Afterall

Papers
(The TQCC of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
The Rise (and Fall?) of the Postcolonial Documenta1
The Power of Vulnerability: Art in the Digital Woke Age1
Ideas to Postpone the End of the World1
This Hidden World1
Front Matter0
Inaudible and Invisible Matters: Sound and Light in Christina Kubisch’s Sonic Practice0
Foreword0
Hunger for Resistance: Interview with Jonathas de Andrade0
Revealing the Past, Illuminating The Future: Kapwani Kiwanga’s Flashbacks0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
Contributors0
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
The Museum of Modern Art’s International Programme in Southeast Asia (1957–83): The Exhibitions Southeast Asians Appropriated0
Whatever the Future Will Be, It Is Made Now0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Colophon0
Cross-Eyed and Painless in Toronto: A Borderline Case0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
Body Double: Sung Hwan Kim’s A Record of Drifting Across the Sea0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Logarithm0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
Foreword0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
Refusing Epistemic Violence: Guernica-Gaza and the ‘German Context’0
Photography as Writing0
Propagate Autonomy: On Jonas Staal, Captain America and Willi Münzenberg0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
The Taller de Gráfica Popular: Collectivity, Popular Prints and Transient Muralism0
Foreword0
SovMod Skull0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
Night0
Hazem Harb: ‘My Heart Is Still in Gaza’0
Front Matter0
Contradictions: A Conversation with Richard Mosse0
Foreword0
Emergence of A New Congolese Art0
Under One or Several Flags0
Colophon0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
Ip Gim: Feminist Art and Activism In South Korea0
Silke Otto-Knapp (1970–2022)0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
Repetition, Montage, Archive…0
Jonas Staal: Re-Forming Representation0
Front Matter0
Front Matter0
Front Matter0
Front Matter0
Experiences in the Vicinity of Christina Kubisch’s Auditory Art Objects0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
Rosalind Nashashibi: Cold Open Day0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
A Cascading World of Porosity0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
Working with the Lack: A Conversation with Lotus L. Kang0
Syria and/as the Planetary in Jumana Manna’s Wild Relatives0
Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia0
Contributors0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
Searching for Iemanjá0
Situated Assemblages of Un-Situated Things0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
Tokyo Reels: The Solidarity Image0
The Improbable Memorial0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
Contributors0
Contributors0
Politics Inc.0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Between Mean Time0
Sensory Worlds: Rosalind Nashashibi’s Proxemic Lens0
Access as Generative Site: In Conversation with Christine Sun Kim0
Voicing: Imogen Stidworthy’s Practice of Exodus0
Contributors0
On the Persistence of the Non-Modern0
Black Is… Unpacking Aldo Tambellini’s Radical Blackness0
It’s Always You: Sin Wai Kin’s Infinite Universe0
Dance as Socialist World-Building0
Or Other, or Both0
Foreword0
Rosana Paulino: Art as Memory-Work0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Colophon0
The Sand Reckoner0
Melek – Mashaa’0
Colophon0
On African Opera: A Conversation with Anawana Haloba0
The Supercut and the Irrecoverable Past: Ho Tzu Nyen’s The Nameless and The Name0
The Imagination of Isolation: On Current Practices in Aotearoa0
Colophon0
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
Unboxing Gaza0
Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research0
Foreword0
Contributors0
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