Organised Sound

Papers
(The TQCC of Organised Sound is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Politics of Gear: Gender, innovation and live embodied composition10
OSO volume 28 issue 3 Cover and Front matter6
OSO volume 28 issue 1 Cover and Front matter6
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.5
Live Coding Outside, Live Coding Inside: Listening, participation and walking4
OSO volume 29 issue 1 Cover and Back matter4
Audiovisual transformation strategies for object-based sound installations4
Peter Manning 1948–20224
Art of Sound – Creativity in Film Sound and Electroacoustic Music Andrew Knight-Hill and Emma Margetson, London: Focal Press, 2023. ISBN: 9780367755881.4
Modular observers: OpenSoundLab and PatchWorld as case studies for emerging practices of modular synthesis in extended realities3
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today3
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM3
Praat Audiotools: An offline analysis-resynthesis toolkit for experimental composition3
The Haptic in Soundscape Composition2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio2
Weightless Infrastructures2
New Amateurs and Tricksters: A manifesto for music and sound creation2
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama2
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation2
Engaging with everyday sounds Marcel Cobussen, Cambridge: Open Book Publishers, 2022. ISBN: 9781800643925. Open access: https://doi.org/10.11647/OBP.02882
Sound and Video Examples – Issue 28(3)2
Externalising Psychological Spaces in Spatial Music through Gestural Mediation2
Vibrant algorithms: Sonic collaborations with the living environment2
A spherical microphone prototype for multichannel recording: Technological design, artistic applications and compositional implications1
A Retrospective on Sound Space and Its Rhizomatic Genealogy1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne1
Editorial: New Strategies for Music Notation and Representation in Electroacoustic Music1
The sound of consumption: The electromagnetic soundwalk as anti-method1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.1
Notation strategies for effect pedals in the compositional process of Étude n°11
Machine Listening as Sonification1
Modular Composition: An approach towards structural plasticity in music1
On the Use of Field Recordings on Radio: A history of the beginnings1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment1
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music1
OSO volume 29 issue 2 Cover and Back matter1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
OSO volume 28 issue 1 Cover and Back matter1
Understanding and Analysing ‘Organised Space’1
Composing the instrument: Revisiting the concept of the instrument’s score1
Editorial: Live Coding Sonic Creativities1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America1
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place1
Visual Representations to Stimulate New Musicking Strategies in Live Coding1
OSO volume 27 issue 3 Cover and Back matter1
Double Extension: Henri Chopin’s audiopoem performances1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction1
Sound and video examples – issue 28 (2)1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)1
Editorial: Perspectives and trajectories in spatial music and sonic art1
Experiencing Sound Installations: A conceptual framework1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI1
OSO volume 29 issue 1 Cover and Front matter1
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