OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Latin American Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Scratched From Memory: The 1986 Prison Massacres and the Limits of Acceptable Memory Discourse in Post-conflict Peru	4
Inverted Exception. Ideas for Thinking about the New Disappearances through Two Case Studies	3
Sounds of the Baguazo: Listening to Extractivism in an Intercultural Radio Programme from the Peruvian Amazon	3
The Pandemic and its Ethno-Spatial Disparities: Considerations from Salvador, Bahia, Brazil	3
Memories of Extractivism: Slow Violence, Terror, and Matter	3
Necroscapes: The Political Life of Mutilated and Errant Bodies in the Rivers of Colombia	3
Getting from Buenos Aires to Mexico City Without Passing Through Madrid: Latin American Publishing Topographies	2
Latin America and The Botanical Turn	2
Reading Race in Rocks: Political Geology in Nineteenth-Century Mexico	2
Crisis of Wellbeing and Popular Uprising: The Logic of Care as a Path to Social Emancipation in Chile	2
Environmental Thinking and Indigenous Arts in Brazil Today	1
Latin American Environmental Research and Practice	1
Latin American Marxisms: Reading José Carlos Mariátegui and José Aricó Today	1
Ecological Stereotypes: Perceptions of Indigenous and Maroon Communities in Late Colonial Suriname	1
Contesting the Neoliberal City: Place-Based Activism in the Documentary Films of Barrio Anti-Gentrification Movements in Bogotá and Mexico City	1
Drilled Mountains, Pulverised Bodies: Mining, Extractivism, and Racialisation in Brazil	1
Reflections on Peru During the Bicentennial Elections	1
The Matter of Things: A Material Turn in Cuban Scholarship	1
Cultivating Ongoingness Through Site-Specific Arts Research and Public Engagement	1
Sites of Situated Hope: Amazonian Rhythms, Unruly Caribbean Plants, and Post-Anthropocentric Gazes in Contemporary Latin American Cinema	1
Submerged Strata and the Condition of Knowledge in Latin America	1
Past With Present (and Future). Affective Agency in Latin American Abortion Rights Activism	1
Film and Malaria: Mário De Andrade and the Politics of Just Looking	1
The Transnational Artistic Memorialisation of Operation Condor: Documenting a “Distribution of the Possible”	1
Ecologies of Disappearance Today. Introduction	1

Queer Materiality, Contestatory Histories, and Disperse Bodies in La mucama de Omicunlé	0
Introduction. The Amazon River Basin: Extractivism, Indigenous Perspectives, and a Political Aesthetics of Resistance	0
Mil fÓrmulas de cocina “La Negra” : Labour, Gender, And Race In Argentina’s Meat Industry, 1917–1940	0
The Allure of Modernity: Afro-Uruguayan Press, Black Internationalism, And Mass Entertainment (1928–1948)	0
Thinking In The Present: Virus, Feminism, Politicity	0
Literature and Interculturality. A Proposal for Possible Readings Otherwise	0
The Subject Is Still There. Judicial Statements and Mexican Political-Military Organizations in the Seventies	0
The Transgressive Force Of The Erotic:Boi Neon’s Sensual Speculation In The Brazilian Northeast	0
A Visual History of a Sacrifice: Cristero Photography and the José de León Toral Commemorative Album	0
A Chola Sex Party: Anal And Concha Art	0
Curations of a nepantlera: Forever Betwixt and Between Inés Estrada’s Impatience (2016)	0
Race And Politics In Peruvian And Argentine Porn Under The Transition To Democracy, 1975–1985	0
Beyond Sex: Pornographic Journalism, Violence, and Politics in Argentina’s Transition to Democracy	0
Indigenising Colombia’s Marijuana Boom: Race and Settler Colonialism in Pájaros de verano	0
French Kissing the Icon: Erotic Iconoclash and Political Subversion in Deborah Castillo’s The Emancipatory Kiss (2013)	0
An Anarchist Rainforest: Cooperation in Ferreira de Castro’s A selva	0
Introduction: Visualities in Conflict. Andrea Noble, an Appreciation	0
Foreign Intimacies and Political Pasts in Paula Markovitch’s El actor principal (2019)	0
Socialism with Bling: Aspiration, Decency, and Exclusivity in Contemporary Cuba	0
Correction	0
One More Time: Reenactment in Contemporary Latin American Documentary Cinema	0
Correction	0
Neoliberalism in Crisis	0
Gaming race in Brazil: Video games and algorithmic racism	0
Tracing the Apparatus: The Technological Mediation of Experience inLos autonautas de la cosmopista, o un viaje atemporal París-MarsellaBy Julio Cortázar and Carol Dunlop	0
Casas tomadas: Leopoldo Brizuela’sUna misma noche	0
Bending Time and Space for Pan-Americanism: Shots of the “Western Hemisphere” in Wartime Cinema	0
The Political Violence of the 1970s in Recent Argentine Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018)	0
Ecology, Rubble, and Disappearance. Reflections on the Costanera Sur Ecological Reserve in Buenos Aires	0
Instituent Fictions: The Exceptional Present, The Junta Nacional Instituyente, and Mexico’s First Post-Independence Fiscal Plan (1822)	0
Philosophy, University, and Democracy after the Military Rule: Argentina, 1975-1990	0
Reflections on the Testimony of Trauma: Roberto Bolaño’s2666and Sergio González Rodríguez’sHuesos en el desierto	0
Gore Aesthetics: Chilean Necroliberalism And Travesti Resistance	0
“Una opción sutil de protestar”: Literary Magazines, Subterranean Resistance, and Life Politics in Putumayo, Colombia	0
Theorising Belle Époque Rio de Janeiro through Opium: João do Rio’s “Visões d’ópio” as a Postcolonial Framework	0
Monsters of Inequality and Waste: The New Realism of Antonio Berni	0
Ecuadorian Blackness and the Poetics of Resistance and Solidarity in Adalberto Ortiz’s novel Juyungo	0
Zama and the Politics of Contamination: from Di Benedetto’s Novel to Martel’s Film	0
Memory and Re-foundation. Political Identity in Néstor Kirchner’s Malvinas Speeches	0
Too Much a Woman: Narrating Transsexuality in Mario Mendoza’s Lady Masacre	0
Nature, Labour, and Infrastructure in the Amazon: Miguel Triana’s Por el sur de Colombia	0
The Narrative of Simulation in José Asunción Silva's De sobremesa	0
Correction	0
Correction	0
In Memory of Andrea Noble and Iván Ruiz	0
Stolen Poetry: The Illicit Democratisation of Culture in José Joaquín Jiménez’s Chronicles	0
Behind the Neoclassical Façade: A Haunted National Monument in Chilean Film	0
Proleptic Elegy to the Gualcarque River: Submerged Perspectives and Solastalgia as Forms of Resistance in the Lenca Community of Honduras	0
“Bésame otra vez”: The Use of Obscenity to Denounce Violence in Pedro Lemebel’s Incontables (1986)	0
Sensing Shipibo Aesthetics Beyond the Peruvian Amazon: Kené Design inIcaros: A Vision(2016)	0

Cold War paquetería: Snail Mail Services Across and Around Cuba’s “Sugar Curtain”, 1963–1969	0
National Santos and Mariachi Machos: Liberatory Ethics and Aesthetics of Pleasure in Mecos Films’ La putiza and La verganza	0
Modern and National? The (Non-) Exceptionalism of Colombian Architectural Identity	0
Nude Colour: Race in Flávio de Carvalho’s “A Cidade do Homem Nu”	0
Nothing But Workers: Reading Class Struggle In Diamela Eltit’sMano de obra	0
Correction	0
Passing Through the Body: Recent Exercises of Memory and Collectivity, Forty Years After the Dictatorship in Chile	0
Violence, Affect, and Time-Based Media in Mexico, 2010–2019	0
Interpreting the Remnants of Women’s Reproductive Crises: Physicians and the Shifting Legal Terrain of Infanticide in Nineteenth-Century Cuba	0
Links in a Chain: El Che in the Work of Freddy Alborta, Carlos Alonso, Arnold Belkin, and Leandro Katz	0
“Enraizados Da Letra”: Lyrics and the Letter in Brazilian, Cuban, and Haitian Rap	0
Digital Archive and Preservation Against Technological Obsolescence. Building a Cartography of Latin American Digital Literature	0
From Idleness to the Abolition of Work in Ricardo Talesnik’s La fiaca	0
Archives	0
Correction	0
The Avant-Garde Is Dead, Long Live the Avant-Garde: Glauber Rocha’s Rereading of Brazilian Modernismo and Di Cavalcanti	0
In Memory Of Jean Franco	0
Bartolomé de Las Casas and Felipe Guaman Poma de Ayala: Republicanism on the Colonial Frontier	0
Lisa M, “La primera rapera mujer de Puerto Rico y de Latinoamérica”, and Early 1990s Feminist Puerto Rican Hip-Hop Culture	0
Foreign Faces, Trusted Portraits: Carlos Baca-Flor’s Painted Faces between Paris and New York	0
All That is Solid Melts Into Rust: The Material Decay of The Sugar Industry in Post-Soviet Cuba	0
Catholic Material Culture, Socialist Society, and State Power in Cuba, 1959–1978	0
Introduction. The Politics of Obscenity in Latin America	0
The Politics of the Family: Psychoanalysis and Neoliberalism in Contemporary Argentine Documentary Cinema	0
El secreto de la tierra : Entangled Poetics and the Venezuelan Amazon in Una ojeada al mapa de Venezuela (1939) by Enrique Bernardo Núñez	0
Dancing the Butterfly: Trans-Caribbean Cultural Consumption in Special Period Cuba	0
A Museum of Regeneration: Nation, Race, and Visual Culture in Colombia’s National Museum, 1880–1886	0
A Little Bit of Magic: Nitza Villapol, the Cuban Diet, and the Socialist State, 1959–1983	0
Colonial Ruins as Intervened Sites: La Zona, the US Occupation, and Dominican Racialised Sovereignty (1870–1924)	0
Wakoborun Rescued her Brother’s Head From Enemy Hands: Munduruku Letters’ Amerindian Perspectivism and Cosmopolitical Territory	0
“The flying ability of the mosquito made the situation difficult to cope with”: Contamination, Containment, and the Biopolitics of the Madeira‐ Mamoré Railway	0
Siesta Nightmares And Cannibalistic Daydreams:Desexilioand Raúl Ruiz’sA TV Dante	0
Passing Life, Playing Dead: Zombification as Juridical Shapeshifting in Pedro Cabiya’s Malas hierbas	0
Sounding the Americas: The Politics and Aesthetics of Racialised Acoustics	0
“Somos más”: Towards a Feminist Critique of the Photographic Archive of the Women’s And Feminist Movement Against the Chilean Dictatorship	0
The Insubordination Of The Gaze: Marian Icon And Performance In The Mujeres Creando Collective	0
Digital Archives and Intergenerational Reckoning with Chile’s Traumatic Past In Mis documentos (2014) and Poeta chileno (2020) by Alejandro Zambra	0
Protests in Peru: Interdisciplinary Perspectives on a Structural Crisis	0
Bodies to Reveal and Conceal: Baroque Dynamics of Obscenity (Heresy) and Modesty (Saintliness) in Feminine Bodies in the Peruvian Viceroyalty	0
Visualising Afro-Cultural Identities in Contemporary Argentina: The Case of Antepasados. Los afroporteños en la cultura nacional	0
Fugitive Sounds: On the Politics of Listening at Argentina’s Southern Border	0
Afterword: Things and The Imponderabilia of Actual Life in Cuba	0
Uribismo and the Wounds of the Colombian Conflict in Santiago Gamboa’sPlegarias nocturnas	0
Common Horizons: An Interview with Maristella Svampa	0
Language Retention through Music in Two Afrodescendant Communities of Latin America: GarífunaPunta Rockand PalenqueroChampeta	0
Teaching “Aztec Classicism”: Early Modern Myths in the Twentieth-Century Classroom	0
On Facing Latin/South American Coloniality: The Travesía de Amereida and the Geo-Poetic Turn at the Valparaíso School	0
The Melodramatic Mode in Poetic Activism: An Analysis of María Rivera’s “Los muertos” and its Afterlives	0
Black Ghosts in the Afro-Pampas: Haunting and Folklorisation in Aldo Locatelli’s “Negrinho do Pastoreio” Paintings	0
Photographic Assembly in Post-Dictatorial Argentina and Uruguay	0
Transnational Legacies of Revolt: Approaching Decolonial Struggles in the Americas	0
Brazil on the World Stage: Carlos Gomes’sColombo, the First Republic, and Brazil’s Cosmopolitan Desires	0
The Politics of Detachment and Disruptive Tourism in Las cosas como son (Fernando Lavanderos, 2012)	0
“A language not of this world”: Depersonalization and Unintelligibility in Robert Bolaño’s “The Part about the Crimes”	0
Paradoxical Ideologies: An Intersectional View of Argentine Psychoanalytic Discourses on Gender and Sexuality (2005–2012)	0
Collective Actions-Visual Guerrillas-Spectral Bodies	0
Jesús Abad Colorado’s Epidemic Photography. Regarding The Paramilitary Siege on Memory	0
A Fragmented New Order: Cinema, Prose, and Rebellion in Jorge Icaza’s Huasipungo	0
“Urban Nomad”: Spatiality, Exile, and Political Engagement in Julio Cortázar’s “Press Clippings” (1980)	0
Writing Machu Picchu. Epistemological Extractivism and the Citadel Through the Lens ofindigenismo cusqueño	0
“Dogs Don’t Vote”: Diatribe and Animality in Peroratas, by Fernando Vallejo	0
Los mecos de Veracruz: Queer Gestures and the Performance of Nahua Indigeneity	0
Introduction: Affective Arrangements and Violence in Latin America	0
Between the Long Sixties and the Short Eighties: An Analysis of Jorge Denti’s Film Malvinas, Historia de traiciones	0