OOIR: Observatory of International Research

Papers

(The median citation count of Studies in Theatre and Performance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
41.2 Editorial	2
Preliminary thoughts on the death of the editor	1
Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology	1
The cycleborg : everyday performances of solidarity and hope of the cycling female	1
‘Truth’, technology and transmedial theatre in Europe	1
Performance and the Right	1
Post-anthropocentric Rehearsal Studies. A conceptual framework to account for the social and material mediations in performance-making	1
Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018)	1
Narratives of home or failure: the impact of artists and site-specific artworks in communities	1
Editorial, 43.2	1
White supremacist performance and its refusal: a reflection on the mosque shootings in Christchurch, Aotearoa New Zealand	1
‘Therapy with My Exotic Self’	1
The counter-theatricality of right-wing populist performance	1
Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler	0
Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor	0
Correction	0
In pursuit of a new theatre: the case of the Malvern festival	0
The felt sense of performance: affective meaning at the edge of words	0
Dancers as interpreters: the aesthetics and social commentary of Hausa Koroso Dance	0
Self-authoring feminine Blackness through solo performance	0
Fragments of Encounters	0
(Skin)Aesthetics (First Manifesto)	0
Scenographic ‘stuff’: attending to everyday objects in performance (and beyond)	0
Sites of multiplicity: anarchiving, feminism, and performance	0
Dance teaching in HE: further thoughts on the possibilities of artistic citizenship for decolonial practice	0

Collective resistance roundtable discussion	0
Scenes from Preceding Years	0
Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’sWhat Shadows, Chris Bush’sThe Assassination of Katie Hopkins, and Rob Drummond’sThe Majority	0
Solidarity and cannibalism: anthropophagic actions as a devising process in contemporary dance training	0
Editorial	0
Before solidarity: the process politics of relationality, receptivity, and attunement	0
Negotiating cultural exchange. Federico García Lorca on the British stage from the Spanish civil war until the mid-fifties	0
A history of robot camp: performing beyond the uncanny valley, from early twentieth-century automata to contemporary science fiction theatre	0
Through the glass wall: architectural insights into the feminist Turkish play On İkinci Ev	0
Right wing and Street-theatre: from censure to co-option	0
Summer Cannibals	0
Decolonisation and solidarity roundtable discussion	0
The pleasure in moving: drawing the space through flamenco bodies	0
Choreographing immersion: encountering borders, difference, and power	0
WRITING FROM THE _________________	0
Queer communities, friendship, and moments of joy and wonder in Andrew Logan’s Alternative Miss World competition	0
‘Me and the Sky’: smashing the glass ceiling in Come from Away , neoliberal feminism, and climate change	0
Field works: wild experiments for performance research	0
Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre	0
Editorial 44.2	0
Composting Grief: Part II & III	0
Performance \| Process \| Politics	0
“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage	0
Theatre practitioners as unionists: art workers in post-independence Zimbabwe’s theatre sector (1980 – 1999)	0
Editorial: Grounds for Re-wor(l)ding	0
Act(ion)s of solidarity: possibilities of hope and change through art	0
Editorial (42.2)	0
‘Walking the boundaries’: Lynne Parker’s unpublished version of Federico García Lorca’sLa Casa de Bernarda Alba	0
Making Sense: Part I	0
The Garden of Dystopian Pleasures	0
Reclaiming the margins: collective resistance and feminist artistic practices in Putin’s Russia	0
National cultural history and transnational political concerns in Rasha Fadhil’sIshtar in Baghdad(2003)	0
Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More	0
Hunkering down in the theatre of war: reflections on the interpersonal politics of collective resistance	0
Reality theatre as a method for social science research: the Vietnamese diaspora in central europe	0
Myth and popular culture: Brough’s Victorian BurlesqueMedeaas a heterotopic cultural space	0
Editorial	0
Divorced, beheaded, defied: solidarity in individual and collective herstories in SIX the Musical (2017)	0
The Qibla—a never-ending story of migration, runaway, and pilgrimage	0
Special Interests	0
Performativity and fragmentation in Samuel Beckettʼs That Time	0
Performing memory and testimony after a national disaster: the Sewol mothers in Talking about Her (2016), VEGA	0
Making Sense: Part III	0
History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past	0
Am I really the only one dancing? Seeking solidarity in wit(h)ness	0
Theatrical performance as a transnational vehicle: David Bergelson’s I Shall Not Die but Live in Mandatory Palestine	0
Meaningful agency in participatory performance: a contextual approach	0
Editorial: seeking solidarity and wonder through performance	0
Free Bitch - Ongoing … ..	0
Decolonisation and contemporary dance	0

Testing scores for performing placestories	0
The City (Revised)	0
If you call for papers, the papers call back at you: some thoughts on CfP and selection processes	0
Physical solidarity as feeling the feeling	0
Performance and race: teaching Shakespeare to Saudi students using current events and popular culture	0
ANTI – PERFORMANCE AS PRAXIS	0
A conversation about new directions in studies of modernity and theatre	0
Horses and Cowboys on the Contemporary American Stage: The Horse as Prop in Sam Shepard’s Kicking a Dead Horse and Sarah Ruhl’s Late: a cowboy song	0
The body as territory: a movement perspective	0
Daughters Opera : an epistemic representation of feminist solidarities	0
Editorial 43.1	0
Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience	0
Irish rebellion in-yer-face or consigned to history: Seán O’Casey’s The Plough and the Stars in 2016	0
Making Sense: Part II	0
‘He did not go back to the army’: war, patriotism and desertion in Pavel Pryazhko’s The Soldier	0
On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ this is not my voice speaking and nature theater of Oklahoma li	0
Establishing an ecology of practice: a ‘Do It Yourself’ approach to performer training	0
Composting Grief: Part I	0