Film-Philosophy

Papers
(The median citation count of Film-Philosophy is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Thinking, Feeling and Experiencing the “Empty Shot” in Cinema12
The Human Chameleon: Zelig, Nietzsche and the Banality of Evil2
Breathing, Cinema and Other “Nobjects” in Camille Vidal-Naquet’sSauvage2
Synthetic Vision in Virtual Reality Documentaries2
Transferring Suspiria: Historicism and Philosophies of Psychoanalytic Transference2
The Availability of Jim Jarmusch’s Film-Philosophy: Wittgenstein, Derrida and Private Language in Ghost Dog: The Way of the Samurai1
Film as Artificial Intelligence: Jean Epstein, Film-Thinking and the Speculative-Materialist Turn in Contemporary Philosophy1
Murray Smith (2017) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film1
“I Saw a Different Life. I Can't Stop Seeing It”: Perfectionist Visions inRevolutionary Road1
Robert Breer’s Perpetual Motion Machine1
A Miraculous Materialism: Lines of Flight inWe Have a PopeandCorpo Celeste1
An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger1
The Colour of Film-Philosophy1
Hegel and Hitchcock’s Vertigo: On Reconciliation1
White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée’s Sharp Objects1
Kate Ince (2017)The Body and the Screen: Female Subjectivities in Contemporary Women's Cinema0
Sarah Cooper (2019). Film and the imagined image0
Rebecca A. Sheehan (2020) American Avant-Garde Cinema's Philosophy of the In-Between0
Francesco Sticchi (2021). Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction0
Christina Rawls, Diana Neiva, and Steven S. Gouveia (eds.) (2019) Philosophy and Film: Bridging Divides0
Haunted by the Other: Levinas, Derrida and the Persecutory Phantom0
Shane Denson (2023). Post-Cinematic Bodies0
Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini0
New Materialist Freedom in Chloé Zhao's Nomadland0
Robert Pippin (2020) Filmed Thought: Cinema as Reflective Form0
The Cinematic Anthropocene and the Future Politics of Killing0
Hitchcock's Undertexts: Objects and Language0
A Mud Doctor Checking Out the Earth Underneath: Ruminations on Malick’s Days of Heaven and Loht’s Phenomenology of Film0
Reflexive Wonderings: Prospects and Parameters of a Heideggerian Approach to Film as Philosophy0
Padraic Killeen (2022). The Dark Interval: Film Noir, Iconography, and Affect0
When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty0
Mendacity, Rule Consequentialist Ethics and The Ploughman's Lunch0
David Lynch, Embodiment and Mediality: Dealing With a Human Form0
Nietzschean Themes in Béla Tarr's The Turin Horse0
The Disrobing of Aphrodite: Brigitte Bardot inLe Mépris0
Freedom and the Weight of the Crown: Sartrean and Beauvoirian Existentialism in Peter Morgan'sThe Crown0
Strata, Narrative, and Space inIci et ailleurs0
Allan James Thomas (2018) Deleuze, Cinema and the Thought of the World0
Michelle Devereaux (2019) The Stillness of Solitude: Romanticism and Contemporary American Independent Film0
Lost and Beautiful or the (Environmental) Ethics of the Lyric Essay Film0
Barry Nevin (2018) Cracking Gilles Deleuze's Crystal: Narrative Space-time in the Films of Jean Renoir0
When Sympathy Hesitates: An Empathetic Understanding of Cinematic Slowness in Stray Dogs0
Shane Denson (2020), Discorrelated Images0
Kelli Fuery (2022).Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology0
Nico Baumbach (2019) Cinema/Politics/Philosophy0
Eugenie Brinkema (2022). Life-Destroying Diagrams0
The Matter of Manual Traces: Letters, Photographs and Bean Paste in Naomi Kawase’s Cinema of Touch0
Lúcia Nagib (2020) Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema0
Voir venir the New Wave: Plasticity in Jacques Rivette’s Film Criticism0
Time Metaphors in Film: Understanding the Representation of Time in Cinema0
Beller, Jonathan (2018) The message is murder: The substrates of computational capital Beller, Jonathan (2021) The world computer: Derivative conditions of racial capitalism0
Two Cats, One Fish: The Animal,Leviathanand the Limits of Theory0
Rupert Read (2019) A Film-Philosophy of Ecology and Enlightenment0
David Huckvale (2020) Terrors of the Flesh: The Philosophy of Body Horror in Film0
Rupture, Suture, Nietzsche: Impossible Intersubjectivity in Alien0
The Pleasure of Self-erasure: Malabou, (Sexual) Anarchy and Agnès Varda’s Sans toit ni loi0
Affective Assemblages of Material Culture: Qi Pao, Mahjong and Performance in Ang Lee’s Lust, Caution0
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet'sVox Lux0
Derivative Desires and Plastic Pedagogies: Malabou, Psychoanalysis and The Big Short0
Kant and Burke’s Sublime in Werner Herzog’s Films: The Quest for an Ecstatic Truth0
Steven DeLay (ed.) (2023). Life Above the Clouds: Philosophy in the Films of Terrence Malick0
Truth, Beauty and Goodness: Freedom and the Platonic Triad in Eric Rohmer’s Film Theory0
Black Cinematic Poethics0
Mario Slugan (2020) Fiction and imagination in early cinema: A philosophical approach to film history0
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor0
Disgust, Race and Ideology in Carl Franklin’sDevil in a Blue Dress0
Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film0
Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction0
Narrative Difference: Jacques Rancière, Gilles Deleuze andUncle Boonmee Who Can Recall His Past Lives0
Matilda Mroz (2020). Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge0
Gilberto Perez (2019) The Eloquent Screen: A Rhetoric of Film0
Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film0
Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema0
Lee Grieveson (2018) Cinema and the wealth of nations: Media, capital, and the liberal world system0
Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film0
Joshua Sikora (Ed.), A Critical Companion to Terrence Malick0
Documentary Fictions: Jacques Rancière and the Problem of Indexical Media0
Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic Poesis0
Editorial: Film-Philosophy-Poetry0
Picturing the Autobiographical Imagination: Emotion, Memory and Metacognition inInside Out0
The Intensive-Image and the Poetic Film Tradition: Notes on Ruiz, Deren, Pasolini, Buñuel and Deleuze0
Lucy Bolton (2019) Contemporary Cinema and the Philosophy of Iris Murdoch0
Introduction to Special Issue: Film Objects0
“I Said Something Wrong”: Transworld Obligation inYesterday0
The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction0
Hans Maes and Katrien Schaubroeck (2021) (eds.) Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration0
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora'sFaith0
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory0
Response to Critical Views of Phenomenology of Film0
Silence as Elective Mutism in Minor Cinema0
Sisyphean Unproductivity in Narrative Film0
Laura McMahon (2019) Animal Worlds: Film, Philosophy and Time0
The Prehistoricity of Cinema: Werner Herzog's Cave of Forgotten Dreams0
Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve0
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works0
Francesco Sticchi (2019)Melancholy Emotion in Contemporary Cinema: A Spinozian Analysis of Film Experience0
Tiago de Luca (2021)Planetary Cinema: Film, media and the earth0
Matthew Rukgaber (2022). Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema0
Is It a Wonderful Life? Frank Capra and Objective List Theories of Worth0
Feminist Epigenet(h)ics: Maternal Waters, Gestational Forms and Mitochondrial Eves in Lucile Hadžihalilović’s Evolution0
Introduction: Catherine Malabou, Plasticity and Film0
Vittorio Gallese and Michele Guerra (2020) The Empathic Screen: Cinema and Neuroscience0
Poetic Objects: Bachelardian Reverie, Reverberation and Repose in Claire Denis'35 Shots of Rum0
Michel Serres, Topology and Folded Time in Christopher Nolan's Dunkirk0
Trembling Meaning: Camera Instability and Gilbert Simondon's Transduction in Czech Archival Film0
Bernd Herzogenrath (ed.) (2017) Film as Philosophy0
Home Movies as Reliquaries of Memory: A Phenomenological Perspective0
In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World0
Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art0
David Martin-Jones (2022). Columbo: Paying Attention 24/70
Hunter Vaughan (2019) Hollywood's Dirtiest Secret: The Hidden Environmental Costs of the Movies0
Genevieve Yue (2021). Girl Head: Feminism and Film Materiality0
The Filter and the Viewer: On Audience Discretion in Film Noir0
David Martin-Jones (2018)Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History0
Immortality, the Good Life and Romantic Love in Groundhog Day and Only Lovers Left Alive0
Death as Film-Philosophy’s Muse: Deleuzian Observations on Moving Images and the Nature of Time0
Film as Museum: One-of-a-Kind Objects in Berkun Oya's Bir Başkadır0
Mary Ann Doane (2021) Bigger Than Life: The Close-up and Scale in the Cinema0
André Bazin's Eternal Returns: An Ontological Revision0
Humility and Greatness in Damien Chazelle’s First Man0
Martin P. Rossouw (2021) Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate0
The Kierkegaardian Existentialism of Richard Linklater's Before Trilogy0
(Re)sounding Audre Lorde: Queer Crip Chorus in Lana Lin’s Experimental Documentary0
Robert Sinnerbrink (2019) Terrence Malick: Filmmaker and Philosopher0
Eliza Steinbock (2019) Shimmering Images: Trans Cinema, Embodiment, and the Aesthetic of Change0
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema0
Rituals Within Walls: Thinking Post-War Japan’s History through Cinematic Allegories of Everyday Life0
Sean Cubitt (2020)Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image0
What Is the Work of Animation? The Plasticity of Time in the Fourth-Dimensional Image0
Introduction: Heidegger and the Phenomenology of Film0
Take My Breath Away: Review of Mila Zuo (2022) Vulgar beauty: Acting Chinese in the global sensorium0
Rethinking Inside and Outside: The Door in Ernst Lubitsch'sWhen I Was Deadand Charlie Chaplin'sThe Adventurer0
Love Objects: Eros and the Materialistic Aesthetics of Ernst Lubitsch0
Ewa Mazierska and Lars Kristensen (eds.) (2020) Third Cinema, World Cinema and Marxism0
Machine Vision and Encoded Behaviour in Harun Farocki's Later Work0
Malabou, Medicine and Film: Screening Brain Injury, Organ Transplantation and Plasticity in Katell Quillévéré's Heal the Living0
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