Journal of Visual Culture

Papers
(The median citation count of Journal of Visual Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
The absence of absence: of ekphrasis and blind witnessing11
‘Architecture is forever unfinished’10
At the crossroads: photography, ecology and heritage in Istanbul4
Review: Charles L Leavitt IV, Italian Neorealism: A Cultural History3
Kirsty Sinclair Dootson, The Rainbow’s Gravity: Colour, Materiality and British Modernity3
Digital witnessing and the erasure of the racialized subject3
Pictograms for resistance: historicity and militant design research in Amazonian Ecuador2
Transgressive frames2
The media turn in African environmentalism: the Niger Delta and oil’s network forms2
The crystal reveals the whole: medieval dreamscapes and cinematic space as virtual media2
Review: Aga Skrodzka, Xiaoning Lu and Katarzyna Marciniak (eds), The Oxford Handbook of Communist Visual Cultures2
An unbound critical lived-built environment1
Tarot as affective cartography in the uneven Anthropocene1
On nesting1
The JVC Palestine Portfolio1
Epilogue: turning around the right to look1
Infrastructural fugitivity: contraband cellphones, TikTok, and vital media behind bars1
Paul Roquet, The Immersive Enclosure: Virtual Reality in Japan1
Editorial Introduction: Reparation and Visual Culture1
Dirty encounters: Pier Paolo Pasolini’s legacy in David Wojnarowicz’s work1
A cultural dream: Europe in the plural1
Window on the nostalgia box: television and the ambient aesthetics of karaoke in 1980s Japan1
Crip curation and the aesthetics of the undeliverable1
‘splinter to the heart of the world’: Beverly Buchanan’s shack works1
Hatim El-Hibri, Visions of Beirut: The Urban Life of Media Infrastructure0
Inverting resolution: accounting for the planetary cost of earth observation0
Sarah Kanouse and Shiloh Krupar, eds, A People’s Atlas of Nuclear Colorado (2021), reviewed by Joseph M Sussi0
Ronak Kapadia, Insurgent Aesthetics: Security and the Queer Life of the Forever War, reviewed by Emilia Sawada0
Matthew Fuller and Eyal Weizman, Investigative Aesthetics: Conflict and Commons in the Politics of Truth, reviewed by Ghalya Saadawi0
Christiano Bianchi and Kristina Drapić, Model City Pyongyang, reviewed by Marc Kosciejew0
The memory of earth and land dispossession in Urabá0
This is where my eyes rest, 20210
Where Blackness dies: the aesthetics of a massacre and the violence of remembering0
Re-processing archival images: artists as darkroom technicians0
The art of touch: lending a hand to the sighted majority0
Eugenie Brinkema, Life-Destroying Diagrams, reviewed by Marissa C de Baca0
Themed Issue Introduction: Testifying to Violence Environmentally: Knowing, Sensing, Politicizing0
Archives for the future: the 2019 Lennon Walls of Hong Kong0
From sublime awe to abject cringe: on the embodied processing of AI art0
Strategic visibility: architectures of data colonialism in Las Vegas0
Burcu Dogramaci and Kerstin Pinther (eds) Design Dispersed: Forms of Migration and Flight0
Modeling doubt: a speculative syllabus0
Jan Baetens, Une fille comme toi and The Film Photonovel: J A Cultural History of Forgotten Adaptations, reviewed by Susana S Martins0
Jae Emerling, Vivre sa vie pour JLG0
Review: Julia Bryan-Wilson, Fray: Art and Textile Politics and Jessica Gerschultz, Decorative Arts of the Tunisian École: Fabrications of Modernism, Gender, and Power0
‘Words have a charge’: six moments from a dialogue0
Reparative interpellation: public art’s Indigenous and non-human publics0
Paper, glass, algorithm: teleprompters and the invisibility of screens0
‘We wear one another’0
Sarah Jane Cervenak, Black Gathering: Art, Ecology, Ungiven Life0
Preface to Mieke Bal, ‘A cultural dream: Europe in the plural’, the Collège de France lectures, 2022–20230
‘C’est grave’: Raw, cannibalism and the racializing logic of white feminism0
Christine Checinska, Africa Fashion Exhibition0
Rethinking the Phantasmagoria: an enclosure and three worlds0
Gaza in plain sight: witnessing in solidarity0
Views from above and below: bridging scenes of difference0
Black Vibrations: Techno as Queer Insurrectionist Sonics0
The art of repair: naming violence in the work of FX Harsono0
Bullet-titling in twenty-first century China: bullet-like tactility, soft touch and diachronic simultaneity0
Long live the hyphen and the exclamation mark! On the trait-d’union as inter-ship0
Repair in Australian Indigenous art0
Performing reparative history in the Andes: Travesti methods and Ch’ixi subjectivities0
Earth as image and operation0
Collective empiricism and the material witness0
Christoph Cox, Sonic Flux: Sound, Art, and Metaphysics, reviewed by Dann Disciglio0
Hentyle Yapp, Minor China: Method, Materialism, and the Aesthetic0
You and eye in the afterlife of images0
Rupture, not injury: reframing repair for Black and Indigenous youth experiencing school pushout0
Trans visibility and trans viability: a Roundtable0
Visual lawfare: evidential imagery at the service of military objectives0
Lately, I have been talking with our ancestors0
Laura Kurgan, Close Up at a Distance: Mapping, Technology, and Politics0
Safety Orange0
Life of crops: notes on investigative memorialisation0
Maria Stavrinaki, Transfixed by Prehistory: An Inquiry into Modern Art and Time0
Dust against the Anthropocene: Yhonnie Scarce’s nuclear geo-fictions0
Jennifer Bajorek, Unfixed: Photography and Decolonial Imagination in West Africa, reviewed by Yann Petit0
Notes on plant companionship: from Rosa Luxemburg’s herbarium to Jumana Manna’s Foragers0
Counter-archives as heritage justice: photography, invisible labor and peopled ruins0
The Haitian zombie motif: against the banality of antiblack violence0
Revolutionary Enclosures (Until the Apricots)0
Julia Adeney Thomas and Geoff Eley (eds), Visualizing Fascism: The Twentieth-Century Rise of the Global Right, reviewed by Mark Antliff0
Alex Kitnick, Distant Early Warning: Marshall McLuhan and the Transformation of the Avant-Garde, reviewed by Emily Collins0
The Iran Portfolio0
Blue like the Mediterranean: the work of the monochrome in the Atlas Group Archive0
Amelia Jones, In-Between Subjects: A Critical Genealogy of Queer Performance Amelia Jones and Andy Campbell (eds), Queer Communion: Ron Athey, reviewed by Kimberly Lamm0
Runa Chakraborty Paunksnis and Šarūnas Paunksnis (eds), Gender, Cinema, Streaming Platforms: Shifting Frames in Neoliberal India0
Water and fluidity in İz Öztat’s heterochronic imaginaries in the aftermath of genocide0
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