Feminist Media Studies

Papers
(The TQCC of Feminist Media Studies is 4. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Sentimental education across the borders: Hindi soap opera and translation cultures on the Russophone Web76
‘Alienated young man’ with plans for ‘murderous vengeance’? Examining portrayals of misogynistic incel violence in the US news media38
“Like shagging a dead fish”: misogyny and consent in online sex buyers’ reviews38
The glowy: the aesthetics of transparency in postfeminist “wellness” culture34
“How marketing consultants commodify social movements: Estelle Ellis, audience construction, and the women’s media market, 1945-1973”31
Factors influencing occupational gender segregation of videojournalists in Taiwanese TV news channels28
Affective reading practices in Chinese women-oriented online fiction: The politics of identification26
Framing feminist protest: a content analysis of the glitter revolution26
Making girls at home in games: Nancy Drew computer games and the racial politics of girls’ game spaces25
New outlets of digital feminist activism in China: the #SeeFemaleWorkers campaign23
Gender “frames” in media: select examples of popular feminism and popular misogyny from India22
This Barbie has melancholy feminism: framing empowerment and grievable lives22
Positioning gender in time-travel: time-travel TV dramas as dialogic resources for constructing and re-imagining identity among Mainland Chinese postgraduates in Hong Kong21
Fabricating babies: reproduction as production in Storks and The Boss Baby21
The analysis of “women reports” in a Chinese newspaper during #MeToo: a case study of Southern Weekly20
Janelle Monáe’s Dirty Computer & Feminism in Praxis19
#FrauenSagenNein - bridging the divide: analyzing the affective network of gender-critical alliances19
Women’s affective labor in the Red Army’s war propaganda in the early 1930s18
Home is where the hate is: gender, race, class and the domestic abuse plotline in fiction and on screen17
Women’s sport and media: a call to critical arms17
Emergent distribution strategies and feminist media practices: the case of Groupe Intervention Vidéo (GIV)17
“Middle-aged old mothers” on Chinese social media: humorous motherhood counter-discourse17
“The Story of You and Me”: strategic ambiguity in the paratextual reception of Kim Ji-Young, Born 198216
Epistemologies of ignorance in constructions of fairness and biology: the online swimming community responds to Lia Thomas’ inclusion in women’s swimming events16
Repackaged sob sisters and outsiders within: reading the female and minority journalists on The Bold Type and The Morning Show16
Tennis representations in the 20th-century Brazilian press: women’s bodies in focus16
The blame game: how video evidence changes narratives of misogynistic violence in sports discourse15
Social media “ghosts”: how Facebook (Meta) Memories complicates healing for survivors of intimate partner violence14
Gender-equal sexism: a covert and subtle form of gender discrimination14
WhatsApp and participation in sexual and reproductive health for women with disabilities in Nairobi14
“What a nasty girl!” incivility and gendered symbolic violence in news discussions14
Barbie in China: feminist ideals or consumerist realities on RedNote?14
Digital vulnerabilities and online harassment of academics, consequences, and coping strategies: an exploratory analysis14
“It’s a joke, not a dick. So don’t take it too hard”: online sexual harassment in Indian universities13
Gold diggers in the digital age: Unraveling the “Lao Nü” stereotype in contemporary Chinese social media13
Correction13
Anti-Feminism: four strategies for the demonisation and depoliticisation of feminism on Chinese social media12
Transnational Iranian poetics of resistance: the Green Movement and Iranian women’s agency in Sepideh Farsi’s Red Rose (2014)12
African feminist interpretations of political actions, practices and policies: Zimbabwe’s Bustop TV11
Sex Work in Popular Culture11
Diya : coerced abortion and reproductive autonomy in India11
Have a cup of coffee: the techno-spatial tactics of female urbanites and the production of “mobile publicness” in digital urban China11
Perils of the princess 2.0: an (auto)ethnographic study of girls playing Super Mario Bros. 211
The visual semiotics of digital misogyny: female leaders in the viewfinder10
The affective circulation of the feminist movement via the hashtag #seAcabó and its portrayal in the traditional digital media10
“Who is sexually harassed? A python code haha”: imaginaries of a post-violent AI world10
“The victim lived an intense life”: media (mis)representations of femicide crimes in the Republic of Cyprus10
Traversing bodies and territories: feminist activism against digital violence10
Comparing nüquanzhuyi and nüxingzhuyi : mapping digital feminist discourse in China through corpus analysi10
Has feminism “gone too far?” A mixed-methods exploration of perceptions of digital feminist activism10
The red lipstick movement: exploring #vermelhoembelem and feminist hashtag movements in the context of the rise of far-right populism in Portugal9
Empowerment through femvertising - Evidence from Mexico and Hungary9
Suffering as the counter-discourse: the construction of an affective community through feminist podcasts in China9
African Technocultural Feminist Theory (ATFT)9
The “emotional contract”: on obligation and guilt in women influencers’ work with brands8
Until death do us part: gendered media coverage of the deaths of Israeli male and female public figures8
From “borking” to getting “kavanaughed”: language, reputation, and the importance of a (male) name8
Women on top? Challenging the “mancession” narrative in the 2010s chick flick8
Feeling the future: Wonder Woman discourse and the demands of media response8
Neoliberal feminism and intergenerational relations at work: an analysis of media representations of feminist mentorship in popular culture8
Nigerian queer concealment and feminist resistance: Unpacking ‘fraudulent’ mixed-orientation marriages discourses in digital feminism8
Conceptualizing academic sustainability8
Correction8
Sticking around: hobbyhorsing, digital transgression, and gender-based violence in TikTok, Instagram, and YouTube commentary8
From margins to mainstream: a critical network analysis of the #MosqueMeToo hashtag7
Educate yourself! Exploring feminist politics and self-development in Danish online fat activism7
Persistent racialized commodification amidst technological innovation: exceptionalist Filipina bride representations from analog to digital7
Framing women’s alcohol consumption during the COVID-19 pandemic7
Consumer responses to femvertising: evidence from a cross-cultural study7
Fragmented sisterhood in the Nanking Massacre:The Flowers of War7
Protection or commodification of women? Discursive construction of bridewealth on Chinese social media7
Over-excitement, shapeless self and paradoxical happiness in Crazy Ex-Girlfriend (2015–2019)7
“Locked, loaded, and online”: gendered critiques of Israeli security through the lens of female gun owners7
“By women for women” communicating gender discourse in r/FemaleDatingStrategy7
“She’s everything”: feminism and the Barbie movie6
“We seek those moments of togetherness”: digital intimacies, virtual touch and becoming community in pandemic times6
“My feminism is better than yours!” the lack of intersectionality in feminist digital discourses in Ghana6
Gendered framing and victim-blaming in fictional sexual assault survivor portrayals6
How horror films constructs Blackness: examples of White supremacist media’s enforcement of necropolitics in genre film6
Fighting in the shadow of heteropatriarchy: feminists versus gay men’s discursive battle over surrogacy in China6
Motherhood in social media: phenomena and consequences of the professionalization of mothers and their media (self-)representation6
“Fair-skinned, young and slim” or “Kardashian-style”: UK-based female Chinese international students’ self-presentation on mobile dating applications6
Distinct information ecologies? Gender knowledge production in German digital legacy and counterpublic media6
Reading the queer in Black Mirror’s “San Junipero”6
Tradition, modernity, and the visual representation of “leftover women” in the English language news media in China6
“If Something Ever Happened, I’d Have No One to Tell:” how online sexism perpetuates young women’s silence6
Discursive construction of anti-hijab discourse on Facebook and Twitter: the case of Malaysian former-Muslim women6
#RepresentationMatters on TV: a critical textual analysis of intersectional representation at work on NBC’s Superstore6
Provocative eroticism: anger in fourth-wave feminist Danish pop culture6
“Eileen Gu fetish” as a feminist phenomenon: the intertwining of feminist, neoliberal, and nationalist discourses on Chinese social media5
”You do it for the good times”: rival feminist readings of torture and kink in Grand Theft Auto V5
Gender, power and magic in the film of Mulan (2020): a cross-cultural analysis of the Western feminist discourse and the Daoist cultural discourse5
Fiction as an ally to make journalism more believable: rape, trauma and secondary victimization in the Netflix miniseries ‘Unbelievable’5
A women’s issue? The role of backlash and issue ownership in users’ engagement with articles about gender equality5
Data activism and social media in the case of racialized and gendered deaths and disappearances5
The rise of nande : a case study of digital feminism in China5
Spain’s ‘First Feminist Film’: Feminism and Francoism,Margarita and the Wolf(Cecilia Bartolomé 1969)5
What does the tradwife movement have to do with superheroes? A review of the depiction of the tradwife movement in Gen V5
Ecofeminism and daoism: the feminist analysis of female warrior of Nie Yinniang inThe Assassin(2015)5
Veteran journalists and “vieilles filles”: how gender, age and journalism congregate in The French Dispatch5
Barbies in boiler suits: wartime fashion, feminist labor, and intermediated popular culture5
Alternative fairy-tale endings and the main character syndrome: “happily ever after” for the woke generation5
Online abuse of women: an interdisciplinary scoping review of the literature5
Co-categorizing Chinese “medicine girls”: a multimodal membership categorization analysis of trans women’s representations in a news video5
Empowering housewives: exploring popular feminism in China5
“Situating and sustaining feminist action: lessons from digital games inclusivity organizing”5
The womb as battleground: negotiating motherhood and feminism on Chinese social media5
Working the case: a feminist and queer investigation of the Asian/American female detective in Killing Eve5
Art-based research, decoloniality & gender-based violence: Voices of women students from India5
The world is collapsing, but we are in love: Xianxia romance as therapeutic governance in neo/non-liberal China5
Media discourse on Islamic women jihadists in Indonesia: Islamic radicalism post-Arab Spring5
Negotiating attractiveness: Korean American perceptions of body image and identity in light of the Korean Wave5
Politics of ambivalence: how Zhou Shen’s androgyny survives under Xi Jinping5
Being a positive influence(r): exploring affective pedagogies of wellbeing and positivity on Instagram5
From romancing women to teaching men: an analysis of vulnerability and entrepreneurial masculinity on Japanese YouTube in The Roland Show5
Dramatising a contemporary childhood sexual abuse narrative: reinforcing a hierarchy of victims5
Mädchen in uniform5
Calling out or calling in? Feminist CCIs negotiate BLM, cancel culture, and activist selves online5
Examining gender representations in the pilot episode of the anime Attack on Titan4
A different girl, but she’s nothing new: Olivia Rodrigo and posting imitation pop on TikTok4
Structural-violence framing, de-gendering discourse, and muted misogyny: the official media’s representation of gender-based violence in contemporary china4
Watching National Treasure , creating danmei tongren : stories of power and the power of stories4
Gendered keywords as entry points: the construction and evolution of nüpin and nüxing-xiang in Chinese Internet literature4
The translation of moral panic into misogynist e-bile: the case of Turkish singer Gülşen4
Fascism, nature and communication: a discursive-affective analysis of cuteness in ecofascist propaganda4
You’re doing it wrong: the governance of motherhood through mommy blogs4
Narratives of relationality and time in fertility preservation vlogs4
“Diamonds are a girl’s best friend”? Tracing the implications of a song in Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)4
Complacency and misogyny, or positive changes that add up to a movement? How the UK screen industries are addressing sexual harassment in the workplace4
Understanding the Russian invasion of Ukraine through a gendered prism4
Archiving digital activism against sexual violence: the challenges for ethical witnessing in research practice4
When feminists are misidentified as traitors: nationalism, disinformation, and anti-feminism in Chinese cyberspace4
Global media ethics: a feminist intervention4
Comedy as method: gender discourse production in Chinese women’s stand-up comedy interpretive communities4
Circulating desire: queer logistical aesthetics4
Seeking and surveilled: the effects of Tumblr’s sexual content ban on sugar babies’ posts4
Sacred children, self-sacrificing mothers: Instagram’s idealized parenting culture4
Reconstructing professional identity: Chinese female interpreters in traditional and self-media4
When the hunter plays the hunted: heterosexual Chinese women’s negotiations with hegemonic sexual scripts on dating apps4
Perfect: feeling judged on social media, a roundtable discussion4
#metoo activism without the #MeToo hashtag: online debates over entertainment celebrities’ sex scandals in China4
Women’s safety work on dating apps and rape culture4
Mickey’s main squeeze: the gendered portrayal of Minnie Mouse in the early era (1928 – 1935) and modern era (2013 – 2019)4
How journalism forgets: on the journalistic representation of colonial biopower in Greenland4
The platformization of socially constructed gender realities: the ‘Fat Cat incident’ (2024)4
Window shopping in barbie land: the kinetic and aesthetic pleasures of Barbie (Greta Gerwig, 2023)4
Being independent women in blogs: young Chinese women bloggers’ construction of independent persona and strategic subjectivity on Xiaohongshu4
“Joss is (no longer?) Boss”: three layers of cancelling in the Joss Whedon fan community4
Anti-feminism as anti-establishment and emancipatory: the gendered metapolitics of Incel4
Misinformation as woman: anti-feminism, news media, and disinformation’s feminized other4
Rage as a strategy of weak resistance and creative power in women’s protests and digital activism in postsocialist Poland4
Banning “braingasm”: an investigation of misogynistic politics in 8Chan’s, U.S. platforms’ and CCP’s regulation of ASMR4
“The women are every bit as good as the men”: a postfeminist critique of LPGA players’ quest for equity in golf4
HoopGurlz’s biased recruiting: racial and positional stereotyping in girls’ basketball scouting reports4
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