Film-Philosophy

Papers
(The median citation count of Film-Philosophy is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Robert Pippin (2020) Filmed Thought: Cinema as Reflective Form12
Film as Museum: One-of-a-Kind Objects in Berkun Oya's Bir Başkadır5
When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty3
Thinking, Feeling and Experiencing the “Empty Shot” in Cinema2
Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art2
The Intensive-Image and the Poetic Film Tradition: Notes on Ruiz, Deren, Pasolini, Buñuel and Deleuze1
Immortality, the Good Life and Romantic Love in Groundhog Day and Only Lovers Left Alive1
New Materialist Freedom in Chloé Zhao's Nomadland1
What Is the Work of Animation? The Plasticity of Time in the Fourth-Dimensional Image1
Christina Rawls, Diana Neiva, and Steven S. Gouveia (eds.) (2019) Philosophy and Film: Bridging Divides1
Rituals Within Walls: Thinking Post-War Japan’s History through Cinematic Allegories of Everyday Life1
Eugenie Brinkema (2022). Life-Destroying Diagrams1
Shane Denson (2020), Discorrelated Images1
Genevieve Yue (2021). Girl Head: Feminism and Film Materiality1
Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie1
The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema0
Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators0
Rethinking Inside and Outside: The Door in Ernst Lubitsch'sWhen I Was Deadand Charlie Chaplin'sThe Adventurer0
Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment0
When Sympathy Hesitates: An Empathetic Understanding of Cinematic Slowness in Stray Dogs0
Kelli Fuery (2022).Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology0
Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini0
Lúcia Nagib (2020) Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema0
Introduction: Catherine Malabou, Plasticity and Film0
The Prehistoricity of Cinema: Werner Herzog's Cave of Forgotten Dreams0
Poetic Objects: Bachelardian Reverie, Reverberation and Repose in Claire Denis'35 Shots of Rum0
Shane Denson (2023). Post-Cinematic Bodies0
Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema0
Martin P. Rossouw (2021) Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate0
Steven DeLay (ed.) (2023). Life Above the Clouds: Philosophy in the Films of Terrence Malick0
Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic Poesis0
Rebecca A. Sheehan (2020) American Avant-Garde Cinema's Philosophy of the In-Between0
Tiago de Luca (2021)Planetary Cinema: Film, media and the earth0
Julian Hanich & Martin P. Rossouw (Eds.) (2023). What Is Film Good For? On the Values of Spectatorship0
Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film0
Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film0
Vittorio Gallese and Michele Guerra (2020) The Empathic Screen: Cinema and Neuroscience0
Introduction to Special Issue: Film Objects0
Joshua Sikora (Ed.), A Critical Companion to Terrence Malick0
The Disrobing of Aphrodite: Brigitte Bardot inLe Mépris0
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet'sVox Lux0
Matthew Rukgaber (2022).Nietzsche in Hollywood: Images of theÜbermenschin Early American Cinema0
Editorial: Film-Philosophy-Poetry0
“I Said Something Wrong”: Transworld Obligation inYesterday0
From Ascetic Ideals to Honest Illusions: A Nietzschean Interpretation of Inception0
Allan James Thomas (2018) Deleuze, Cinema and the Thought of the World0
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory0
Robert Sinnerbrink (2019) Terrence Malick: Filmmaker and Philosopher0
Is It a Wonderful Life? Frank Capra and Objective List Theories of Worth0
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema0
Picturing the Autobiographical Imagination: Emotion, Memory and Metacognition inInside Out0
The Human Chameleon: Zelig, Nietzsche and the Banality of Evil0
Breathing, Cinema and Other “Nobjects” in Camille Vidal-Naquet’sSauvage0
Truth, Beauty and Goodness: Freedom and the Platonic Triad in Eric Rohmer’s Film Theory0
Ewa Mazierska and Lars Kristensen (eds.) (2020) Third Cinema, World Cinema and Marxism0
Derivative Desires and Plastic Pedagogies: Malabou, Psychoanalysis and The Big Short0
The Pleasure of Self-erasure: Malabou, (Sexual) Anarchy and Agnès Varda’s Sans toit ni loi0
“I Saw a Different Life. I Can't Stop Seeing It”: Perfectionist Visions inRevolutionary Road0
The Availability of Jim Jarmusch’s Film-Philosophy: Wittgenstein, Derrida and Private Language in Ghost Dog: The Way of the Samurai0
The Cinematic Anthropocene and the Future Politics of Killing0
Introduction: Heidegger and the Phenomenology of Film0
Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies0
Documentary Fictions: Jacques Rancière and the Problem of Indexical Media0
Machine Vision and Encoded Behaviour in Harun Farocki's Later Work0
Haunted by the Other: Levinas, Derrida and the Persecutory Phantom0
Hegel and Hitchcock’s Vertigo: On Reconciliation0
Michel Serres, Topology and Folded Time in Christopher Nolan's Dunkirk0
Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement0
Rupture, Suture, Nietzsche: Impossible Intersubjectivity in Alien0
Lee Grieveson (2018) Cinema and the wealth of nations: Media, capital, and the liberal world system0
Black Cinematic Poethics0
Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger0
Sean Cubitt (2020)Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image0
Sarah Cooper (2019). Film and the imagined image0
Strata, Narrative, and Space inIci et ailleurs0
An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger0
Love Objects: Eros and the Materialistic Aesthetics of Ernst Lubitsch0
The Ethics of Refusal in Terrence Malick’s A Hidden Life0
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor0
Mario Slugan (2020) Fiction and imagination in early cinema: A philosophical approach to film history0
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works0
Francesco Sticchi (2021). Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction0
Silence as Elective Mutism in Minor Cinema0
Victor Fan (2022). Cinema Illuminating Reality: Media Philosophy through Buddhism0
(Re)sounding Audre Lorde: Queer Crip Chorus in Lana Lin’s Experimental Documentary0
Hunter Vaughan (2019) Hollywood's Dirtiest Secret: The Hidden Environmental Costs of the Movies0
Lucy Bolton (2019) Contemporary Cinema and the Philosophy of Iris Murdoch0
Lost and Beautiful or the (Environmental) Ethics of the Lyric Essay Film0
Freedom and the Weight of the Crown: Sartrean and Beauvoirian Existentialism in Peter Morgan'sThe Crown0
Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film0
Mendacity, Rule Consequentialist Ethics and The Ploughman's Lunch0
Death as Film-Philosophy’s Muse: Deleuzian Observations on Moving Images and the Nature of Time0
The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction0
Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction0
A Mud Doctor Checking Out the Earth Underneath: Ruminations on Malick’s Days of Heaven and Loht’s Phenomenology of Film0
Two Cats, One Fish: The Animal,Leviathanand the Limits of Theory0
David Lynch, Embodiment and Mediality: Dealing With a Human Form0
Transferring Suspiria: Historicism and Philosophies of Psychoanalytic Transference0
Narrative Difference: Jacques Rancière, Gilles Deleuze andUncle Boonmee Who Can Recall His Past Lives0
Humility and Greatness in Damien Chazelle’s First Man0
Padraic Killeen (2022). The Dark Interval: Film Noir, Iconography, and Affect0
Take My Breath Away: Review of Mila Zuo (2022) Vulgar beauty: Acting Chinese in the global sensorium0
Nietzschean Themes in Béla Tarr's The Turin Horse0
Film as Artificial Intelligence: Jean Epstein, Film-Thinking and the Speculative-Materialist Turn in Contemporary Philosophy0
Sisyphean Unproductivity in Narrative Film0
Rupert Read (2019) A Film-Philosophy of Ecology and Enlightenment0
The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment0
Robert Breer’s Perpetual Motion Machine0
Nico Baumbach (2019) Cinema/Politics/Philosophy0
Synthetic Vision in Virtual Reality Documentaries0
Time Metaphors in Film: Understanding the Representation of Time in Cinema0
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora'sFaith0
Response to Critical Views of Phenomenology of Film0
Reflexive Wonderings: Prospects and Parameters of a Heideggerian Approach to Film as Philosophy0
Barry Nevin (2018) Cracking Gilles Deleuze's Crystal: Narrative Space-time in the Films of Jean Renoir0
Feminist Epigenet(h)ics: Maternal Waters, Gestational Forms and Mitochondrial Eves in Lucile Hadžihalilović’s Evolution0
Existential and Phenomenological Horror in Les Diaboliques0
The Matter of Manual Traces: Letters, Photographs and Bean Paste in Naomi Kawase’s Cinema of Touch0
Home Movies as Reliquaries of Memory: A Phenomenological Perspective0
Hans Maes and Katrien Schaubroeck (2021) (eds.) Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration0
Kant and Burke’s Sublime in Werner Herzog’s Films: The Quest for an Ecstatic Truth0
Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve0
White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée’s Sharp Objects0
Hitchcock's Undertexts: Objects and Language0
Voir venir the New Wave: Plasticity in Jacques Rivette’s Film Criticism0
In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World0
Eliza Steinbock (2019) Shimmering Images: Trans Cinema, Embodiment, and the Aesthetic of Change0
The Colour of Film-Philosophy0
Matilda Mroz (2020). Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge0
The Kierkegaardian Existentialism of Richard Linklater's Before Trilogy0
Eternity Descending into Time: Badiou and the Cinematic Temporality of Love0
Disgust, Race and Ideology in Carl Franklin’sDevil in a Blue Dress0
Affective Assemblages of Material Culture: Qi Pao, Mahjong and Performance in Ang Lee’s Lust, Caution0
Beller, Jonathan (2018) The message is murder: The substrates of computational capital Beller, Jonathan (2021) The world computer: Derivative conditions of racial capitalism0
Michelle Devereaux (2019) The Stillness of Solitude: Romanticism and Contemporary American Independent Film0
David Martin-Jones (2022). Columbo: Paying Attention 24/70
Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood0
The Filter and the Viewer: On Audience Discretion in Film Noir0
David Huckvale (2020) Terrors of the Flesh: The Philosophy of Body Horror in Film0
Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve0
Gilberto Perez (2019) The Eloquent Screen: A Rhetoric of Film0
Mary Ann Doane (2021) Bigger Than Life: The Close-up and Scale in the Cinema0
Malabou, Medicine and Film: Screening Brain Injury, Organ Transplantation and Plasticity in Katell Quillévéré'sHeal the Living0
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