Journal of African Cultural Studies

Article	Citations
“My Flight Arrives at 5 am, Can You Pick Me Up?”: The Gatekeeping Burden of the African Academic	19
Inxeba(The Wound), Queerness and Xhosa Culture	17
The Possibilities and Intimacies of Queer African Screen Cultures	15
YouTube Queer Communities as Heterotopias: Space, Identity and “Realness” in Queer South African Vlogs	14
Heteroerotic Failure and “Afro-queer Futurity” in Mohamed Camara’s Dakan	13
Skin and Silence in Selected Maghrebian Queer Films	10
Lawful Performance and the Representational Politics of Queer African Refugees in Documentary Film	10
Walking with Shadows: Jude Dibia and Olumide Makanjuola in Conversation with Lindsey Green-Simms	10
“Fake” Journals and the Fragility of Authenticity: Citation Indexes, “Predatory” Publishing, and the African Research Ecosystem	10
Covid-19, Knowledge Production and the (Un)Making of Truths and Fakes	5
Fakery and Fabrications in Kumasi’s “Modern” Market	5
Racial Discrimination in Uncertain Times: Covid-19, Positionality and Africans in China Studies	5
Thinking China from Africa: Encounter with the Other Other	4
Chihuahua Promises and the Notorious Economy of Fake Pets in Cameroon	4
Kenya’s “Fake Essay” Writers and the Light they Shine on Assumptions of Shadows in Knowledge Production	4
Introduction to Campus Forms	4
Cleavage: Guangzhou, Covid-19 and China–Africa Friendship Politics	4
Unmuting Conversations on Fakes in African Spaces	4
Laughing off Ebola in Sierra Leone: Humor in Times of Crisis	3
“The Fake is News”: On Popular Visual Media, Fakery and Legitimacy Contestations in Charismatic Christianity in Contemporary Ghana	3
Booty Power Politics: The Social-mediated Consumption of Black Female Bodies in Popular Culture	3
Black Aesthetics and Deep Water: Fish-People, Mermaid Art and Slave Memory in South Africa	3
Nigerian Campus Forms	3
Self-censorship and Shifting Cognitions of Offence in the Stand-up Acts of Basket Mouth and Trevor Noah	3
Pan-Africanism and the Affective Charges of the African Union Building in Addis Ababa	3

Binyavanga Wainaina’s Narrative of the IMF-generation as Development Critique	3
Fake Wax	3
Rethinking Agency in Kenyan Animal Conservations: Ng’ang’a Mbugua’s Terrorists of the Aberdare	2
Zimbabwean Popular Cultural Expressions of Alternative Sexual Identities	2
“That Is Still our Tradition but in a Modern Form, but it Still Tells our Story”: Transitions in Buildings in Northern Ghana	2
Speargrass Blossoms: Patriarchy and the Cultural Politics of Women’s Ephemerality on the Land in Acholi	2
Civilisation under Colonial Conditions: Development, Difference and Violence in Swahili Poems, 1888–1907	2
Midwifery Narratives and Development Discourses	2
“Shot-putting” and Other Dirty Secrets: Nigerian Students’ Everyday Struggles	2
Spaces of Protest: Seydina Issa Sow's Campus Graphic NovelSidy	2
Being Muslim at the Intersection of Islam and Popular Cultures in Nigeria	2
The Racialization of Drug Fakery and Pharmaceutical Markets	2
The Politics of “Queer Reading” an Ethiopian Saint and Discovering Precolonial Queer Africans	2
Decolonizing “China–Africa Relations”: Toward a New Ethos of Afro-Asianism	2
In Defense of the False	2
Malawians’ Foreign Film Dubbing, Film Pirating and Consumption as “Weapons of the Weak”	2
The Campus as War Zone: Contemporary Anglophone Fiction, Post-Independence Civil War, and the African University	2
Reading Dina Ligaga’s Women, Visibility and Morality in Kenyan Popular Media From Nigeria	1
China Studies in Africa	1
The Things We Now Call Fake Will in the Future Become Authentic Objects: Global African Art Markets and the Space and Time of the Fake	1
Hindi Films, Bollywood, and Indian Television Serials: A History of Connection, Disconnection, and Reconnection in Tamale, Northern Ghana	1
The Politics of Language in Ugandan Hip-Hop	1
Rethinking Motherhood through Afrofeminism: Reading Jennifer Makumbi's The First Woman	1
Fakeness, Human-Object Fluidity and Ethnic Suspicion on the Kenyan Pharmaceutical Market	1
Re-Contextualising Breakdance Aesthetics: Performance, Performativity, and Re-Enaction of Breakdancing in Uganda	1
Do Fakes Exist? Trade and Consumption of Sex Enhancers in Harare's Avenues	1
“Tuti is Losing its Uniqueness”: Genealogy Documentation of the Maḥas of Tuti Island and the (De)Construction of Belonging	1
Rethinking Human-Centredness and Eco-Sustainability in an African Setting: Insights from Luganda Folktales	1
From “Sin Street” to “Education Street”: Music, Politics and Transgression in Maputo’s Red-Light District, Mozambique (c.1960–86)	1
Nigerian Universities’ Sexual Harassment Policies: Palliative or Provocative?	1
Ears to the Ground: Realness, Decolonial Meta-Rap, and the Language Debate in Nigerian Hip-Hop	1
Landscapes of Distant Suffering: Interrogating Humanitarian Documentary Film Representation of “Harmful” Cultural Practices	1
Lyrical Renegades: Reframing Narratives of the Covid-19 Pandemic in Kenyan Urban Margins Through Hip-Hop	1
“China, Unaona Mkono Yangu Ama Una-nini?”: The Wedding Engagement between Kenya and China in theChurchill Comedy Show	1
The Culture of Language in Cape Town’s Hip-Hop Community	1
“Covid Cure (1)”: Anas’s Investigative Journalism and the Ethics of Uncovering Fakes in African Spaces	1
Language, Authenticity, and Hiplife Music in Accra	1
Performing Respect: Contemporary Strategies and Lived Experiences in Intimate Relationships in Maputo	1
Language and Hip-Hop in Africa: A Tanzanian Perspective	1
Youth, Football and Everyday Lived Experience in Ajegunle, Lagos	1
Faith and Governance: A Study of Mawlid in Contemporary Morocco	0
Youth, Associational Life and Civic Engagement in Northern Cameroon: Association des Jeunes Élèves et Étudiants de la Faada	0
Undetermined Identity: A Diaspora Scholar in China–Africa Studies	0
Créations collectives en amphi : enjeux, stratégies d’acteurs et défis esthétiques	0
L’enseignement artistique et culturel dans la formation professionnelle des universités publiques au Bénin : de la marginalisation à la réintégration progressive	0
Kutuma Salamu on Public Service Radio and the Performance of Popular Culture: Voice of Kenya from the 1960s to the 1980s	0
The World around the Mother as a Gift in African Folktales and Fountain of Radical Joy	0
There Was a Campus: Nostalgia, Memory and the Formation of University of Nigeria “Campus Kids” Online Communities	0
Cultural Pluralisms: Neo-Nollywood and Biyi Bandele’s Ẹlẹ́ṣin Ọba (2022)	0
Roundtable on Dina Ligaga's Women, Visibility and Morality in Kenyan Popular Media	0

Vital Atmospherics: Sonic City-Making in Africa	0
Food, Migration, and Place Consciousness in Chika Unigwe’s Better Never than Late	0
Pondering the Gaps: A Response	0
Academic Fakes	0
Contemporary Conversations: Meet the Practitioners	0
African Cultural Imaginaries and (Post-)Development Thought	0
Herding Games and Socialisation into Pastoral Linguacultural Practices	0
African Universities: Translating Francophone Campus Forms	0
Campus et création en Côte d’Ivoire : enjeux et stratégies d’une esthétique du camouflage dans le zouglou	0
“We Dey Beg”: Visual Satirical Media Discourses on Contemporary Ghana-Sino Relations	0
Cinema Narration as Oral Performance: DJ Afro and East African Media Practices	0
Encountering Mudi Yahaya’s Nina Fischer-Stephan’s Respectful Gaze in Lagos	0
Voicing Afro-Modernity: How Black Atlantic Audiobooks Speak Back	0
Les universités africaines francophones : le campus sous toutes ses formes	0
Performing the News: Yorùbá Oral Traditions on the Radio	0
Guiding Muslim Women in the University: The Muslim Students’ Society of Nigeria Women’s Programmes in Northern Nigeria	0
Yeset Lij’s Tribute to the Praxis of Collective Mothering: Childhood in Derg’s Ethiopia	0
The Limits of Governmentality: Call-in Radio and the Subversion of Neoliberal Evangelism in Zambia	0
Looking at Listening: Gender and Race in Commercial Advertising for Radio Sets in Southern Africa from the 1950s to the 1970s	0
Positioning Ourselves on China in Africa: An Interview with Hairong Yan*	0
Re-imagining How We Want to Be Touched	0
Ja Pa and Jokes in Nigerian Skits: Humour and the Imagineering of a National Dystopian Consciousness	0
“I Gats to Belong”: Decolonial Moments and the Politics of Belonging in Nollywood Campus Films	0
The Corporation as Imperialist and Antagonist in Contemporary African Fiction	0
Keeping Time: Prayers and Social Vitality in the Ashanti Adaε Festival	0
Re-centring the Mothers of Rwanda’s Abducted “Métis” Children	0
Revolutionary Mothering	0
“Sweet Like Honey”: Twa Photographers Reframing the Past, Present and Future in a Remote Rwandan Marginalised Community	0
Textualisation of Sexual Harassment on the Cameroonian University Campus: Moone Nda’a’s La révolte de Mbazoua et autres nouvelles	0
The Ethnography of Surrogate Speech in a Foreign Language: The Case of the Timpani Drum Language among the Dagomba of Ghana	0
Stereotypes and the Ambiguities of Humour in Kenya: TheChurchill Show	0
Method and Antimethod: Reflecting on Keguro Macharia’s Frottage	0
Wailing Women: Kenyan Prayer Warriors and the Animating Grounds of Emotions	0
Nigerian University Dress Codes: Markers of Tradition, Morality and Aspiration	0
Contourner la censure à l’université par l’analyse d’un texte dramatique	0
Elitist and Popular Ideological Forms in Selected Nigerian Campus Novels	0
A Korean American in South Africa: Some Reflections on my Experience as an “Other”	0
Exploring the Language Debate in Hip-Hop in Kenya	0
Radio and Music Listening Practices in Colonial Mozambique: The Goan Experience	0
Circumventing Censorship on the University Campus Through the Analysis of a Dramatic Text	0
The Undisciplined Campus Forms of Université Cheikh Anta Diop	0
The Burma Campaign from an African Perspective: The 1944 World War II Travelogue of Sgt. F. S. Arkhurst of the Royal West African Frontier Forces	0
Performing Spiritual Solidarity: Christian Music and #EndSARS Protest in Nigeria	0
The Work of Repetition in 1960s Nigerian Epistolary Pamphlets	0
“fokkol graad vi jou nie” [Fuck All Degree for You]: Black Afrikaans Poets, Critical University Studies, and Transcripting the Afrikaans University	0
Collective Creativity in the Lecture Hall: Key Issues, Participant Strategies and Aesthetic Challenges	0
Pentecostal Christianity and Traditional Religion in Nigerian Video Films by Edo-Language Filmmakers	0
Arts and Culture in Professional Training Programmes at Beninese State Universities: From Marginalisation to Progressive Reintegration	0
Ẹgbẹ́ Àtẹ́lẹwọ́: A Yorùbá Book Club and Its Decolonial Project	0
Keguro Macharia: On Grinding, Grating, and Creating Friction against Kenyatta’s Figurations of Gender, Sexuality, and Ethnicity	0
The Labor of the Living Dead	0
The Yorùbá Concepts of Ìgbàgbọ́ and Ìmọ̀ : Understanding Human and Nonhuman Species Interactions	0
When Men Become Women: Parody and Satire in Khady Touré's Film Échange Inégal: Goor Dongue	0
African Studies and Sino-Africa Collaborations: Towards Our “Common Interest”	0
Beyond the Static: Women, Voice and Radio Zulu in the 1970s and 1980s	0
Re-membering the Postcolonial Musical Audience with Indigenous Soundscapes:Mbeyu NjijaMusic-Video Documentary in Tanzania	0
Slow Research and Peer Support: An Alternative Model of Networking	0
Listening for Religion in Lagos: Preliminary Reflections	0
Foreign Bodies, Local Language: Voicing Foreignness in a Casablanca Dubbing Studio	0
Reflecting on “Chinese” Positionality in Africa: An Encounter with Another “Other”	0
From Guns and Steel to Germs: Malarial Detritus in New Sculptures by Gonçalo Mabunda	0
Urban Crime in the Lagos Traffic: An Ethnography at the Crossroads of Multiple Codes of Ethics	0
The Dream Factory: Chinese Presence on a Nigerian University Campus	0
The Rider and the Coffee Maker: Sites and Practices of Remembrance in Contemporary Namibia	0
Imagining Freedom with Keguro Macharia’s Frottage: Frictions of Intimacy across the Black Diaspora	0
Sound Studies from Africa	0
Animating Performances: Prayers and African Popular Pleasures	0
Reading Dina Ligaga’s Women, Visibility and Morality in Kenyan Popular Media from Tanzania	0
What Can We Learn from Africa? Teaching African Cultures in China	0
Evolutions, Transformations and Trends in Kalenjin Traditional Songs	0
Ethiopian Reggae Ambassadors, Rastafari, and the Promotion of Transatlantic Pan-African Solidarity	0
Vernacular Verses: Language, Identity and African Hip-Hop	0
Zambia’s Support for the African National Congress’s Radio Freedom in Lusaka, 1967–1992	0
Les formes indisciplinées du campus de l’Université Cheikh Anta Diop	0
The Spread of New Chinese Socialist Martial Arts Films in Africa	0
Street Food Discourses and the Case of the Ugandan “Rolex”	0
Edible Bodies? Conspicuous Consumption, Women’s Bodies and Postcolonial Masculinities in Fast-Food Advertisements in Zimbabwe	0
Campus Movements and Student Revolutionaries: Imagining Haile Selassie I University in Hiwot Teffera’s MemoirTower in the Sky	0
Textualisation du harcèlement sexuel dans le campus universitaire camerounais : une analyse à partir de La révolte de Mbazoua de Moone Nda’a	0
Locus of Struggle: The African Campus and Contemporary Protest Forms	0

Desiring Queer Motherhood and Mothering Ourselves	0
Campus and Creation in Côte d’Ivoire: Issues and Strategies for an Aesthetic of Camouflage in Zouglou	0
Sonic Sensibility: Reading the Soundscape in Zimbabwean Diasporic Literary Works	0
With Gratitude, Toward Freedom	0
Mimicry of European Football Commentary: Arap Uria’s Comic Lip-Sync Impressions in Kenyan Social Media	0
The Governor and the Everyday Woman: Reflections on Dina Ligaga’s Women, Visibility and Morality in Kenyan Popular Media	0
Animation Theory: Prayer as Popular African Performance	0
Radio in Africa: Past and Present	0