Fashion Theory-The Journal of Dress Body & Culture

Article	Citations
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant	28
Two Decades of Fashion Blogging and Influencing: A Critical Overview	9
Fashion You Do Not Own, Fashion You Cannot Feel: Toward a New Paradigm of Sharing Fashion in the Digital Age	7
The Imaginary Dress. An Interdisciplinary Fashion Approach Among Sociological, Anthropological, and Psychological Orientations	6
The Datafication and Quantification of Fashion: The Case of Fashion Influencers	6
Dress, the Senses, and Public, Private, and Secret Selves1	6
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal	6
Fractal Folds: The Posthuman Fashion of Iris van Herpen	6
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time	4
New Fashion Identity and the State in China: A Decolonial Interpretation	4
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment	4
Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s	3
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms	3
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing	3
Global China	3
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan	3
Transnational Fashion Sustainability: Between and Across the Gulf and the UK	3
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System	3
Kwame Nkrumah’s Suits: Sartorial Politics in Ghana at Independence	3
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)	3
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China	2
Re-Negotiating National Identity Through Chinese Fashion	2
In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint	2
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s	2
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton	2

“My Cherished Garment”: Rethinking Fashion, Attachment and Durability	2
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace	2
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory	2
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers	1
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-19	1
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins	1
Radical Pedagogies: Right Here, Right Now!	1
Objects, People, Politics: From Perestroika to the Post-Soviet Era	1
From Local Production to Global Relations: The Congo Fashion Week London	1
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States	1
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China	1
LA Perse by Cristobal Balenciaga: An Historical, Scientific and Conservation Study	1
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics	1
Reckoning with Highland Rape: Sexuality, Violence, and Power on the Runway	1
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De	1
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China	1
The Material Film Costume: Encountering the Mink Dress of Lady in the Dark (Leisen, 1944)	1
The Politics of Transnational Fashion	1
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies	1
Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968)	1
Bodies, Power and Fashionable Femininity in Designer Fashion Boutiques: Between the “Panopticon” and the “Confessional”	1
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin	1
Critiques of Appropriation and Transnational Labor Ethics	1
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials	1
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf	1
Exploring Tattooed Presentation on YouTube: A Case Study of Kat Von D	1
Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today	1
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes	1
Zurich, 1970. The Exhibition Balenciaga: Ein Meister der Haute Couture	1
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam	1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia	1
Unmasking the Pandemic: From Personal Protection to Personal Expression	0
Affective Fashion Trends: Aesthetic and Digital Affects from Nostalgia to AR	0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds	0
Fashion and Feeling: The Affective Politics of Dress	0
Picasso/Chanel	0
Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie	0
Fashion City: How Jewish Londoners Shaped Global Style	0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century	0
Letter from the Editors	0
¡Moda Hoy! Latin American and Latinx Fashion Design Today	0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’	0
Conceptualizing Australian First Nations Fashion, Art and Style	0
Letter from the Editor	0
Everyday Fashion: Interpreting British Clothing Since 1600 Everyday Fashion: Interpreting British Clothing Since 1600 , by Bethan Bide, Jade Halbert, and Liz Treg	0
Queering Fashion’s Pathologies in Killing Eve 1	0
Letter from the Editors	0
Letter from the Editor	0
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville	0
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et	0

Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together	0
Food and Fashion	0
The Esthetics of Cosplay	0
Letter from the Editor	0
Letter from the Editors	0
Flaunting and Consumption: Women’s Headdress in the Ming Dynasty of China	0
Letter from the Editors	0
Consumer Contextual Learning: The Case of Fast Fashion Consumption	0
Djurdja Bartlett	0
Reviving, Reinventing and Rethinking an Indigenous Luxury Textile: Piña Cloth, and Fashion in the Philippines	0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023.	0
Instruments of Embodiment: Costuming in Contemporary Dance	0
Chinese Investment and the Rise of “Made in Africa” Fashion Production	0
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making	0
On the Uses and Abuses of Benjamin for Thinking about Fashion. Philipp Ekardt on “Benjamin on Fashion”	0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 2023	0
Yves Saint Laurent aux Musées	0
In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style	0
Unravel: The Power and Politics of Textiles in Art Unravel: The Power and Politics of Textiles in Art , The Barbican Centre, London	0
Letter from the Editor	0
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–1941	0
A Dark, A Light, A Bright: The Designs of Dorothy Liebes A Dark, A Light, A Bright: The Designs of Dorothy Liebes , Cooper Hewitt Smit	0
Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton	0
Fashion in Cuba as Revolt, and the Horror of the Nonproductive	0
Correction	0
Letter from the Editor	0
Africa Fashion	0
Clothing and Expressive Revolution: Wearing Jeans in Socialism	0
Fashion Theology	0
Labor of Her Hands, Light of Her Eyes	0
Model Woman: The Creation, Dissemination and Cultural Significance of Barbara Goalen’s Model Persona in Postwar Britain	0
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna	0
Wearing: Art, the Body, and Distance	0
Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials	0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo	0
Letter from the Editors	0
Fashion Activism of Extinction Rebellion and Fashion Act Now	0
Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia	0
Letter from the Editors	0
Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)	0
Fashion Statements in a Site of Conflict	0
Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg	0
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art	0
Clothed in Meaning: Literature, Labor, & Cotton in Nineteenth Century America	0
Letter from the Editor	0
Samlingen	0
Letter from the Editor	0
Fabrics of Memory	0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation	0
Letter from the Editor	0
The Marchesa Casati as Fashion Plate and Fashion Muse	0
The 2022 Venice Biennale: The Milk of Dreams	0
Chinese Fashion in China’s Fashion Magazines (2005-2015)	0
Worn: Footwear, Attachment and the Affects of Wear	0
Material Lives: Women Makers and Consumer Culture in the 18th Century	0
Fashion|Sense: On Philosophy and Fashion	0
Letter from the Editors	0
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)	0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January	0
Iris van Herpen. Sculpting the Senses Iris van Herpen. Sculpting the Senses , Musée des Arts Décoratifs (MAD), Paris, November 29, 2023–April 28, 2024	0
Letter from the Editor	0
Letter from the Editor	0
Dressed in Time: A World View	0
Time to treat the climate and nature crisis as one indivisible global health emergency	0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,	0
Fashion Aesthetics and Ethics. Past and Present Fashion Aesthetics and Ethics. Past and Present , edited by Louise Wallenberg and Andrea Kollnitz (London: Bloomsb	0
Fashioning Politics and Protests: New Visual Cultures of Feminism in the United States	0
In America: A Lexicon of Fashion	0
Work Attire and Work Productivity of Employees While Teleworking During the COVID-19 Pandemic	0
British Dandies: Engendering Scandal and Fashioning a Nation	0
Singapore Fashion Histories – Developing an Open-Access Fashion History Website	0
Letter from the Editor	0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-1940	0
Gabrielle Chanel: Fashion Manifesto	0
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo	0
Fashion Remains: Rethinking Fashion Ephemera in the Archive	0
Locational Fashion Cultures	0
Des Moines Gay Men’s Chorus, Queer Spaces, Collectives Styles, and Activist Dress, 1984 to the Present	0
Biki: French Visions for Italian Fashion	0
Correction	0

Statement Sleeves Statement Sleeves , The Museum at FIT , New York , January 24–August 25,	0
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?	0
Styling Hirohito: Modernity, Monarchy, and “Western Clothes” in Interwar Japan	0
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity	0
Letter from the Editors	0
Cabinet Stories: Curators in the Community	0
Vampiric Fashion: Chinese Circulation, Cinema, and Clothing on Screen and off	0
Elvis: Direct from Graceland	0
Clothing Inside: Addressing American Prisons	0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–1965	0
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism	0
Letter from the Editors	0
Letter from the Editors	0
Dress Codes	0
Italy, an Extraordinary Commonplace? Stereotypes and Imaginaries of Italianness in Online Communication by Fashion Brands*	0
Print & Paint, 350 Years of Flowers on Cotton	0
Patch Work, a Life Amongst Clothes	0
New Luxury Ideologies: A Shift From Building Cultural to Social Capital	0
Queer: Stories from the NGV Collection	0
Fashion: Seductive Play Fashion: Seductive Play by Eugen Fink (Bloomsbury Visual Arts, 2023)	0
Conceptualizing Made in China for a Museum Exhibition	0
Book Review: A Guide to Traditional Yi Costumes and Ornaments	0
Developments and Challenges of Fashion Law in China	0
Fashion and Politics, The Politics of Fashion: Józef Simmler’s Portrait of Emilia Włodkowska, Society Portrait and Haute Couture	0
Cripping Masculinities: Designing Fashion Utopias	0
John Waters: Pope of Trash John Waters: Pope of Trash . Academy Museum of Motion Pictures, Los Angeles, USA. September 17, 2023–August	0
Garmenting: Costume as Contemporary Art	0
Seamlessness: Making and (Un)Knowing in Fashion Practice	0
Letter From the Editor	0
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces	0
Dressed: Fashionable Dress in Aoteoroa New Zealand 1840 to 1910	0
Letter from the Editor	0
Bally – A History of Footwear in the Interwar Period	0
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion	0
Tenant of Culture – ‘Eclogues (an Apology for Actors)’, Nicoletti, London Contemporary 30/09/2019–14/12/2019	0
Yorkshire Fashion Archive	0