Research in Dance Education

Papers
(The median citation count of Research in Dance Education is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
Online technologies in dance education (China and worldwide experience)20
Mental health, eating behaviour and injuries in professional dance students14
Teaching through TikTok: a duoethnographic exploration of pedagogical approaches using TikTok in higher dance education in China and Norway during a global pandemic13
Healing minds, moving bodies: measuring the mental health effects of online dance during the COVID-19 pandemic11
May I have this dance: examining a community based dance program for people living with Parkinson’s disease7
‘We put on the music and then the children dance’ - Swedish preschool teachers’ dance educational experiences6
Gatekeepers to Gateway-makers: reimagining partnerships, collaborations, and celebrations of the many movers of university campuses5
All dancing bodies matter: six facilitators aiming for inclusion and wellbeing for people with special needs5
Growth, maturation, and overuse injuries in dance and aesthetic sports: a systematic review5
Mindfulness, recovery-stress balance, and well-being among university dance students5
Collaborative learning among dance students in teaching and creative movement course: coping strategies of practical dance classes during Covid-19 pandemic4
Dancer Education Beyond The Conservatory:The Health Education Benefits of Pre-season Screens for a Professional Ballet Company4
Online dance classes during the Covid-19 pandemic: new challenges and teaching strategies for the ‘Dance & Parkinson’s at home’ project4
How to persevere in a ballet performance career: exploring personal wisdom of retired professional ballet dancers4
‘Promoting wellness, having fun, and creating community’: a dance instructor’s pedagogical practices and perspectives on the influence of community dance classes for older adults4
Teachers’ perspectives on dance improvisation and flow4
Health-related components of physical fitness and adiposity indicators: a comparative study among Kathak dancers and non-dancers of North India3
The influence of teaching styles on the emotions of university students in dance lessons according to sex3
Disturbed eating attitudes, social physique anxiety, and perceived pressure for thin body in professional dancers3
Dancing as searching with Deleuze – a study of what students in physical education teacher education express and experience in creative dance lessons3
Joint range of motion and balance in modern Turkish folk dancers‘The fire of Anatolia example’3
Using mobile technologies to enhance learning and improve student engagement in the dance studio3
Instructor strategies to support older adults’ physical literacy in community dance classes3
Competitive dancers’ social identities and experiences of harm3
Creative dance studies in elementary schools: a systematic search and a narrative review3
‘The cycle of creativity’: a case study of the working relationship between a dance teacher and a dance musician in a ballet class3
Virtually in synch: a pilot study on affective dimensions of dancing with Parkinson’s during COVID-193
Virtual Borders: reflective and digital approaches to choreographic pedagogy in tertiary dance training3
An exploration into the experience of family caregivers for people living with dementia in a community dance class2
Rethinking the pedagogy of dance pedagogy2
What good is it anyway? Professional dance artists legitimising their work for the Cultural Schoolbag in Norwegian schools2
Young, talented dancers in contemporary dance training: widening participation and fair access, rhetoric or reality?2
Changes in motor skills among early school aged girls under the influence of regularly practiced dance2
The assessment of the dynamic stability using Y-balance test in folk dancers2
Community dance for preschool teachers’ training during pandemic: an art-based research2
Improve dancing skills with motion capture systems: case study of a taiwanese high school dance class2
A Greek traditional dance program for improving balance of young children2
Absorption and embedding: on the application of the ballet training paradigm in Chinese ethnic dance curriculum2
Artist wellbeing: exploring the experiences of dance artists delivering community health and wellbeing initiatives2
Challenging gender stereotypes in dance and physical education: exploring body percussion as a neutral practice1
Health promotion among dance students in higher education: a qualitative investigation of experiences and perceptions of health and wellbeing1
Editorial1
Kola nga bwoyiga ate oyige nga bwokola’: navigating dance pedagogies in technologically less advanced African environments during the COVID-19 pandemic1
Dance as a tool for managing emotions. A systematic review1
The embodied nature of physical theater: artistic expression, emotions, interactions1
Javanese art conservation in Indonesia inheriting potentials of local wisdom through Wayang Wong Bocah1
‘(Non)dance and (non)math people’: challenging binary disciplinary identities in education1
Fostering somatic movement literacy with young children1
Learning self expression through dance; a case study of adolescents with Autism Spectrum Disorder1
Considering new moves in dance medicine and science: promoting a translational agenda for improved applied impact1
An evaluation study on the embedding of reflective practice in the further education programme KigaDance for nursery teachers1
Ballet, gender and sexuality: a systematic review in the scopus and web of science databases1
Correlates of dispositional flow and emotional intelligence: an exploratory study with ballet dancers1
Male dance educators living with/through cancer: duoethnographies on disease and dis-ease1
Identity, diversity and inclusion on the dance floor: Embodying self-reflexivity as mindful dance and movement teachers1
‘I guess you just have to deal with it’: pre-professional ballet dancers’ experiences of pain, injury, and social support1
Are dancers more emotionally intelligent and self-regulated than non-dancers?1
Stepping into Salsa culture: an experiential account of engaging with a university non-credit dance programme1
Facilitating dance in general education through the arts-school partnership: a case study of Ballet Ireland’s primary school program1
Doing dance research in pandemic times: fostering connection and support in a 7-step online collaborative interview analysis process1
Dancing after homelessness1
Kinematic motion characteristics and observer’s expertise in perceived aesthetics of dance jumps1
Developmental passages to dance improvisation: an interpretive phenomenological study of lived and living conscious experiences1
‘Home away from home’: Examining the lived experiences of a child with ASD in a recreational dance setting1
Hidden communication codes in flamenco dance choreography0
Principles and concepts of social research: A critical examination of methodology, methods and analysis for emerging researchers Principles and concepts of social research: A critical e0
Traversing the succession of space to place to home: a kinesthetic comprehension of the body as it forms an epistemology of space0
Negotiating dance academia and parenting: a conversation between colleagues and friends0
Performance evaluation of dance programmes subsidized by China national arts fund (2014– 2019)0
Israeli high school dance studies programs as a catalyst for professional development in the field of dance0
Parenting, Roma feminism, and dance: cultivating an egalitarian dance-research environment0
Lower extremity characteristics and postural alignment in young pre-professional dancers0
The dancing goddesses: folklore, archaeology, and the origins of European dance The dancing goddesses: folklore, archaeology, and the origins of European dance , by Eliz0
The aid of ChatGPT to dance education: a theoretical exploration based on TPACK0
Weekly injury rates within semesters of a three-year tertiary dance program, and prospective training monitoring across one semester of training: a longitudinal study0
Cultural empowerment: the space production and local identity effects of square dancing on middle-aged and elderly rehabilitation patients—based on a qualitative study of three square dancing communit0
Theoretical-conceptual structure of the knowledge base for teaching dance in initial training in physical education0
Commencing on the Right Foot towards (On)Line of Dance –an Empirical Study in India0
Editorial0
Editorial0
Heart rate variability in a collegiate dance environment: insights on overtraining for dance educators0
Student-centred learning and dance technique: BA students’ experiences of learning in contemporary dance0
The teacher’s body: injury and evolution of teaching0
Of rhythm and movement: physical play and dance as (participatory) sense-making practices0
Editorial0
Building a case for coaching: informing an innovative, pedagogical approach to dancer development0
Cooperative videodance learning categories for pre-service teachers’ development0
Is the health risk and consequence of generalised joint hypermobility understood within a classical ballet narrative? Concerns for dance practitioners0
How are choreographers educated? The need for more choreographic programs in South Korea0
Reflective practice and feedback – empowering university students’ teaching of dance in UK state schools0
Augmented dance lessons for diaspora Indian older adults: examining the impact on adjustments, quality of life, and physical agility0
A Transnational Legacy: André van de Plas and International Folk Dancing in Australia0
Research Methodology in Education and Training: Postures, Practices and Forms0
Competition in tertiary ballroom dance education in China: ‘a double-edged sword’0
Breaking silos: the effectiveness of a knowledge integration approach for dance curricula0
Editorial0
Dancing with pain: agency through pain worlds0
Keep an eye on the balance - the influence of experimental training on postural stability in ballet dancers0
“Dancer as collaborator, co-author, co-owner, co-creator: power relations between dancer and choreographer”0
Mind-body: Positive psychological effects of adult ballet education0
Dissimilarities of the demi-plié movement trajectory in its different roles in classical ballet0
Editorial, special issue: dancing, parenting and professional challenges0
The psychotherapeutic use of dance as an educational tool to improve social skills in children with autism0
The creative body memory in Covid’s time: a participatory pedagogic methodology with site-specific dance and performance in urban places0
Students’ voices on the effects of expressive activities on their creativity, affectivity, and social relationships0
Chinese dance education and culture path in the preservation and transmission of cultural heritage to the younger generation0
Developing awareness of self and surrounding through SAMYA module of Dance and movement Therapy (DMT) for children with Autism Spectrum disorder (ASD)0
Professional contemporary dancers becoming mothers: navigating disrupted habitus and identity loss/evolution in a UK context0
Effects of sema activity on static and dynamic balances and performance0
Opening the fan: Chinese postgraduate dance student’s experience in New Zealand0
Editorial0
Pioneering visions for access and equity in dance education: inaugural symposium of the arnhold institute0
Soviet bodies in Canadian DanceSport: identities and culture in four competitive ballroom dance studios0
Editorial0
‘Culture of Basic Goodness’ – examining factors that contribute to student success and sense of place in undergraduate dance major programs0
Editorial0
Toward a salsa dancing hegemony: dancing-with Laclau with-Derrida0
Decoding community engagement in dance with systems thinking0
Visual and sound gesture in dance communication0
The effects of dance movement therapy for children with Autism spectrum disorder0
“Nobody puts Baby in a corner” placing attractiveness in dancing coupled with alternative masculinities and affective-sexual relationships in Dirty Dancing film0
Masculinity, intersectionality and identity: why boys (don’t) dance0
“The show must go on!” dance talent development in the context of coping during the COVID-19 pandemic0
Does body appreciation and eating awareness change in artists who perform different dance styles: a cross-sectional study0
‘Listening is done by using all the senses’ a study of how dancers create, communicate and perceive a choreographed dance0
Editorial0
‘Find your groove’: exploring how dancing can support physical literacy for individuals with Parkinson’s0
Expanding and resisting - choreographing relations through performative stop-moments as an emerging choreographer-researcher-teacher in dance0
Influences of acquired flatfoot on daily life and ballet training and considerations for response0
Improving student–student interactions in early childhood classrooms using inclusive dance activities0
An analysis on the cultural contexts of Bɔsoɛ as an endangered Asante traditional dance0
Finding freedom: dance-making as a lifeline in times of crisis0
The uneasy, unexplored, and under-examined existence of Ballet in American higher education0
Modern strategies for dance teacher performance management at dance colleges on the example of Central China0
Cultural violence: feminist power analysis on Ronggeng performing art0
‘Parky goes Techno!’: developing the possibilities and probabilities – Parkinson’s, music and the dance0
Dancing Across the Lifespan - Negotiating Age, Place, and Purpose, coDancing Across the Lifespan - Negotiating Age, Place, and Purpose, co-edited by Pam Musil, Doug Risner, and Karen Schupp, Palgrave 0
The effects of strength and balance exercises on the center of pressure and plantar pressure distribution in adolescent ballet dancers0
Historical schooling: ballet style and technique0
Editorial0
Change or not: inheritance and development of the “three bends” in the teaching of traditional dances of the Dai people in China and Thailand: based on the grounded theory of four teaching units0
Effect of different teaching methods (reciprocal and shelf-check TS) on learning and performance of traditional Greek dance0
Surfing the raging sea: pregnancy and motherhood in dance during a pandemic0
Keep Movin’ On in Trinidad and Tobago: the complexities of COVID-19 on dance and dance education0
Competence and preparation for the profession of a dance teacher in Central Europe in the private sector0
Spanish ballet school: nationalism, the weakness of bourgeois culture and heteronomy in the artistic field in Spain in the nineteenth century0
Highlights of Digital Technologies Application for Choreography Teaching: The Case of Kazakhstan0
Children performance evaluation rubric in Greek dance. Reliability of scores0
Dancing into maternity: the lived experiences of Vietnamese professional dancers0
Prevalence of musculoskeletal injuries in Thai classical dancers0
‘I did not know that the pupils loved dancing … until the projector came’: constructions of dance as learning activity in school-age educare0
Development of artistic and imaginative thinking of the future choreography teacher in the process of professional training0
The essence of dance. A study of Chinese and Western dance philosophy: socio-cultural, historical and educational aspects0
Ethical dilemmas in dance education: case studies on humanizing dance pedagogy0
What’s in a name? Identifying and positioning the Teaching Artist within the Australian Arts education landscape0
Editorial0
Editorial0
Relationship between muscular imbalance and pelvic posture during araimandi in Bharatanatyam dancers0
A study of the validity of Spanish version of the Self-Estimated Functional Inability because of pain (SEFIP) in pre-professional dancers0
The Oxford Handbook of contemporary ballet0
Talking about assessment: metaphors of grading in dance education0
Editorial0
In search for a curricular creativity: what does the teaching of Philippine folk dances look like during the post COVID-19 pandemic?0
Who is taking dance electives, when, and for how long? Adolescents’ dance participation and persistence in middle and high school0
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