RIDE-The Journal of Applied Theatre and Performance

Papers
(The TQCC of RIDE-The Journal of Applied Theatre and Performance is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Ethnodramatherapy7
Kenyan Rock Art: protecting the past, facilitating the future through immersive technologies, archaeology, and drama education6
Feelings experienced by university students in the subject of Body Expression4
Our views: performing coexistence in secondary schools of the Basque Country (Spain)4
Editorial4
The current state of academic research in drama education in mainland China: a response to Chenchen Zeng’s article in RiDE 24:44
Let Our Legacy Continue: beginning an archival journey a creative essay of the digital co-creation and hybrid dissemination of Windrush Oral Histories at the University of Greenwich’s Stephen Lawrence4
The drama of nonviolence: theatre as education within the American civil rights movement4
Editorial3
Introduction – performing in digital in the COVID-19 era3
Drama’s potential for moral education in Chinese junior high schools: an argument and an example3
Trans/Queer representation and drama: engendering new forms of empathy and relationality3
Using drama-based pedagogy to support college students’ information literacy development: how do the students feel about it?3
Emotions, attributions, and identity change when teachers learn drama pedagogy for ELT3
The Kickstart Drama project: performing ‘small’ acts of solidarity in Singapore3
The fear of cultural appropriation is the beginning of wokeness in learning? reflections from teaching in Canada3
The interpretation of folk culture in ‘experiential reading’ among communities: an analysis of the impacts of ‘Hunter Guolie’ on children’s reading abilities in drama education with Chinese fol3
Doing white differently? Playback Theatre and whiteness in post-apartheid South Africa3
Scenes from the inquiry: tribunal theatre and the act of listening3
Teaching dance in digital environments: copying through video2
Little words BIG ISSUES: co-creating an applied theatre workshop with young women2
Carcerality, theatre, rights2
Disability aesthetics in Belgian arts and disability practices: a qualitative study from the perspective of the non-disabled, facilitating performing artists2
Science in performance: Theatre and the politics of engagement2
Co-creating a rooted herstory: participatory practice with primary school children, and the case of Anne Livingstone, Countess of Kilmarnock2
The applied theatre reader, 2nd ed.2
Participatory drama: bridging cultural understanding and Tang poetry teaching2
Post Alice in conversation2
Reflecting on embodied experience through an expert lens: drama as a pedagogic tool for developing academic language proficiency in the middle-primary school2
Moving-With Anastasis Corporal, a path to implicated witnessing2
‘If you are going to treat someone like a human’: White supremacy and performance programmes in Northern California’s correctional facilities2
To fear or not to fear: generative artificial intelligence in drama education2
Race & representation in applied theatre: walking a fine line to salvage empathy & creative imagination1
Entangled worlds: the becoming of interpretive spaces in pupils’ engagement with literature through process drama1
Applied theatre as transdisciplinary research: JustUs and the quest for second-order change1
Performing the borderland – public policy and the subversive possibilities of embodied space in Quarantine’s Tenancy1
To Represent or Not to Represent: Choice or Excuse?1
Transforming empathy to empathetic practice amongst nursing and drama students1
Process drama in anti-bullying intervention: a study of adolescents’ attitudes and initiatives1
Performing Te Whare Tapa Whā: building on cultural rights to decolonise prison theatre practice1
Puppets and education: ideas, beliefs, and school practices of Spanish teachers1
Drama research methods: provocations of practice1
Let’s do better next time: anti-Blackness and whiteness in an improv workshop1
Reframing Readers Theatre for teaching EFL: infusing values for peace and conflict prevention for teacher professional development in Indonesian Islamic schools’ settings1
Commemorating Stephen Joseph1
“It really connects all participants” example of a playbuilding process through youth theatre-based competition in Iceland1
Voicing TYA festival’s audiences: reception of the Haifa International Children’s Theatre Festival1
The arts as a vehicle for small shifts in thinking on climate change, heat and environmental destruction in South West Sydney1
Torrential ontology: born out of typhoons – writing and performing collectively1
Looking back and looking forward: educational drama in Chinese language arts education1
Footprints without feet: theatre as recourse to collective memory in Kashmir1
‘They still call usdrosters’: performing the memory of maroons and slavery with formerly-incarcerated men in Cape Town1
A study of drama-based art education in Korea through pre-analysis: focus on 3rd graders of primary school students who have limited experienced with drama-based lessons1
Making invisible care visible. Ethics and aesthetics of care in participatory arts practices in times of COVID-191
Distance, disruption, and de-hierarchisation: negotiating care in the virtual space of Zoom theatre1
Applied theatre and intercultural dialogue: playfully approaching difference Applied theatre and intercultural dialogue: playfully approaching difference , by Elliot Lef1
‘Sanitise your hands with rainbows!’ Encouraging self-representation in times of crisis: inclusive reflections on Covid-19, together with women with learning disabilities from East London1
Rehearsing catastrophe: cultivating affective responses to climate change through eco-somatic performance with babies and mothers1
Pedagogical sensitivity in successful drama educational reader’s theatre – experiences of the teachers1
Playing within the trouble: using drama to cultivate tentacular thinking and response-ability in schools in times of crisis1
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