Afterall

Papers
(The TQCC of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Politics Inc.6
Access as Generative Site: In Conversation with Christine Sun Kim3
Silke Otto-Knapp (1970–2022)2
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality1
Hazem Harb: ‘My Heart Is Still in Gaza’1
Ideas to Postpone the End of the World0
Body Double: Sung Hwan Kim’s A Record of Drifting Across the Sea0
Front Matter0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
The Improbable Memorial0
Contributors0
Contradictions: A Conversation with Richard Mosse0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
The Rise (and Fall?) of the Postcolonial Documenta0
The Waves of the Black Atlantic0
Rosana Paulino: Art as Memory-Work0
Foreword0
Melek – Mashaa’0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
Front Matter0
Colophon0
Front Matter0
Colophon0
Natural Causes: The Deaths and Afterlives of Art at the Digital Precipice0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Lee Bul’s Alternative Ontologies of Decorative Beings and Cyborgs0
Foreword0
Demilitarisation of Aesthetics0
Foreword0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
‘Everything is Blooming Most Recklessly’ – On Revital Cohen and Tuur Van Balen’s Work0
Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research0
Photography as Writing0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Refusing Epistemic Violence: Guernica-Gaza and the ‘German Context’0
Front Matter0
Unboxing Gaza0
Colophon0
Working with the Lack: A Conversation with Lotus L. Kang0
Subscribe Today to Lawrence Lek’s Dystopian Odyssey0
It’s Always You: Sin Wai Kin’s Infinite Universe0
Contributors0
Dance as Socialist World-Building0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
Emergence of A New Congolese Art0
Tokyo Reels: The Solidarity Image0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
Yanak Uywaña: The Mutual Nurturing of the Arts0
A Method with Plasticity: A Conversation with Sojung Jun0
The Sand Reckoner0
Contributors0
Whatever the Future Will Be, It Is Made Now0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
Foreword0
Night0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
Colophon0
Kateryna Lysovenko: On the Transmigration of Historical Forms0
Voicing: Imogen Stidworthy’s Practice of Exodus0
Contributors0
Hunger for Resistance: Interview with Jonathas de Andrade0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
Between Mean Time0
Not Silencing. Im Heung-soon’s Cambodia0
Note on Lee Bul at ‘Ssack’0
A Cascading World of Porosity0
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