Afterall

Papers
(The median citation count of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Politics Inc.5
Access as Generative Site: In Conversation with Christine Sun Kim3
Hazem Harb: ‘My Heart Is Still in Gaza’1
Silke Otto-Knapp (1970–2022)1
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Voicing: Imogen Stidworthy’s Practice of Exodus0
Lee Bul’s Alternative Ontologies of Decorative Beings and Cyborgs0
Foreword0
Front Matter0
Refusing Epistemic Violence: Guernica-Gaza and the ‘German Context’0
Colophon0
The Waves of the Black Atlantic0
Foreword0
The Rise (and Fall?) of the Postcolonial Documenta0
Colophon0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
Between Mean Time0
Contradictions: A Conversation with Richard Mosse0
Colophon0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
Front Matter0
Foreword0
Emergence of A New Congolese Art0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Repetition, Montage, Archive…0
Contributors0
Dance as Socialist World-Building0
Ideas to Postpone the End of the World0
Tokyo Reels: The Solidarity Image0
Hunger for Resistance: Interview with Jonathas de Andrade0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
Body Double: Sung Hwan Kim’s A Record of Drifting Across the Sea0
Natural Causes: The Deaths and Afterlives of Art at the Digital Precipice0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Unboxing Gaza0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
A Cascading World of Porosity0
Rosana Paulino: Art as Memory-Work0
Contributors0
Melek – Mashaa’0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
Note on Lee Bul at ‘Ssack’0
On African Opera: A Conversation with Anawana Haloba0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
Front Matter0
The Improbable Memorial0
Cross-Eyed and Painless in Toronto: A Borderline Case0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
Foreword0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
A Method with Plasticity: A Conversation with Sojung Jun0
Whatever the Future Will Be, It Is Made Now0
Front Matter0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
The Sand Reckoner0
It’s Always You: Sin Wai Kin’s Infinite Universe0
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Working with the Lack: A Conversation with Lotus L. Kang0
Colophon0
Contributors0
Contributors0
‘Everything is Blooming Most Recklessly’ – On Revital Cohen and Tuur Van Balen’s Work0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
Subscribe Today to Lawrence Lek’s Dystopian Odyssey0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Kateryna Lysovenko: On the Transmigration of Historical Forms0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
Foreword0
Tashkent-Kassel: Make-Believe Ethnography, Assembly and Archival Research0
Night0
Contributors0
Not Silencing. Im Heung-soon’s Cambodia0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
Front Matter0
Photography as Writing0
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
Demilitarisation of Aesthetics0
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