Music Education Research

Papers
(The median citation count of Music Education Research is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Sound teaching: a research-informed approach to inspiring confidence, skill, and enjoyment in music performance22
How is perception related to action? A neurophysiological perspective on music perception and learning17
Epilogue14
Ecosocial approach to music education13
Qualitative analysis of university lecturers’ understanding and approaches of sight-reading teaching in China13
A dialogic exploration of pedagogical orchestration and entrained participation11
Music copywriting and the problems of music education: overcoming prohibitions and the use of music in teaching9
Context matters: adaptation of student-centred education in China school music classrooms8
YouTube comments on violin instruction videos: an analysis of comments in Turkish8
Please mind the gap: reflecting on gender inequality in music higher education, one year on from Slow Train Coming8
What happens in school music in Norway? Findings from a national survey of music teachers7
The construction of ‘we’ Empowering music practice in kindergarten7
Echoes of childhood: songs that have left their mark on future early childhood educators6
Giftedness theories in musical talent development research: a scoping review with implications for music education scholars and practitioners6
The subject ‘music’ from inside versus outside the music teaching profession: a comparative case study on the views of music and non-music primary education teachers in Spain6
An educational psychology perspective on exploring the impact of the flipped classroom model in hybrid environments on violin music learning motivation6
Discourse analysis in music education: a systematic review5
From practising to practice; towards a practice model for self-regulated learning5
Editorial5
Conservatoire staff perspectives on the role of alumni in higher music education: who benefits?5
Education and the reggaetón genre: does reggaetón socialize in traditional masculine stereotypes?5
Social relatedness influences student retention in Chinese university ensembles: the interplay of teacher-student relatedness, peer relatedness, and teacher differentiation5
Proposing an assessment framework for Cantonese operatic singing after reviewing the current practices in Hong Kong and Guangdong, China4
MusicBeing as an entanglement of ideas and practices in ecology, resilience, spirituality, and well-being. A meta-narrative review4
Balancing inclusivity and musical competence: ECEC teachers' motivation to teach music through a situated expectancy-value lens4
Australia’s hidden musicians: education and training in rural and regional areas4
Music literacy and the instrumental teacher4
Tensions, issues and strengths of Professor Lucy Green’s model of informal learning4
‘I am a good mother’: maternal performance and the reproduction of patriarchy through musical mothering of Chinese mothers4
Using architecture to understand music: an interdisciplinary active learning pilot project4
Teachers’ perspectives on music education in Croatian music schools4
NMH’s Children’s Concert Series – experiences from participating students4
Patterns of variation in sociomusical identity of school-goers in a condition of social vulnerability and musical gaps in their education4
Globalization, nationalism, and music education in the twenty-first century in Greater China Globalization, nationalism, and music education in the twenty-first century in Greater China4
Cognitive processing of rhythm in primary education: encounters between teaching practice and scientific evidence3
Correction3
Improving classroom inclusion through Orff-inspired music education: a study from a secondary school in Fujian, China3
The relationship between musical development and social inclusion in small-group instrumental teaching3
Challenges in teachers’ professional identity development under the National Teacher Training Programme: an exploratory study of seven major cities in Mainland China3
Children's experiences of choral singing: evaluating reflexive choir journals with primary school pupils3
Teaching music theory in UK higher education today: contexts and commentaries3
Voicing voicing: attuning to the material in studio recording the Lullaby Choir3
Meeting the musician-teacher halfway: a Baradian perspective on identity research in music education3
Teaching music to kindergarten children in Saudi Arabia: parents’ perspectives3
Exploring preservice elementary teachers’ self-reports of movement-based instruction in the general music classroom: an inductive thematic analysis3
Young people healing and growing in trauma-informed positive music education3
How to teach a puppet to sing: exploring posthuman perspectives on the ‘natural’ voice alongside The Walk (2021)3
Towards a transformative music education: a collaborative autoethnography in the Spanish university context3
Examining gender bias in student evaluations of music teacher educators3
Conceptualising instrumental practice among Chinese American children, their parents, and teachers: self-regulation, cultural mediation, and filial piety3
Embracing complexity in music education: rethinking practice, knowledge, and learning3
Bringing a ‘What’s the problem represented to be?’ approach to music education: a national plan for music education 20223
Indian music teachers’ agency when establishing an in-school music education programme in schools2
Contemporary music perception among music students: current trends and educational perspectives in Armenia2
Female conservatoire students’ voices regarding futures in the male-dominated world of western classical music: the communicative or controlled mirroring pianist body?2
Collaboration, relationships and fleeting opportunities: growing the future early childhood music education workforce2
The shifting sands of UK secondary music curricula: problematising relationships between aural training and music literacy2
OOO, Guerrilla metaphysics, and the allure of children’s musical play2
Strategies used in harmonising tonal songs: a study with students of melodic instruments2
Experiences during listening to music in school2
International communication and cultural exchange based on music: a study of the experience of Chinese music education in other countries2
Editorial2
The place of master theses in music performance education in Sweden: subjects, purposes, justifications2
Enduring impacts of collaborative workplace music mentoring for early childhood generalist teachers, music mentors and students2
In-service teacher training for Cantonese opera teaching in Hong Kong schools2
Preparing for infants’ musicking – a tracking case study of a Chinese family's musical environment2
Human rights education through collaborative songwriting: a workshop for music teacher education in Chile2
Silent learning: a multimodal approach to examining non-verbal communication in secondary school computer-based music lessons2
The positive learning transfer from a musical play early-learning system® to young children’s linguistic and spatial skills2
Decolonising the rhythm curriculum: integrating global groove practices in undergraduate aural skills2
Neoliberalism and intercultural popular music education: Chinese and Korean undergraduate students in South Korea2
School off, music on: dimensions of young adult’s musical practices after finishing school2
‘Sing, sing, sing’ embodiment and situationality in the singing development of early education and care professionals1
Blurred lines and queered spaces: an examination of teachers’ visions of multi-styles curricula1
Teaching and learning in music education – a meta-synthesis1
Reverberations in music education: What does sound ‘do’ in our learning spaces ?1
Becoming a ‘Trans Synth Queen’: YouTube, electronic music composition, and coming out1
Through the lens of Bourdieu: an integral literature review on bringing gender neutrality to the musical instrument selection process1
Editorial1
Secondary music teachers: a case study at a time of education reform in Wales1
Review of music literacy strand of the Oxford Music Analysis Conference (July 2023), Society for Music Analysis1
No justice, no peace: an arts-based project with a college choir1
Empowering piano students of Western classical music: challenging teaching and learning of musical interpretation in higher education1
Music teacher experiences of trauma sequelae in the elementary general music classroom: a case study1
The parent role in Suzuki music lessons: experiences and perspectives shared by novice Suzuki parents1
Music education research special issue: posthuman perspectives for music education1
Sound possibilities: listening for the new in early years music-making practices1
Motivational factors for sustained participation in a traditional Chinese orchestra among primary school students: a self-determination theory perspective1
Supporting musical affordances for desistance and resistance in youth justice settings1
An International quartet of voices: sharing songs and culture beyond borders1
Centring perspectives of disabled children in music education research1
Exploring the perspectives of Asian American parents on their musically talented children in instrumental education1
Exploring Nordic approaches to advanced instrumental music pedagogy: insights from ethnographic fieldwork1
Thinking ahead: the use of mental training in young violinists’ skill development1
‘It’s music and we came to play instruments’: teaching for engagement in classroom music1
Reconfiguring music education for future-making: how?1
Teacher beliefs about student agency in whole-class playing1
What factors influence whether and how Norwegian kindergarten teachers sing with children? Results of a national survey1
Illuminating hidden work of group singing facilitators: a grounded theory study1
Editorial1
Intercultural dialogue and the mobilisation of aural skills1
Self-identified learning needs in style-bound musical improvisation: a qualitative, category-guided analysis for fostering self-directed action1
Introduction to the Special Issue: Posthuman Perspectives for Music Education1
Understanding virtual rehearsal participation through self-determination theory1
Crossing borders and generations: examining the relationship between music engagement and immigration generation1
Student teachers’ views of their own musical skills to teach the National Core Curriculum in Finland1
Methodological shifts and departures in music education research: embracing complexity with diffraction, intra-action, and agentic assemblages1
Design and implementation of outdoor music learning environments for a younger preschool class: a case study of educational practices and outcomes1
Facilitators and barriers to the Music College Entrance Examination among Chinese ethnic minority students1
Introducing multi-sited focused ethnography for researching one-to-one (singing voice) pedagogy in higher education1
A reflective evaluation of digital storytelling in music education: designing my digital story1
Attitudes of future preschool and primary school teachers in Montenegro regarding music education training1
The instrumental practice goal realization inventory: from intention to evaluation1
Who takes part in participation? Challenges to empowering student voice in music teacher education1
How inclusive are our music classrooms? A theoretical model and case study from a preschool class of a mainstream private nursery school in Cyprus1
Reconceptualising literature reviews in Ghanaian music theory and composition: a path toward academic rigour and creative engagement1
On decolonising music diversity in/and higher education1
University students facilitating hip hop in a community engagement project: experiences and perceptions1
Recognising intra-actions of music and pupil1
Call For PapersRIME 2025 The 14th International Conference for Research in Music Education (April 22–25 2025, Online)1
Digital music and critical music literacy1
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