Rethinking History

Papers
(The median citation count of Rethinking History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
Deep history and deep listening: Indigenous knowledges and the narration of deep pasts8
Anthropocenic historical knowledge: promises and pitfalls7
Negotiating presentism: toward a renewed understanding of historical change6
Covid-19, online workshops, and the future of intellectual exchange6
Patriarchal power as a conceptual tool for gender history6
A ‘wicked problem’: rethinking history education in the Anthropocene5
Historical time betweenChronosandKairos: on the historicity ofThe Kairos Documentmanifesto, South Africa, 19855
KNOWING IS SEEING: distance and proximity in affective virtual reality history5
Transmedia history4
The emotions of family history and the development of historical knowledge4
Exploring fishery history in game form: ‘Never again April 18!’3
Material records of the Anthropocene: a surface-oriented approach3
Public history and transmedia storytelling for conflicting narratives3
Accessing children’s historical experiences through their art: four drawings of aerial warfare from the Spanish Civil War3
Micro-narratives of the ancestors: worship, censure, and empathy in family hi(stories)3
Hayden White: a postsecular perspective2
‘You are, like, so woke’:Dickinsonand the anachronistic turn in historical drama2
Fall of a tyrant, or heroic last stand? Tipu Sultan and the moral undercurrent in historiography2
Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000–2018)2
Venturing beyond Koselleck’sErwartungshorizont: on the category of the utopian2
Modes of historical attention: wonder, curiosity, fascination2
Artificial history? Inquiring ChatGPT on historiography2
Breaking the frame in historical fiction2
Thefin de siècleand the multiple temporalities of historical periodization2
Digital visual history: historiographic curation using digital technologies2
The canon in history1
Remembering Alun Munslow1
Creating Cromwell: an analysis of the historical novel’s position and potentiality through a study of Hilary Mantel’s Wolf Hall trilogy1
`They are also victims of the war´: heritage narratives of the Nazis and their victims in Finland1
The open future in peril: the Anthropocene and the political agent of humanistically oriented historiography1
Body projects as a historical phenomenon: Irish physical culture and the body as process1
Malthus’s sacred history: outflanking civil history in the late Enlightenment1
War, transgenerational memory and documentary film: mediated and institutional memory in historical culture1
Theorising the history of violence after Pinker1
History on the margins: truths, struggles and the bureaucratic research economy in Colombia, 2016–20231
Writing the concubine: Anne Boleyn, Eustace Chapuys and popular historiography in Hilary Mantel’s Wolf Hall trilogy1
A process of screenwriting: a film treatment for ‘the Engineer-in-Chief’1
Grasping the scale of events: Voices from Chernobyl between the historical and the monumental1
Global history in two chronotopes: time, identity and the practical past in Nagasaki, Japan, 1990 and 20061
Journeys to St. Malo: a history of Filipino Louisiana1
The politicisation of historical memory on Twitter: “Positive antisemitism” in the Holocaust debate in Poland1
Experiments in history: the voice of Bondi1
Missing from the record: historians, archival research and underwater munitions1
The notes, the markings: along the margins of the years1
We are history: historical affect, memory and militancy among revolutionary youth in postwar Iran1
How the fictional representation of historical characters can serve to justify historical events and actions: Tipu Sultan’s Tiger0
Transients, punks and hobos: rethinking the history of train hopping through experimental film0
The Anthropocene as a historical hyperobject0
Approaches to textual sources in cultural history0
Being late in the present to experience unprecedented times: time and history0
Black lives and the ‘archival pulse’: the murder of Neil “Tommy” Marsh and other stories0
Complexity and materiality in representations of reality0
Being alongside: the practice of collaborative public history0
The historian is present: live interactive documentary as collaborative history0
History, politics, and faith-based knowledge: Hobsbawm and Fukuyama take the 90s0
‘Tawaifnama’ or The Courtesan Chronicles0
Beyond truth: an epistemic normativity for historiography0
A buried river, an emerging crisis, a cumulative tale0
History as translation / anachronism as synchronism0
The ethics of writing history in the traumatic afterlife of lynching0
Using fiction to tell mad stories: a journey into historical imagination and empathy0
The other side of the linguistic turn: theory of history and the negotiation of humanity0
Reports, silences and repercussion: wondering about the ballistic biography of the Leichhardt gunplate0
‘I don’t even trust now what I read in history books’: family history and the future of co-production and collaboration0
A film treatment in ‘Layers’: a new approach to creative historical writing through screenwriting innovation0
Editorial0
How might Indigenous decolonization agendas inform Anthropocene historiography?0
Waste and historicity in the Anthropocene0
Narrative, emplotment, power: on agency and the environment0
Between agency and event: The Book of Job as a Greek Tragedy0
What’s a nice narrative historian like me doing at a conference like this?0
George Saunders’Lincoln in the Bardo: semiotic explorations of Abraham Lincoln in American cultural memory0
Historical irrealism: Paul A. Roth and the epistemic value of narrative explanation0
Source criticism for cultural history0
The role of empathy in bridging Western and Indigenous knowledges: Dominick LaCapra and Ailton Krenak0
What is close reading? An exploration of a methodology0
Photography, sport and the hegemony of men: a material(-)discursive perspective0
Days of Future Past: comics and history0
‘So dense a commingling of the improbable and the mundane!’: writing Palestinian history in a magical realist key0
Review of histories on screen: the past present in Anglo American cinema and television0
Trauma, modernism, realism: a genealogy, the middle voice0
Are there historical lessons across time and space? The ethics of ‘never again’ in European history teaching0
Historizing remediation: how games represent history through media0
Metamorphoses of the past: a study of Primo Levi´sThe Periodic Table0
The parable of the railway agent: stories of progress and winter legumes in the twentieth-century South0
A borderless polemic? Probing the limits of a transnational approach to historicism0
Boardgaming after the fall of Kabul: player and designer (re)engagement with A Distant Plain0
Burial0
Disappearance and archive fevers in film: the rewriting of history and practical uses of the past0
Fraught spaces: the risks, challenges and failures of collaborative public histories0
Historiography as readymade0
Reclaiming History in the British Museum entranceway: imperialism, patronage and female, queer and black legacies0
Editorial0
Urbane Künste Ruhr and its cultural interventions in the remaking of the Ruhr region in Germany0
Corona, Climate, Chronic Emergency: War Communism in the Twenty-First Century0
Rethinking medieval margins and marginality0
Reflections: on writing and being written about0
The belonging in abject communities: a new understanding through sewerage ghost towns0
Two concepts of apocalypse and apocalyptic history today0
History, Melancholy, and the Anthropocene: H. G. Wells on ‘Mind at the End of its Tether’0
“The dead do not negotiate”: Hilary Mantel, The Mirror and the Light , and Britain’s obsession with history0
Editorial0
Source genres in history writing0
The problem of teleological history education and the possibilities of a multispecies, multiscalar, and non-continuous history0
Metafiction and the study of history: makerly knowledge in the archive0
To think a little of you: a paragraph about Rena Merrill0
Kibbutz Buchenwald: history and fiction0
Shakespeare was a Woman and Other Heresies0
Let’s find dragons: a quest to create a theoretical theory themed theme park0
Rethinking oral history and tradition: an indigenous perspective0
Romancing Russia: The Effect of Emplotment on the Representation of a Nation0
History in politics: a “battle” of identity historical narratives between Chinese and Anglophone academia0
The sausage that awakened a nation: the Carniolan sausage in the Slovenian national imagination, 1849–19180
The cabinet of Charles Kirkpatrick Sharpe: an essay in the biographical distillation of affinities0
Militarism in medievalism: the Prince of Thieves video game and the Gulf War0
‘I place form before content’ – an interview in 2009 with Alun Munslow0
The histories we tell: historical consciousness and student protests in a Chilean public high school0
Just a matter of time: reviewing temporality in Australian historiography0
The exemplifying past: a philosophy of history0
Unheeded history: screening savage native Americans in Quentin Tarantino’sInglourious Basterds0
Visualising memory: filmmaking as research method to engage with China’s wartime past0
Enlivening the English Civil Wars through Historical Fictions0
Prisoners of the archives: privacy, identity and the history of incarceration0
Pietistic atheism and the modern breakthrough: on the narrative culture of secularity0
Editorial0
Rethinking the historical film form: trauma, temporality and indirect representation in historical essay films0
Textuality as amplification: reconsidering close reading and distant reading in cultural history0
The ethics of narrative: a readers’ dialogue0
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