European Journal of Cultural Studies

Papers
(The median citation count of European Journal of Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
Alt. Health Influencers: how wellness culture and web culture have been weaponised to promote conspiracy theories and far-right extremism during the COVID-19 pandemic56
White tears, white rage: Victimhood and (as) violence in mainstream feminism51
Victimhood: The affective politics of vulnerability43
Mummy influencers and professional sharenting42
‘Ruined’ lives: Mediated white male victimhood38
Who cares? At what price? The hidden costs of socially engaged arts labour and the moral failure of cultural policy28
Home in question: Uncovering meanings, desires and dilemmas of non-home21
Ambivalent influencers: Feeling rules and the affective practice of anxiety in social media influencer work21
We will be great again: Historical victimhood in populist discourse20
Genres and inequality in the creative industries17
The social positions of taste between and within music genres: From omnivore to snob17
Cultural populism in new populist times13
Keywords as method12
Classical music as genre: Hierarchies of value within freelance classical musicians’ discourses12
Authenticity, uniqueness and talent: Gay male beauty influencers in post-queer, postfeminist Instagram beauty culture12
The politics and aesthetics of humour in an age of comic controversy11
Performing ‘us’ and ‘other’: Intersectional analyses of right-wing populist media11
Nation branding through the lens of soccer: Using a sports nation branding framework to explore the case of China11
Unpopularity and cultural power in the age of Netflix: New questions for cultural studies’ approaches to television texts10
Palpating history: Magical healing and revolutionary care in Rural Serbia and Macedonia10
Affective academic time management in the neoliberal university: From timeliness to timelessness10
Countering spectacles of fear: Anonymous’ meme ‘war’ against ISIS9
Deconstructing the stigma of ageing: The rise of the mature female influencers9
The intimacy triple bind: Structural inequalities and relational labour in the influencer industry9
Fat shaming, feminism and Facebook: What ‘women who eat on tubes’ reveal about social media and the boundaries of women’s bodies9
Nobody cares for men anymore: Affective-discursive practices around men’s victimisation across online and offline contexts9
Introduction to special issue: The logic of victimhood8
The material culture of music festival fandoms8
Digital food culture, power and everyday life8
Platformed intimacies: Professional belonging on social media8
Hope against hope: COVID-19 and the space for political imagination8
Ascriptions of migration: Racism, migratism and Brexit7
Fulfilling the self through food in wellness blogs: Governing the healthy subject7
‘How Goopy are you?’ Women, Goop and cosmic wellness7
Feeling rules and sexualities: Postfeminist men in Swedish television6
Enduring inequalities: Fifty years of gender equality talk in the media and cultural industries6
‘Good food’ in an Instagram age: Rethinking hierarchies of culture, criticism and taste6
Cultural Studies and radical popular education: Resources of hope6
Neoliberal postfeminism—or some other sexier thing: gender and populism in the Spanish context6
Wounded men of feminism: Exploring regimes of male victimhood in the Spanish manosphere6
A life lasts longer than the body through which it moves: An introduction to a special Cultural Commons section on Raymond Williams6
Platforms, politics and precarity: Hong Kong television workers amid the new techno-nationalist media agenda5
‘The man that got away’: Gender inequalities in the consumption and production of jazz5
Photographable femininities in women’s magazines and on Instagram5
The (de-)radical(-ising) potential of r/IncelExit and r/ExRedPill5
Genres at work: A holistic approach to genres in book publishing5
What is needed to promote gender equality in the cultural sector? Responses from cultural professionals in Catalonia5
The feminist politics of Meghan Markle: Brexit, femininity and the nation in crisis5
The ethnicised hustle: Narratives of enterprise and postfeminism among young migrant women5
Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era5
Re-claiming resilience and re-imagining welfare: A response to Angela McRobbie4
The nation as an imagined commodity: Branding ‘Melania’4
The menopause moment: The rising visibility of ‘the change’ in UK news coverage4
Resituating the political in cultural intermediary work: Charity sector public relations and communication4
Periods of austerity: The emergence of ‘period poverty’ in UK news media4
‘I don’t want to be known for it’: Girls, leadership role models and the problem of representation4
Disavowing dependency: On Angela McRobbie’s Feminism and the Politics of Resilience4
#GirlBossing the university side hustle: Entrepreneurial femininities, postfeminism and the veneer of ‘female success’ in times of crisis4
Jack Monroe and the cultural politics of the austerity celebrity4
Friends tell it like it is: Therapy culture, postfeminism and friendships between women4
The mediated circulation of the United Kingdom’s YouthStrike4Climate movement’s discourses and actions4
The politics of vulnerability in the influencer economy4
Conceptualising change in equality, diversity and inclusion: A case study of the Irish film and television sector4
Curating the urban music festival: Festivalisation, the ‘shuffle’ logic, and digitally-shaped music consumption4
Beyond door policies: Cultural production as a form of spatial regulation in Amsterdam nightclubs4
Comedy clubs that platform marginalised identities: Prefigurative politics in Sophie Duker’s Wacky Racists4
‘All at the tap of a button’: Mapping the food app landscape4
Breaking the logic of neoliberal victimhood: Vulnerability, interdependence and memory in Captain Marvel (Anna Boden and Ryan Fleck, 2019)4
Beyond fact and fiction: Cultural memory and transmedia ethics in Netflix’sThe Crown3
‘When showing Hanfu to foreigners, I feel very proud’: The imagined community and affective economies of Hanfu (Chinese traditional couture) among Chinese migrant youth in the United Kingdom3
Researching the digital economy and the creative economy: Free gaming shards and commercialised making at the intersection of digitality and creativity3
A new day for Hulk Hogan: Celebrity selves and racial diversity in contemporary professional wrestling3
Dirt(y) media: Dirt in ecological media art practices3
The limits of humanisation: ‘ideal’ figures of the refugee and depoliticisation of displacement in virtual reality filmClouds Over Sidra3
Sizing up the ‘Dadbod’: Fitness, age and resistance in a male body type3
No more jokes: Comic complexity, Adult Swim and a political aesthetic model of humour3
WhatsAppening Donald: The social uses of Trump memes3
Advocacy for territorial and people-centered approaches to development in Romania: Place attachment based on industrial heritage3
Fatherhood and gender relations in the manosphere: Exploring an Italian non-resident fathers’ online forum3
Narrating the pandemic: COVID-19, China and blame allocation strategies in Western European popular press3
The black neoliberal aesthetic3
A pub for England: Race and class in the time of the nation3
Digital chemsex publics: Algorithmic and user configurations of fear and desire on Pornhub3
‘In the end you adapt to anything’: Responses to narratives of resilience and entrepreneurship in post-recession Spain3
‘Come and get a taste of normal’: Advertising, consumerism and the Coronavirus pandemic3
Documentary imaginary: Production and audience research of The Act of Killing and The Look of Silence3
Technology of optimization: An emerging configuration of productivity among professional software employees3
From high camp to post-modern camp: Queering post-Soviet pop music3
‘Frustrated women invite the immigrants to Europe’: Intersection of (xeno-) racism and sexism in online discussions on gender aspects of immigration3
The female entrepreneur: Fragments of a genealogy3
Wild Intimacies: Justice-Seeking Mothers in Iran, Networked Activism and the Affective Politics of Mourning3
#MeToo in British schools: Gendered differences in teenagers’ awareness of sexual violence3
On joining the editorial team of European Journal of Cultural Studies in its 25th year2
Who counts, and is counted, in craft?2
Maker-centricity and ‘edge-places of creativity’: CARE-full making in a CARE-less world2
Glitch, the Post-digital Aesthetic of Failure and Twenty-First-Century Media2
‘Scatter my ashes at Saks Fifth Avenue’: Boundary work and intermediation in the fashion landscape2
Migrants as ‘pawns’: Antimigrant debates on Twitter and their affinity to European border politics and discourses2
Beyond ‘reifying whiteness’ in feminist media studies2
The body as theme and tool of artivism in young people2
Drama production and audiences as ‘affective superaddressee’ in an illiberal democracy2
Radical right populist entrepreneurs and the use of religious representations through popular culture: George Becali as the ‘Saviour of Romania’2
Simple solutions to wicked problems: Cultivating true believers of anti-vaccine conspiracies during the COVID-19 pandemic2
The sci-commodity sensibilities of performative Covid-19 face masking2
I was never in it for the money: Media narratives of celebrity chefs and the gastro-capitalist social entrepreneur2
Genre, gender and television screenwriting: The problem of pigeonholing2
Feminism and the Politics of Resilience: Spectacular girls and the place of psychoanalytic approaches in feminist media and cultural studies during the Coronavirus crisis2
‘I want to be judged on my work, I don’t want to be judged as a person’: Inequality, expertise and cultural value in UK craft2
HIV/AIDS and its monsters. Negotiating criminalisation along the monster–human continuum2
Moving in and out of the European cultural space: Southeast European encounters with the Creative Europe programme2
From progressiveness to perfection: Mothers’ descriptions of their children in print media, 1970–1979 versus 2010–20192
Europe, Islam and the Roma: Liberalism and the manufacture of cultural difference2
Trash, dirt, glitch: The imperfect turn2
Personal stories in migration museums and our notions of hospitality: A case study from France’s National Museum of the History of Immigration2
Feminist activists discuss practices of monetisation: Digital feminist activism, neoliberalism and subjectivity2
Tourismification narratives and the ‘Transformative turn’ in tourism. An analysis derived from the Spanish press debate on the Barcelona tourism model2
Exploring Flemish Muslim children’s experiences and negotiation of offline and online group privacy2
The morbid romance of the good job: News and the emotional social imaginary in late capitalism2
Trump therapy: Personal identity, political trauma and the contradictions of therapeutic practice2
Mediating American hospitality: Mark Zuckerberg’s challenge to Donald Trump?2
‘Tory stories’: Arguing for a critical cultural populism, again2
‘Punch up, punch down o! All I know is there is punch’: Jokes about Africa(ns) in cross-cultural contexts2
(Re)Made in America: Survivorship after the Shoah2
‘Healthy Publics’ and the pedagogy of It’s a Sin2
‘I’m just not gay-gay’: Exploring same-sex desire and sexual minority identity formation in SKAM and its Western European remakes2
More than perfect: Cosmetic surgery and ageing single women in contemporary China2
Beyond anti-welfarism and feminist social media mud-slinging: Jo Littler interviews Angela McRobbie1
‘It’s like almost hypnotised people’: An exploration of vernacular discourses and social imaginaries of terrorism in the United Kingdom1
The continuum of regaining one’s body: Childbirth and reproductive choice under beauty pressure in Taiwan1
Civic stage fright: Motivation and news satire engagement1
More than a number: The telephone and the history of digital identification1
At home with Gumtree: A cultural analysis of Australia’s popular secondhand online marketplace1
Funding arts and culture: Everyday experiences and organisational portfolio precarity1
Beyond the Giralda: Residents’ interpretations of the Seville portrayed in fictional movies and TV series1
Book review: Glitch Feminism1
Contrasting media representations of race and national identity: The case of England and Italy at the Union of European Football Associations Euro 20201
From indigène to entrepreneur immigrant: Racism in the era of neoliberalism1
‘Those who laugh as a body today, will march as a body tomorrow’: Critical comedy and the politics of community1
Art heterotopias against hegemonic discourses: Dancing the Cyprus conflict1
The intimate thing that makes her feel at home: An analysis of the diasporic objects of women migrants1
Black dis/engagement: negotiating mainstream media presence and refusal1
Epistemologies with no name: Normalistas-teachers and their metaphorical knowledge1
Ticking off the (pink) diversity box? Production views on LGBT+ in children’s fiction1
Fatal feminisation: Problematising endocrine-disrupting chemicals in Denmark1
Downward professional mobility, cultural difference and immigrant niches: Dynamics of and changes to migrants’ attitudes towards interpersonal communication and work performance1
Ethnography as thrownness and the face of the sufferer1
Post-racial politics, pre-emption and in/security1
‘It’s not who I want to be!’: Negotiating the ‘illegible’ single woman in US–UK popular culture1
Screen agencies as cultural intermediaries: Delivering gender equality in the film and television sectors?1
Reality offsets: Climate meets capitalism at the Olympic Games1
In Denmark we eat pork and shake hands! Islam and the anti-Islamic emblems of cultural difference in Danish neo-nationalism1
The political economy of fanzines on the threshold of state socialism and post-socialism: The story of Czech(o)slovak fanzines1
‘We are merely furniture’: Palestinian actors and actresses react to rationalization and racialization processes in the Israeli TV market1
The unprotectables: A critical discourse analysis of older people’s portrayal in UK newspaper coverage of Covid-191
‘We live in a capitalist world, we need to survive!’: Feminist cultural work, platform capitalism, and pandemic precarity1
Fear: Introduction to special issue1
Nationalized anti-feminism: A collusion between nationalism and gender-equal sexism1
‘The world’s shortest highway’: Entrepreneurial populism and the making of a personal campaign1
Back in time for utopia: Neo-Victorian utopianism and the return to William Morris1
The performative body of disabled women: Toward the politics of visibility in China1
#ButNotMaternity: Analysing Instagram posts of reproductive politics under pandemic crisis1
Portraits of courage: Caught in the sovereign’s gaze1
Deepfakes and the promise of algorithmic detectability1
Telephone networks and transactional motherhood in Channel 4’s It’s A Sin1
Contemporary curating: Gift-giving in the Zürcher Theater Spektakel performing arts festival1
Ridiculing the unreasonable: The political aesthetic of Zondag met Lubach1
Space oddity – Reading Nirmal Puwar’s Space Invaders: race, gender and bodies out of place in decolonial times1
Towards luminescent ethnography of creative work: Purity, dirt and social inequality in Russian art institutions1
Emotional scapes in Mediterranean port cities: Walking Barcelona, Marseille and Genova1
Resilience is a feminist issue: A response to Angela McRobbie’s Feminism and the Politics of Resilience in the context of Britain during the coronavirus pandemic1
The unexpected consequences of a pandemic: Crypto-finance as cultural commons1
The spatialization of music and politics in festival spaces: The social, symbolic and emotional structuring of the Festival of Political Songs in the German Democratic Republic1
Special issue introduction: Craft economies and inequalities1
Je te crois’ (‘I believe you’): Pragmatics of a feminist slogan, or silencing and the scene of address in post-#MeToo France1
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