Feminist Media Studies

Papers
(The TQCC of Feminist Media Studies is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Sentimental education across the borders: Hindi soap opera and translation cultures on the Russophone Web73
Afterimages: on cinema, women and changing times44
Saviors, nurturers, or magically insane: a braided reading of white women characters in three ecological narratives33
Microcelebrity around the globe: approaches to cultures of internet fame29
“Like shagging a dead fish”: misogyny and consent in online sex buyers’ reviews24
“How marketing consultants commodify social movements: Estelle Ellis, audience construction, and the women’s media market, 1945-1973”24
New outlets of digital feminist activism in China: the #SeeFemaleWorkers campaign24
Correction23
“Successful” identity transformation: the representation of Israeli post-Soviet immigrant women in La’isha20
Framing feminist protest: a content analysis of the glitter revolution19
Reconsidering television true crime and gendered authority in Allen v. Farrow16
Making fun of feminism: British television comedy and the second wave16
‘Alienated young man’ with plans for ‘murderous vengeance’? Examining portrayals of misogynistic incel violence in the US news media16
The glowy: the aesthetics of transparency in postfeminist “wellness” culture15
Factors influencing occupational gender segregation of videojournalists in Taiwanese TV news channels14
The darker side of feminist scholarship: how online hate has become the norm14
Contentious practices of postfeminist audiencing: online discourse about cinematic feminisms in Birds of Prey14
Authorship and female stardom in Spanish cinema under Franco: Sara Montiel and Marujita Díaz13
Fabricating babies: reproduction as production in Storks and The Boss Baby13
“‘I’m not weird. I’m just like everybody else’: intersections of embodiment, incarceration, and mental illness on Wentworth and Orange Is the New Black”12
The exploitation of Sue Lyon: Lolita (1962), archival research, and questions for film history12
Adolescent gender differences in internet safety education11
“My dear unwanted”: media discourse on sex-selective abortion in Montenegro11
Positioning gender in time-travel: time-travel TV dramas as dialogic resources for constructing and re-imagining identity among Mainland Chinese postgraduates in Hong Kong11
#FrauenSagenNein - bridging the divide: analyzing the affective network of gender-critical alliances11
This Barbie has melancholy feminism: framing empowerment and grievable lives11
Internet memes and a female “Arab Spring”: mobilising online for the criminalisation of domestic abuse in Hungary in 2012-1311
Screening women’s trauma: constructing trauma for television in Westworld and The Handmaid’s Tale11
Letters to the (special) editors of Feminist Media Studies11
“The Story of You and Me”: Strategic Ambiguity in the Paratextual Reception of Kim Ji-Young, Born 198210
Sex and sexuality in modern screen remakes10
Satirical feminism and the Reparative Tweet: a discourse analysis of the gendered language of @manwhohasitall10
The analysis of “women reports” in a Chinese newspaper during #MeToo: a case study of Southern Weekly10
Women’s sport and media: a call to critical arms10
Emergent distribution strategies and feminist media practices: the case of Groupe Intervention Vidéo (GIV)9
Hyperreal homoerotic love in a monarchized military conjuncture: a situated view of the Thai Boys’ Love industry9
Paula Green’s feminist activism: changing America through advertising9
The blame game: how video evidence changes narratives of misogynistic violence in sports discourse9
Women’s affective labor in the Red Army’s war propaganda in the early 1930s9
“My haters and I ”: personal and political responses to hate speech against female journalists in Austria9
Home is where the hate is: gender, race, class and the domestic abuse plotline in fiction and on screen9
Social media “ghosts”: how Facebook (Meta) Memories complicates healing for survivors of intimate partner violence8
Tennis representations in the 20th-century Brazilian press: women’s bodies in focus8
Making Australian institutions in newspaper coverage of the #MeToo movement: exceptionalism, co-production and agency8
Gender-equal sexism: a covert and subtle form of gender discrimination8
Beyond feminist heroines: framing the discourses on Kurdish women fighters in three types of Western media8
“It’s a joke, not a dick. So don’t take it too hard”: online sexual harassment in Indian universities8
Men’s comments on elite women athletes: cultural narratives around gender and sport on Instagram7
The power of lists: the Women’s Press science fiction and the making of a genre7
Digital vulnerabilities and online harassment of academics, consequences, and coping strategies: an exploratory analysis7
Epistemologies of ignorance in constructions of fairness and biology: the online swimming community responds to Lia Thomas’ inclusion in women’s swimming events7
Transnational Iranian poetics of resistance: the Green Movement and Iranian women’s agency in Sepideh Farsi’s Red Rose (2014)7
Repackaged sob sisters and outsiders within: reading the female and minority journalists on The Bold Type and The Morning Show7
Feminist fire: embodiment and affect in managing conflict in digital feminist spaces7
The affective circulation of the feminist movement via the hashtag #seAcabó and its portrayal in the traditional digital media7
Perils of the princess 2.0: an (auto)ethnographic study of girls playing Super Mario Bros. 27
“What a nasty girl!” incivility and gendered symbolic violence in news discussions7
Anti-Feminism: four strategies for the demonisation and depoliticisation of feminism on Chinese social media7
African Technocultural Feminist Theory (ATFT)6
The ‘emotional contract’: on obligation and guilt in women influencers’ work with brands6
Conceptualizing academic sustainability6
“Who is sexually harassed? A python code haha”: imaginaries of a post-violent AI world6
The red lipstick movement: exploring #vermelhoembelem and feminist hashtag movements in the context of the rise of far-right populism in Portugal6
“The victim lived an intense life”: media (mis)representations of femicide crimes in the Republic of Cyprus6
African feminist interpretations of political actions, practices and policies: Zimbabwe’s Bustop TV6
The visual semiotics of digital misogyny: female leaders in the viewfinder6
Has feminism “gone too far?” A mixed-methods exploration of perceptions of digital feminist activism6
Diya : coerced abortion and reproductive autonomy in India6
Empowerment through femvertising - Evidence from Mexico and Hungary6
“Women need not apply”: Sylvia Earle, binary oscillations, and the ecofeminist rhetoric of Mission Blue6
Women on top? Challenging the “mancession” narrative in the 2010s chick flick6
“Having it both ways”: containing the champions of feminism in female-led origin and solo superhero films6
“Oh for the days when men were men”: constructing, defending and justifying masculinity in newspaper comment forums – a critique6
Traversing bodies and territories: feminist activism against digital violence6
Correction5
How horror films constructs Blackness: examples of White supremacist media’s enforcement of necropolitics in genre film5
Miyazaki’s monstrous mother: a study of Yubaba in Studio Ghibli’s Spirited Away5
Fighting in the shadow of heteropatriarchy: feminists versus gay men’s discursive battle over surrogacy in China5
“Can I become a true feminist?”: An interpretive analysis on the mirroring experience of young Korean women5
#RepresentationMatters on TV: a critical textual analysis of intersectional representation at work on NBC’s Superstore5
The mouth of the internet, the eyes of the public: sexual violence survivorship in an economy of visibility5
Neoliberal feminism and intergenerational relations at work: an analysis of media representations of feminist mentorship in popular culture5
Until death do us part: gendered media coverage of the deaths of Israeli male and female public figures5
Distinct information ecologies? Gender knowledge production in German digital legacy and counterpublic media5
Protection or commodification of women? Discursive construction of bridewealth on Chinese social media5
The London BFI Flare LGBTQ+ film festival: “A celebration of difference and diversity” or normative hegemony?5
From “borking” to getting “kavanaughed”: language, reputation, and the importance of a (male) name5
Sovereign attachments: Masculinity, Muslimness, and affective politics in Pakistan5
Flying on borrowed feathers: identity formation among gender-variant anime fans in the U.S5
Feeling the future: Wonder Woman discourse and the demands of media response5
Framing women’s alcohol consumption during the COVID-19 pandemic5
Fragmented sisterhood in the Nanking Massacre:The Flowers of War5
Persistent racialized commodification amidst technological innovation: exceptionalist Filipina bride representations from analog to digital5
Educate yourself! Exploring feminist politics and self-development in Danish online fat activism5
16 feminist media studies scholars, 7 questions about working in the university (and beyond)5
“I don’t understand what you’re saying now, but you are cute, I love you ”: Global communication between South Korean gay male YouTubers and fans from overseas5
Gendered framing and victim-blaming in fictional sexual assault survivor portrayals5
“We seek those moments of togetherness”: digital intimacies, virtual touch and becoming community in pandemic times5
Veteran journalists and ‘Vieilles Filles’: how gender, age and journalism congregate in The French Dispatch4
Honoured through blood4
“She’s everything”: feminism and the Barbie movie4
“If Something Ever Happened, I’d Have No One to Tell:” how online sexism perpetuates young women’s silence4
Discursive construction of anti-hijab discourse on Facebook and Twitter: the case of Malaysian former-Muslim women4
The world is collapsing, but we are in love: Xianxia romance as therapeutic governance in neo/non-liberal China4
The rise of nande : a case study of digital feminism in China4
Dramatising a contemporary childhood sexual abuse narrative: reinforcing a hierarchy of victims4
Constructing the ultimate “leftover women”: Chinese media’s representation of female PhDs in the postsocialist era4
The womb as Battleground: negotiating motherhood and feminism on Chinese Social Media4
”You do it for the good times”: rival feminist readings of torture and kink in Grand Theft Auto V4
Tradition, modernity, and the visual representation of “leftover women” in the English language news media in China4
Reading the queer in Black Mirror’s “San Junipero”4
“By women for women” communicating gender discourse in r/FemaleDatingStrategy4
Happy and entrepreneurial within the “here and now”: the constitution of the neoliberal female ageing subject4
Media discourse on Islamic women jihadists in Indonesia: Islamic radicalism post-Arab Spring4
Politics of ambivalence: how Zhou Shen’s androgyny survives under Xi Jinping4
Fiction as an ally to make journalism more believable: rape, trauma and secondary victimization in the Netflix miniseries ‘Unbelievable’4
Ecofeminism and daoism: the feminist analysis of female warrior of Nie Yinniang inThe Assassin(2015)4
The media capabilities of Druze women in Israel4
Bargaining with patriarchy or converting men into pro-feminists: social-mediated frame alignment in feminist connective activism4
“My feminism is better than yours!” the lack of intersectionality in feminist digital discourses in Ghana4
Media-Ready Feminism and Everyday Sexism: How US Audiences Create Meaning across Platforms by Andrea L. Press and Francesca Tripodi4
Motherhood in social media: phenomena and consequences of the professionalization of mothers and their media (self-)representation4
Barbies in boiler suits: wartime fashion, feminist labor, and intermediated popular culture4
Empowering housewives: exploring popular feminism in China4
Locating disability within online body positivity discourses: an analysis of #DisabledAndCute4
“Eileen Gu fetish” as a feminist phenomenon: the intertwining of feminist, neoliberal, and nationalist discourses on Chinese social media4
Mickey’s main squeeze: the gendered portrayal of Minnie Mouse in the early era (1928 – 1935) and modern era (2013 – 2019)3
Word of Honor and brand homonationalism with “Chinese characteristics”: the dangai industry, queer masculinity and the “opacity” of the state3
“Situating and sustaining feminist action: lessons from digital games inclusivity organizing”3
HoopGurlz’s biased recruiting: racial and positional stereotyping in girls’ basketball scouting reports3
Spain’s ‘First Feminist Film’: Feminism and Francoism,Margarita and the Wolf(Cecilia Bartolomé 1969)3
When the Black lives that matter are not our own: digital Black feminism and a dialectic of self and community3
Data activism and social media in the case of racialized and gendered deaths and disappearances3
Window shopping in barbie land: the kinetic and aesthetic pleasures of Barbie (Greta Gerwig, 2023)3
Narratives of relationality and time in fertility preservation vlogs3
Women’s safety work on dating apps and rape culture3
Watching National Treasure , creating danmei tongren : stories of power and the power of stories3
Online abuse of women: an interdisciplinary scoping review of the literature3
When the hunter plays the hunted: heterosexual Chinese women’s negotiations with hegemonic sexual scripts on dating apps3
Being a positive influence(r): Exploring affective pedagogies of wellbeing and positivity on Instagram3
Introduction: global queer fandoms of Asian media and celebrities3
Agents of Chaos: The Monstrous Feminine in Killing Eve3
“Wifeys, bitches, and sluts”: the gender burden and other obstacles behind the creation of television’s antiheroines3
Do gender, genre and the gaze still matter? Toward a feminine road movie in women’s experimental film3
A women’s issue? The role of backlash and issue ownership in users’ engagement with articles about gender equality3
Negotiating attractiveness: Korean American perceptions of body image and identity in light of the Korean Wave3
Understanding the Russian invasion of Ukraine through a gendered prism3
“Joss is (no longer?) Boss”: three layers of cancelling in the joss whedon fan community3
Tactics of diversity? Exploring self-care dilemmas among feminist activists on Instagram3
Structural-violence framing, de-gendering discourse, and muted misogyny: the official media’s representation of gender-based violence in contemporary china3
“The women are every bit as good as the men”: a postfeminist critique of LPGA players’ quest for equity in golf3
How journalism forgets: on the journalistic representation of colonial biopower in Greenland3
You’re doing it wrong: the governance of motherhood through mommy blogs3
Facing exclusion in neoliberal times: technologies of the self of older women in the series Grace and Frankie3
Single parenthood, the non-residential parent and co-parenting in Swedish daily news3
Examining gender representations in the pilot episode of the anime Attack on Titan3
Blaming and shaming in the shadow structure: individual resistance towards gender equality work as expressions of social conflict3
A different girl, but she’s nothing new: Olivia Rodrigo and posting imitation pop on TikTok3
When feminists are misidentified as traitors: nationalism, disinformation, and anti-feminism in Chinese cyberspace3
Octopuses, remoras, and surfers: speculative stories from the offline space of digital circulation in Cuba3
#metoo activism without the #MeToo hashtag: online debates over entertainment celebrities’ sex scandals in China3
Seeking and surveilled: the effects of Tumblr’s sexual content ban on sugar babies’ posts3
Being watched and feeling judged on social media3
Editors’ introduction: the twentieth anniversary issue of Feminist Media Studies3
“Diamonds are a girl’s best friend”? Tracing the implications of a song in Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)3
“I think the men are behind it”: reproductive labour and the horror of second wave feminism3
Listening to women’s personal stories about suicide: an online thematic analysis of the discourse on UK parenting forum Mumsnet2
The gender of the meme: women and protest media in populist Hungary2
“Those girls are vicious little monsters”: reading subversive femininities in Yellowjackets2
A male feminist walks into a bar: male feminist capital and the “bloke turn” in feminism2
Un(veil)ing context collapse: #hijab2
Inability to love: change of intimate structure in the documentary Hard love2
Slippery scripts: “SOAP dropping” threats in the gendered prison setting2
Your Story, My Story2
RevisitingEl Viento del Ayahuasca(1983): gender representation in a pioneer female director’s film about the Amazon2
Anxiety in defining the older woman in contemporary British television drama: Gold Digger (BBC one, 2019—) and Flesh and Blood (ITV, 2020—2
Perfect: feeling judged on social media: a roundtable discussion2
Gendered power relations in the digital age: an analysis of Japanese women’s media choice and use within a global context2
Networked misogyny beyond the digital: the violent devaluation of women journalists’ labor and bodies in Turkey’s masculine authoritarian regime2
Fascism, nature and communication: a discursive-affective analysis of cuteness in ecofascist propaganda2
Vernacular practices in digital feminist activism on Twitter: deconstructing affect and emotion in the #MeToo movement2
Hashtag feminism: identity politics and the politicization of social change in Iran2
The translation of moral panic into misogynist e-bile: the case of Turkish singer Gülşen2
COVID-19 pandemic and women transitioning from incarceration: a study of online health information seeking among underserved and marginalized women2
The power of vulnerability: women stand-up comedians’ triumph through self-deprecation2
The (unlocated) in-game gender performativity in contemporary China: exploring gender swapping practices in the online game sphere2
Gender imbalance in MMORPG: the case of World of Warcraft in Brazil2
Immanent cinematic girlhoods: the ordinary affects in/ofEighth Grade2
“Timeless” rock masculinities: understanding the gendered dimension of an annual Belgian radio music poll2
Fear, freaks, and fat phobia: an examination of howMy 600 Lbs Lifedisplays “fat” Black women2
Bedroom eyes: women dressing and redressing in The Best Years of Our Lives2
Belonging, responsibility and reflexivity: mediated intimacy among Finnish nonbinary and trans social media users2
Reflections on feminist communication and media scholarship2
Believability: sexual violence, media, and the politics of doubt2
Revisiting digital defense and Black feminism on social media2
The temptation of performing cuteness: Shirley Temple’s birthday parties during the Great Depression2
Analyzing cultural politics through the “dancing body”: a study of Assamese item songs in India2
Being independent women in blogs: young Chinese women bloggers’ construction of independent persona and strategic subjectivity on Xiaohongshu2
Daughters of jianghu : female heroism in Jia Zhangke’s A Touch of Sin and Ash Is Purest White2
Black feminist and digital media studies in Britain2
Gendered keywords as entry points: the construction and evolution ofnüpinandnüxing-xiangin Chinese Internet literature2
Anti-feminism as anti-establishment and emancipatory: the gendered metapolitics of Incel2
Privileged underdogs: the heterotopias and anti-political correctness of upper-class men in a Swedish digital space2
From a slap to a punch: preparing Hermione Granger for postfeminist Hollywood2
When ‘atypical’ is the new typical: a critical analysis of the representation of virginity among neurodivergent men characters in TV series2
Migrant mothers and neoliberal feminism: diasporic audience research on the Korean reality show strangers2
“I have always said that I am not a feminist, but…”: moderate feminism in the narratives of Finnish women journalists who entered the field between 1960 and 19902
Circulating desire: queer logistical aesthetics2
Feminism and Facebook : the possibility of political subjectivation experiences2
Strategic femininity on Facebook: women’s experiences negotiating gendered discourses on social media2
Margarita, the Big Bad Wolf, and the film censor: film, feminism, and dictatorial repression in Spain2
Sexual harassment and its vicissitudes: Jadavpur University, 2014-172
“I’m not sure I’ll ever forget the experience”: a narrative analysis of Chrissy Teigen’s social media describing her miscarriage2
Whose feminism is it anyway? Reinterpreting digital media and feminisms from the non-metropolitan global south2
Barbie as eve: feminist theology and Greta Gerwig2
“Normal confident guys”: Chinese female stand-up comedians performing, triggering, and commercializing the “female complaint”2
Feminist sex-positive art on Instagram: reorienting the sexualizing gaze2
Queering digital media spatiality: a phenomenology of bodies being stopped2
Contemporary queer Chinese art Contemporary Queer Chinese Art , edited by Hongwei Bao, Diyi Mergenthaler, and Jamie J. Zhao, London, Bloomsbury Academic, 2023, 248 pp., 2
Banning “braingasm”: an investigation of misogynistic politics in 8Chan’s, U.S. platforms’ and CCP’s regulation of ASMR2
Complacency and misogyny, or positive changes that add up to a movement? How the UK screen industries are addressing sexual harassment in the workplace2
For Better or Worse: A Gendered Outlook of the films The Leisure Seeker and Alaska2
Misinformation as woman: anti-feminism, news media, and disinformation’s feminized other2
Exposing the “lie”: uncovering abuse and misogyny in Big Little Lies2
Beauty police: the construction and implementation of beauty standards in Romanian news TV2
Reality television and the promotion of problematic behavior among cast members: a case study content analysis through the lens of feminist and media framing theories2
Erasure of labour: a critical analysis of appetite suppressant product marketing by Flat Tummy Co2
Watch out for the big girls: Black plus-sized content creators creating space and amplifying visibility in digital spaces2
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