Visual Studies

Papers
(The median citation count of Visual Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Fabricating Lureland: A history of the imagination and memory of Peacehaven, a speculative interwar garden city development by the sea10
With images in mind, 202210
The techno-politics of programming vision7
What is an Image? Roundtable transcription, International Visual Sociology Association annual conference, 16 September 20227
Oak tree, gum tree: screen collaborations across time zones, 20227
The image is a cure7
Untitled (Maestra) 20226
Visual Studies X The Open Eye Gallery: interview with Open Eye Director Sarah Fisher and Curator Mariama Attah5
Walker Evans: No politics5
Social Fabric: Art and Activism in Contemporary Brazil Social Fabric: Art and Activism in Contemporary Brazil edited by Maria Emilia F5
Semantic macro-structures and macro-rules in visual discourse processing5
Emoji and social media paralanguage Emoji and social media paralanguage by Michele Zappavigna and Lorenzo LogiCambridge: Cambridge Uni5
Cosmopolitics of the camera: Albert Kahn’s archives of the planet4
Storyboardgraphy4
Stencil in the centre of Athens4
Nervous systems: Art, systems, and politics since the 1960s4
Smells: A cultural history of odours in early modern times3
Embodying parkour’s visual subculture: ethos, style and the emergence of a visual habitus3
Images among images: a map scholar response3
The future of visual studies live roundtable. International Visual Sociology Association 40th annual conference, 7 July 20213
Human Flow: Stories from the Global Refugee Crisis and How Media and Conflicts Make Migrants3
The Astronomer's Chair: A Visual and Cultural History3
The graffiti within: the reactivation and politicisation of Sydney’s subterranean3
No selfies: the social world of autistic male adults as depicted in their everyday photographic practices3
Response to questionnaire: visual studies now3
Embracing new paths in visual research facilitation: opportunities, tensions & ethical considerations3
The eyes of scallops and the creativity of submarine animals: convergence and conflict in science, philosophy and art3
Coffee + COVID: people, place, and pandemic3
The experience of visuality and socially engaged practice3
Response to the ‘visual studies now’ questionnaire for Visual Studies3
Social semiotic analysis of photographic portrayals of Iranian elders on websites2
Immersive encounters: video, swimming and wellbeing2
Breathing aesthetics2
The architecture of disability: buildings, cities, and landscapes beyond access The architecture of disability: buildings, cities, and landscapes beyond access by David 2
‘I went there to live’: A case-study of Šarūnas Bartas’s Tofalaria and Few of Us2
The crisis of ugliness: From cubism to pop-art The crisis of ugliness: From cubism to pop-art by Mikhail LifshitzChicago, IL: Haymarke2
Tidepools: using film-based ethnography to explore Black and Latino students' experience of community college2
Earthquakes, communities and heritage: Telling stories of resilience through co-designed immersive media2
The spectacle of demonstration: visual representation of political imagination during the coronavirus crisis2
The influence of iconography and tempera painting techniques on the Chinese school of art2
Three stories of one truth? Visual framing of AP, CNN & FOX news Instagram coverage of the 2020 US presidential candidates2
‘Let us teach our children’: Online racism and everyday far-right ideologies on TikTok2
A photographic essay on socio-economic organisation – temporary shelters in Kelowna, British Columbia (Canada)2
Bauman: A biography2
Remembering and forgetting: using photographs as social artefacts in an aged care setting2
The dual vehicle of politics and art: an exploration of Chinese animation in the ‘Seventeen Years’ period (1949–1966)2
Images of older people in Chinese fashion magazines: a visual assemblage analysis2
Visualising the iconography of anti-colonial and anti-apartheid heroes and heroines in Tshwane (Pretoria), South Africa2
Monitoring North Korea: a visual autoethnography of humanitarian-aid practices2
Citizens’ photography: a comparative analysis2
The Routledge companion to art and disability2
COVID diaries: quotidian snapshots of life during the pandemic2
The Aesthetics of Global Protest; Global Activism and Art and Conflict in the 21st Century The Aesthetics of Global Protest edited by 2
Re-staging American triumph as American carnage2
Building culture: constructing visual continuity in Hangzhou before G202
A visual essay of everyday life at the Finnish-Russian border after (and before?) the Iron Curtain2
Visualising gendered space and informality: a photo essay2
Looking into Visual Studies1
Protecting the future ‘Us’: a rhetoric-performative multimodal analysis of the polarising far-right YouTube campaign videos in Finland1
Panoptical forms in thriller films1
Marshland revival: a narrative rephotography essay on the False Creek Flats neighbourhood in Vancouver1
Questionnaire: visual studies now1
‘Undressing the Icon/Visualizing the habitus.’ Series 1: Jean-François Clervoy (ESA/NASA)1
Action camera: First person perspective or hybrid in motion?1
Reimagining food systems and food futures: a visual approach1
Tracking transitions: an ethnographic visual study of the manual sand miners in Bihar, India1
The spectacle of the Chinese city: urban atmospheres, the built environment and everyday practices1
Resilient rebound: a visual essay on materials science researchers confronting plastic pollution in the post-COVID-19 era1
Digital Tarkovsky1
Poetic Operations: Trans of Color Art in Digital Media Poetic Operations: Trans of Color Art in Digital Media by micha cárdenasDurham:1
Descendants of the modernist museum: tracing the musealisation of Swedish national parks1
Building material languages of trauma: in conversation with Laura Magnusson1
Changing portrayal of women during the late modern period in regards to visual communication design1
The poetics of poetry film: film poetry, videopoetry, lyric voice, reflection The poetics of poetry film: film poetry, videopoetry, lyric voice, reflection 1
Shaping Roman Landscape: Ecocritical Approaches to Architecture and Wall Painting in Early Imperial Italy Shaping Roman Landscape: Ecocritical Approaches to Architectu1
Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color1
Media and conflict, co-constitutive reflecting practices1
Photography: The Unfettered Image1
Counter narrative of President Buhari’s narrative on Nigerian youths with visual images and texts on Facebook1
Response to questionnaire: visual studies now1
Collaboratively videoing mobile activities1
Reframing the homescape: documenting domesticity during photography’s COVID turn1
The business of postcolonial immigration: marketing of immigration services in Punjab, India1
Epidemics, public health workers, and ‘heroism’ in cinematic perspective1
A phenomenological ground for relational perception1
The patchwork method: on David Redmon and Ashley Sabin1
Miao traditional patterns: the origins and design transformation1
The street photography of Garry Winogrand1
Non-literary fiction: Art of the Americas under neoliberalism Non-literary fiction: Art of the Americas under neoliberalism by Esther 1
Visuality and Parrēsia : Ai Weiwei’s countervisual re-enactment of Alan Kurdi’s image1
Editorial1
No heritage found on map: the vanishing villages of Hong Kong1
A study of light pollution discourse in Hong Kong1
House full: Indian cinema and the active audience1
Lewis Carroll: photography on the move; Singular images, failed copies: William Henry Fox Talbot and the early photograph1
Sonic signatures: Music, migration and the city at night Sonic signatures: Music, migration and the city at night edited by Derek Pard1
Degenerate ecocinema: indexing entropy with drones1
Reconfiguring spaces in FARC’s demobilisation camps: the cases of Tierra Grata and Pondores, Colombia1
CODA: visual studies now1
From making visible to hiding. Visual representations of financial markets as tools of manipulation and active and living agents1
Familia, 20181
What is an image in the digital age?1
Sporting blackness: Race, embodiment, and critical muscle memory on screen1
Wake up, this is Joburg1
Graphic medicine’s golden age?1
The Routledge international handbook of ethnographic film and video1
(W)ARCHIVES: Archival imaginaries, war, and contemporary art1
Editorial1
‘What do we see when we look at people on the move’? A visual intervention into civil sphere and symbolic boundary theory1
Likeness in the age of new media: on the endless mutability of images1
Face masks as floating signifiers during the COVID-19 pandemic in Belgium1
New species in the Mediterranean: a visual essay on human impact on biodiversity1
The semiotic remediation of hardtack biscuits during World War One1
Signs of change: community, collective action, and gentrification in Brooklyn, New York1
Methodology for a comparative quantitative analysis of film colour: a comparison between Cannes and box-office results1
Looking Through Images. A Phenomenology of Visual Media0
Cross-cultural visual communication at the Wanchin Church in Taiwan0
Positive pathways towards authoritarian neoliberalism. On the artist collective GCC, democratic ideals and the United Arab Emirates’ ‘Vision 21’0
Remote justice: a visual essay on the response of the Dutch justice system to the COVID-19 pandemic0
Introduction: Visibility, images, Palestine/Israel0
Participating and observing: Howie up close0
Addressing corruption through visual tools in India: the case of three civil society initiatives and their Facebook pages0
Correction0
Let Dr Ai’s story flee: a minor practice against China’s internet censorship during the COVID-19 pandemic0
The place of poetics within documentary filmmaking: The art of fact0
Affective atmospheres in Macau: from the sublime to the uncanny0
Out of Business: A visualisation of financial distress in the public space amidst Covid-19 pandemic0
The ‘how’ of anthropology: participant observation in New Guinea and Newfoundland0
Seeing South Asia: visuals beyond borders0
Multisensory approaches in migration research: reflections and pathways0
Framing urbanities: invisible/visible urban assemblages0
Beyond the visuality of Western architecture. The Chinese home from inward haven to outward representation0
Visual studies now0
Reclaiming vision: looking at Berger’s Ways of Seeing and NASA’s Blue Marble0
Tracks and traces: Exploring the world of graffiti writing through visual methods Tracks and traces: Exploring the world of graffiti writing through visual methods0
Sound, image, silence: Art and the aural imagination in the Atlantic world0
Home is where it happens: a visual essay on pandemic parenting for employed mothers0
‘The urge to know about the roots is just human, I guess’: Vietnamese Memories and Clément Baloup, an interview0
Film ethnography and critical consciousness: exploring a community-based action research methodology for Freirean transformation0
Self-portrait in the photo booth: self-representation in the selfie era, a Photo-based Educational Research Project0
A feminist rewriting of cartoon captions0
Howard S. Becker and visual sociology0
Response to questionnaire: visual studies now0
A critical assessment of the Russian-language literature in the field of visual culture0
Story Poles (Solana Beach, California), 20210
Using cellphilm-making as advocacy: adolescent girls’ access to reproductive health services in primary health care facilities in rural northern KwaZulu-Natal0
Guest Editors’ introduction0
What can voice do? Combining narrative methods and participant-produced photography to explore contemporary cancer survivorship0
Facilitating a ‘virtual space’ for social change during the COVID-19 pandemic: working with high-risk population using an arts-informed method0
Blackboard voices0
Finding the local (meta)picture0
Critical visual approaches to understand the complexities and contradictions of the city: introduction to the special issue for Visual Studies0
Questionnaire: visual studies now0
‘Breaking the chains’: reflections on the making of an ethnographic documentary on human rights violations against people with mental illness in Indonesia0
What is an inclusive city? Reconfiguring participation in planning with geospatial photovoice to unpack experiences of urban belonging among marginalised communities0
Will I ever be good enough?0
Para/texts for the movie Archie’s Final Project: navigating stigma and profit imperatives to discuss suicide and human connections0
Editorial0
‘There were days I felt empty’: care, affect, and graphic medicine0
A beautiful ghetto A beautiful ghetto By Devin AllenChicago, Haymarket Books, 2021. 124 pp.ISBN 1642594563, 9781642594560 (Hardcover).0
Visual depictions of the Polish–German border: a quantitative analysis of visual dimension of bordering practices0
Diagrammatic mental representation: a methodological bridge0
Spirit in film: the work of James Ault0
Rethinking fashion photography: reconstructing identities, decolonising bodies and resistance in postcolonial Morocco0
Interconnectedness, place and growth: a visual essay on transformative learning0
‘I like working with my hands’: performative and embodied nostalgia among post-industrial blacksmiths0
A visual exploration of resource curse in East Kalimantan0
Building internal reputation in stigmatised neighbourhoods: the use of remote participatory photo mapping0
Being specific about ‘digital images’0
Soldier snapshots – masculinity, play, and friendship in the everyday photographs of men in the American military0
The silent Tibetan women and their visual exclusions in Pema Tseden’s ‘Tibetan Trilogy’0
Political storytelling of Ekrem İmamoğlu on Instagram during 2019 Istanbul mayoral elections in Turkey0
Other Lines: visualising shifting horizons and atmospheric pollution along the Wirral Peninsula0
‘How I edit my Instagram images’: investigating skilled vision in the work of YouTube’s lifestyle-content creators0
Caution, Police!0
Elaborated images as decolonial praxis0
Performativity and intersemiotic translation in contemporary art: the case of Hong Kong Atlas0
Delta voices of climate crisis: Community Digital Storytelling in Bangladesh and Vietnam0
Co-illusion: Dispatches from the end of communication0
The hidden messages concealed in the 1970s stamp series ‘Landscapes of Israel’0
Visual studies questionnaire: how do you engage with the visual, and what is its importance in the twenty-first century?0
The media swirl: Politics, audiovisuality, and aesthetics The media swirl: Politics, audiovisuality, and aesthetics by Carol Vernallis0
Correction0
‘It’s just a comic’ - Or is it? Addressing the past in Rutu Modan’sThe Property0
Visual methods and migration: methodological advantages using documentary in the field0
Remembering Howie0
Visual studies now. Visions of immunity0
To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes0
Performing for the camera: queer migration, sex work, and objecthood0
Altered spaces: new ways of seeing and envisioning nature with Minecraft0
The Oxford handbook of communist visual cultures0
Dirty pictures0
La sociologie filmique: Théories et pratiques0
Svalbard Railway (Rachel Tanur 2022 1st Prize)0
Marcus Banks 4 July 1960–22 October 20200
Corona de Flores; some visual issues of coronavirus0
Editorial0
Warao queen: challenging beauty in Venezuela – the Rachel Tanur Memorial Prize for Visual Sociology 20200
From bricoleur to carver – A methodological provocation from video ethnographic inquiry0
Unnatural nature – visual, spatial, and temporal contexts controlling our air0
‘All the good spots are already taken’: the visual properties of interior social sceneries0
Mortevivum: photography and the politics of the visual Mortevivum: photography and the politics of the visual by Kimberly Juanita Brow0
Spaces in between: using the Zwischenraum to explore the archiving practices of young expats in Berlin0
Visual framing in the German movements for gay liberation and against nuclear energy0
Breaking the frame: evolving practices of first-generation photo-elicitation researchers0
Homes that house precarity: a visual essay on capturing an eco-dystopian reality0
Visual studies now0
Mapping beyond measure: Art, cartography and the space of global modernity0
The baggage of representation: man with a red carrier bag searching for a signal0
Creating counter-landscapes: art-based research in two logistics parks in Frankfurt am Main and Kassel (Germany)0
The time of the landscape: On the origins of the aesthetic revolution The time of the landscape: On the origins of the aesthetic revolution 0
Preserving the ephemeral: A visual typology of augmented reality filters on Instagram0
The Building as Screen: A History, Theory and Practice of Massive Media0
Hand-drawn concept-mapping as a participatory visual method0
La photo numérique. Une force néolibérale0
Editorial0
Where are the students?0
The return of the uncanny: artificial intelligence and estranged futures0
‘I don’t fit that stereotype’: participant photography and the visual (re)positioning of Black men0
Survival and social support networks: visual narratives of labour market integration among highly skilled African immigrants in Quebec0
Masculinities: Liberation through photography0
An international football match experienced from within a 'working quarantine' – a photographic journey0
“Local guys wanted”: homoerotic photography, censorship, and national belonging in apartheid South Africa – the case of Alternative Books (1981-1991)0
Documentary photography as vocation: reflecting on Frank Cancian’s contribution to visual studies0
The social life of private thoughts0
The 360 diary method in experiential education: using social media as a complementary method to interviews and audio diaries0
Analogic and symbolic dimensions in graphic representations associated with patient information leaflets for medicines0
Parallel public: experimental art in late east Germany0
Images of displaced memories: documentation, intervention, and the ethics and aesthetics of seeing0
Waste Not Want Not : art, recycling and community building in a Johannesburg creative collaboration0
Gaming sexism: Gender and identity in the era of casual video games0
Visualizing everydayness, questioning interstitiality0
‘I don’t want to see anymore.’0
Ring this bell if you want to save our planet0
Portfolio implementation for self-reflection and professional growth of students in the arts0
Smudged windows: scenes from home during a pandemic0
If_I_Had_Let_Me, 20220
Editorial0
Visibilising gentrification-induced displacement: a visual essay on the role of a socially and politically engaged photographic practice in housing activism0
Therapeutic aesthetics: Performative encounters in moving image artworks0
Visual arts: imagining ashanzhaicity in twenty-first century China0
Commentary for Visual Studies0
#EverydayNile Correspondences0
Shooting occupation: the sociology of visual representation0
Empty homes: filming homeownership in rapidly urbanising China0
Living in post-Brexit Britain during the pandemic: how did it feel for EU citizens?0
Border tunnels: a media theory of the U.S.-Mexico underground0
Coral empire: underwater oceans, colonial tropics, visual modernity0
Memes in the time of corona: an autoethnographic visual essay on memes as relational resources during the COVID-19 pandemic0
‘Through my eyes’: feminist self-portraits of Osteogenesis Imperfecta as arts-based knowledge translation0
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