Fashion Theory-The Journal of Dress Body & Culture

Papers
(The TQCC of Fashion Theory-The Journal of Dress Body & Culture is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Fashion and the Phantasmagoria of Modernity: An Introduction to Decolonial Fashion Discourse35
Fashion, its Sacrifice Zone, and Sustainability19
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant16
Letter from the Editors: Decoloniality and Fashion14
Decolonizing the Curriculum? Transformation, Emotion, and Positionality in Teaching11
Decolonizing Luxury Fashion in Japan9
Two Decades of Fashion Blogging and Influencing: A Critical Overview7
Transforming Sustainable Fashion in a Decolonial Context: The Case of Redress in Hong Kong6
Dress, the Senses, and Public, Private, and Secret Selves16
“You’ll Never Regret Going Bold”: The Moods of Wedding Apparel on a Practical Wedding5
Curating Fashion as Decolonial Practice: Ndwalane’s Mblaselo and a Politics of Remembering5
Fractal Folds: The Posthuman Fashion of Iris van Herpen5
Fashion You Do Not Own, Fashion You Cannot Feel: Toward a New Paradigm of Sharing Fashion in the Digital Age4
Decolonizing a Fashion School: A Critical Reflection on Fashion Education in Australia through an Indigenous Perspective4
The Imaginary Dress. An Interdisciplinary Fashion Approach Among Sociological, Anthropological, and Psychological Orientations4
Deconstructing Fashion: An Interview with Beatrace Angut Oola3
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal3
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time3
Upcycling as a Practice for Decolonializing Fashion: An Interview with Ngozi Okaro3
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)3
Spanish Couture: In the Shadow of Cristóbal Balenciaga3
Kwame Nkrumah’s Suits: Sartorial Politics in Ghana at Independence3
The Man in the Suit: Jewish Men and Fashion in fin-de-siècle Vienna2
In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint2
Academ-Ink: University Faculty Fashion and Its Discontents2
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing2
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton2
Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s2
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms2
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s2
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory2
Global China2
The Deceptive Mirror: The Dressed Body Beyond Reflection2
Passing as Fashionable, Feminine and Sane: “Therapy of Fashion” and the Normalization of Psychiatric Patients in 1960s US2
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States1
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies1
The Art of Lace | Haute Couture from Chanel to Iris van Herpen1
Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968)1
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace1
Reckoning with Highland Rape: Sexuality, Violence, and Power on the Runway1
Transnational Fashion Sustainability: Between and Across the Gulf and the UK1
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability1
Objects, People, Politics: From Perestroika to the Post-Soviet Era1
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China1
The Politics of Transnational Fashion1
New Fashion Identity and the State in China: A Decolonial Interpretation1
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan1
Collecting and Curating Peranakan Fashion: An Interview with Peter Lee1
LA Perse by Cristobal Balenciaga: An Historical, Scientific and Conservation Study1
Fashion and Politics1
Critiques of Appropriation and Transnational Labor Ethics1
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-191
“Foundations and Beginnings”: W.E.B. Du Bois Posing as a Dandy1
From Local Production to Global Relations: The Congo Fashion Week London1
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China1
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes1
Fashion in the Life of George Sand1
Reinterpreting How and Why People Consume Counterfeit Fashion Products: A Sociological Challenge to the Pro-Business Paradigm1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
The Datafication and Quantification of Fashion: The Case of Fashion Influencers1
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment1
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De1
Re-Negotiating National Identity Through Chinese Fashion1
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China1
Dressing to Pass during the Harlem Renaissance: Fashion in the Novels of Jessie Redmon Fauset and Nella Larsen1
Zurich, 1970. The Exhibition Balenciaga: Ein Meister der Haute Couture1
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