Folklore-Electronic Journal of Folklore

Papers
(The TQCC of Folklore-Electronic Journal of Folklore is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Motif Index of Prophetic Dream Narratives: Methods of Compilation2
Heroes and Villains in Memes on the 2022 Russian Invasion of Ukraine1
The European Bear’s Son Tale: Its Reception and Influence on Indigenous Oral Traditions in North America1
Women of the Twilight: The Narrative Spaces of Women in the Icelandic Rural Community of the Past1
The Simiots of Catalan Folklore: Neither Are Reminiscences So Old, Nor Are They So Strange Beings1
Algebraic Structure of Ancient Mesopotamian Omens1
1
Political Meanings Hidden Behind Enchanting Melodies: How China Delivered Ideological Messages in the Song Cycle “Four Seasons of Our Motherland”1
Personal Songbooks: Imprints of Identity in the Nineteenth-Century Lithuanian Written Culture1
Card Index of Former Latvian SSR KGB Agents: Trauma and the Path to Public Reconciliation1
Melancholic, Joyful, and Outlaw Voices: Finnish Rhymed Couplets and Writers’ Archival Materials1
The Collection of Hungarian Traditional Games1
The Structures of Dialect as the Founding Element of Social Identity: The Case of Bursa City0
As Much as Necessary and as Little as Possible: The Interplay of National and Soviet in a Wedding Performance at the 1960 Folk Art Evening of the Estonian Song Festival0
Traumatization of the Past and Martyrological Thinking in the Soviet Union and the Post-Soviet Space0
Folklore and Greek Hagiography: Some Preliminary Notes0
When a Crisis Opens New Academic Perspectives: The New Webinar Series of the SIEF Ritual Year Working Group0
Materialized Trauma Narratives of Border Crossings0
Representations of Distance Learning in the Memes of the First Wave of the Covid-19 Pandemic: Humour as a Coping and Self-Defence Strategy0
One Trauma, Two Narratives: Adamah versus Tomorrow’s a Wonderful Day0
An Archetypal Analysis of the Queen Mother of the West in Chinese Mythology0
Exploring the Semantics and Structure of Vocatives in Ukrainian Folk Songs0
Easter Traditions among Slovenes in Italy (Natisone Valley)0
Performing an Archive: Aims, Interests, Ideologies and Expectations0
Adopting or Dodging the Heroic Model: Professional Trajectories of Estonian Women Architects0
Tata Liba Ceremony for Reconciliation and Healing (Palu’e Island, Eastern Indonesia)0
Chinese National Motifs in the Folk Song Mo Li Hua: Influence on Modern Chinese Music0
“Here and There One Seed Sprouts, and Then It Seems We Have Done Something”: Nurturing Creativity in Elementary Schools0
The Life of Rituals during the Pandemic: The Ritual Year SIEF WG Roundtable at the SIEF 2021 Congress0
0
Suicide Games, Abandoned Houses, and Thirst For Danger: The Youth’s Personal Experience Narratives and the Media’s Moral Panics about Semi-Supernatural Challenges in Estonia0
0
‘Have You Heard of Kalevauva.fi Yet?’ Modern Folklore, Humour, and Gender in the Lyrics of the Finnish Folk Troubadour Duo Kalevauva.fi0
Traditional Beliefs and Real Influence of Full Moon Days on the Behavior of Community Pharmacy Customers in Estonia0
Analysis of the Worldwide Distribution of the ‘Man or Animal in the Moon’ Motifs0
The History of the Formation of Folklore Collections in Belarus0
Hospital Clowning as a Way to Overcome Trauma0
Multilingualism in Estonian Poetry0
If Oskar Kolberg Had Had the Phonograph… Or How to Read the Oldest Archival Notes of Polish Traditional Music through the Prism of Phonographic Experience0
Rules and Norms, Freedom, and Regulation: The 15th Congress of the International Society for Ethnology and Folklore (SIEF)0
0
Messages Behind Self-Gifting Practices: A Phenomenological-Anthropological Approach0
Children as Agents, Targets, and Intermediaries of Family Humour0
After the War and Repressions: Mediating of Traumatic Experiences in Estonian Life Stories0
Jin Ping Mei: A Story of Guanxi0
Motifs of Inanimate Nature and Atmospheric Phenomena in Polish Folktales0
“Letters from America”: Songs of Lithuanian Immigrants in the USA0
Traditional Healing Expectations in Light of Placebo and Performance Studies0
Ainu Puri as a Compass: From Yukar Musical Epics to a Contemporary Context of Transnational Indigeneity of the Ainu0
0
The Popular Ballad, Rumours and Memories as a Special Narrative Format0
Mediated Easter: Constructing Religious Rituals in a Lockdown0
Play and Folklore in Children’s Peer Cultures0
Female Genital Cutting in Ịjọland: Context, Performance, and Songs0
Narrating Ethnicity in Oral History Interviews: Life Stories of People Resettled from Estonia to Germany in 19410
Melting in the Melting Pot: The Acculturation Experience of the Ahiska Turks in the US0
Humorous Reactions to Controversies in the Estonian Public Sphere: Form, Content, Mechanisms and Comments0
“To hear the mermaids sing”: Visual Figuration, Myth and Desire in the Case of the Waterwoman0
Introduction: From Conceptual Debates to Practical Applications0
The Wild Woman Archetype: A Comparative Study of Motif Correspondence Between “Bluebeard” and the Turkish Fairy Tale “İğci̇ Baba”0
Bridging Northern and Southern Traditions in the Finnic Corpus of Oral Poetry0
Collecting Slovenian School Lore Via E-Questionnaire: Analysis of the Collected Material and Revision of the Questionnaire0
Nursing Queen Archetype in the Context of Changes in Estonian Society: A Retrospective View0
Illness: Narratives, Imagery, and Politics0
Ritual Rules in Changing Circumstances: Break, Adapt or Maintain? An Introduction0
What We Remember and What We Forget: Selective Memory in the Holocaust0
0
Success Story or Traumatic Experience? An Attempt to Integrate Trauma Theory with Oral History Research for the Interpretation of First-Person Stories0
Folkloric Manifestation of Primitive Impulses: Folk Riddles0
Folklore Activities of the Lithuanian Science Society: Utopian Goals or Insightful Ideas?0
The Bowed Lyre of Estonia’s Swedes: Origin, Diffusion, Decline, Revival0
Udmurt Folklore Material in the Folklore Archives of the Estonian Literary Museum and Its Collectors: A Brief Review0
Traditional Songs and Their Messages in the Corona Period: An Experience from Serbia0
The Contradictory Foundation of the Estonian Folklore Archives: Traditionality and Modernism, Unification and Segregation, and Basics of Authenticity0
Nordic and Baltic Digital Humanities Conference “Digital Dreams and Practices”, March 3–7, 2025, in Tartu0
Multi-Use of Cranberries (Vaccinium Spp.): Heritage and Pharmaceutical Results0
Ukrainian Folk Dumy: Problems of Historical Development and Modern Performance0
Layers of Folkloric Variation: Computational Explorations of Poetic and Narrative Text Corpora0
Trauma and the Victim Economy0
Irina Sedakova 700
Youth Identity Development on the Basis of Traditional Kazakh Folk Music0
Challenging Hegemonic Gender Norms in Emma Donoghue’s “The Tale of the Rose” and Disney’s Beauty and the Beast0
Integration of Traditional Chinese Folk Music Culture into Music Education at Middle Schools0
The Mute: Ritual and Transgressive Meanings of the Masked Character in the Romanian Căluş Ritual0
“Here and There One Seed Sprouts, and Then It Seems We Have Done Something”: Nurturing Creativity in Elementary Schools0
Ethnography of the Balkan Cults in Abruzzi and Molise (Italy): Two Case-Studies0
Pilgrimages in Times of the Covid-19 Pandemic in Romania0
Messy Affairs with Imagined Swamp Creatures: The Human-Nature Relationship in Swamp Monster Narratives0
Historical Trauma between Event and Ethics: Aleida Assmann’s Theory in the Context of Trauma Studies0
Children as Consumers and Co-Creators of Cultural Products: The Impact of Foreign Films on Estonian Children’s Culture in the 1950s0
The Ritual Year of the Nekrasov Cossacks in Turkey and in Russia: Reflecting on the Adaptation to New Environments0
Corpus-Based Research of Semantic Aspects of Laul-Stem Words in Estonian, Focused on Past Newspaper Texts and Folk Song Lyrics0
The Process of Becoming a War Refugee: The Case of a Finnish Boy0
Gender Role Perceptions in Selected South-African Folktales0
The Romani in the Russian Empire, the Soviet Union, and the Russian Federation0
Base Form and Other Forms of the Estonian Verb0
The Status and Roles of Women in Terms of Gender in Ancient Turkish History and Culture Based on the Dīwān Lughāt Al-Turk – The First Turkish Dictionary0
“I Am Like Green Firewood – Not Going Out, Not Catching Fire!” A Prisoner’s Self-Portrait in Letters0
An Experienced Ethnologist’s Thoughts on Digitalization, Open Access, and Open Data as New Research Assets0
Wooing Werewolves: Girls’ Genius, Feminine, and Initiation in Angela Carter’s and Märta Tikkanen’s Versions of “Little Red Riding Hood”0
The Rite of Passage among Karaite Turks: Birth0
Aleksei Peterson in the Southern Veps Villages in 1965–1969: A Chapter from the History of Soviet Estonian Ethnography0
She Sang in a Beautiful Light Voice: Musical Qualities of Runosong Performances in Fieldwork Reports0
The Image of the German, the Pole, the Latvian, and the Lithuanian in Lithuanian and Latvian Folklore0
0
Routes to Forming an Affiliative Postmemory about Difficult Pages in History (Based on the Example of the Era of Political Repression)0
The Estonian Folklore Archives as a Knowledge Hub0
Rumours in a Situation of Political Conflict: Catalonia and Its Referendum of Self-Determination0
0
Representations of Gender in Estonian Graffiti and Street Art0
0
Paying Public Domain and the Albanian Protection of Folklore0
The Estonian Language and Its Influence on Music: A Cognitive Sciences Approach0
Traces of a Greek Myth (?) in Subcultures of Lur-Inhabited Regions of Western Iran0
Ethno-Graphics: Folklore and Baltic Printmaking in the Period of Late Socialism0
The Wedding Ceremony in Kazakh Folklore: Yesterday and Today0
The Wedding Water (Neke Sui) and the Blending of Ancestral and Islamic Rituals in the Kazakh Traditional Marriage0
Vindications and Customs: Women’s Participation in Local Festive Rituals in Spain0
Homophobic Discourses and Their Soviet History in Estonia0
Introduction: The Potential and Constraints of Cultural Transfer through Voice, Connection, and Message0
Experiences of Mire Sports: Sensory Encounters in Nature0
Figures in the Mire: Towards Transformative Art and a Respectful Mire Relationship0
Materiality of Magic in Estonian and Finnish Museums0
Exploring the Transformative Power of Play in African Children’s Games0
Combining Archival and Academic Research in Dissident Manuscripts: The Ostrobothnian Mystics Project (Finland)0
Introduction: Earlier Experience of Collecting and Researching School Lore in Estonia and Slovenia0
0
Distinguishing Between Proverbs and Sayings According to Josef Mlacek’s Classification in Dictionaries and Paremiological Collections: The Case of Explanations of Meaning in Two Slovenian Dictionaries0
Developmental Changes in Acoustic Characteristics of Speech of Estonian Adolescents0
Gender Perspectives in the Study of Estonian Society and Culture: Current State and Challenges0
Plots of Gothic Origin in Ukrainian Folklore Prose0
0
Do Bulgakov’s Hella (Gella), Azazello, Behemoth, and Abadonna Have Ancient Near Eastern Origins?0
Fictional Folklore: On the Paremiology of A Game of Thrones0
Opening Archives to Society: The Experience from the Folklore Archive at Rovira i Virgili University0
0
Calendric Feast Bans and the Punishment for Violating Them in the Bulgarian Traditional Culture0
Slovenian Folk Lullabies: Analysis of the Lullaby Texts and Their Functions0
Archtypology of the Figural Antagonist in Classical Fairy Tales and Other Culture-Forming Stories0
The Appearance of Grotesque Forms in Crystal Manor Tales0
Some Aspects of Food Security/Insecurity of Ukrainian Society: The Socio-Economic Dimension0
0
Archives and the Bodily Dimension of Traditional Dance Knowledge0
Introduction: Affective Mires in Contemporary Culture0
Love in the Time of Coronavirus: Innovation and Tradition in the World of Quarantine Weddings0
Ritual, Risk, and Danger: Avoidance Rituals among Antiquity Looters0
How to Participate in Participatory Music Making at a Contemporary Folk Music Festival: Runosong Nests at the Viljandi Folk Music Festival and Pelimanni Evenings at the Kaustinen Folk Music Festival0
0.042381048202515