Journal of African Cultural Studies

Papers
(The TQCC of Journal of African Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
The Campus as War Zone: Contemporary Anglophone Fiction, Post-Independence Civil War, and the African University6
Re-membering the Postcolonial Musical Audience with Indigenous Soundscapes:Mbeyu NjijaMusic-Video Documentary in Tanzania5
Landscapes of Distant Suffering: Interrogating Humanitarian Documentary Film Representation of “Harmful” Cultural Practices5
The Dream Factory: Chinese Presence on a Nigerian University Campus5
Booty Power Politics: The Social-mediated Consumption of Black Female Bodies in Popular Culture4
“Mama Majuto”: A Reflection on Playing Mzungu in Tanzanian Video Films4
Slavery and Resistance in Abi Daré’s The Girl with the Louding Voice4
Re-Contextualising Breakdance Aesthetics: Performance, Performativity, and Re-Enaction of Breakdancing in Uganda4
Remix and Revision: Encounters between Africa and Europe in Contemporary African Popular Culture3
Notes on the Text, Context and the Cultural Politics of Reading Taiwo Shango3
Campus Movements and Student Revolutionaries: Imagining Haile Selassie I University in Hiwot Teffera’s MemoirTower in the Sky3
Language and Hip-Hop in Africa: A Tanzanian Perspective3
“Sweet Like Honey”: Twa Photographers Reframing the Past, Present and Future in a Remote Rwandan Marginalised Community3
Performing Spiritual Solidarity: Christian Music and #EndSARS Protest in Nigeria3
Voicing Afro-Modernity: How Black Atlantic Audiobooks Speak Back3
Language, Authenticity, and Hiplife Music in Accra3
Being Muslim at the Intersection of Islam and Popular Cultures in Nigeria2
Guiding Muslim Women in the University: The Muslim Students’ Society of Nigeria Women’s Programmes in Northern Nigeria2
Rethinking Human-Centredness and Eco-Sustainability in an African Setting: Insights from Luganda Folktales2
From Guns and Steel to Germs: Malarial Detritus in New Sculptures by Gonçalo Mabunda2
“Back to Sender”: Pentecostal Prayer Forms and Language Dynamics in Nigeria’s Contemporary World2
From “Sin Street” to “Education Street”: Music, Politics and Transgression in Maputo’s Red-Light District, Mozambique (c.1960–86)2
Circumventing Censorship on the University Campus Through the Analysis of a Dramatic Text2
Textualisation du harcèlement sexuel dans le campus universitaire camerounais : une analyse à partir de La révolte de Mbazoua de Moone Nda’a2
Rethinking Agency in Kenyan Animal Conservations: Ng’ang’a Mbugua’s Terrorists of the Aberdare2
Campus and Creation in Côte d’Ivoire: Issues and Strategies for an Aesthetic of Camouflage in Zouglou2
Desiring Queer Motherhood and Mothering Ourselves2
Laughing off Ebola in Sierra Leone: Humor in Times of Crisis2
Zimbabwean Popular Cultural Expressions of Alternative Sexual Identities2
Kutuma Salamu on Public Service Radio and the Performance of Popular Culture: Voice of Kenya from the 1960s to the 1980s2
Beyond the Static: Women, Voice and Radio Zulu in the 1970s and 1980s2
Cultural Pluralisms: Neo-Nollywood and Biyi Bandele’s Ẹlẹ́ṣin Ọba (2022)1
Nigerian Campus Forms1
Ọkụmkpọ́ Masquerade as Theatre Performance in Akpoha-Afikpo Cross River Igbo Area of Southeastern Nigeria1
The Journal of African Cultural Studies Regenerates1
Animating Performances: Prayers and African Popular Pleasures1
African Cultural Imaginaries and (Post-)Development Thought1
Nigerian Universities’ Sexual Harassment Policies: Palliative or Provocative?1
Listening for Religion in Lagos: Preliminary Reflections1
When Men Become Women: Parody and Satire in Khady Touré's Film Échange Inégal: Goor Dongue1
Campus et création en Côte d’Ivoire : enjeux et stratégies d’une esthétique du camouflage dans le zouglou1
Self-censorship and Shifting Cognitions of Offence in the Stand-up Acts of Basket Mouth and Trevor Noah1
Sound Studies from Africa1
Taiwo Shango : The German Context1
Les universités africaines francophones : le campus sous toutes ses formes1
Prayer 24/7: The Mountain of Fire and Miracles Prayer City and Urban Invigoration in Nigeria1
Textualisation of Sexual Harassment on the Cameroonian University Campus: Moone Nda’a’s La révolte de Mbazoua et autres nouvelles1
African Universities: Translating Francophone Campus Forms1
The Culture of Language in Cape Town’s Hip-Hop Community1
The World around the Mother as a Gift in African Folktales and Fountain of Radical Joy1
Pentecostal Christianity and Traditional Religion in Nigerian Video Films by Edo-Language Filmmakers1
Contemporary Conversations: Meet the Practitioners1
Enlivening Prayers: Aesthetic and Function in the Supplicatory Odes of Shaykh Abū Bakr Atiƙu (Kano, Nigeria, d. 1974)1
Masculine Aesthetics and Food Ascetics: An Autobiographical Exploration of Fitness Religion in Cape Town1
The Politics of “Queer Reading” an Ethiopian Saint and Discovering Precolonial Queer Africans1
Nigerian University Dress Codes: Markers of Tradition, Morality and Aspiration1
Collective Creativity in the Lecture Hall: Key Issues, Participant Strategies and Aesthetic Challenges1
Wailing Women: Kenyan Prayer Warriors and the Animating Grounds of Emotions1
Food, Migration, and Place Consciousness in Chika Unigwe’s Better Never than Late1
Locus of Struggle: The African Campus and Contemporary Protest Forms1
From Dakar to Pyongyang: Imagining Pan-Africanism and the Global South through Sierra Leone’s National Dance Troupe (1966–1988)1
Binyavanga Wainaina’s Narrative of the IMF-generation as Development Critique1
Edible Bodies? Conspicuous Consumption, Women’s Bodies and Postcolonial Masculinities in Fast-Food Advertisements in Zimbabwe1
Law and Black Agency in Memories of Abolition: Human Rights and Slavery Films1
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