Fashion Theory-The Journal of Dress Body & Culture

Papers
(The median citation count of Fashion Theory-The Journal of Dress Body & Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Fashion and the Phantasmagoria of Modernity: An Introduction to Decolonial Fashion Discourse32
Fashion, its Sacrifice Zone, and Sustainability17
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant16
Letter from the Editors: Decoloniality and Fashion12
Decolonizing the Curriculum? Transformation, Emotion, and Positionality in Teaching10
Decolonizing Luxury Fashion in Japan8
Paris as the Capital of Fashion, 1858–1939: An Inquiry8
London Leads the World: The Reinvention of London Fashion in the Aftermath of the Second World War8
Letter from the Editors: The Past and Present of Fashion Cities7
Two Decades of Fashion Blogging and Influencing: A Critical Overview6
The Hunting of the Fashion City: Rethinking the Relationship Between Fashion and the Urban in the Twenty-First Century6
Transforming Sustainable Fashion in a Decolonial Context: The Case of Redress in Hong Kong6
Dress, the Senses, and Public, Private, and Secret Selves16
Fractal Folds: The Posthuman Fashion of Iris van Herpen5
Curating Fashion as Decolonial Practice: Ndwalane’s Mblaselo and a Politics of Remembering5
The Imaginary Dress. An Interdisciplinary Fashion Approach Among Sociological, Anthropological, and Psychological Orientations4
“You’ll Never Regret Going Bold”: The Moods of Wedding Apparel on a Practical Wedding4
Decolonizing a Fashion School: A Critical Reflection on Fashion Education in Australia through an Indigenous Perspective4
Fashion You Do Not Own, Fashion You Cannot Feel: Toward a New Paradigm of Sharing Fashion in the Digital Age4
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time3
Upcycling as a Practice for Decolonializing Fashion: An Interview with Ngozi Okaro3
Spanish Couture: In the Shadow of Cristóbal Balenciaga3
Deconstructing Fashion: An Interview with Beatrace Angut Oola3
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)3
A Mechanism of the Chinese Fashion System3
Kwame Nkrumah’s Suits: Sartorial Politics in Ghana at Independence3
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal3
In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint2
Academ-Ink: University Faculty Fashion and Its Discontents2
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s2
The Man in the Suit: Jewish Men and Fashion in fin-de-siècle Vienna2
Global China2
The Deceptive Mirror: The Dressed Body Beyond Reflection2
Passing as Fashionable, Feminine and Sane: “Therapy of Fashion” and the Normalization of Psychiatric Patients in 1960s US2
Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s2
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing2
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton2
Reckoning with Highland Rape: Sexuality, Violence, and Power on the Runway1
Transnational Fashion Sustainability: Between and Across the Gulf and the UK1
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China1
From Local Production to Global Relations: The Congo Fashion Week London1
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China1
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes1
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies1
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms1
LA Perse by Cristobal Balenciaga: An Historical, Scientific and Conservation Study1
Fashion and Politics1
Critiques of Appropriation and Transnational Labor Ethics1
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De1
“Foundations and Beginnings”: W.E.B. Du Bois Posing as a Dandy1
Dressing to Pass during the Harlem Renaissance: Fashion in the Novels of Jessie Redmon Fauset and Nella Larsen1
Zurich, 1970. The Exhibition Balenciaga: Ein Meister der Haute Couture1
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States1
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan1
Collecting and Curating Peranakan Fashion: An Interview with Peter Lee1
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace1
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment1
Re-Negotiating National Identity Through Chinese Fashion1
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-191
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability1
Objects, People, Politics: From Perestroika to the Post-Soviet Era1
Reinterpreting How and Why People Consume Counterfeit Fashion Products: A Sociological Challenge to the Pro-Business Paradigm1
The Politics of Transnational Fashion1
Fashion in the Life of George Sand1
The Art of Lace | Haute Couture from Chanel to Iris van Herpen1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
The Datafication and Quantification of Fashion: The Case of Fashion Influencers1
Des Moines Gay Men’s Chorus, Queer Spaces, Collectives Styles, and Activist Dress, 1984 to the Present0
Unmasking the Pandemic: From Personal Protection to Personal Expression0
Biki: French Visions for Italian Fashion0
Tenant of Culture – ‘Eclogues (an Apology for Actors)’, Nicoletti, London Contemporary 30/09/2019–14/12/20190
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System0
Fashion Remains: Rethinking Fashion Ephemera in the Archive0
Letter from the Editors0
Correction0
Letter from the Editors0
Jenny Kee and Linda Jackson: Step into Paradise0
Samlingen0
Styling Hirohito: Modernity, Monarchy, and “Western Clothes” in Interwar Japan0
Contemporary Indonesian Fashion: Through the Looking Glass0
The Material Film Costume: Encountering the Mink Dress of Lady in the Dark (Leisen, 1944)0
Cabinet Stories: Curators in the Community0
Radical Pedagogies: Right Here, Right Now!0
Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)0
Clothing Inside: Addressing American Prisons0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 20230
Djurdja Bartlett0
Clothed in Meaning: Literature, Labor, & Cotton in Nineteenth Century America0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together0
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam0
The Esthetics of Cosplay0
Exploring Tattooed Presentation on YouTube: A Case Study of Kat Von D0
Developments and Challenges of Fashion Law in China0
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–1941 Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–19410
Decolonizing the Gaze: An Interview with Dario Calmese0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January0
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold)0
Letter from the Editor0
Food and Fashion Food and Fashion , The Museum at FIT, New York, NY, September 13, 2023 - November 26, 20230
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China0
Letter from the Editors0
Fashion Statements in a Site of Conflict0
Dressed: Fashionable Dress in Aoteoroa New Zealand 1840 to 19100
Yorkshire Fashion Archive Yorkshire Fashion Archive , University of Leeds, UK0
Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968)0
On the Uses and Abuses of Benjamin for Thinking about Fashion. Philipp Ekardt on “Benjamin on Fashion”0
Africa Fashion Africa Fashion, Victoria & Albert Museum , London, July 2, 2022–April 16, 2023 Brookly0
Time to treat the climate and nature crisis as one indivisible global health emergency0
Fragrance (untitled) by Maison Martin Margiela between Artwork and Commercial Product0
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo0
Letter from the Editor0
Letter from the Editors0
New Luxury Ideologies: A Shift From Building Cultural to Social Capital0
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville0
Yves Saint Laurent aux Musées0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’0
Letter from the Editor0
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf0
Clothing and Expressive Revolution: Wearing Jeans in Socialism0
Letter from the Editor0
Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today0
Letter from the Editor0
Letter from the Editors0
Vampiric Fashion: Chinese Circulation, Cinema, and Clothing on Screen and off0
The 2022 Venice Biennale: The Milk of Dreams0
Material Lives: Women Makers and Consumer Culture in the 18th Century0
Letter from the Editor0
Letter from the Editor0
Bodies, Power and Fashionable Femininity in Designer Fashion Boutiques: Between the “Panopticon” and the “Confessional”0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century by0
British Dandies: Engendering Scandal and Fashioning a Nation0
Print & Paint, 350 Years of Flowers on Cotton0
Worn: Footwear, Attachment and the Affects of Wear0
Blanche’s Clothes in Elia Kazan’sA Streetcar Named Desire: From Social Guise to Critique of the Film Medium0
“We Are Expected to Be Pretty and Well-Dressed Till We Drop”: Fashion and “Passing” in the Novels of Edith Wharton0
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory0
Book Review: A Guide to Traditional Yi Costumes and Ornaments0
Letter from the Editor0
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna0
Seamlessness: Making and (Un)Knowing in Fashion Practice0
Milli: A Celebration of Style0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo0
Letter from the Editor0
Elvis: Direct from Graceland0
An Interview with River Dean0
Model Woman: The Creation, Dissemination and Cultural Significance of Barbara Goalen’s Model Persona in Postwar Britain0
FLEURS DU MAL: On the Repulsive/Precious in Rodarte’s Spring/Summer 2018 Collection0
The Age of Undress: Art, Fashion, and the Classical Ideal in the 1790s0
Letter from the Editors0
Fashion Activism of Extinction Rebellion and Fashion Act Now0
Picasso/Chanel0
Dress Code: Are You Playing Fashion?0
Letter from the Editor0
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?0
¡Moda Hoy! Latin American and Latinx Fashion Design Today ¡Moda Hoy! Latin American and Latinx Fashion Design Today, The Museum at Fashion Institute 0
Letter from the Editor0
Decolonizing the Fashion Curriculum in Denmark and Beyond: Interview with Kat Sark0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,0
New Fashion Identity and the State in China: A Decolonial Interpretation0
In America: A Lexicon of Fashion0
Letter from the Editor0
Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–19650
The Marchesa Casati as Fashion Plate and Fashion Muse0
Letter from the Editors0
Fashion|Sense: On Philosophy and Fashion0
Garmenting: Costume as Contemporary Art0
Patch Work, a Life Amongst Clothes0
Dress Codes0
Des cheveux et des poils0
Hat: Origins, Language, Style0
Flaunting and Consumption: Women’s Headdress in the Ming Dynasty of China0
Fashion in Cuba as Revolt, and the Horror of the Nonproductive0
Consumer Contextual Learning: The Case of Fast Fashion Consumption0
Conceptualizing Made in China for a Museum Exhibition0
Queer: Stories from the NGV Collection0
Cripping Masculinities: Designing Fashion Utopias0
Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie0
Chinese Investment and the Rise of “Made in Africa” Fashion Production0
Letter from the Editor0
Instruments of Embodiment: Costuming in Contemporary Dance Instruments of Embodiment: Costuming in Contemporary Dance , by Eric C. Mul0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-19400
Letter From the Editor0
Passing to Be Noticed: An Interview with Christopher Smith0
Fashion and Feeling: The Affective Politics of Dress Fashion and Feeling: The Affective Politics of Dress , edited by Roberto Filippello and Ilya Parkins (London:0
Bally – A History of Footwear in the Interwar Period0
Fashion Theology0
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