Music Education Research

Papers
(The median citation count of Music Education Research is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
The worst is yet to come: the psychological impact of COVID-19 on Hong Kong music teachers47
The digital ‘turn’ in music education (editorial)47
Shifting from offline to online collaborative music-making, teaching and learning: perceptions of Ethno artistic mentors45
Creative pedagogies in the time of pandemic: a case study with conservatory students45
Adaptations of music education in primary and secondary school due to COVID-19: the experience in Spain31
Piano learning in the context of schooling during China’s ‘Piano craze’ and beyond: motivations and pathways22
Twists, turns and thrills during COVID-19: music teaching and practice in Australia21
Cultivating music students’ creativity in piano performance: a multiple-case study in China17
Online peer mentoring and remote learning17
A pandemic as the mother of invention? Collegial online collaboration to cope with the COVID-19 pandemic16
Music students’ experienced workload, livelihoods and stress in higher education in Finland and the United Kingdom15
‘This circle of joy’: meaningful musicians’ work and the benefits of facilitating singing groups15
Exploring perceptions and experiences of students, parents and teachers on their online instrumental lessons14
Reflecting on the ‘Community’ in Community Music School after a transition to all-online instruction11
The significance of music in early childhood education and care of toddlers in Finland: an extensive observational study11
Fostering musical creativity of students with intellectual disabilities: Strategies, gamification and re-framing creativity11
Gamification and mobile learning: innovative experiences to motivate and optimise music content within university contexts9
2050 And beyond: A futurist perspective on musicians’ livelihoods9
Perceptions of values and influential sources of creativity, music types, and music activities in school music learning: a study of students in Changsha, China9
Virtual reality in vocal training: a case study9
A study of students’ perceptions of parental influence on students’ musical instrument learning in Beijing, China8
Disentangling motivation within instrumental music learning: a systematic review7
Hidden elitism: the meritocratic discourse of free choice in Finnish music education system7
‘More than a day job, a fair job: music graduate employment in education’7
Entrepreneurial identity formation through musical identity formation7
Empowering piano students of Western classical music: challenging teaching and learning of musical interpretation in higher education7
What is on offer within Norwegian extracurricular schools of music and performing arts? Findings from a national survey7
The value of ‘Soft Skills’ in popular music education in nurturing musical livelihoods7
Reconfiguring music education for future-making: how?7
Effects of an intercultural music course on adolescents’ intergroup attitudes in southwest China6
Exploring music student teachers’ professional identities6
‘It’s music and we came to play instruments’: teaching for engagement in classroom music6
Tensions, issues and strengths of Professor Lucy Green’s model of informal learning5
Bringing a ‘What’s the problem represented to be?’ approach to music education: a national plan for music education 20225
Teaching musical instruments during COVID-19: teachers assess struggles, relations with students, and leveraging5
Let’s play together: teacher perspectives on collaborative chamber music instruction5
Together apart: a comparison of a thematic and diffractive analysis of a participatory music project5
Musical skills in the Spanish Grado university degree in Early Childhood Education. How do Spanish university students view their preparation?5
Re-thinking music education partnerships through intra-actions5
Effect of music intervention on depression in graduate students4
Professional interactions and networks of co-teaching music educators4
Musicking a different possible future: the role of music in imagination4
Music in the school life of newly arrived migrant children: potential paths to participation and belonging4
Music teachers’ understanding of blended learning in Korean elementary music classes4
Examining online video-based professional development for music teachers4
The transformative potentials and politics of music in juvenile justice settings4
Social support in university music students’ coping with performance anxiety: people, strategies and performance situations4
Transmedia educational project as a method of developing music teacher’ transmedia competence4
Listening to music as a teaching area in Croatian primary schools: the teacher's perspective3
An ecology of musical livelihoods3
An exploration of the practice habits and experiences of professional musicians3
The potential of a mixed-methods approach for research on learning to theorise music3
Proposing an assessment framework for Cantonese operatic singing after reviewing the current practices in Hong Kong and Guangdong, China3
Teacher beliefs about student agency in whole-class playing3
Experiences during listening to music in school3
Music teachers at the crossroads: navigating the curriculum as plan and lived3
Music teacher attitudes toward popular music education3
Creativity in Hong Kong’s special schools’ music classrooms3
An International quartet of voices: sharing songs and culture beyond borders2
‘Taste the value of each note’: verbal teaching strategies in guitar masterclasses2
Livelihoods as a kaleidoscope of distributed lifeworlds: Towards a nuanced understanding of music-making and identity in migrants in South-East Queensland2
Musical engagement and identity: exploring young adults’ experiences, tastes, and beliefs2
Instrumental teaching as ‘the noblest and the most under-praised job’: multiple case studies of three Hong Kong instrumental teachers2
Student teachers’ views of their own musical skills to teach the National Core Curriculum in Finland2
Musical backgrounds and musical identity development in pre-service music education and primary education students: a narrative study2
Preparing conservatoire students for the music education workforce: institutional and industrial perspectives on instrumental teacher education in England2
Recognising intra-actions of music and pupil2
Navigating a performance livelihood: career trajectories and transitions for the classical singer2
The impact of dysconscious racism and ethical caring on choral repertoire2
Train noise as music: an exploration of audio-graphic interpretations elicited by music students and non-musicians2
Becoming a ‘Trans Synth Queen’: YouTube, electronic music composition, and coming out2
Integrating movable numbers into fixed-do system in solfege class: an action research study2
The parent role in Suzuki music lessons: experiences and perspectives shared by novice Suzuki parents2
Becoming musicians: learning strategies among Palestinian Arab wedding musicians in the Galilee region2
White preservice music educators’ perceptions of teaching predominantly Black student populations in city schools2
Music education for social change: constructing an activist music education2
Enduring impacts of cathedral choral training on choristers’ lives1
Exploring the unmeasurable: valuing the long-term impacts of primary music education1
Introducing multi-sited focused ethnography for researching one-to-one (singing voice) pedagogy in higher education1
Facilitators and barriers to the Music College Entrance Examination among Chinese ethnic minority students1
Challenges in teachers’ professional identity development under the National Teacher Training Programme: an exploratory study of seven major cities in Mainland China1
Centring perspectives of disabled children in music education research1
Some direction: towards a C21 secondary school curriculum1
Understanding virtual rehearsal participation through self-determination theory1
Perceived influences of a music teacher education programme on preservice music educators’ occupational identity development1
Teacher habitus as/at the nexus of practice: Musical Futures and Irish primary schools1
Alternative seating practices: pedagogy of the back of the orchestra1
Effectiveness of targeted feedback in improving rhythm sightreading1
No justice, no peace: an arts-based project with a college choir1
Turning points in shaping choral conducting practice: six tales of Norwegian conductors’ professional development1
Secondary music teachers: a case study at a time of education reform in Wales1
Equity and inclusion in extracurricular musical activities: empirical findings from Germany and implications for teaching music in secondary school1
The subject ‘music’ from inside versus outside the music teaching profession: a comparative case study on the views of music and non-music primary education teachers in Spain1
The place of master theses in music performance education in Sweden: subjects, purposes, justifications1
A demographic profile of high school music courses in New York1
Frontiers of difference: a duo-ethnographic study of social justice in music education1
Ritornello: El Sistema, music education, and a centuries-long narrative of socio-musical activism1
Music copywriting and the problems of music education: overcoming prohibitions and the use of music in teaching1
Introduction1
Assessing accessibility: an instrumental case study of a community music group1
Music teacher perceptions of modern band and Little Kids Rock: a qualitative study of programme outcomes1
‘Blazing the trail or exposing the gaps?’ Discourses on student-centredness in genre independent and classical music performance study programmes in Norway and the Netherlands1
Sources influencing primary school student teachers’ self-efficacy beliefs in their music studies1
Developing emplaced performance knowledge in professional symphony orchestras1
‘In the cracks between freedom and fear’: student reflections on identity and confidence learning in a creative music ensemble1
Ecosocial approach to music education1
Heads of composition perspectives on the role of composition teaching in UK music conservatoires composition department1
Comparative music education in partnership: examining policy and provision of music in initial teacher education in Ireland and Northern Ireland1
Funding for small-to-medium art music organisations in Brisbane (Queensland, Australia): a case study1
Problematising the potentials of music programs to address Australia’s youth justice policy problems1
YouTube comments on violin instruction videos: an analysis of comments in Turkish1
International communication and cultural exchange based on music: a study of the experience of Chinese music education in other countries1
Patterns of variation in sociomusical identity of school-goers in a condition of social vulnerability and musical gaps in their education1
Thinking ahead: the use of mental training in young violinists’ skill development1
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