Journal of Visual Culture

Papers
(The median citation count of Journal of Visual Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Feeling good about feeling bad: virtuous virtual reality and the automation of racial empathy70
Virtual/reality: how to tell the difference43
The aesthetics of reality media24
The wavering line of foreground and background: a proposal for the schematic analysis of trans visual culture24
Empathy and nausea: virtual reality and Jordan Wolfson’s Real Violence24
Empathy for the game master: how virtual reality creates empathy for those seen to be creating VR18
After fashion film: social video and brand content in the influencer economy13
Developing the ‘best practices’ of virtual reality design: industry standards at the frontier of emerging media10
Guest Editors’ Introduction: Virtual reality: immersion and empathy9
Editorial Introduction: Reparation and Visual Culture9
Introduction: touch, click and motion: archaeologies of fashion film after digital culture5
Trans men’s stealth aesthetics: navigating penile prosthetics and ‘gender fraud’4
Familiar grammars of loss and belonging: curating trans kinship in post-dictatorship Argentina4
Prismatic views: a look at the growing field of transgender art and visual culture studies3
The JVC Palestine Portfolio3
Excavating fashion film: a media archaeological perspective3
Whole world within reach: Google Earth VR3
The art of touch: lending a hand to the sighted majority2
Reparative interpellation: public art’s Indigenous and non-human publics1
The memory of earth and land dispossession in Urabá1
Transgressive frames1
Themed Issue Introduction: Testifying to Violence Environmentally: Knowing, Sensing, Politicizing1
Sewing machines and weaving looms: a media archaeological encounter between fashion and film1
The art of repair: naming violence in the work of FX Harsono1
Surviving in the shadow of the un/seen: on the paradoxical in/visibility of El Kazovsky1
Trans visibility and trans viability: a Roundtable1
Epilogue: turning around the right to look1
Review: Brian Massumi, Architectures of the Unforeseen: Essays on the Occurrent Arts1
‘C’est grave’: Raw, cannibalism and the racializing logic of white feminism1
Collective empiricism and the material witness1
Performing reparative history in the Andes: Travesti methods and Ch’ixi subjectivities1
‘We wear one another’1
The media turn in African environmentalism: the Niger Delta and oil’s network forms1
Inverting resolution: accounting for the planetary cost of earth observation1
The diversity of the middle: mythology in intersectional trans representation1
Re-processing archival images: artists as darkroom technicians1
Chasing Charley, finding Reed: reaching toward the ghosts of the archive1
Lately, I have been talking with our ancestors0
Repair in Australian Indigenous art0
Window on the nostalgia box: television and the ambient aesthetics of karaoke in 1980s Japan0
Paper, glass, algorithm: teleprompters and the invisibility of screens0
Life of crops: notes on investigative memorialisation0
An unbound critical lived-built environment0
‘I’m a person who loves beautiful things’: Potassa de Lafayette as model and muse0
This is where my eyes rest, 20210
Dirty encounters: Pier Paolo Pasolini’s legacy in David Wojnarowicz’s work0
Review: Gilles Deleuze, Letters and Other Texts, David Lapoujade (ed.), trans. Ames Hodges0
Black Vibrations: Techno as Queer Insurrectionist Sonics0
Kirsty Sinclair Dootson, The Rainbow’s Gravity: Colour, Materiality and British Modernity0
The Haitian zombie motif: against the banality of antiblack violence0
The Iran Portfolio0
Review: Aga Skrodzka, Xiaoning Lu and Katarzyna Marciniak (eds), The Oxford Handbook of Communist Visual Cultures0
Blue like the Mediterranean: the work of the monochrome in the Atlas Group Archive0
You and eye in the afterlife of images0
Review: Zeuler RM de A Lima, Lina Bo Bardi, Drawings0
Christoph Cox, Sonic Flux: Sound, Art, and Metaphysics, reviewed by Dann Disciglio0
Earth as image and operation0
Pretty in pink: David Antonio Cruz’s portrait of the florida girls0
From sublime awe to abject cringe: on the embodied processing of AI art0
Where Blackness dies: the aesthetics of a massacre and the violence of remembering0
Amelia Jones, In-Between Subjects: A Critical Genealogy of Queer Performance Amelia Jones and Andy Campbell (eds), Queer Communion: Ron Athey, reviewed by Kimberly Lamm0
Safety Orange0
Jae Emerling, Vivre sa vie pour JLG0
Christiano Bianchi and Kristina Drapić, Model City Pyongyang, reviewed by Marc Kosciejew0
Screenic fashion: horizontality, minimal materiality and manual operation0
Views from above and below: bridging scenes of difference0
Tarot as affective cartography in the uneven Anthropocene0
Colour, movement and modernity in Sonia Delaunay’s (1926) fashion film0
‘I do not want to pass’: embodiment, metaphor, and world-making in Patrick Staff’s Weed Killer0
On nesting0
Alex Kitnick, Distant Early Warning: Marshall McLuhan and the Transformation of the Avant-Garde, reviewed by Emily Collins0
Jennifer Bajorek, Unfixed: Photography and Decolonial Imagination in West Africa, reviewed by Yann Petit0
Infrastructural fugitivity: contraband cellphones, TikTok, and vital media behind bars0
Review: Julia Bryan-Wilson,Fray: Art and Textile Politicsand Jessica Gerschultz,Decorative Arts of the Tunisian École: Fabrications of Modernism, Gender, and Power0
Laura Kurgan, Close Up at a Distance: Mapping, Technology, and Politics0
Review: Charles L Leavitt IV, Italian Neorealism: A Cultural History0
Dust against the Anthropocene: Yhonnie Scarce’s nuclear geo-fictions0
Strategic visibility: architectures of data colonialism in Las Vegas0
Jan Baetens, Une fille comme toi and The Film Photonovel: J A Cultural History of Forgotten Adaptations, reviewed by Susana S Martins0
The absence of absence: of ekphrasis and blind witnessing0
Review: Dan Karlholm and Keith Moxey (eds) Time in the History of Art: Temporality, Chronology and Anachrony0
‘Architecture is forever unfinished’0
Review: Joan Kee, Models of Integrity: Art and Law in Post-Sixties America0
Burcu Dogramaci and Kerstin Pinther (eds) Design Dispersed: Forms of Migration and Flight0
Sarah Kanouse and Shiloh Krupar, eds, A People’s Atlas of Nuclear Colorado (2021), reviewed by Joseph M Sussi0
Counter-archives as heritage justice: photography, invisible labor and peopled ruins0
Maria Stavrinaki, Transfixed by Prehistory: An Inquiry into Modern Art and Time0
Visual lawfare: evidential imagery at the service of military objectives0
Matthew Fuller and Eyal Weizman, Investigative Aesthetics: Conflict and Commons in the Politics of Truth, reviewed by Ghalya Saadawi0
‘Words have a charge’: six moments from a dialogue0
Review: Elisabeth von Samsonow, Anti-Electra: The Radical Totem of the Girl0
Marie Høeg’s worldmaking photography: a photo essay0
Review: Alice Gorman, Dr Space Junk vs. the Universe: Archaeology and the Future0
Paul Roquet, The Immersive Enclosure: Virtual Reality in Japan0
Review: Dominic Johnson, Unlimited Action: The Performance of Extremity in the 1970s0
Decolonizing objecthood through 2SQ Indigenous art: Dayna Danger and Jeneen Frei Njootli’s performance, ‘Chases and Tacks’0
Review: Giorgio Agamben,Creation and Anarchy: The Work of Art and the Religion of Capitalism0
Rupture, not injury: reframing repair for Black and Indigenous youth experiencing school pushout0
Review: Jenny Odell, How to Do Nothing: Resisting the Attention Economy0
Pictograms for resistance: historicity and militant design research in Amazonian Ecuador0
Rethinking the Phantasmagoria: an enclosure and three worlds0
Modeling doubt: a speculative syllabus0
Digital witnessing and the erasure of the racialized subject0
Ronak Kapadia, Insurgent Aesthetics: Security and the Queer Life of the Forever War, reviewed by Emilia Sawada0
Gaza in plain sight: witnessing in solidarity0
Julia Adeney Thomas and Geoff Eley (eds), Visualizing Fascism: The Twentieth-Century Rise of the Global Right, reviewed by Mark Antliff0
The crystal reveals the whole: medieval dreamscapes and cinematic space as virtual media0
Review: Frances Guerin (ed.), On Not Looking: The Paradox of Contemporary Visual Culture0
Review: Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire0
Hentyle Yapp, Minor China: Method, Materialism, and the Aesthetic0
On Jesse Darling0
Bullet-titling in twenty-first century China: bullet-like tactility, soft touch and diachronic simultaneity0
Christine Checinska, Africa Fashion Exhibition0
Eugenie Brinkema, Life-Destroying Diagrams, reviewed by Marissa C de Baca0
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