OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Latin American Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
Proleptic Elegy to the Gualcarque River: Submerged Perspectives and Solastalgia as Forms of Resistance in the Lenca Community of Honduras	12
Latin America and The Botanical Turn	10
A Chola Sex Party: Anal And Concha Art	8
Spectres of Lost Futures: Hauntology and Juan Soto’s Parábola del retorno	5
Gore Aesthetics: Chilean Necroliberalism And Travesti Resistance	4
Displaced Aesthetics: Transnational Networks Linking Mexican And African American Artists	4
Bending Time and Space for Pan-Americanism: Shots of the “Western Hemisphere” in Wartime Cinema	3
The Melodramatic Mode in Poetic Activism: An Analysis of María Rivera’s “Los muertos” and its Afterlives	3
The Idea of a Spanish Pacific in History and the Historical Imagination	3
“The flying ability of the mosquito made the situation difficult to cope with”: Contamination, Containment, and the Biopolitics of the Madeira‐ Mamoré Railway	2
Theorising Belle Époque Rio de Janeiro through Opium: João do Rio’s “Visões d’ópio” as a Postcolonial Framework	2
French Kissing the Icon: Erotic Iconoclash and Political Subversion in Deborah Castillo’s The Emancipatory Kiss (2013)	2
“Barely Audible Voices”: Impersonal Justice And The Crisis Of Human Rights Discourse In Roberto Bolaño’s 2666	2
A Fragmented New Order: Cinema, Prose, and Rebellion in Jorge Icaza’sHuasipungo	2
The Ladina Paradox and Transhistorical Affective Communities in Rosario Castellanos’s Balún Canán	2
Geological Groundings: Earthly Memories and Inhuman Becomings in Latin American Cultures	1
Modern and National? The (Non-) Exceptionalism of Colombian Architectural Identity	1
Claudia Andujar and the Yanomami: Photography and Activism in the Changing Light of The Amazon Forest	1
Getting from Buenos Aires to Mexico City Without Passing Through Madrid: Latin American Publishing Topographies	1
An Anarchist Rainforest: Cooperation in Ferreira de Castro’s A selva	1
The Bisexual Erasure Of Emiliano Zapata: Obscenity And Censorship In Postrevolutionary Mexico	1
Venezuela’s Mixed-Race People and the Jew: Spectrums of Whiteness in Rufino Blanco Fombona’s Judas Capitolino and Rómulo Gallegos’s “Los inmigrantes”	1
Common Horizons: An Interview with Maristella Svampa	1
From Idleness to the Abolition of Work in Ricardo Talesnik’s La fiaca	1
Beyond Sex: Pornographic Journalism, Violence, and Politics in Argentina’s Transition to Democracy	1

“Polleras para cubrir los calzones”: Fashioning the Pseudonym in Early Nineteenth-Century Argentina	1
Past With Present (and Future). Affective Agency in Latin American Abortion Rights Activism	0
Sensing Shipibo Aesthetics Beyond the Peruvian Amazon: Kené Design in Icaros: A Vision (2016)	0
Intimacy, Relationality, Repair: AIDS, Mexico, and the Case of Agustín Martínez Castro	0
The Insubordination Of The Gaze: Marian Icon And Performance In The Mujeres Creando Collective	0
Between the Long Sixties and the Short Eighties: An Analysis of Jorge Denti’s Film Malvinas, Historia de traiciones	0
Indigenising Colombia’s Marijuana Boom: Race and Settler Colonialism inPájaros de verano	0
Collective Actions-Visual Guerrillas-Spectral Bodies	0
Race And Politics In Peruvian And Argentine Porn Under The Transition To Democracy, 1975–1985	0
Too Much a Woman: Narrating Transsexuality in Mario Mendoza’s Lady Masacre	0
Ecological Stereotypes: Perceptions of Indigenous and Maroon Communities in Late Colonial Suriname	0
Digital Archives and Intergenerational Reckoning with Chile’s Traumatic Past In Mis documentos (2014) and Poeta chileno (2020) by Alejandro Zambra	0
“Urban Nomad”: Spatiality, Exile, and Political Engagement in Julio Cortázar’s “Press Clippings” (1980)	0
Violence, Affect, and Time-Based Media in Mexico, 2010–2019	0
Refusing Redress: Debt, Inheritance, and Creation in Rosario Ferré’s Sweet Diamond Dust	0
Latin American Environmental Research and Practice	0
Made in Mexico: The Anti-Communist Cartoons of Dibujos Animados S.A.	0
Turning to stone: diffracted geostories and inhuman intimacy in Latin American cinema	0
Rethinking Obscenity in Latin America: Obscenity, Art, and Performance	0
The Narrative of Simulation in José Asunción Silva's De sobremesa	0
Costa-Gavras's Latin American Films and The Formation of Transnational Cold War Imaginaries, Networks, and Audiences	0
Jesús Abad Colorado’s Epidemic Photography. Regarding The Paramilitary Siege on Memory	0
Crossroads of Change: Afro-Cuban Meanings of Cambio in the Music and Videos of X Alfonso	0
From Land To Earth: Surveying Writing	0
Teaching “Aztec Classicism”: Early Modern Myths in the Twentieth-Century Classroom	0
Introduction. The Politics of Obscenity in Latin America	0
Uruguayan Women’S Cinema and the Wilful Woman in Beatriz Flores Silva’s En La puta vida	0
Catastrophe and Utopia in the Experimental Opera, Os Desastres da Guerra , by Nuno Ramos	0
“Once more the money demonstrated its changeable and unpredictable nature”: Money Objects, Texts, and Material Encounters in Sergio Chejfec’s El aire (1992) and	0
On the Tension between Copyright and the Conceptions of Collective Creation in some Mapuche Poetry	0
Masculinity in the Police Procedural under Dictatorship: Palito Ortega’s Brigada en acción	0
Disculpture: Cildo Meireles’s Vinyl Records as Sculptural Objects	0
Mirar de reojo: Countervisuality and Racialised Displacement in La Playa D.C. (2012)	0
Man and Cosmos: An Indianist Response to Nuclear Threat in the Amautic Thought of Fausto Reinaga (Bolivia 1978–83)	0
Teaching the Asian Latin American Experience	0
In Memory of Andrea Noble and Iván Ruiz	0
Sites of Situated Hope: Amazonian Rhythms, Unruly Caribbean Plants, and Post-Anthropocentric Gazes in Contemporary Latin American Cinema	0
One More Time: Reenactment in Contemporary Latin American Documentary Cinema	0
Unearthing value: Visions of gold in contemporary Venezuelan art	0
Mil fórmulas de cocina “La Negra” : Labour, Gender, and Race in Argentina’s Meat Industry, 1917–1940	0
Toward a Definition of the Prosthetic Condition: Mario Bellatin, Simón Hosie, and Other Ways of Inhabiting Contemporaneity	0
“Children of the altiplano”: Elite Constructions of Race and Space in Bolivia, 1900–1950	0
“Enraizados Da Letra”: Lyrics and the Letter in Brazilian, Cuban, and Haitian Rap	0
Environmental Thinking and Indigenous Arts in Brazil Today	0
Philosophy, University, and Democracy after the Military Rule: Argentina, 1975-1990	0
Nature, Labour, and Infrastructure in the Amazon: Miguel Triana’s Por el sur de Colombia	0
El ingenio de la inteligencia (The knowledge mill)	0
The Andean “Blue Book” of Dora Mayer: Mining Terror and Coercive Proletarianisation in The Conduct of the Cerro de Pasco Mining Company	0
Curations of a nepantlera: Forever Betwixt and Between Inés Estrada’s Impatience (2016)	0
La Bella Otero’s Overdetermined Anality: Tales of Sexual Inversion in Early Twentieth-Century Buenos Aires	0

Brazil on the World Stage: Carlos Gomes’sColombo, the First Republic, and Brazil’s Cosmopolitan Desires	0
Introduction: Visualities in Conflict. Andrea Noble, an Appreciation	0
The Avant-Garde Is Dead, Long Live the Avant-Garde: Glauber Rocha’s Rereading of Brazilian Modernismo and Di Cavalcanti	0
Writing Machu Picchu. Epistemological Extractivism and the Citadel Through the Lens ofindigenismo cusqueño	0
“Somos más”: Towards a Feminist Critique of the Photographic Archive of the Women’s And Feminist Movement Against the Chilean Dictatorship	0
From Valentino to Disney: Global Gauchos in 1920s Hollywood Cinema	0
Correction	0
Zama and the Politics of Contamination: from Di Benedetto’s Novel to Martel’s Film	0
The Political Violence of the 1970s in Recent Argentine Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018)	0
Contesting the Neoliberal City: Place-Based Activism in the Documentary Films of Barrio Anti-Gentrification Movements in Bogotá and Mexico City	0
National Santos and Mariachi Machos: Liberatory Ethics and Aesthetics of Pleasure in Mecos Films’ La putiza and La verganza	0
Siesta Nightmares And Cannibalistic Daydreams:Desexilioand Raúl Ruiz’sA TV Dante	0
Paradoxical Ideologies: An Intersectional View of Argentine Psychoanalytic Discourses on Gender and Sexuality (2005–2012)	0
Asia-Latin America As Critical Infrastructure: Notes on Cultural (Im)Mobility, Indiscipline, Access, and Translation	0
In Memory of Ana M. López	0
Narcotraffic, Friendship, And (Infra)Politics: A Survey Of Narcoliterature And (Un)Sociability	0
Queer Bunny: Gender, Nostalgia, and Coloniality in Bad Bunny’s X100PRE	0
El secreto de la tierra : Entangled Poetics and the Venezuelan Amazon in Una ojeada al mapa de Venezuela (1939) by Enrique Bernardo Núñez	0
Reading Race in Rocks: Political Geology in Nineteenth-Century Mexico	0
Foreign Intimacies and Political Pasts in Paula Markovitch’s El actor principal (2019)	0
Links in a Chain: El Che in the Work of Freddy Alborta, Carlos Alonso, Arnold Belkin, and Leandro Katz	0
Submerged Strata and the Condition of Knowledge in Latin America	0
Roundtable/Photo Essay with Archivo El Insulto	0
On Facing Latin/South American Coloniality: The Travesía de Amereida and the Geo-Poetic Turn at the Valparaíso School	0
Decolonial Excesses: Racial and Sexual Dissidence in Johan Mijail’s Amor Vegetal	0
Fugitive Sounds: On the Politics of Listening at Argentina’s Southern Border	0
The Allure of Modernity: Afro-Uruguayan Press, Black Internationalism, and Mass Entertainment (1928–1948)	0
Motherhood, Responsibility, and Futurity in Roberto Bolaño’s Amuleto	0
In Memory Of Jean Franco	0
Cultivating Ongoingness Through Site-Specific Arts Research and Public Engagement	0
Los mecos de Veracruz: Queer Gestures and the Performance of Nahua Indigeneity	0
Nude Colour: Race in Flávio de Carvalho’s “A Cidade do Homem Nu”	0
Transpacific Critique and the Extimacies of Settler Coloniality, Race, and Asia-Latin America	0
Introduction: Affective Arrangements and Violence in Latin America	0
108: Memory, Libido, and Obscenity between Paraguay and Brazil	0
“Queer Errantry” in the Work of Cristina Rivera Garza	0
Lisa M, “La primera rapera mujer de Puerto Rico y de Latinoamérica”, and Early 1990s Feminist Puerto Rican Hip-Hop Culture	0
Bodies to Reveal and Conceal: Baroque Dynamics of Obscenity (Heresy) and Modesty (Saintliness) in Feminine Bodies in the Peruvian Viceroyalty	0
Escobar’s Narcos and Whiteness: Fantasising of the American Dream by Fetishising Latinx and Latin Americans	0
Mariana Callejas: Literature and Horror in Pinochet’s Chile	0
A Visual History of a Sacrifice: Cristero Photography and the José de León Toral Commemorative Album	0
“Walking Around Naked Sets Back our Struggle”: Travesti Activism, Repression, and Public Space in Buenos Aires (1994–1998)	0
Digital Archive and Preservation Against Technological Obsolescence. Building a Cartography of Latin American Digital Literature	0
“Mejor que una Explicación”: Latin American Data Visualisation in the First Decades of the Twentieth Century	0
Gaming Race in Brazil: Video Games and Algorithmic Racism	0
Wakoborun Rescued her Brother’s Head From Enemy Hands: Munduruku Letters’ Amerindian Perspectivism and Cosmopolitical Territory	0
Reading Fuegian Narratives and Nonhuman Sensibility in Francisco Coloane’s Patagonian Tales	0
Protests in Peru: Interdisciplinary Perspectives on a Structural Crisis	0
A Portrait of Imagined Hemispheric Power Relations: Contested Visualities in Archival Photographs of the Pan-American Highway	0
Bartolomé de Las Casas and Felipe Guaman Poma de Ayala: Republicanism on the Colonial Frontier	0
Foreign Faces, Trusted Portraits: Carlos Baca-Flor’s Painted Faces between Paris and New York	0
Introduction. The Amazon River Basin: Extractivism, Indigenous Perspectives, and a Political Aesthetics of Resistance	0
Passing Through the Body: Recent Exercises of Memory and Collectivity, Forty Years After the Dictatorship in Chile	0
“Bésame otra vez”: The Use of Obscenity to Denounce Violence in Pedro Lemebel’s Incontables (1986)	0
Photographic Assembly in Post-Dictatorial Argentina and Uruguay	0
The Politics of Detachment and Disruptive Tourism in Las cosas como son (Fernando Lavanderos, 2012)	0
Visualising Afro-Cultural Identities in Contemporary Argentina: The Case of Antepasados. Los afroporteños en la cultura nacional	0