Music Education Research

Papers
(The median citation count of Music Education Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
The Politics of Diversity in Music Education47
Towards decolonising university music education in Nigeria47
Music teacher attitudes toward popular music education47
Student teachers’ views of their own musical skills to teach the National Core Curriculum in Finland45
Cultivating music students’ creativity in piano performance: a multiple-case study in China31
Visually communicating exclusiveness: how specialist music secondary schools in England represent themselves on the web22
Education, music, and the lives of undergraduates: colleagiate a cappella and the pursuit of happiness21
A journey of collaborative inquiry: perspectives from preservice and cooperating music teachers in Korea18
Call For PapersRIME 2025 The 14th International Conference for Research in Music Education (April 22–25 2025, Online)17
Some direction: towards a C21 secondary school curriculum16
Sound teaching: a research-informed approach to inspiring confidence, skill, and enjoyment in music performance14
Learning trajectories of classical musicians engaging in Musikvermittlung11
Transmedia educational project as a method of developing music teacher’ transmedia competence11
An exploration of the practice habits and experiences of professional musicians9
The place of master theses in music performance education in Sweden: subjects, purposes, justifications9
Train noise as music: an exploration of audio-graphic interpretations elicited by music students and non-musicians7
Together apart: a comparison of a thematic and diffractive analysis of a participatory music project7
Entrepreneurial identity formation through musical identity formation7
Comparative music education in partnership: examining policy and provision of music in initial teacher education in Ireland and Northern Ireland7
Musicking a different possible future: the role of music in imagination6
Adaptations of music education in primary and secondary school due to COVID-19: the experience in Spain6
Bringing a ‘What’s the problem represented to be?’ approach to music education: a national plan for music education 20225
Enduring impacts of collaborative workplace music mentoring for early childhood generalist teachers, music mentors and students5
Dialectic tension: music education majors’ lived experience in an international choir trip5
Challenges in teachers’ professional identity development under the National Teacher Training Programme: an exploratory study of seven major cities in Mainland China5
Intergenerational peer mentoring in an online jazz improvisation course5
Digital didactic resources and music: mapping the last decade of research5
‘Imagine you’re in the Opera House … ’ Learning nonverbal communication for the concert stage4
What happens in school music in Norway? Findings from a national survey of music teachers4
Epilogue4
Music learning, engagement, and personal growth: child perspectives on a music workshop developed in a Portuguese state school4
Posthumanist new materialist pathways for reimagining music education research: What matters? What can this offer music educators?4
Ecosocial approach to music education4
Reflecting on the ‘Community’ in Community Music School after a transition to all-online instruction4
Enduring impacts of cathedral choral training on choristers’ lives3
Cognitive processing of rhythm in primary education: encounters between teaching practice and scientific evidence3
Turning points in shaping choral conducting practice: six tales of Norwegian conductors’ professional development3
Gestural migration as a pedagogical tool in violin learning: a case study3
Context matters: adaptation of student-centred education in China school music classrooms3
Introducing multi-sited focused ethnography for researching one-to-one (singing voice) pedagogy in higher education3
‘Blazing the trail or exposing the gaps?’ Discourses on student-centredness in genre independent and classical music performance study programmes in Norway and the Netherlands3
YouTube comments on violin instruction videos: an analysis of comments in Turkish3
Re-thinking music education partnerships through intra-actions3
Teaching music to kindergarten children in Saudi Arabia: parents’ perspectives2
The impact of dysconscious racism and ethical caring on choral repertoire2
The shifting sands of UK secondary music curricula: problematising relationships between aural training and music literacy2
Centre for Excellence in Music Performance Education (CEMPE): an inquiry into institutional change processes in higher music education2
A pandemic as the mother of invention? Collegial online collaboration to cope with the COVID-19 pandemic2
Music copywriting and the problems of music education: overcoming prohibitions and the use of music in teaching2
Discourses in Swedish preschool music teachers’ conversations: proficiency, subordination and resistance2
Examining online video-based professional development for music teachers2
Through the lens of Bourdieu: an integral literature review on bringing gender neutrality to the musical instrument selection process2
Teaching music theory in UK higher education today: contexts and commentaries2
Online peer mentoring and remote learning2
The efficacy of imagery-based instruction for expressive performance: a study of university musicians’ practice2
Twists, turns and thrills during COVID-19: music teaching and practice in Australia2
The identity reconciliation of five elementary students across their landscapes of musical practice2
Please mind the gap: reflecting on gender inequality in music higher education, one year on from Slow Train Coming2
Expanding self-referential awareness in music learning: utilising the expressive arts to facilitate reflection during group free improvisation1
Blurred lines and queered spaces: an examination of teachers’ visions of multi-styles curricula1
Methodological shifts and departures in music education research: embracing complexity with diffraction, intra-action, and agentic assemblages1
The subject ‘music’ from inside versus outside the music teaching profession: a comparative case study on the views of music and non-music primary education teachers in Spain1
Promoting awareness of unconscious gender bias in the evaluation of harp performance1
Reverberations in music education: What does sound ‘do’ in our learning spaces ?1
Music education research special issue: posthuman perspectives for music education1
Problematising the potentials of music programs to address Australia’s youth justice policy problems1
Exploring the perspectives of Asian American parents on their musically talented children in instrumental education1
OOO, Guerrilla metaphysics, and the allure of children’s musical play1
Education and the reggaetón genre: does reggaetón socialize in traditional masculine stereotypes?1
Heads of composition perspectives on the role of composition teaching in UK music conservatoires composition department1
A demographic profile of high school music courses in New York1
Teaching and learning in music education – a meta-synthesis1
Voicing voicing: attuning to the material in studio recording the Lullaby Choir1
Ritornello: El Sistema, music education, and a centuries-long narrative of socio-musical activism1
Examining gender bias in student evaluations of music teacher educators1
Social support in university music students’ coping with performance anxiety: people, strategies and performance situations1
Instrumental teaching as ‘the noblest and the most under-praised job’: multiple case studies of three Hong Kong instrumental teachers1
Perceived influences of a music teacher education programme on preservice music educators’ occupational identity development1
How to teach a puppet to sing: exploring posthuman perspectives on the ‘natural’ voice alongside The Walk (2021)1
Stepping into the unknown: the experiences of tertiary piano students studying improvisation1
Mapping the applicants’ learnability: a discourse analysis of assessors’ talk of admission tests for Swedish specialist music teacher education1
Crossing borders and generations: examining the relationship between music engagement and immigration generation1
Facilitators and barriers to the Music College Entrance Examination among Chinese ethnic minority students1
Moral economies in the community of Norwegian folk music practices1
Centring perspectives of disabled children in music education research1
The worst is yet to come: the psychological impact of COVID-19 on Hong Kong music teachers1
Understanding virtual rehearsal participation through self-determination theory1
Equity and inclusion in extracurricular musical activities: empirical findings from Germany and implications for teaching music in secondary school1
The digital ‘turn’ in music education (editorial)1
Collaboration, relationships and fleeting opportunities: growing the future early childhood music education workforce1
The construction of ‘we’ Empowering music practice in kindergarten1
Professional interactions and networks of co-teaching music educators1
Digital music and critical music literacy0
The significance of music in early childhood education and care of toddlers in Finland: an extensive observational study0
An International quartet of voices: sharing songs and culture beyond borders0
Australia’s hidden musicians: education and training in rural and regional areas0
Perspectives of three Black students attending a predominantly white summer music camp in the United States0
Teacher habitus as/at the nexus of practice: Musical Futures and Irish primary schools0
What does it mean to sing with the Earth?0
Supporting musical affordances for desistance and resistance in youth justice settings0
Reconfiguring music education for future-making: how?0
‘It’s music and we came to play instruments’: teaching for engagement in classroom music0
Creativity in Hong Kong’s special schools’ music classrooms0
Policy and leadership discourses in Sweden’s Art and Music Schools: the inclusion of refugee children0
Secondary music teachers: a case study at a time of education reform in Wales0
Introducing a Sound-based Music Education in early childhood: the role of sonic and musical tools in the development of teleomusicality0
Meeting the musician-teacher halfway: a Baradian perspective on identity research in music education0
The transformative potentials and politics of music in juvenile justice settings0
Recognising intra-actions of music and pupil0
‘In the cracks between freedom and fear’: student reflections on identity and confidence learning in a creative music ensemble0
Becoming a ‘Trans Synth Queen’: YouTube, electronic music composition, and coming out0
Challenging approaches to music curricula and literacy today0
Musical creativity in music lessons in Croatia0
Musical engagement and identity: exploring young adults’ experiences, tastes, and beliefs0
Knowledge and social justice in English school music education: reflections on the report ‘Questioning the gap in music literacy’ (McQueen 2020)0
Patterns of variation in sociomusical identity of school-goers in a condition of social vulnerability and musical gaps in their education0
The unicorns of elementary schools: male elementary general music teachers0
Contemporary music perception among music students: current trends and educational perspectives in Armenia0
‘Taste the value of each note’: verbal teaching strategies in guitar masterclasses0
The positive learning transfer from a musical play early-learning system® to young children’s linguistic and spatial skills0
Introduction to the Special Issue: Posthuman Perspectives for Music Education0
Sing by Ear project: multiple-case studies of popular music education in Hong Kong0
Correction0
The potential of a mixed-methods approach for research on learning to theorise music0
White preservice music educators’ perceptions of teaching predominantly Black student populations in city schools0
Whiteness, interpellation, and embodied technique in western classical vocal pedagogy0
How inclusive are our music classrooms? A theoretical model and case study from a preschool class of a mainstream private nursery school in Cyprus0
Review of music literacy strand of the Oxford Music Analysis Conference (July 2023), Society for Music Analysis0
Editorial0
Introduction0
Evaluating the quality of posthuman music education research: diffracting quality criteria through response-ability0
Korean novice music teachers’ perceptions of their first years’ challenges0
Assessing accessibility: an instrumental case study of a community music group0
Shifting from offline to online collaborative music-making, teaching and learning: perceptions of Ethno artistic mentors0
Creative pedagogies in the time of pandemic: a case study with conservatory students0
Thinking ahead: the use of mental training in young violinists’ skill development0
Gamification and mobile learning: innovative experiences to motivate and optimise music content within university contexts0
Embodied pedagogy for strings: preparing and performing Ysaÿe’s solo violin sonata no. 2 op. 27 – a journey of unexpected discoveries0
Teachers’ perspectives on music education in Croatian music schools0
An analysis of music textbooks: insights into citizenship education in China0
Tensions, issues and strengths of Professor Lucy Green’s model of informal learning0
Music in the school life of newly arrived migrant children: potential paths to participation and belonging0
Peer tutoring as a tool for developing the intonation of violin and viola students in elementary music education0
Let’s play together: teacher perspectives on collaborative chamber music instruction0
Theorising with the mycelium in the commingled world of young children’s musical play0
Sources influencing primary school student teachers’ self-efficacy beliefs in their music studies0
Creativity in a music composition community: an analysis of online comments0
Higher music education in Romania in the context of the European Higher Education Area: an analysis from the lecturer’s perspective0
Piano learning in the context of schooling during China’s ‘Piano craze’ and beyond: motivations and pathways0
Music literacy and the instrumental teacher0
Music teacher perceptions of modern band and Little Kids Rock: a qualitative study of programme outcomes0
Proposing an assessment framework for Cantonese operatic singing after reviewing the current practices in Hong Kong and Guangdong, China0
Becoming musicians: learning strategies among Palestinian Arab wedding musicians in the Galilee region0
Teaching musical instruments during COVID-19: teachers assess struggles, relations with students, and leveraging0
Reproduction and representation of musical rhythms of increasing complexity: insights from children's home settings0
Music teachers at the crossroads: navigating the curriculum as plan and lived0
Globalization, nationalism, and music education in the twenty-first century in Greater China Globalization, nationalism, and music education in the twenty-first century in Greater China0
Intercultural dialogue and the mobilisation of aural skills0
Sound possibilities: listening for the new in early years music-making practices0
A ukulele for everyone: a collaborative self-study of an initiative for student-owned ukuleles in an Australian university0
Musical backgrounds and musical identity development in pre-service music education and primary education students: a narrative study0
International communication and cultural exchange based on music: a study of the experience of Chinese music education in other countries0
University students facilitating hip hop in a community engagement project: experiences and perceptions0
No justice, no peace: an arts-based project with a college choir0
Hidden elitism: the meritocratic discourse of free choice in Finnish music education system0
Serious musicking: choral pedagogy in ‘low-threshold’ choirs0
Who takes part in participation? Challenges to empowering student voice in music teacher education0
Exploring perceptions and experiences of students, parents and teachers on their online instrumental lessons0
The development and characteristics of Korean children’s invented notation for musical representation0
The instrumental practice goal realization inventory: from intention to evaluation0
Understandings of inclusivity in music education: a comparative policy study of Luxembourg and Japan0
Sound qualities in Early Childhood Education: an analysis of textbooks in Spain0
RIME 2023The 13th International Conference for Research in Music Education0
A proposed model of parental behaviours of music practice: based on music majors’ retrospective views in mainland China0
Preparing for infants’ musicking – a tracking case study of a Chinese family's musical environment0
Effectiveness of targeted feedback in improving rhythm sightreading0
‘Lowering the bar’ or widening access? Reflections on key findings from a music literacy project commissioned by the Society for Music Analysis0
Using architecture to understand music: an interdisciplinary active learning pilot project0
Teacher beliefs about student agency in whole-class playing0
Adults’ engagement in music learning during and after online coaching0
Improvisation in traditional music: learning practices and principles0
Stretching and cracking: becoming feminist posthumanist scholars in music education0
The parent role in Suzuki music lessons: experiences and perspectives shared by novice Suzuki parents0
Empowering piano students of Western classical music: challenging teaching and learning of musical interpretation in higher education0
On decolonising music diversity in/and higher education0
Preparing conservatoire students for the music education workforce: institutional and industrial perspectives on instrumental teacher education in England0
Effects of an intercultural music course on adolescents’ intergroup attitudes in southwest China0
Experiences during listening to music in school0
Integrating movable numbers into fixed-do system in solfege class: an action research study0
Perceptions of values and influential sources of creativity, music types, and music activities in school music learning: a study of students in Changsha, China0
Exploring Nordic approaches to advanced instrumental music pedagogy: insights from ethnographic fieldwork0
Alternative seating practices: pedagogy of the back of the orchestra0
Experiential learning in music education: investigating the Cypriot context0
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