Studies in Theatre and Performance

Papers
(The TQCC of Studies in Theatre and Performance is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Narratives of home or failure: the impact of artists and site-specific artworks in communities3
Theatre of the oppressed and its times2
‘Taping into the void’: acting labour, self-tapes, and resistance in the digital economy2
Editorial, 43.22
History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past2
Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre2
Broadway Bodies: A Critical History of Conformity2
Interview with casting director Sophie Parrott (CDG)2
The Southall ever after festival – what COVID-19 taught us about community, research and funding1
Summer Cannibals1
Free Bitch - Ongoing … ..1
The spectacle of an invisible audience: how the birthday celebrations for the ghost deity Niang Ma in Chiayi, Taiwan, destabilise notions of what constitutes a theatre audience1
Good nights out: a history of popular British theatre since the Second World War1
Decolonisation and solidarity roundtable discussion1
Editorial1
Heisnam Sabitri: The Way of the Thamoi1
Embodying a new sexual politics of meat in Lucy Kirkwood’s Tinderbox1
Contemporary performance and political economy: oikonomia as a new ethico-political paradigm1
A diary of war and theatre1
Terror and horror in contemporary Iraqi theatre1
Re-imagining Independence in Contemporary Greek Theatre and Performance1
Collective resistance roundtable discussion1
Hunkering down in the theatre of war: reflections on the interpersonal politics of collective resistance1
Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology1
Artist roundtable on casting and identity with Nicole Acquah, Emma Jude Harris, Samia La Virgne, and Kerry Kyriacos1
Writing forward: translation, performance, creativity1
Physical solidarity as feeling the feeling1
A queery of everything: queer-conscious casting and multiverse dramaturgy1
ANTI – PERFORMANCE AS PRAXIS1
Adaptation and Resilience in the Performing Arts: The Pandemic and Beyond1
Solidarity and cannibalism: anthropophagic actions as a devising process in contemporary dance training1
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