Fashion Theory-The Journal of Dress Body & Culture

Papers
(The median citation count of Fashion Theory-The Journal of Dress Body & Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Sleeping Beauties: Reawakening Fashion16
Singapore Fashion Histories – Developing an Open-Access Fashion History Website14
LOVE Fashion: In Search of Myself14
The Layers of Taiwanese Identity: Exploring Fashion Designers’ Cultural Expression11
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces11
Deborah Turbeville: Photocollage10
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion10
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)10
Simulacra in Silk: Haraway’s Cyborg, Performative “Femininity”, and the Aesthetics of the Automaton on the Margiela Runway8
Letter from the Editors8
Print & Paint, 350 Years of Flowers on Cotton7
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins7
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment7
Shades and Lengths of Change: Exploring Fashion Changes in Post-Soviet Azerbaijan6
Layers of Repair—On Mending, Care, and Aesthetics of Affect5
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers5
Makeup: The Final Fashion Frontier?5
Letter from the Editor: Fashion and Modernity in Taiwan4
Aldo Fallai for Giorgio Armani, 1977–20214
By Way of the Fold: Routes to (K)new Knowledges4
British Dandies: Engendering Scandal and Fashioning a Nation4
A Reparative Space: Theorizing Decolonizing and Freedom Pathways in Fashion Education4
Fashion under Fascism: Beyond the Black Shirt (2nd ed)4
Real Clothes, Real Lives: 200 Years of What Women Wore, the Smith College Historic Clothing Collection4
Knowledge and Gender in Embellishing Beauties: Cosmetic Culture in Late Imperial China3
Fashion|Sense: On Philosophy and Fashion3
Remaining Difference. Fashion, Sexual Difference, and Galliano’s Poetics of the Cut3
Signifying African Adornment: An Interview with Ami Doshi Shah and Lafalaise Dion3
Obituaries and Mythmaking: The Media Construction of Cristóbal Balenciaga’s Legacy3
Hijacking Sukarno’s Style: Political Fashion, Memory, and Algorithmic White Branding in Indonesian Presidential Election3
Beauty and the Politics of Piety: The Phenomenon of Muslim Women’s Fashion Trends in Indonesia2
Samlingen2
Adire Translocalities2
Africa Fashion in Focus: Three Objects from the Exhibition2
Letter from the Editors2
M&Others Fashion and Motherhood2
Letter from the Editors2
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity2
Visualizing Nationhood Through Dress: A Cultural Semiotics of Sri Lankan Postage Stamps2
Sartorial Strategies of Female Punks in Malaysia’s Socio-Religious Landscape2
Shimmering Aesthetics: Breaking the Gender Binary2
Yorkshire Fashion Archive1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
Young Muslim Women’s Self-Styling: A Decolonial Research Architecture1
Gabrielle Chanel: Fashion Manifesto1
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism1
Letter from the Editors1
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art1
Crafting Sustainable Fashion: Dimensions of Care in Wearer-Clothing Relationships1
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?1
“I’m Ready for My Close-up”: Makeup for Film1
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making1
When Clothes Speak: Material Agency of Fashion Objects and Disruption of Human-Centered Sustainability1
Cristóbal Balenciaga and Australia: Importing, Reproducing and Adapting Balenciaga Couture in Sydney, 1938–19681
Letter from the Editors1
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials1
Mending Matters: Cultures and Contexts of Clothing Repair1
Mediating Methodologies: Examining the Competing Interests of Designers and Curators in Fashion Exhibition-Making Practices1
“Always in Fashion”: Indigenous Fashion as Politics, Beauty, and Futurity at the Textile Museum of Canada (May 1, 2026, to January 3, 2027)1
The Rise of the Stylist: Male Models and Style Literacy in Japan, 1960s to 1980s1
Threads of Change: Advancing Sustainable Fashion Through New Materialist Perspectives1
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin1
Rethinking the Beauty Business in Late Colonial South Asia: A Study of Afghan Snow Cream1
Creative Adaptations in Africa: Creating Cosmopolitan Fashion in Nigeria1
Dressing Biopolitics, or Can Dress Be Considered a Biopolitical Dispositive?1
Fashion Aesthetics and Ethics. Past and Present1
Godna Tihar: Traditional Body Art Festival of the Gond Tribe1
Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton0
Optics of Obvious Mending0
Decentering Durability: Decarbonizing and Decolonizing Ideas and Practices of Long-Lasting Clothes0
Makeup and Kisses: The Erotic Ambiguity of Cosmetics in the Long Nineteenth Century0
The Relationship Between Political Status and Fashion Behavior in Contemporary China: A Comparative Study of Communist Party Members and Nonmembers0
Elio Fiorucci0
Top Boy Crossdressing: The Life of Heliogabalus in the Historia Augusta0
Dress, Dreams, and Desire. A History of Fashion and Psychoanalysis0
Taiwan in Italy: Cultural Mediation, Validation and Self-Actualization in the Global Fashion System0
Cripping Masculinities: Designing Fashion Utopias0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo0
Metal Skin as Sartorial Design: Styling the Prosthetic Body on Social Media0
Instruments of Embodiment: Costuming in Contemporary Dance0
Letter from the Editors0
Letter from the Editor0
“Talora in Abito di Femmina, Talora di Maschio”: Roleplay in Portrait Miniature with Mica Costume Overlay, from Florence to Europe0
Monte di Pietà0
Letter from the Editors0
RETRACTED ARTICLE: In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style0
Fashion’s Psyche: Review of Dress, Dreams, & Desire at the Museum at FIT0
Statement of Retraction: In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style0
Mending in the Museum: Chronomanuality, Value, and the Ethics of Care in Textile Conservation0
Ephemeral Matters. Into the Fashion Archive0
Superfine: Tailoring Black Style0
Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials0
Decentering Fashion on the Silk Roads: Craft, and Responsible Fashion Dynamics in Central Asia0
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds0
Letter from the Editors0
Les Subtilités d’un Dialogue0
Curating Makeup in The Cult of Beauty : An Integrative, Transhistorical, Transdisciplinary Storyteller0
Fashion for the Ordinary Japanese People: The Transformation of Japan’s Emerging Brand of Workman Under COVID-190
Letter from the Editors0
“Being Gorgeous is a Duty!” Hegemony, Agency, and Visual Culture in Modern Argentina0
Tailoring an Image0
Cosmetics, Consumer Culture and the Construction of Women’s Identity in Edo-Period Japan0
New Fashion Identity and the State in China: A Decolonial Interpretation0
Orange Culture: An Interview with Adebayo Oke-Lawal0
Beyond Vanity: The History and Power of Hairdressing0
Fashion Accounts0
Vegan Fashion Paradox: Understanding Cognitive Dissonance in Consumer Choices0
Heritage Glamor Across Oceans: Federico Forquet’s Luxe Strategy for Italian Fashion in the United States0
Letter from the Editors0
Elegancias and the Parisian Dream: Fashioning Latin American Elites in Early 20th Century Paris0
Dressed Body Assemblage: A Performance Paradigm for Fashion Exploring Body and Material Dynamics0
Azzedine Alaïa and Christian Dior, Two Masters of Haute Couture/Azzedine Alaïa et Christian Dior, Deux Maîtres de la Haute Couture0
Work Attire and Work Productivity of Employees While Teleworking During the COVID-19 Pandemic0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam0
GIRLS. On Boredom, Rebellion and Being In-Between0
Dirty Looks: Desire and Decay in Fashion0
Viktor&Rolf: Fashion Statements0
Humble Opulence: Architectural Minimalism of Privé at Armani/Silos0
Letter from the Editors0
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et 0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January0
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States0
El Mundo de Balenciaga (The World of Balenciaga): Reconstructing the Spanish Contribution to the 1974 Exhibition0
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–19410
Greer Lankton: Modeling, Doll-Making, Transfemininity, and Biopolitics in the 1980s East Village0
“[T]o Dress So as to Call Forth No Remark at All”: Sartorial Representations of Victorian Gentlemanliness in Charles Dickens’s Great Expectations0
Fashioning Dirt: Opening a New Discourse0
Fashioning Global Africa: Independence to Now0
Beyond the Monolith: Redefining African Fashion, Identity, and Design Narratives0
Letter from the Editors0
Wearing: Art, the Body, and Distance0
Repair and Care: Reframing Fashion Sustainability Pedagogy0
Spanish Style: Fashion Illuminated, 1550–17000
Chinese Fashion in China’s Fashion Magazines (2005-2015)0
Statement Sleeves0
Letter from the Editors0
“His Ghost Walks Among Us Still”: Troubling the Sartorial Legacy of Beau Brummell0
Letter from the Editors0
Fashion’s Transnational Inequalities Socio-Political, Economic and Environmental0
Style Narrative Geographies: Black Women Making Harlem Through Fashion and Memory Work0
Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia0
Outlaws: Fashion Renegades of 80s London0
Food and Fashion0
Letter from the Editors0
Helmut Lang. Séance De Travail 1986–20050
Correction0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,0
From Ura-Harajuku to the World: The Origins of Takashi Murakami’s Superflat Aesthetics in Japanese Fashion0
Radical Mending: An Interview with Orsola de Castro0
The World is Yours : A Fashion, Textiles, and Portraiture Benediction by Bisa Butler0
Fashion & Interiors. A Gendered Affair (MoMu Antwerp, March 29–August 3, 2025)0
Bridging Fashion and Sustainability: Exploring the Cultural Impact of Vintage Clothing in Taiwan0
We the Makers Sustainable Fashion Prize 2025 and Quilts, Wool, Use0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together0
Letter from the Editors0
Sargent and Fashion0
Locational Fashion Cultures0
Fashions in Africa, and Africas in Fashion – Global Africa as Method0
Iris van Herpen. Sculpting the Senses0
Gay Rodeos, Western Wear, and Unresolved Tensions in 21st-Century North America Cowboy Culture and Esthetics0
Dress Codes0
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna0
A Historical Culture of Clothing Circularity: Reuse, Repair and Refurbishing in Mid-Nineteenth-Century Victoria, Australia0
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-190
Affective Fashion Trends: Aesthetic and Digital Affects from Nostalgia to AR0
Africa Fashion0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-19400
Social Fabric0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century0
A Dark, A Light, A Bright: The Designs of Dorothy Liebes0
Dress, Social Space and Gender Relations in the Perception of Female Hikers and Mountaineers Between the 1830s and 1920s0
Clothing Inside: Addressing American Prisons0
Italy, an Extraordinary Commonplace? Stereotypes and Imaginaries of Italianness in Online Communication by Fashion Brands*0
Suspending Time: Matter and Memory in Madame Grès’ Pleating Technique0
Re-Defining Fashion Cities: African Fashion Designers Between Local and Global Networks0
More than Religion: Motivations Behind Mennonite Brethren Clothing Decisions0
Rick Owens: Temple of Love at Palais Galliera, Paris0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 20230
From Driza-Bone to Moving in Air: Reimagining Fashion Practice as Part of Environmentally Attuned Fashion Futures0
Lived In Bars: Deng Nan-Guang as the Vagabond-Tourist of Taiwanese Fashion Photography0
Class, Social Justice, and Sustainable Fashion: Singaporean Designers in a Precarious Creative Industry0
Time to treat the climate and nature crisis as one indivisible global health emergency0
Fashion Activism of Extinction Rebellion and Fashion Act Now0
Queen Victoria’s Banarasi Brocade: A Transcultural Approach to Royal Fashion0
Letter from the Editors0
On Not Fixing Things: Ambivalence and Reparation in the Fashion Industry0
Sewing Wool: Japanese Fashion Designers and Women’s Fashion in 1930s Taiwan0
Interwoven Threads: A Quantitative Visual Analysis of Taiwan’s Tn̂g-sann and Qipao0
(Dal Cuore Alle Mani) From the Heart to the Hands: Dolce & Gabbana0
Cecil Beaton’s Fashionable World, National Portrait Gallery, London, UK0
Letter from the Editors0
Arkadius. Great Passions. Confrontations0
Cosmotechnics of Fashion: Remixology in Global African Cinema0
Deviance or Devotion: Women Dressed as Men in Late Medieval England0
Westminster Menswear Archive0
Fashion and Feeling: The Affective Politics of Dress0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023. 0
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France0
¡Moda Hoy! Latin American and Latinx Fashion Design Today0
Fashioning Politics and Protests: New Visual Cultures of Feminism in the United States0
Fashion: Seductive Play0
Linda Kinoshita: Rediscovering a Forgotten Japanese American Designer0
Introduction: Cross-Dressing0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’0
Fashion and Politics, The Politics of Fashion: Józef Simmler’s Portrait of Emilia Włodkowska, Society Portrait and Haute Couture0
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics0
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory0
Fashioning the Posthuman Body in the Anthropocene: Alexander McQueen’s The Horn of Plenty0
Dress Cultures in Zambia: Interwoven Histories, Global Exchanges, and Everyday Life0
Labor of Her Hands, Light of Her Eyes0
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time0
Fabrics of Memory0
The 2022 Venice Biennale: The Milk of Dreams0
Picasso/Chanel0
Becoming the ‘Sorority Girl’: Following Southern Fashion and Sorority Culture on #Rushtok0
Material Lives: Women Makers and Consumer Culture in the 18th Century0
Posthuman Ethics of Care for Fashion0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation0
Backstage Matters: Designer’s Invisible Media Work in Independent Fashion Practice0
The Cambridge History of Global Fashion0
Anna-Maria Saar: Darning Invisibility0
History, Material Culture, and the Fashioned Nostalgic Self: A Methodological Approach to Contemporary 1950s Fashion0
With License to Change: Upsala Coat Factory, Pierre Cardin, and the Democratization of Fashion, Sweden 1940–19700
In-Between Democratic Imperialism, Visual Reception, and the Colonial Order: Taiwan’s Adoption of Japanese Vintage Subculture0
Letter from the Editors0
“Same-Old, Same-Old”: The Tired and Tiring Work of Retro as Celebrity Signature Style0
Everyday Fashion: Interpreting British Clothing Since 16000
From Your Size to My Size: Fashioning Agency Among Kenyan Consumers0
Fashion Illustration History: Repairing the Links from Ukiyo-e to Shōjo Manga0
Letter from the Editor0
Mondrian’s Dress. Yves Saint Laurent, Piet Mondrian, and Pop Art0
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System0
Correction0
Toward a Clothing Repair Infrastructure for All: A Generational View on Mending Practices at Home and at Schools0
Gender Plasticity: Fashion Dolls and Queer Aesthetic Labor0
Conceptualizing Australian First Nations Fashion, Art and Style0
Fashioning Deviance: A Sociological Interpretation of Crime, Style, and Identity in Ghana and Nigeria0
Letter from the Editors0
Performance Costume: New Perspectives and Methods0
Nottingham Trent University Lace Archive: A Tantalizing Array of Gaps Within a Complex Web of Threads0
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–19650
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China0
Wearing Free China: Gendered Diplomacy and the Politics of the Qipao in Taiwan–Australia Relations During the Global Sixties0
Fashion Queers0
The Kabyle Dress – From Folklore to Haute-Couture Statement: Algerian Berber Artist and Fashion Designer Khadidja Hamsi (1937 – 2021)0
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability0
Unravel: The Power and Politics of Textiles in Art0
Westwood Kawakubo0
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