Afterall

Papers
(The TQCC of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Front Matter1
Access as Generative Site: In Conversation with Christine Sun Kim1
Silke Otto-Knapp (1970–2022)1
Politics Inc.1
It’s Always You: Sin Wai Kin’s Infinite Universe0
The Improbable Memorial0
Tokyo Reels: The Solidarity Image0
Contradictions: A Conversation with Richard Mosse0
Black Is… Unpacking Aldo Tambellini’s Radical Blackness0
Ip Gim: Feminist Art and Activism In South Korea0
Melek – Mashaa’0
Colophon0
Logarithm0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
Colophon0
The Taller de Gráfica Popular: Collectivity, Popular Prints and Transient Muralism0
Foreword0
Jonas Staal: Re-Forming Representation0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
Night0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia0
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
Front Matter0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Emergence of A New Congolese Art0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
Propagate Autonomy: On Jonas Staal, Captain America and Willi Münzenberg0
Ideas to Postpone the End of the World0
Whatever the Future Will Be, It Is Made Now0
Front Matter0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Front Matter0
Cross-Eyed and Painless in Toronto: A Borderline Case0
Foreword0
Contributors0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
Contributors0
Refusing Epistemic Violence: Guernica-Gaza and the ‘German Context’0
On African Opera: A Conversation with Anawana Haloba0
Foreword0
Hazem Harb: ‘My Heart Is Still in Gaza’0
Front Matter0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Contributors0
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
Repetition, Montage, Archive…0
Foreword0
Hunger for Resistance: Interview with Jonathas de Andrade0
This Hidden World0
A Cascading World of Porosity0
Voicing: Imogen Stidworthy’s Practice of Exodus0
The Rise (and Fall?) of the Postcolonial Documenta0
The Sand Reckoner0
Working with the Lack: A Conversation with Lotus L. Kang0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Body Double: Sung Hwan Kim’s A Record of Drifting Across the Sea0
Unboxing Gaza0
Contributors0
SovMod Skull0
Rosana Paulino: Art as Memory-Work0
Between Mean Time0
Revealing the Past, Illuminating The Future: Kapwani Kiwanga’s Flashbacks0
Colophon0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
The Power of Vulnerability: Art in the Digital Woke Age0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
Foreword0
Searching for Iemanjá0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
Contributors0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
Dance as Socialist World-Building0
Colophon0
Photography as Writing0
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