Afterall

Papers
(The median citation count of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
This Hidden World1
Virtual Tower, ‘Virtual’ Pit: On Potentiality and the Status of Unrealised Art1
The Rise (and Fall?) of the Postcolonial Documenta1
Propagate Autonomy: On Jonas Staal, Captain America and Willi Münzenberg0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
The Power of Vulnerability: Art in the Digital Woke Age0
The Imagination of Isolation: On Current Practices in Aotearoa0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
Front Matter0
Black Is… Unpacking Aldo Tambellini’s Radical Blackness0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
On African Opera: A Conversation with Anawana Haloba0
Repetition, Montage, Archive…0
Sonia Boyce: Reclassifying Classification0
On Cooking Sections0
Front Matter0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Dark Matter, or the Infinite Reservoir of Black Swans0
Sovereign Forest0
Front Matter0
A Cascading World of Porosity0
Front Matter0
Unreality by Design0
Colophon0
The Supercut and the Irrecoverable Past: Ho Tzu Nyen’s The Nameless and The Name0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
Contributors0
From Representation to Collaboration (and Vice Versa): Antagonisms in Sonia Boyce’s Participatory Projects0
Contributors0
Revealing the Past, Illuminating The Future: Kapwani Kiwanga’s Flashbacks0
Contributors0
Time Will Tell0
Jonas Staal: Re-Forming Representation0
On the Persistence of the Non-Modern0
Inaudible and Invisible Matters: Sound and Light in Christina Kubisch’s Sonic Practice0
Front Matter0
Ideas to Postpone the End of the World0
Politics Inc.0
Or Other, or Both0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Access as Generative Site: In Conversation with Christine Sun Kim0
Syria and/as the Planetary in Jumana Manna’s Wild Relatives0
Rosana Paulino: Art as Memory-Work0
Voicing: Imogen Stidworthy’s Practice of Exodus0
What Is to Be Done0
Darcy Lange’s Māori Land Project (1977–80)0
Foreword0
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
Experiences in the Vicinity of Christina Kubisch’s Auditory Art Objects0
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
Reconstructing Saudi: A Look into the Short Window of Artist-Led Spaces and Organisations in a Country on the Verge of Change0
Melek – Mashaa’0
When Walls Become Rivers: Carolina Caycedo’s Serpent River Book0
The Occupied Forest0
Working with the Lack: A Conversation with Lotus L. Kang0
Contradictions: A Conversation with Richard Mosse0
Colophon0
Acts of Affect: siren eun young jung’s Yeoseong Gukgeuk Project0
The White Building: Building A Community, A City and Art0
Emergence of A New Congolese Art0
On The Sovereign Forest: in Conversation with Amar Kanwar0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
Logarithm0
Foreword0
Re-purpose and Remake0
Foreword0
In Memoriam: Peter Wollen (1938–2019)0
Ip Gim: Feminist Art and Activism In South Korea0
Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung0
Sensory Worlds: Rosalind Nashashibi’s Proxemic Lens0
Foreword0
Sleep of Reason: An Atlas of the Philosophical Imaginary0
It’s Always You: Sin Wai Kin’s Infinite Universe0
Under One or Several Flags0
The Imperceptible Trembling of Things0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
Colophon0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Contributors0
Whatever the Future Will Be, It Is Made Now0
Artistic Economies: Shelter, Food and Clothing0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Contributors0
Situated Assemblages of Un-Situated Things0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
Front Matter0
Foreword0
Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia0
Contributors0
Foreword0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
Front Cover0
Colophon0
Photography as Writing0
The Improbable Memorial0
SovMod Skull0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Rosalind Nashashibi: Cold Open Day0
Contributors0
Searching for Iemanjá0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
The Taller de Gráfica Popular: Collectivity, Popular Prints and Transient Muralism0
Why Is It So Difficult to Love the World?0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
Waste Not: Ndary Lô, Récupération, and the Lives of Things0
Feed the Fires, Tend the Stock 1973/1981/1994/20210
The Museum of Modern Art’s International Programme in Southeast Asia (1957–83): The Exhibitions Southeast Asians Appropriated0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
Cross-Eyed and Painless in Toronto: A Borderline Case0
Hunger for Resistance: Interview with Jonathas de Andrade0
Front Matter0
Insert by Cooking Sections0
Between Mean Time0
Silke Otto-Knapp (1970–2022)0
0.028842210769653