Film-Philosophy

Papers
(The TQCC of Film-Philosophy is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Thinking, Feeling and Experiencing the “Empty Shot” in Cinema12
A Cinema for the Ears: Imagining the Audio-Cinematic through Podcasting3
Breathing, Cinema and Other “Nobjects” in Camille Vidal-Naquet’sSauvage2
On Pros and Cons and Bills and Gates: The Heist Film as Pleasure2
Transferring Suspiria: Historicism and Philosophies of Psychoanalytic Transference2
The Human Chameleon: Zelig, Nietzsche and the Banality of Evil2
The Politics of Humour in Kafkaesque Cinema: A World-Systems Approach1
Hegel and Hitchcock’s Vertigo: On Reconciliation1
White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée’s Sharp Objects1
The Availability of Jim Jarmusch’s Film-Philosophy: Wittgenstein, Derrida and Private Language in Ghost Dog: The Way of the Samurai1
Deadly Barks: Acousmaticity and Post-Animality in Lucrecia Martel'sLa ciénaga1
Murray Smith (2017) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film1
“I Saw a Different Life. I Can't Stop Seeing It”: Perfectionist Visions inRevolutionary Road1
Bad Faith in Film Spectatorship1
A Miraculous Materialism: Lines of Flight inWe Have a PopeandCorpo Celeste1
Synthetic Vision in Virtual Reality Documentaries1
Empty Time as Traumatic Duration: Towards a CinematicAevum1
David Martin-Jones (2018)Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History0
Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema0
The Cinematic Anthropocene and the Future Politics of Killing0
Reflexive Wonderings: Prospects and Parameters of a Heideggerian Approach to Film as Philosophy0
Tiago de Luca (2021) Planetary Cinema: Film, media and the earth0
Haunted by the Other: Levinas, Derrida and the Persecutory Phantom0
In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World0
The Colour of Film-Philosophy0
Freedom and the Weight of the Crown: Sartrean and Beauvoirian Existentialism in Peter Morgan'sThe Crown0
Elizabeth Ezra (2017)The Cinema of Things: Globalization and the Posthuman Object0
Narrative Difference: Jacques Rancière, Gilles Deleuze andUncle Boonmee Who Can Recall His Past Lives0
Gilberto Perez (2019) The Eloquent Screen: A Rhetoric of Film0
Daniel Shaw (2019) Stanley Cavell and the Magic of Hollywood Films0
Documentary Fictions: Jacques Rancière and the Problem of Indexical Media0
The Kierkegaardian Existentialism of Richard Linklater's Before Trilogy0
Humility and Greatness in Damien Chazelle’s First Man0
The Intensive-Image and the Poetic Film Tradition: Notes on Ruiz, Deren, Pasolini, Buñuel and Deleuze0
Thomas Elsaesser (2019) European Cinema and Continental Philosophy: Film As Thought Experiment0
Kara Keeling (2019) Queer Times, Black Futures0
“I Said Something Wrong”: Transworld Obligation inYesterday0
When Sympathy Hesitates: An Empathetic Understanding of Cinematic Slowness in Stray Dogs0
Rituals Within Walls: Thinking Post-War Japan’s History through Cinematic Allegories of Everyday Life0
New Sincerity andFrances Hain Light of Sartre: A Proposal for an Existentialist Conceptual Framework0
Ethics, Gender and Vulnerability in the Films of Mia Hansen-Løve0
Introduction: Heidegger and the Phenomenology of Film0
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema0
Lúcia Nagib (2020) Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema0
Given (No) Time: A Derridean Reading of Denis Villeneuve's Arrival0
Hitchcock's Undertexts: Objects and Language0
Beller, Jonathan (2018) The message is murder: The substrates of computational capital Beller, Jonathan (2021) The world computer: Derivative conditions of racial capitalism0
David Huckvale (2020) Terrors of the Flesh: The Philosophy of Body Horror in Film0
Rupert Read (2019) A Film-Philosophy of Ecology and Enlightenment0
Rupture, Suture, Nietzsche: Impossible Intersubjectivity in Alien0
Robert Breer’s Perpetual Motion Machine0
Sisyphean Unproductivity in Narrative Film0
Rebecca A. Sheehan (2020) American Avant-Garde Cinema's Philosophy of the In-Between0
Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film0
Michel Serres, Topology and Folded Time in Christopher Nolan's Dunkirk0
Black Cinematic Poethics0
Is It a Wonderful Life? Frank Capra and Objective List Theories of Worth0
The Disrobing of Aphrodite: Brigitte Bardot inLe Mépris0
Mary Ann Doane (2021) Bigger Than Life: The Close-up and Scale in the Cinema0
Death as Film-Philosophy’s Muse: Deleuzian Observations on Moving Images and the Nature of Time0
Matilda Mroz (2020). Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge0
Joshua Sikora (Ed.), A Critical Companion to Terrence Malick0
Mendacity, Rule Consequentialist Ethics and The Ploughman's Lunch0
Padraic Killeen (2022). The Dark Interval: Film Noir, Iconography, and Affect0
Lee Grieveson (2018) Cinema and the wealth of nations: Media, capital, and the liberal world system0
David Lynch, Embodiment and Mediality: Dealing With a Human Form0
Ben Tyrer (2016)Out of the Past: Lacan and Film Noir0
Picturing the Autobiographical Imagination: Emotion, Memory and Metacognition inInside Out0
Strata, Narrative, and Space inIci et ailleurs0
André Bazin's Eternal Returns: An Ontological Revision0
Barry Nevin (2018) Cracking Gilles Deleuze's Crystal: Narrative Space-time in the Films of Jean Renoir0
(Re)sounding Audre Lorde: Queer Crip Chorus in Lana Lin’s Experimental Documentary0
Editorial: Film-Philosophy-Poetry0
Robert Sinnerbrink (2019) Terrence Malick: Filmmaker and Philosopher0
Becoming-Flashdrive: The Cinematic Intelligence of Lucy0
Introduction to Special Issue: Film Objects0
Kelli Fuery (2022). Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology0
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory0
Nico Baumbach (2019) Cinema/Politics/Philosophy0
Time Metaphors in Film: Understanding the Representation of Time in Cinema0
Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini0
Silence as Elective Mutism in Minor Cinema0
Laura McMahon (2019) Animal Worlds: Film, Philosophy and Time0
Mario Slugan (2020) Fiction and imagination in early cinema: A philosophical approach to film history0
The Prehistoricity of Cinema: Werner Herzog's Cave of Forgotten Dreams0
Francesco Sticchi (2019)Melancholy Emotion in Contemporary Cinema: A Spinozian Analysis of Film Experience0
Kate Ince (2017)The Body and the Screen: Female Subjectivities in Contemporary Women's Cinema0
Agnieszka Piotrowska (2019) The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema0
Sarah Cooper (2019). Film and the imagined image0
Love Objects: Eros and the Materialistic Aesthetics of Ernst Lubitsch0
A Mud Doctor Checking Out the Earth Underneath: Ruminations on Malick’s Days of Heaven and Loht’s Phenomenology of Film0
Disgust, Race and Ideology in Carl Franklin’sDevil in a Blue Dress0
An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger0
Robert Pippin (2020) Filmed Thought: Cinema as Reflective Form0
Trembling Meaning: Camera Instability and Gilbert Simondon's Transduction in Czech Archival Film0
Christina Rawls, Diana Neiva, and Steven S. Gouveia (eds.) (2019) Philosophy and Film: Bridging Divides0
Sean Cubitt (2020)Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image0
Hunter Vaughan (2019) Hollywood's Dirtiest Secret: The Hidden Environmental Costs of the Movies0
Rethinking Inside and Outside: The Door in Ernst Lubitsch's When I Was Dead and Charlie Chaplin's The Adventurer0
Genevieve Yue (2021). Girl Head: Feminism and Film Materiality0
Film as Museum: One-of-a-Kind Objects in Berkun Oya's Bir Başkadır0
Michelle Devereaux (2019) The Stillness of Solitude: Romanticism and Contemporary American Independent Film0
Aesthetic Puzzlements: Jonas Mekas's Diary Films and Ludwig Wittgenstein0
Film as Artificial Intelligence: Jean Epstein, Film-Thinking and the Speculative-Materialist Turn in Contemporary Philosophy0
Immortality, the Good Life and Romantic Love in Groundhog Day and Only Lovers Left Alive0
Allan James Thomas (2018) Deleuze, Cinema and the Thought of the World0
Catherine Wheatley (2019) Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema0
Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic Poesis0
Lost and Beautiful or the (Environmental) Ethics of the Lyric Essay Film0
Lucy Bolton (2019) Contemporary Cinema and the Philosophy of Iris Murdoch0
Shane Denson (2020), Discorrelated Images0
Martin P. Rossouw (2021) Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate0
The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction0
Poetic Objects: Bachelardian Reverie, Reverberation and Repose in Claire Denis' 35 Shots of Rum0
Eliza Steinbock (2019) Shimmering Images: Trans Cinema, Embodiment, and the Aesthetic of Change0
Response to Critical Views of Phenomenology of Film0
Eugenie Brinkema (2022). Life-Destroying Diagrams0
Hans Maes and Katrien Schaubroeck (2021) (eds.) Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration0
The Matter of Manual Traces: Letters, Photographs and Bean Paste in Naomi Kawase’s Cinema of Touch0
Vittorio Gallese and Michele Guerra (2020) The Empathic Screen: Cinema and Neuroscience0
Take My Breath Away: Review of Mila Zuo (2022) Vulgar beauty: Acting Chinese in the global sensorium0
Ewa Mazierska and Lars Kristensen (eds.) (2020) Third Cinema, World Cinema and Marxism0
The Scream Itself: MasochisticJouissanceand a Cinema of Speechlessness inLa Grande Bouffe0
Machine Vision and Encoded Behaviour in Harun Farocki's Later Work0
Love's Revival: Film Practice and the Art of Dying0
Kant and Burke’s Sublime in Werner Herzog’s Films: The Quest for an Ecstatic Truth0
Kriss Ravetto-Biagioli (2017) Mythopoetic Cinema: On the Ruins of European Cinema0
Affective Assemblages of Material Culture: Qi Pao, Mahjong and Performance in Ang Lee’s Lust, Caution0
Bernd Herzogenrath (ed.) (2017) Film as Philosophy0
Truth, Beauty and Goodness: Freedom and the Platonic Triad in Eric Rohmer’s Film Theory0
Two Cats, One Fish: The Animal,Leviathanand the Limits of Theory0
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