Research in Dance Education

Papers
(The median citation count of Research in Dance Education is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
‘Listening is done by using all the senses’ a study of how dancers create, communicate and perceive a choreographed dance14
The embodied nature of physical theater: artistic expression, emotions, interactions13
Augmented dance lessons for diaspora Indian older adults: examining the impact on adjustments, quality of life, and physical agility11
Editorial6
Leading the dance: application of social identity leadership theory in dance teaching6
Masculinity, intersectionality and identity: why boys (don’t) dance5
Disturbed eating attitudes, social physique anxiety, and perceived pressure for thin body in professional dancers5
Bias of responses to white and black dance companies and their dancers on Instagram5
Ethical dilemmas in dance education: case studies on humanizing dance pedagogy4
Is the health risk and consequence of generalised joint hypermobility understood within a classical ballet narrative? Concerns for dance practitioners4
Dancing after homelessness4
Correlates of dispositional flow and emotional intelligence: an exploratory study with ballet dancers4
‘I did not know that the pupils loved dancing … until the projector came’: constructions of dance as learning activity in school-age educare3
‘We put on the music and then the children dance’ - Swedish preschool teachers’ dance educational experiences3
Artist wellbeing: exploring the experiences of dance artists delivering community health and wellbeing initiatives3
Editorial3
Dance as a tool for managing emotions. A systematic review3
Virtually in synch: a pilot study on affective dimensions of dancing with Parkinson’s during COVID-193
Keep Movin’ On in Trinidad and Tobago: the complexities of COVID-19 on dance and dance education3
Meshwork choreography: a pragmatic approach to collaborative embodied learning in South African higher education3
Editorial3
Visual and sound gesture in dance communication3
Commencing on the Right Foot towards (On)Line of Dance –an Empirical Study in India3
Effects of sema activity on static and dynamic balances and performance3
Community dance for preschool teachers’ training during pandemic: an art-based research2
Doing dance research in pandemic times: fostering connection and support in a 7-step online collaborative interview analysis process2
What good is it anyway? Professional dance artists legitimising their work for the Cultural Schoolbag in Norwegian schools2
Editorial2
Parenting, Roma feminism, and dance: cultivating an egalitarian dance-research environment2
The aid of ChatGPT to dance education: a theoretical exploration based on TPACK2
Students’ voices on the effects of expressive activities on their creativity, affectivity, and social relationships2
Dancing Across the Lifespan - Negotiating Age, Place, and Purpose, coDancing Across the Lifespan - Negotiating Age, Place, and Purpose, co-edited by Pam Musil, Doug Risner, and Karen Schupp, Palgrave 2
Toward a salsa dancing hegemony: dancing-with Laclau with-Derrida1
Editorial1
Editorial1
Facilitating dance in general education through the arts-school partnership: a case study of Ballet Ireland’s primary school program1
Negotiating dance academia and parenting: a conversation between colleagues and friends1
“Dancer as collaborator, co-author, co-owner, co-creator: power relations between dancer and choreographer”1
Building a case for coaching: informing an innovative, pedagogical approach to dancer development1
An analysis on the cultural contexts of Bɔsoɛ as an endangered Asante traditional dance1
Editorial1
Cultural empowerment: the space production and local identity effects of square dancing on middle-aged and elderly rehabilitation patients—based on a qualitative study of three square dancing communit1
The teacher’s body: injury and evolution of teaching1
Editorial1
Hidden communication codes in flamenco dance choreography1
Teaching through TikTok: a duoethnographic exploration of pedagogical approaches using TikTok in higher dance education in China and Norway during a global pandemic1
Dancing into maternity: the lived experiences of Vietnamese professional dancers1
Spanish ballet school: nationalism, the weakness of bourgeois culture and heteronomy in the artistic field in Spain in the nineteenth century1
Kola nga bwoyiga ate oyige nga bwokola’: navigating dance pedagogies in technologically less advanced African environments during the COVID-19 pandemic1
Development of artistic and imaginative thinking of the future choreography teacher in the process of professional training1
Modern strategies for dance teacher performance management at dance colleges on the example of Central China1
Editorial, special issue: dancing, parenting and professional challenges1
Mind-body: Positive psychological effects of adult ballet education0
Dancing as searching with Deleuze – a study of what students in physical education teacher education express and experience in creative dance lessons0
Gatekeepers to Gateway-makers: reimagining partnerships, collaborations, and celebrations of the many movers of university campuses0
Improving student–student interactions in early childhood classrooms using inclusive dance activities0
Chinese dance education and culture path in the preservation and transmission of cultural heritage to the younger generation0
‘I guess you just have to deal with it’: pre-professional ballet dancers’ experiences of pain, injury, and social support0
Israeli high school dance studies programs as a catalyst for professional development in the field of dance0
Dancing with pain: agency through pain worlds0
Soviet bodies in Canadian DanceSport: identities and culture in four competitive ballroom dance studios0
‘Parky goes Techno!’: developing the possibilities and probabilities – Parkinson’s, music and the dance0
Dance education for exercise rehabilitation: a literature review0
Teachers’ perspectives on dance improvisation and flow0
Dancing mind, minding dance: socially relevant and personally resonant dance education0
Walking histories: narratives of young urban dancers in the city of Rio de Janeiro (Brazil)0
‘The cycle of creativity’: a case study of the working relationship between a dance teacher and a dance musician in a ballet class0
Influences of acquired flatfoot on daily life and ballet training and considerations for response0
Editorial0
Editorial0
Research Methodology in Education and Training: Postures, Practices and Forms0
Identity, diversity and inclusion on the dance floor: Embodying self-reflexivity as mindful dance and movement teachers0
Editorial0
An exploration into the experience of family caregivers for people living with dementia in a community dance class0
Healing minds, moving bodies: measuring the mental health effects of online dance during the COVID-19 pandemic0
Surfing the raging sea: pregnancy and motherhood in dance during a pandemic0
The essence of dance. A study of Chinese and Western dance philosophy: socio-cultural, historical and educational aspects0
Breaking silos: the effectiveness of a knowledge integration approach for dance curricula0
Examining implicit leadership theories in a dance and dance education context0
Javanese art conservation in Indonesia inheriting potentials of local wisdom through Wayang Wong Bocah0
Of rhythm and movement: physical play and dance as (participatory) sense-making practices0
Friction and tension at work. On practices of leadership in contemporary dance0
Absorption and embedding: on the application of the ballet training paradigm in Chinese ethnic dance curriculum0
Pioneering visions for access and equity in dance education: inaugural symposium of the arnhold institute0
Highlights of Digital Technologies Application for Choreography Teaching: The Case of Kazakhstan0
Editorial0
Stepping into Salsa culture: an experiential account of engaging with a university non-credit dance programme0
A study of the validity of Spanish version of the Self-Estimated Functional Inability because of pain (SEFIP) in pre-professional dancers0
Male dance educators living with/through cancer: duoethnographies on disease and dis-ease0
What’s in a name? Identifying and positioning the Teaching Artist within the Australian Arts education landscape0
Talking about assessment: metaphors of grading in dance education0
The assessment of the dynamic stability using Y-balance test in folk dancers0
Considering new moves in dance medicine and science: promoting a translational agenda for improved applied impact0
Using mobile technologies to enhance learning and improve student engagement in the dance studio0
Editorial0
Are dancers more emotionally intelligent and self-regulated than non-dancers?0
Performance evaluation of dance programmes subsidized by China national arts fund (2014– 2019)0
A Transnational Legacy: André van de Plas and International Folk Dancing in Australia0
Dissimilarities of the demi-plié movement trajectory in its different roles in classical ballet0
Principles and concepts of social research: A critical examination of methodology, methods and analysis for emerging researchers Principles and concepts of social research: A critical e0
Competition in tertiary ballroom dance education in China: ‘a double-edged sword’0
Keep an eye on the balance - the influence of experimental training on postural stability in ballet dancers0
How are choreographers educated? The need for more choreographic programs in South Korea0
Health promotion among dance students in higher education: a qualitative investigation of experiences and perceptions of health and wellbeing0
In search for a curricular creativity: what does the teaching of Philippine folk dances look like during the post COVID-19 pandemic?0
Opening the fan: Chinese postgraduate dance student’s experience in New Zealand0
Change or not: inheritance and development of the “three bends” in the teaching of traditional dances of the Dai people in China and Thailand: based on the grounded theory of four teaching units0
Lower extremity characteristics and postural alignment in young pre-professional dancers0
Leadership in the creative process: the unspoken conversation of deciding things0
Virtual Borders: reflective and digital approaches to choreographic pedagogy in tertiary dance training0
“Nobody puts Baby in a corner” placing attractiveness in dancing coupled with alternative masculinities and affective-sexual relationships in Dirty Dancing film0
A Greek traditional dance program for improving balance of young children0
Ballet, gender and sexuality: a systematic review in the scopus and web of science databases0
Professional contemporary dancers becoming mothers: navigating disrupted habitus and identity loss/evolution in a UK context0
Mental health, eating behaviour and injuries in professional dance students0
‘Find your groove’: exploring how dancing can support physical literacy for individuals with Parkinson’s0
Effect of different teaching methods (reciprocal and shelf-check TS) on learning and performance of traditional Greek dance0
Kinematic motion characteristics and observer’s expertise in perceived aesthetics of dance jumps0
‘Culture of Basic Goodness’ – examining factors that contribute to student success and sense of place in undergraduate dance major programs0
Expanding and resisting - choreographing relations through performative stop-moments as an emerging choreographer-researcher-teacher in dance0
The dancing goddesses: folklore, archaeology, and the origins of European dance The dancing goddesses: folklore, archaeology, and the origins of European dance , by Eliz0
Does body appreciation and eating awareness change in artists who perform different dance styles: a cross-sectional study0
Reflective practice and feedback – empowering university students’ teaching of dance in UK state schools0
Relationship between muscular imbalance and pelvic posture during araimandi in Bharatanatyam dancers0
Health-related components of physical fitness and adiposity indicators: a comparative study among Kathak dancers and non-dancers of North India0
Prevalence of musculoskeletal injuries in Thai classical dancers0
The effects of dance movement therapy for children with Autism spectrum disorder0
Historical schooling: ballet style and technique0
Finding freedom: dance-making as a lifeline in times of crisis0
Rethinking the pedagogy of dance pedagogy0
The creative body memory in Covid’s time: a participatory pedagogic methodology with site-specific dance and performance in urban places0
The effects of strength and balance exercises on the center of pressure and plantar pressure distribution in adolescent ballet dancers0
Mindfulness, recovery-stress balance, and well-being among university dance students0
Dancer Education Beyond The Conservatory:The Health Education Benefits of Pre-season Screens for a Professional Ballet Company0
Cultural violence: feminist power analysis on Ronggeng performing art0
Challenging gender stereotypes in dance and physical education: exploring body percussion as a neutral practice0
The uneasy, unexplored, and under-examined existence of Ballet in American higher education0
The psychotherapeutic use of dance as an educational tool to improve social skills in children with autism0
‘Home away from home’: Examining the lived experiences of a child with ASD in a recreational dance setting0
Who is taking dance electives, when, and for how long? Adolescents’ dance participation and persistence in middle and high school0
Student-centred learning and dance technique: BA students’ experiences of learning in contemporary dance0
Weekly injury rates within semesters of a three-year tertiary dance program, and prospective training monitoring across one semester of training: a longitudinal study0
Competence and preparation for the profession of a dance teacher in Central Europe in the private sector0
Children performance evaluation rubric in Greek dance. Reliability of scores0
Creative dance studies in elementary schools: a systematic search and a narrative review0
‘Promoting wellness, having fun, and creating community’: a dance instructor’s pedagogical practices and perspectives on the influence of community dance classes for older adults0
Learning self expression through dance; a case study of adolescents with Autism Spectrum Disorder0
All dancing bodies matter: six facilitators aiming for inclusion and wellbeing for people with special needs0
Cooperative videodance learning categories for pre-service teachers’ development0
How institutional and cultural dynamics converge to create paradoxical experiences for academic dance leaders in the United States0
Instructor strategies to support older adults’ physical literacy in community dance classes0
Competitive dancers’ social identities and experiences of harm0
Decoding community engagement in dance with systems thinking0
Developing awareness of self and surrounding through SAMYA module of Dance and movement Therapy (DMT) for children with Autism Spectrum disorder (ASD)0
Collaborative learning among dance students in teaching and creative movement course: coping strategies of practical dance classes during Covid-19 pandemic0
Improve dancing skills with motion capture systems: case study of a taiwanese high school dance class0
The Oxford Handbook of contemporary ballet0
The influence of teaching styles on the emotions of university students in dance lessons according to sex0
Online dance classes during the Covid-19 pandemic: new challenges and teaching strategies for the ‘Dance & Parkinson’s at home’ project0
Theoretical-conceptual structure of the knowledge base for teaching dance in initial training in physical education0
“The show must go on!” dance talent development in the context of coping during the COVID-19 pandemic0
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