Music Education Research

Papers
(The median citation count of Music Education Research is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
Sound teaching: a research-informed approach to inspiring confidence, skill, and enjoyment in music performance23
Together apart: a comparison of a thematic and diffractive analysis of a participatory music project15
Epilogue13
An exploration of the practice habits and experiences of professional musicians13
How is perception related to action? A neurophysiological perspective on music perception and learning13
Music copywriting and the problems of music education: overcoming prohibitions and the use of music in teaching10
Ecosocial approach to music education10
The construction of ‘we’ Empowering music practice in kindergarten10
What happens in school music in Norway? Findings from a national survey of music teachers9
A dialogic exploration of pedagogical orchestration and entrained participation8
Turning points in shaping choral conducting practice: six tales of Norwegian conductors’ professional development8
Qualitative analysis of university lecturers’ understanding and approaches of sight-reading teaching in China7
YouTube comments on violin instruction videos: an analysis of comments in Turkish7
Context matters: adaptation of student-centred education in China school music classrooms7
Enduring impacts of cathedral choral training on choristers’ lives7
Please mind the gap: reflecting on gender inequality in music higher education, one year on from Slow Train Coming7
Examining online video-based professional development for music teachers6
Giftedness theories in musical talent development research: a scoping review with implications for music education scholars and practitioners6
Education and the reggaetón genre: does reggaetón socialize in traditional masculine stereotypes?6
Conservatoire staff perspectives on the role of alumni in higher music education: who benefits?6
The subject ‘music’ from inside versus outside the music teaching profession: a comparative case study on the views of music and non-music primary education teachers in Spain6
Editorial6
Patterns of variation in sociomusical identity of school-goers in a condition of social vulnerability and musical gaps in their education5
The unicorns of elementary schools: male elementary general music teachers5
Proposing an assessment framework for Cantonese operatic singing after reviewing the current practices in Hong Kong and Guangdong, China5
Let’s play together: teacher perspectives on collaborative chamber music instruction5
Using architecture to understand music: an interdisciplinary active learning pilot project5
Teachers’ perspectives on music education in Croatian music schools5
Improvisation in traditional music: learning practices and principles5
Cultivating music students’ creativity in piano performance: a multiple-case study in China4
Music literacy and the instrumental teacher4
Australia’s hidden musicians: education and training in rural and regional areas4
Tensions, issues and strengths of Professor Lucy Green’s model of informal learning4
Globalization, nationalism, and music education in the twenty-first century in Greater China Globalization, nationalism, and music education in the twenty-first century in Greater China4
Improving classroom inclusion through Orff-inspired music education: a study from a secondary school in Fujian, China3
Entrepreneurial identity formation through musical identity formation3
Cognitive processing of rhythm in primary education: encounters between teaching practice and scientific evidence3
Professional interactions and networks of co-teaching music educators3
Voicing voicing: attuning to the material in studio recording the Lullaby Choir3
Challenges in teachers’ professional identity development under the National Teacher Training Programme: an exploratory study of seven major cities in Mainland China3
Bringing a ‘What’s the problem represented to be?’ approach to music education: a national plan for music education 20223
Teaching music theory in UK higher education today: contexts and commentaries3
Examining gender bias in student evaluations of music teacher educators3
Social support in university music students’ coping with performance anxiety: people, strategies and performance situations3
Towards decolonising university music education in Nigeria3
How to teach a puppet to sing: exploring posthuman perspectives on the ‘natural’ voice alongside The Walk (2021)3
Teaching music to kindergarten children in Saudi Arabia: parents’ perspectives3
Experiences during listening to music in school2
Preparing for infants’ musicking – a tracking case study of a Chinese family's musical environment2
Sound qualities in Early Childhood Education: an analysis of textbooks in Spain2
Assessing accessibility: an instrumental case study of a community music group2
The place of master theses in music performance education in Sweden: subjects, purposes, justifications2
The positive learning transfer from a musical play early-learning system® to young children’s linguistic and spatial skills2
International communication and cultural exchange based on music: a study of the experience of Chinese music education in other countries2
‘In the cracks between freedom and fear’: student reflections on identity and confidence learning in a creative music ensemble2
Meeting the musician-teacher halfway: a Baradian perspective on identity research in music education2
Female conservatoire students’ voices regarding futures in the male-dominated world of western classical music: the communicative or controlled mirroring pianist body?2
Teaching musical instruments during COVID-19: teachers assess struggles, relations with students, and leveraging2
Train noise as music: an exploration of audio-graphic interpretations elicited by music students and non-musicians2
Contemporary music perception among music students: current trends and educational perspectives in Armenia2
Embodied pedagogy for strings: preparing and performing Ysaÿe’s solo violin sonata no. 2 op. 27 – a journey of unexpected discoveries2
Perceptions of values and influential sources of creativity, music types, and music activities in school music learning: a study of students in Changsha, China2
Integrating movable numbers into fixed-do system in solfege class: an action research study2
Editorial2
Enduring impacts of collaborative workplace music mentoring for early childhood generalist teachers, music mentors and students2
Who takes part in participation? Challenges to empowering student voice in music teacher education1
Empowering piano students of Western classical music: challenging teaching and learning of musical interpretation in higher education1
Exploring Nordic approaches to advanced instrumental music pedagogy: insights from ethnographic fieldwork1
Intercultural dialogue and the mobilisation of aural skills1
OOO, Guerrilla metaphysics, and the allure of children’s musical play1
Methodological shifts and departures in music education research: embracing complexity with diffraction, intra-action, and agentic assemblages1
On decolonising music diversity in/and higher education1
Music education research special issue: posthuman perspectives for music education1
Motivational factors for sustained participation in a traditional Chinese orchestra among primary school students: a self-determination theory perspective1
Facilitators and barriers to the Music College Entrance Examination among Chinese ethnic minority students1
Through the lens of Bourdieu: an integral literature review on bringing gender neutrality to the musical instrument selection process1
Review of music literacy strand of the Oxford Music Analysis Conference (July 2023), Society for Music Analysis1
Recognising intra-actions of music and pupil1
Reverberations in music education: What does sound ‘do’ in our learning spaces ?1
How inclusive are our music classrooms? A theoretical model and case study from a preschool class of a mainstream private nursery school in Cyprus1
Blurred lines and queered spaces: an examination of teachers’ visions of multi-styles curricula1
Introducing multi-sited focused ethnography for researching one-to-one (singing voice) pedagogy in higher education1
Collaboration, relationships and fleeting opportunities: growing the future early childhood music education workforce1
The significance of music in early childhood education and care of toddlers in Finland: an extensive observational study1
Becoming musicians: learning strategies among Palestinian Arab wedding musicians in the Galilee region1
Teaching and learning in music education – a meta-synthesis1
Call For PapersRIME 2025 The 14th International Conference for Research in Music Education (April 22–25 2025, Online)1
Thinking ahead: the use of mental training in young violinists’ skill development1
Effects of an intercultural music course on adolescents’ intergroup attitudes in southwest China1
Supporting musical affordances for desistance and resistance in youth justice settings1
The parent role in Suzuki music lessons: experiences and perspectives shared by novice Suzuki parents1
Crossing borders and generations: examining the relationship between music engagement and immigration generation1
Becoming a ‘Trans Synth Queen’: YouTube, electronic music composition, and coming out1
Centring perspectives of disabled children in music education research1
The shifting sands of UK secondary music curricula: problematising relationships between aural training and music literacy1
Introduction to the Special Issue: Posthuman Perspectives for Music Education1
Student teachers’ views of their own musical skills to teach the National Core Curriculum in Finland1
Understanding virtual rehearsal participation through self-determination theory1
Exploring the perspectives of Asian American parents on their musically talented children in instrumental education1
Sound possibilities: listening for the new in early years music-making practices1
‘It’s music and we came to play instruments’: teaching for engagement in classroom music1
Digital music and critical music literacy1
An International quartet of voices: sharing songs and culture beyond borders1
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