traumatic events in Israeli comics and graphic novels2
Reimagining food systems and food futures: a visual approach2
Imagining the city2
Spaces in between: using the Zwischenraum to explore the archiving practices of young expats in Berlin2
Home is where it happens: a visual essay on pandemic parenting for employed mothers2
Dirty pictures1
Syrian refugees’ vision for quality education in a Lebanese public school: a participatory visual research1
Decoding visual culture1
Protecting the future ‘Us’: a rhetoric-performative multimodal analysis of the polarising far-right YouTube campaign videos in Finland1
Lettuce grow in the city1
‘Let us teach our children’: Online racism and everyday far-right ideologies on TikTok1
The coloniality beneath the aesthetics: a study on the reclining female schema in modern Chinese photography1
A study of transgender: in the reflection of historical context and contemporary artistic expressions of Lahore, Pakistan1
Sounding of the idols. Visual deception and religious images in Brazil1
Empty homes: filming homeownership in rapidly urbanising China1
Juxtaposition and visualising the middle ground in the unequal city1
A room of your own: photographs of situations of well-being taken by patients suffering from a stress-related illness1
From pages to posts: the evolution of memory-making from scrapbooking to Instagram1
Whom to Follow: The Staged Satire of Chinese Education in Wang Qingsong’s Photography1
The image is a cure1
Other Lines: visualising shifting horizons and atmospheric pollution along the Wirral Peninsula1
The time of the landscape: On the origins of the aesthetic revolution1
‘There were days I felt empty’: care, affect, and graphic medicine1
The baggage of representation: man with a red carrier bag searching for a signal1
A theory of assembly: From museums to memes1
Visualising state-led gentrification in Tāmaki, Auckland1
Methodology for a comparative quantitative analysis of film colour: a comparison between Cannes and box-office results1
Gazing through the window: A participatory Covid-19-exhibition for a nation in crisis1
Embracing new paths in visual research facilitation: opportunities, tensions & ethical considerations1
‘It’s all about connecting’: using visual methods to surface the multisensory and more-than-human dimensions of health information1
The eye of capital. Jonathan Crary and the history of attention1
Moving boundaries: visual sociology meets border studies1
The 360 diary method in experiential education: using social media as a complementary method to interviews and audio diaries1
Critical visual approaches to understand the complexities and contradictions of the city: introduction to the special issue for Visual Studies1
Sociomateriality and infrastructure in action: the politics of border design through ethnographic photography1
#EverydayNile Correspondences1
Everything to Play For: How videogames are changing the world1
Affective atmospheres in Macau: from the sublime to the uncanny1
Editorial1
Co-producing place narratives: participatory visual storytelling through the lens of youth1
Visions and divisions of the world: the case of the Pallaqueras in Artisanal Small-Scale Gold Mines in Southern Perù1
The unlimited joy, ‘once you start you can’t stop’: masculinity in domestic technology commercials in Turkey1
Reading Reisewitz’s Altamira: An Analytical and Evocative Photo-Study Altamira1
What is an image in the digital age?1
Coming off fossil fuels: Visual recollection of fossil fuel dependency1
Decoding the symbolic storm fuelling Greek far-right politics: a visual essay1
Visual arts: imagining ashanzhaicity in twenty-first century China1
Emoji and social media paralanguage1
Finding the local (meta)picture1
Topologies of air1
Building culture: constructing visual continuity in Hangzhou before G201
Embodying parkour’s visual subculture: ethos, style and the emergence of a visual habitus1
Remembering Rob Boonzajer Flaes1
Macao and Hengqin on China’s southern coast: aesthetic reading of infrastructural materiality and island integration1
Rethinking fashion photography: reconstructing identities, decolonising bodies and resistance in postcolonial Morocco1
Introduction: Visibility, images, Palestine/Israel1
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