Inter-Asia Cultural Studies

Papers
(The TQCC of Inter-Asia Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Peripherality and nostalgia in Singapore island fiction13
“Losing language is a loss of nation”: transnational movement to preserve Mon scripts in Thailand9
Multiculturalism through a lens: migrants’ voice in Taiwanese documentaries8
Debordering: woodcut printmaking practice in inter-Asian context8
Social impacts of zero-COVID policy on airline workers in Ho Chi Minh City, Vietnam8
Reading “The Yūko Incident”: the monstrous feminine at the intersection of Cold War anxieties in “Japanizing” Thailand7
Deracinating ethnic minors: the affect of authoritarian certitude7
The uses of education: young women negotiating migration, employment, and romance in Gujarat, India6
Tomar naam, amar naam, Vietnam Vietnam! Folk styles and solidarity in the Bengali new wave cinema6
Gendered subalternity in Khwabnama6
Hong Kong: dating apps, political activism and the neoliberal subject6
Tenderness amid tensions: reflections on the 2024 Inter-Asia Cultural Studies (IACS) Summer School6
Scholars as political influencers: celebrity, social media and political movements in Thailand6
“Let us build the world anew” here and now: from Sukarnoism to Bandung School5
Editorial: archiving Asian cities amidst time in motion5
From amorous histories to sexual histories: rethinking male love narrative in Ming and Qing dynasties and the discourse on homosexuality in modern China5
Syeda Farhana, landscaper of perpetual motion4
Citizenship policies and precarity of stateless Vietnamese from Cambodia migrating to Vietnam4
Statism as a lifestyle: deciphering society in films on North Korea and evolving communication through cinema4
Alienation perhaps: the entanglement of suffering and agency of young employees in Chinese internet companies4
Post-World War II perspectives on Choi Seung-hee: ideological blind spots in Asia-based and Anglophone scholarship3
The Indonesian theater’s laku aktor : a counter discourse to the neoliberal depoliticization of the subject3
Breaking the mold of servitude: subaltern agency and possibilities of freedom in Elias’ Khwabnama3
The pragmatics of alienation: revisiting humanitarianism in Lebanon3
From slash youth to flow workers: exploring the work issues behind the slash youth phenomenon in Mainland China3
Ambedkar and the cinema of reconstitution3
Seeing, seeing death, and us: notes on Xu Bing’s Dragonfly Eyes3
Introduction: localizing Cold War experiences in Hong Kong3
Fantastical infrastructure imagining: The MegandThe Wandering Earthas global science fiction cinema in the age of China’s rise2
Can Marxism, liberalism, and Chinese neo-traditionalism co-exist/co-become ( gongsheng )? Provisional reflections on Jon Douglas Solomon’s The Taiwan Cons2
The scramble for Xiaobei: epistemic extraction, racialised knowledge, and representation in Africa–China urban encounters2
Transborder assemblages: Johnnie To’s co-production action films in Mainland China2
Geographies of the classical: Kathak across India and Hong Kong2
Correction2
Hello, Okinawa2
Digital intimacy: young women in inter-Asia2
Developing social work education in Vietnam: the student field practicum during the pandemic2
Who archives the city? place-making at Gwanghwamun square: power struggles between political authority and civil power2
Interrogating Hong Kong’s Cold War settlement: a Christian perspective2
Under the Red-and-White Flag: elective Chineseness and socialist realism in Hei Ying's Jakarta2
Postcolonial aging, amah, and diaspora in A Simple Life2
The old Seoul Station as a performative space: undoing the archive in the city2
Changes in the lives of Muslim women infected with HIV by their husbands in Thailand’s southernmost border provinces2
Bangalore: migration, boundary-drawing and the worlds of work2
The Russia-Ukraine war: a view from the Southern Left2
Patching worlds through levitating machinic vision: Xu Bing’s Dragonfly Eyes2
blind spot: media, memory, and resistance2
Dragonfly Eyes as cosmic theater: from anthropological fiction to fictionalizing anthropology2
Editorial introduction2
Mobile genders: the trans* journeys of Chinese students in Australia1
Chinese tradition “voyages in” Western modernity: a case study of Gu Hongming1
Chinese daughters’ day: an image-based exploration of Qiqiao traditions in Xihe County1
Transnational media production from the margins of “Cultural China”: the case of Singapore’s media producers1
Futurology in Taiwan and mainland China: geopolitical imagination of futures in the late twentieth century1
Queer theory impossible1
Smug justice: alienation on the court lawns during the Kumanjayi Walker coronial inquest, Mparntwe/Alice Springs1
Landscape of borders—some fragmentary thoughts1
Abstinence for the sake of modest success: a Chinese anti-masturbation group’s path to individualisation1
Thing-in-between ( zhong-jian-wu 中間物)1
Curatorial abstraction and the re-animation of the cold war: the re-emergence of an exclusive report on Taiwanese media1
Anocha Suwichakornpong, film festivals and the institutionalization of art cinema auteur1
Akhtaruzzaman Elias’s look back in anguish: time traveler in search of left utopia1
Realigning the islands, contesting infrastructural Okinawa: toward Yamashiro Chikako’s archipelagic fabulation1
Singapore: boundary-work, digital creativity, and the normative life script1
Expropriated life, class struggle, and the colonial relation along Okinawa’s fence-line1
A reappraisal of Marx’s Ethnological Notebooks: family, gender, individual vs. state, and colonialism1
Inter-Asian dance as method, artistic research as method: Nam Hwayeon’s work on Choi Seung-hee1
iCOOP puzzle: localistic practices, internationalism values, and Fair Trade in South Korea’s cooperative movement1
Watching the romance together: the affective audiences in A Dream of Splendor1
Carnivalesque communities: Thai TV dramas and the Chinese censorship1
Roundtable on alternative modernities and alternative methodologies in Southeast Asia1
Ambivalence of entertainment: the Cold War and pro-communist Mandarin cinema1
Bringing art back to life: the practice of artistic participation in urban China1
Internet as an ideology: nationalistic discourses, and multiple subject positions of Chinese internet workers1
“We are just after the company”: tactical resistances of (racial minority) gig workers in Hong Kong1
Elemental structures of memory: Marston Mats in Vietnam and beyond1
Mourning for Itaewon Halloween tragedy1
India digitalized: surveillance, platformization, and digital labour in India1
Alienated in one’s own land: ecology, border security, and nationalism in chars of Bengal1
The reorganization of space and literary representation of Seoul during the liberation period, 1945–19501
Chinese Killer King: trespassing the boundaries of crime fiction and Cantonese literature1
Be strong, be confident: the rise of China and the 2022 Beijing Winter Games1
Anticolonialism to postcolonialism to decolonialization/decoloniality: history in transition or genealogies in oblivion?1
A Singapore communist subaltern writes back: He Jin’s life stories as historical testimony1
Mutato nomine de te fabula narratur1
Losing one’s place in the world: rethinking alienation as a diagnostic for our time1
Vietnam’s poverty reduction policies for ethnic minorities: the Raglai in Bac Ai, Ninh Thuan, Vietnam1
“The nightingale is a graceful dancer”: Bulbul Chowdhury, dance heritage, and the new nation-state of Pakistan1
Main challenges of Vietnamese families nowadays and in the coming years1
The past recollected: One Day We’ll Understand1
Visualising the borderlands: Kang Yong Suk’s Korean state village photographs1
Editors’ Note1
Comparative adversaria of Gandhi and Marx: self-clarification through thinking in diaries and letters1
Sheep herding in Shanghai, 20221
Technology and the limits of cultural critique1
Partially ethnographic and an ethno fiction ? An anthropological revisit of Dragonfly Eyes1
The aesthetics of intercultural method: from process to procession in new Indonesian and Indo-Australian dance1
Crafting futures in a county city in China: leaving and staying among female vocational college students in transition to adulthood1
Michael Liu’s Magic and Trans to a New Life : yao/trans/queer kinship, documentary mediation, and the NGO gaze1
Cultural diplomacy, artistic network, and the politics of decolonization between Taiwan and the Philippines in the Cold War era1
The intimate affliction of vicarious racialization: Afro-Chinese couples in South China1
Dreams’ navel: a special issue on Akhtaruzzaman Elias’s Khwabnama1
Wonders within domestic encounters: three women from Elias’ Khwabnama1
The “Y” phenomenon: dystopia, utopia, and heterotopia in Thai boys love media1
A reflection on Hong Kong’s yellow economic circle1
Novelistic heteroglossia in Khwabnama and its aesthetical ventures in reshaping historical narratives1
0.099555969238281