Afterall

Papers
(The TQCC of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Politics Inc.1
Silke Otto-Knapp (1970–2022)1
Access as Generative Site: In Conversation with Christine Sun Kim1
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
Rosana Paulino: Art as Memory-Work0
Kateryna Lysovenko: On the Transmigration of Historical Forms0
Emergence of A New Congolese Art0
Foreword0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research0
Note on Lee Bul at ‘Ssack’0
‘Everything is Blooming Most Recklessly’ – On Revital Cohen and Tuur Van Balen’s Work0
Front Matter0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
A Method with Plasticity: A Conversation with Sojung Jun0
Photography as Writing0
Voicing: Imogen Stidworthy’s Practice of Exodus0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
Whatever the Future Will Be, It Is Made Now0
Contradictions: A Conversation with Richard Mosse0
Not Silencing. Im Heung-soon’s Cambodia0
Foreword0
Colophon0
The Waves of the Black Atlantic0
Foreword0
The Rise (and Fall?) of the Postcolonial Documenta0
Colophon0
Subscribe Today to Lawrence Lek’s Dystopian Odyssey0
Working with the Lack: A Conversation with Lotus L. Kang0
Colophon0
Lee Bul’s Alternative Ontologies of Decorative Beings and Cyborgs0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
Night0
Front Matter0
Contributors0
Between Mean Time0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
Repetition, Montage, Archive…0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Dance as Socialist World-Building0
Demilitarisation of Aesthetics0
Contributors0
Hunger for Resistance: Interview with Jonathas de Andrade0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Front Matter0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Body Double: Sung Hwan Kim’s A Record of Drifting Across the Sea0
Unboxing Gaza0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
A Cascading World of Porosity0
Contributors0
Refusing Epistemic Violence: Guernica-Gaza and the ‘German Context’0
Foreword0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
On African Opera: A Conversation with Anawana Haloba0
Hazem Harb: ‘My Heart Is Still in Gaza’0
Front Matter0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
Cross-Eyed and Painless in Toronto: A Borderline Case0
The Improbable Memorial0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Natural Causes: The Deaths and Afterlives of Art at the Digital Precipice0
Ideas to Postpone the End of the World0
Foreword0
Front Matter0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
It’s Always You: Sin Wai Kin’s Infinite Universe0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
The Sand Reckoner0
Melek – Mashaa’0
Colophon0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Contributors0
Contributors0
Tokyo Reels: The Solidarity Image0
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