Research in Dance Education

Papers
(The median citation count of Research in Dance Education is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
A reimagined world: international tertiary dance education in light of COVID-1934
Online technologies in dance education (China and worldwide experience)17
Performing whiteness on the competition stage: ‘I dance all styles’10
Teaching creative dance in school – a case study from physical education in Norway10
Healing minds, moving bodies: measuring the mental health effects of online dance during the COVID-19 pandemic9
Teaching through TikTok: a duoethnographic exploration of pedagogical approaches using TikTok in higher dance education in China and Norway during a global pandemic8
Manifestations of surveillance in private sector dance education: the implicit challenges of integrating technology8
A qualitative investigation of flow experience in group creativity8
Mental health, eating behaviour and injuries in professional dance students7
Consumer dance identity: the intersection between competition dance, televised dance shows and social media5
Entanglements of dance/poetry: Creative dance in students’ poetry reading and writing5
The Chinese dance: a mirror of cultural representations5
Development of a performance evaluation tool to track progress in an inclusive dance syllabus5
May I have this dance: examining a community based dance program for people living with Parkinson’s disease5
Dance as democracy among people 65+5
Growth, maturation, and overuse injuries in dance and aesthetic sports: a systematic review5
Gatekeepers to Gateway-makers: reimagining partnerships, collaborations, and celebrations of the many movers of university campuses4
Afro-Latin dance as reconstructive gestural discourse: the figuration philosophy of dance on salsa4
The effectiveness of performative aerial practice on mental health and the love of movement4
Dance, health and wellbeing special issue4
Does a dance-based physical education (DBPE) intervention improve year 4 pupils’ reading comprehension attainment? Results from a pilot study in England4
How to persevere in a ballet performance career: exploring personal wisdom of retired professional ballet dancers4
‘We put on the music and then the children dance’ - Swedish preschool teachers’ dance educational experiences4
A study of the perception and use of attention in undergraduate dance training classes3
Choreographing decolonization: pedagogical confrontations at the intersection of traditional dance and liberal arts in higher education in India3
Teachers’ perspectives on dance improvisation and flow3
Disturbed eating attitudes, social physique anxiety, and perceived pressure for thin body in professional dancers3
Identities, academic cultures, and relationship intersections: postsecondary dance educators’ lived experiences pursuing tenure3
A study on utilizing 3D motion-capture analysis to assist in Chinese opera teaching3
Using creative dance for expressing emotions in preschool children3
Online dance classes during the Covid-19 pandemic: new challenges and teaching strategies for the ‘Dance & Parkinson’s at home’ project3
A Greek traditional dance program for improving balance of young children3
Mindfulness, recovery-stress balance, and well-being among university dance students3
‘The cycle of creativity’: a case study of the working relationship between a dance teacher and a dance musician in a ballet class3
Editorial, special issue: intersectionality and identities in dance2
Virtually in synch: a pilot study on affective dimensions of dancing with Parkinson’s during COVID-192
Tertiary dance education in inclusive settings: teachers’ intercultural sensitivity for teaching international students2
Collaborative learning among dance students in teaching and creative movement course: coping strategies of practical dance classes during Covid-19 pandemic2
Audience/performer re-action: an investigation into audience/performer reciprocity via a touring site-specific performance in Lebanon2
Absorption and embedding: on the application of the ballet training paradigm in Chinese ethnic dance curriculum2
Identifying choreographic Phronesis teaching styles for creativity2
Social interaction and group work in corporal expression activities2
Young, talented dancers in contemporary dance training: widening participation and fair access, rhetoric or reality?2
Improve dancing skills with motion capture systems: case study of a taiwanese high school dance class2
An exploration of heart rate and perceived exertion differences between class and competition in freestyle-disco dance2
The assessment of the dynamic stability using Y-balance test in folk dancers2
Dancer Education Beyond The Conservatory:The Health Education Benefits of Pre-season Screens for a Professional Ballet Company2
Validating the dance fundamental movement skills assessment for balance2
Joint range of motion and balance in modern Turkish folk dancers‘The fire of Anatolia example’2
All dancing bodies matter: six facilitators aiming for inclusion and wellbeing for people with special needs2
Using mobile technologies to enhance learning and improve student engagement in the dance studio2
‘You are not invisible’: a qualitative study examining ritual, pedagogical relationships, and student visibility in kathak dance2
Steps, style and sensing the difference: transmission and the re-contextualisation of Molyneaux’s traditional set dances within the Irish traditional dance competitive arena1
An exploration into the experience of family caregivers for people living with dementia in a community dance class1
Evaluation and analysis of emotional intelligence, mood and coping strategies in two Spanish dance companies1
Learning self expression through dance; a case study of adolescents with Autism Spectrum Disorder1
Health promotion among dance students in higher education: a qualitative investigation of experiences and perceptions of health and wellbeing1
An evaluation study on the embedding of reflective practice in the further education programme KigaDance for nursery teachers1
Artist wellbeing: exploring the experiences of dance artists delivering community health and wellbeing initiatives1
Method over matter: a study of break dance headstand practice1
Health-related components of physical fitness and adiposity indicators: a comparative study among Kathak dancers and non-dancers of North India1
Virtual Borders: reflective and digital approaches to choreographic pedagogy in tertiary dance training1
‘(Non)dance and (non)math people’: challenging binary disciplinary identities in education1
Developmental passages to dance improvisation: an interpretive phenomenological study of lived and living conscious experiences1
‘I guess you just have to deal with it’: pre-professional ballet dancers’ experiences of pain, injury, and social support1
Considering new moves in dance medicine and science: promoting a translational agenda for improved applied impact1
Editorial1
Instructor strategies to support older adults’ physical literacy in community dance classes1
‘Boogieing with Mrs P’: a real-life story, the link between Parkinson’s, music and the dance1
Male dance educators living with/through cancer: duoethnographies on disease and dis-ease1
Mutual creative space in israel: dance dialogues at a religious academic college between orthodox students and secular faculty1
Changes in motor skills among early school aged girls under the influence of regularly practiced dance1
‘Promoting wellness, having fun, and creating community’: a dance instructor’s pedagogical practices and perspectives on the influence of community dance classes for older adults1
Fostering somatic movement literacy with young children1
The influence of teaching styles on the emotions of university students in dance lessons according to sex1
Stepping into Salsa culture: an experiential account of engaging with a university non-credit dance programme1
Classroom Kōrero: relationships and the delivery of Māori content in the New Zealand secondary school dance class1
Off the paper and into the dance: investigating preservice elementary teachers’ experiences with dynamic spatial reasoning choreography tasks1
Dance improvisation research: embodied self-esteem and self confidence through glass art1
Productive docile bodies in Zimbabwean dance training: the African body in classical ballet training at Afrikera Arts Trust0
The dancing goddesses: folklore, archaeology, and the origins of European dance0
Weekly injury rates within semesters of a three-year tertiary dance program, and prospective training monitoring across one semester of training: a longitudinal study0
‘Parky goes Techno!’: developing the possibilities and probabilities – Parkinson’s, music and the dance0
Editorial0
Toward a salsa dancing hegemony: dancing-with Laclau with-Derrida0
‘Home away from home’: Examining the lived experiences of a child with ASD in a recreational dance setting0
Ballet, gender and sexuality: a systematic review in the scopus and web of science databases0
Creative dance studies in elementary schools: a systematic search and a narrative review0
The effects of dance movement therapy for children with Autism spectrum disorder0
Editorial0
Javanese art conservation in Indonesia inheriting potentials of local wisdom through Wayang Wong Bocah0
‘Listening is done by using all the senses’ a study of how dancers create, communicate and perceive a choreographed dance0
How are choreographers educated? The need for more choreographic programs in South Korea0
Dancing into maternity: the lived experiences of Vietnamese professional dancers0
Decoding community engagement in dance with systems thinking0
Editorial0
“Dancer as collaborator, co-author, co-owner, co-creator: power relations between dancer and choreographer”0
Heart rate variability in a collegiate dance environment: insights on overtraining for dance educators0
Negotiating dance academia and parenting: a conversation between colleagues and friends0
Visual and sound gesture in dance communication0
Pioneering visions for access and equity in dance education: inaugural symposium of the arnhold institute0
Masculinity, intersectionality and identity: why boys (don’t) dance0
Competition in tertiary ballroom dance education in China: ‘a double-edged sword’0
Community dance for preschool teachers’ training during pandemic: an art-based research0
Dancing as searching with Deleuze – a study of what students in physical education teacher education express and experience in creative dance lessons0
Editorial0
Keep Movin’ On in Trinidad and Tobago: the complexities of COVID-19 on dance and dance education0
Cultural violence: feminist power analysis on Ronggeng performing art0
Effect of different teaching methods (reciprocal and shelf-check TS) on learning and performance of traditional Greek dance0
Doing dance research in pandemic times: fostering connection and support in a 7-step online collaborative interview analysis process0
Mind-body: Positive psychological effects of adult ballet education0
Keep an eye on the balance - the influence of experimental training on postural stability in ballet dancers0
Lower extremity characteristics and postural alignment in young pre-professional dancers0
Are dancers more emotionally intelligent and self-regulated than non-dancers?0
Opening the fan: Chinese postgraduate dance student’s experience in New Zealand0
Building a case for coaching: informing an innovative, pedagogical approach to dancer development0
The challenges of providing a quality certificated dance education within secondary schools – findings from a comparative study exploring the experiences of eight English and Scottish dance teachers.0
Cultural empowerment: the space production and local identity effects of square dancing on middle-aged and elderly rehabilitation patients—based on a qualitative study of three square dancing communit0
Kinematic motion characteristics and observer’s expertise in perceived aesthetics of dance jumps0
A Transnational Legacy: André van de Plas and International Folk Dancing in Australia0
Editorial0
Surfing the raging sea: pregnancy and motherhood in dance during a pandemic0
What’s in a name? Identifying and positioning the Teaching Artist within the Australian Arts education landscape0
Editorial0
Professional contemporary dancers becoming mothers: navigating disrupted habitus and identity loss/evolution in a UK context0
Dancing Across the Lifespan - Negotiating Age, Place, and Purpose, co0
“The show must go on!” dance talent development in the context of coping during the COVID-19 pandemic0
Facilitating dance in general education through the arts-school partnership: a case study of Ballet Ireland’s primary school program0
‘Culture of Basic Goodness’ – examining factors that contribute to student success and sense of place in undergraduate dance major programs0
The Oxford Handbook of contemporary ballet0
Modern strategies for dance teacher performance management at dance colleges on the example of Central China0
Highlights of Digital Technologies Application for Choreography Teaching: The Case of Kazakhstan0
Ethical dilemmas in dance education: case studies on humanizing dance pedagogy0
Commencing on the Right Foot towards (On)Line of Dance –an Empirical Study in India0
Editorial0
Dance as a tool for managing emotions. A systematic review0
Expanding and resisting - choreographing relations through performative stop-moments as an emerging choreographer-researcher-teacher in dance0
What good is it anyway? Professional dance artists legitimising their work for the Cultural Schoolbag in Norwegian schools0
Dancing with pain: agency through pain worlds0
Historical schooling: ballet style and technique0
Correlates of dispositional flow and emotional intelligence: an exploratory study with ballet dancers0
Performance evaluation of dance programmes subsidized by China national arts fund (2014– 2019)0
The uneasy, unexplored, and under-examined existence of Ballet in American higher education0
Identity, diversity and inclusion on the dance floor: Embodying self-reflexivity as mindful dance and movement teachers0
Israeli high school dance studies programs as a catalyst for professional development in the field of dance0
Change or not: inheritance and development of the “three bends” in the teaching of traditional dances of the Dai people in China and Thailand: based on the grounded theory of four teaching units0
The creative body memory in Covid’s time: a participatory pedagogic methodology with site-specific dance and performance in urban places0
Competence and preparation for the profession of a dance teacher in Central Europe in the private sector0
The teacher’s body: injury and evolution of teaching0
Editorial0
Kola nga bwoyiga ate oyige nga bwokola’: navigating dance pedagogies in technologically less advanced African environments during the COVID-19 pandemic0
Of rhythm and movement: physical play and dance as (participatory) sense-making practices0
Student-centred learning and dance technique: BA students’ experiences of learning in contemporary dance0
Spanish ballet school: nationalism, the weakness of bourgeois culture and heteronomy in the artistic field in Spain in the nineteenth century0
Competitive dancers’ social identities and experiences of harm0
Relationship between muscular imbalance and pelvic posture during araimandi in Bharatanatyam dancers0
An analysis on the cultural contexts of Bɔsoɛ as an endangered Asante traditional dance0
The Namasagali experience: performing Utopia0
The narrative expression of installation art (plastic art) in drama space0
Hidden communication codes in flamenco dance choreography0
Theoretical-conceptual structure of the knowledge base for teaching dance in initial training in physical education0
Parenting, Roma feminism, and dance: cultivating an egalitarian dance-research environment0
Editorial0
Prevalence of musculoskeletal injuries in Thai classical dancers0
Is the health risk and consequence of generalised joint hypermobility understood within a classical ballet narrative? Concerns for dance practitioners0
Soviet bodies in Canadian DanceSport: identities and culture in four competitive ballroom dance studios0
Editorial, special issue: dancing, parenting and professional challenges0
Editorial0
Editorial0
Rethinking the pedagogy of dance pedagogy0
Dancing after homelessness0
Research Methodology in Education and Training: Postures, Practices and Forms Research Methodology in Education and Training: Postures, Practices and Forms , by D0
Developing awareness of self and surrounding through SAMYA module of Dance and movement Therapy (DMT) for children with Autism Spectrum disorder (ASD)0
Dance and somatic education in primary school: a study on discipline with teachers in southern Brazil0
The effects of strength and balance exercises on the center of pressure and plantar pressure distribution in adolescent ballet dancers0
Traversing the succession of space to place to home: a kinesthetic comprehension of the body as it forms an epistemology of space0
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