Afterall

Papers
(The TQCC of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Politics Inc.5
Access as Generative Site: In Conversation with Christine Sun Kim3
Hazem Harb: ‘My Heart Is Still in Gaza’1
Silke Otto-Knapp (1970–2022)1
Front Matter0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
Demilitarisation of Aesthetics0
Photography as Writing0
Voicing: Imogen Stidworthy’s Practice of Exodus0
Lee Bul’s Alternative Ontologies of Decorative Beings and Cyborgs0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Front Matter0
Refusing Epistemic Violence: Guernica-Gaza and the ‘German Context’0
Foreword0
Colophon0
The Waves of the Black Atlantic0
Foreword0
The Rise (and Fall?) of the Postcolonial Documenta0
Colophon0
Between Mean Time0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
Colophon0
Contradictions: A Conversation with Richard Mosse0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
Foreword0
Front Matter0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
Emergence of A New Congolese Art0
Repetition, Montage, Archive…0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Dance as Socialist World-Building0
Ideas to Postpone the End of the World0
Contributors0
Hunger for Resistance: Interview with Jonathas de Andrade0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
Tokyo Reels: The Solidarity Image0
Natural Causes: The Deaths and Afterlives of Art at the Digital Precipice0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Body Double: Sung Hwan Kim’s A Record of Drifting Across the Sea0
Unboxing Gaza0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
A Cascading World of Porosity0
Rosana Paulino: Art as Memory-Work0
Contributors0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
Melek – Mashaa’0
On African Opera: A Conversation with Anawana Haloba0
Note on Lee Bul at ‘Ssack’0
Front Matter0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
Cross-Eyed and Painless in Toronto: A Borderline Case0
The Improbable Memorial0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
A Method with Plasticity: A Conversation with Sojung Jun0
Foreword0
Front Matter0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
Whatever the Future Will Be, It Is Made Now0
It’s Always You: Sin Wai Kin’s Infinite Universe0
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
The Sand Reckoner0
Working with the Lack: A Conversation with Lotus L. Kang0
Colophon0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Contributors0
Contributors0
‘Everything is Blooming Most Recklessly’ – On Revital Cohen and Tuur Van Balen’s Work0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
Subscribe Today to Lawrence Lek’s Dystopian Odyssey0
Kateryna Lysovenko: On the Transmigration of Historical Forms0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Foreword0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
Night0
Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research0
Not Silencing. Im Heung-soon’s Cambodia0
Contributors0
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