Afterall

Papers
(The TQCC of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Politics Inc.1
Front Matter1
Access as Generative Site: In Conversation with Christine Sun Kim1
Silke Otto-Knapp (1970–2022)1
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
Repetition, Montage, Archive…0
Foreword0
This Hidden World0
A Cascading World of Porosity0
Hunger for Resistance: Interview with Jonathas de Andrade0
The Rise (and Fall?) of the Postcolonial Documenta0
The Sand Reckoner0
Voicing: Imogen Stidworthy’s Practice of Exodus0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Body Double: Sung Hwan Kim’s A Record of Drifting Across the Sea0
Working with the Lack: A Conversation with Lotus L. Kang0
Contributors0
SovMod Skull0
Unboxing Gaza0
Between Mean Time0
Rosana Paulino: Art as Memory-Work0
Revealing the Past, Illuminating The Future: Kapwani Kiwanga’s Flashbacks0
Colophon0
The Power of Vulnerability: Art in the Digital Woke Age0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
Searching for Iemanjá0
Foreword0
Contributors0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
Dance as Socialist World-Building0
Colophon0
Photography as Writing0
The Improbable Memorial0
Tokyo Reels: The Solidarity Image0
It’s Always You: Sin Wai Kin’s Infinite Universe0
Black Is… Unpacking Aldo Tambellini’s Radical Blackness0
Ip Gim: Feminist Art and Activism In South Korea0
Contradictions: A Conversation with Richard Mosse0
Colophon0
Logarithm0
Melek – Mashaa’0
Colophon0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
The Taller de Gráfica Popular: Collectivity, Popular Prints and Transient Muralism0
Foreword0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
Jonas Staal: Re-Forming Representation0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
Night0
Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
Front Matter0
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
Emergence of A New Congolese Art0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Propagate Autonomy: On Jonas Staal, Captain America and Willi Münzenberg0
Ideas to Postpone the End of the World0
Whatever the Future Will Be, It Is Made Now0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Front Matter0
Cross-Eyed and Painless in Toronto: A Borderline Case0
Foreword0
Front Matter0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Contributors0
Contributors0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
Refusing Epistemic Violence: Guernica-Gaza and the ‘German Context’0
On African Opera: A Conversation with Anawana Haloba0
Hazem Harb: ‘My Heart Is Still in Gaza’0
Foreword0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
Front Matter0
Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
Contributors0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
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