Fashion Theory-The Journal of Dress Body & Culture

Papers
(The TQCC of Fashion Theory-The Journal of Dress Body & Culture is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Sleeping Beauties: Reawakening Fashion16
Singapore Fashion Histories – Developing an Open-Access Fashion History Website14
LOVE Fashion: In Search of Myself14
The Layers of Taiwanese Identity: Exploring Fashion Designers’ Cultural Expression11
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces11
Deborah Turbeville: Photocollage10
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion10
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)10
Simulacra in Silk: Haraway’s Cyborg, Performative “Femininity”, and the Aesthetics of the Automaton on the Margiela Runway8
Letter from the Editors8
Print & Paint, 350 Years of Flowers on Cotton7
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins7
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment7
Shades and Lengths of Change: Exploring Fashion Changes in Post-Soviet Azerbaijan6
Layers of Repair—On Mending, Care, and Aesthetics of Affect5
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers5
Makeup: The Final Fashion Frontier?5
A Reparative Space: Theorizing Decolonizing and Freedom Pathways in Fashion Education4
Fashion under Fascism: Beyond the Black Shirt (2nd ed)4
Real Clothes, Real Lives: 200 Years of What Women Wore, the Smith College Historic Clothing Collection4
Letter from the Editor: Fashion and Modernity in Taiwan4
Aldo Fallai for Giorgio Armani, 1977–20214
By Way of the Fold: Routes to (K)new Knowledges4
British Dandies: Engendering Scandal and Fashioning a Nation4
Hijacking Sukarno’s Style: Political Fashion, Memory, and Algorithmic White Branding in Indonesian Presidential Election3
Knowledge and Gender in Embellishing Beauties: Cosmetic Culture in Late Imperial China3
Fashion|Sense: On Philosophy and Fashion3
Remaining Difference. Fashion, Sexual Difference, and Galliano’s Poetics of the Cut3
Signifying African Adornment: An Interview with Ami Doshi Shah and Lafalaise Dion3
Obituaries and Mythmaking: The Media Construction of Cristóbal Balenciaga’s Legacy3
Beauty and the Politics of Piety: The Phenomenon of Muslim Women’s Fashion Trends in Indonesia2
Samlingen2
Adire Translocalities2
Africa Fashion in Focus: Three Objects from the Exhibition2
Letter from the Editors2
M&Others Fashion and Motherhood2
Letter from the Editors2
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity2
Visualizing Nationhood Through Dress: A Cultural Semiotics of Sri Lankan Postage Stamps2
Sartorial Strategies of Female Punks in Malaysia’s Socio-Religious Landscape2
Shimmering Aesthetics: Breaking the Gender Binary2
Creative Adaptations in Africa: Creating Cosmopolitan Fashion in Nigeria1
Dressing Biopolitics, or Can Dress Be Considered a Biopolitical Dispositive?1
Fashion Aesthetics and Ethics. Past and Present1
Godna Tihar: Traditional Body Art Festival of the Gond Tribe1
Yorkshire Fashion Archive1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
Young Muslim Women’s Self-Styling: A Decolonial Research Architecture1
Gabrielle Chanel: Fashion Manifesto1
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism1
Letter from the Editors1
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art1
Crafting Sustainable Fashion: Dimensions of Care in Wearer-Clothing Relationships1
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?1
“I’m Ready for My Close-up”: Makeup for Film1
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making1
When Clothes Speak: Material Agency of Fashion Objects and Disruption of Human-Centered Sustainability1
Cristóbal Balenciaga and Australia: Importing, Reproducing and Adapting Balenciaga Couture in Sydney, 1938–19681
Letter from the Editors1
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials1
Mending Matters: Cultures and Contexts of Clothing Repair1
Mediating Methodologies: Examining the Competing Interests of Designers and Curators in Fashion Exhibition-Making Practices1
“Always in Fashion”: Indigenous Fashion as Politics, Beauty, and Futurity at the Textile Museum of Canada (May 1, 2026, to January 3, 2027)1
The Rise of the Stylist: Male Models and Style Literacy in Japan, 1960s to 1980s1
Threads of Change: Advancing Sustainable Fashion Through New Materialist Perspectives1
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin1
Rethinking the Beauty Business in Late Colonial South Asia: A Study of Afghan Snow Cream1
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