OOIR: Observatory of International Research

Papers

(The TQCC of Studies in Theatre and Performance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
Editorial, 43.2	2
Narratives of home or failure: the impact of artists and site-specific artworks in communities	2
Interview with casting director Sophie Parrott (CDG)	2
‘Taping into the void’: acting labour, self-tapes, and resistance in the digital economy	1
Testing scores for performing placestories	1
Physical solidarity as feeling the feeling	1
Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology	1
Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre	1
History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past	1
Artist roundtable on casting and identity with Nicole Acquah, Emma Jude Harris, Samia La Virgne, and Kerry Kyriacos	1
Summer Cannibals	1
Performance and the Right	1
Broadway Bodies: A Critical History of Conformity	1
The Southall ever after festival – what COVID-19 taught us about community, research and funding	1
White supremacist performance and its refusal: a reflection on the mosque shootings in Christchurch, Aotearoa New Zealand	1
A conversation about new directions in studies of modernity and theatre	0
Negotiating cultural exchange. Federico García Lorca on the British stage from the Spanish civil war until the mid-fifties	0
If you call for papers, the papers call back at you: some thoughts on CfP and selection processes	0
Crossing and reimagining the South-North border in a heterotopic space	0
Theatrical performance as a transnational vehicle: David Bergelson’s I Shall Not Die but Live in Mandatory Palestine	0
Establishing an ecology of practice: a ‘Do It Yourself’ approach to performer training	0
Performance and race: teaching Shakespeare to Saudi students using current events and popular culture	0
Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor	0
Queer communities, friendship, and moments of joy and wonder in Andrew Logan’s Alternative Miss World competition	0
“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage	0

The body as territory: a movement perspective	0
Editorial (42.2)	0
Editorial: seeking solidarity and wonder through performance	0
Free Bitch - Ongoing … ..	0
Act(ion)s of solidarity: possibilities of hope and change through art	0
Divorced, beheaded, defied: solidarity in individual and collective herstories in SIX the Musical (2017)	0
A queery of everything: queer-conscious casting and multiverse dramaturgy	0
Sites of multiplicity: anarchiving, feminism, and performance	0
Past hauntings for the future: the return of the Victorian ghost in Caryl Churchill’s Cloud Nine (1979)	0
Editorial	0
Self-authoring feminine Blackness through solo performance	0
Meaningful agency in participatory performance: a contextual approach	0
Right wing and Street-theatre: from censure to co-option	0
Decolonisation and contemporary dance	0
The felt sense of performance: affective meaning at the edge of words	0
In pursuit of a new theatre: the case of the Malvern festival	0
Dance teaching in HE: further thoughts on the possibilities of artistic citizenship for decolonial practice	0
Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018)	0
Arts-based approaches to evaluating impact: a case study of youth perspectives towards Smart Local Energy Systems	0
‘Me and the Sky’: smashing the glass ceiling in Come from Away , neoliberal feminism, and climate change	0
Collective resistance roundtable discussion	0
Feeling together: the affective project of co-presence and the limits of the audience community	0
Irish rebellion in-yer-face or consigned to history: Seán O’Casey’s The Plough and the Stars in 2016	0
The cycleborg : everyday performances of solidarity and hope of the cycling female	0
Review of Sophie Duncan’s Searching for Juliet: the lives and deaths of Shakespeare’s first tragic heroine	0
Editorial 43.1	0
Before solidarity: the process politics of relationality, receptivity, and attunement	0
Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience	0
Reclaiming the margins: collective resistance and feminist artistic practices in Putin’s Russia	0
Am I really the only one dancing? Seeking solidarity in wit(h)ness	0
Correction	0
‘Truth’, technology and transmedial theatre in Europe	0
Making Sense: Part II	0
Editorial, Studies in Theatre and Performance 45.1 (March 2025)	0
Dancers as interpreters: the aesthetics and social commentary of Hausa Koroso Dance	0
Good nights out: a history of popular British theatre since the Second World War	0
The Qibla—a never-ending story of migration, runaway, and pilgrimage	0
Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More	0
Decolonisation and solidarity roundtable discussion	0
Weapons of conflict and friendship: the gumayi and yilimung in The Visitors by Jane Harrison	0
Staging en/k/counter : coevality of violence and theatre in India	0
Intermedial heterotopia in contextual studies	0
Special Interests	0
Making Sense: Part III	0
National cultural history and transnational political concerns in Rasha Fadhil’sIshtar in Baghdad(2003)	0
Transition of traditional rod-puppetry and cultural commons: a case study of Satya Narayan Putul Natya Sanstha in Jaynagar, West Bengal	0
Theatre practitioners as unionists: art workers in post-independence Zimbabwe’s theatre sector (1980 – 1999)	0
Preliminary thoughts on the death of the editor	0
Scenographic ‘stuff’: attending to everyday objects in performance (and beyond)	0
Editorial: Casting and identity	0

The Garden of Dystopian Pleasures	0
‘Looking back in the present’: reevaluating African identity and spirituality through casting roles in initiation rites of a Nigerian University	0
Performance \| Process \| Politics	0
Racialized disability-disabled race in contemporary British theatre: pathologizing and prostheticizing blackness in debbie tucker green’s ear for eye (2018)	0
Against community: ambivalent identities in Actors Touring Company and David Greig’s The Events	0
Through the glass wall: architectural insights into the feminist Turkish play On İkinci Ev	0
Scenes from Preceding Years	0
Making Sense: Part I	0
Under the Radar – a case study: embedding knowledge exchange in creative practice-research projects in the SHAPE subjects through engagement activities with non-academic partners an	0
Performing memory and testimony after a national disaster: the Sewol mothers in Talking about Her (2016), VEGA	0
‘Walking the boundaries’: Lynne Parker’s unpublished version of Federico García Lorca’sLa Casa de Bernarda Alba	0
Composting Grief: Part II & III	0
Choreographing immersion: encountering borders, difference, and power	0
The active white coats: a costume studies approach to the performance of medicine in Life Matters (2019)	0
Post-anthropocentric Rehearsal Studies. A conceptual framework to account for the social and material mediations in performance-making	0
Oil and modern world dramas: from petro-mania to petro-melancholia	0
Daughters Opera : an epistemic representation of feminist solidarities	0
Hunkering down in the theatre of war: reflections on the interpersonal politics of collective resistance	0
A screen archive of Asian bros: casting masculinity and performing stereotypes	0
On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ this is not my voice speaking and nature theater of Oklahoma li	0
Solidarity and cannibalism: anthropophagic actions as a devising process in contemporary dance training	0
Composting Grief: Part I	0
The City (Revised)	0
ANTI – PERFORMANCE AS PRAXIS	0
Editorial	0
WRITING FROM THE _________________	0
Fragments of Encounters	0
‘Therapy with My Exotic Self’	0
Editorial 44.2	0
Reality theatre as a method for social science research: the Vietnamese diaspora in central europe	0
Walking as performing in the city: dialogues and ethnographic encounters	0
Editorial: Grounds for Re-wor(l)ding	0
Thoughts on casting practices from a transgender perspective	0