Organised Sound

Article	Citations
OSO volume 27 issue 3 Cover and Back matter	9
The Politics of Aesthetic Preference in Participatory Music	5
OSO volume 27 issue 3 Cover and Front matter	5
OSO volume 26 issue 3 Cover and Back matter	4
Miller Puckette and Kerry L. Hagan (eds.), Between the Tracks: Musicians on Selected Electronic Music. Cambridge, MA: MIT Press, 2020. ISBN 9780262539302 (paperback).	4
OSO volume 28 issue 1 Cover and Front matter	4
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music	3
Analytical Approaches to Electroacoustic Music Improvisation	3
‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy	2
Editorial: The sonic and the electronic in improvisation, part 2	2
Thirty Years of Sound Hacking: From freeware to Eurorack	2
Crossing Lines: Stylistic gradients in Chinese electroacoustic music	2
A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance	2
On the Use of Field Recordings on Radio: A history of the beginnings	2
A Sound Artist’s Breakdown of Field Recording over History	2
Acouscapes: A software for ecoacoustic education and soundscape composition in primary and secondary education	2
Sound and video examples – issue 27 (2)	2
OSO volume 29 issue 1 Cover and Front matter	2
OSO volume 28 issue 3 Cover and Front matter	1
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music	1
‘Making Life Lively’: Co-estrangement in live electroacoustic improvisation	1
Pedagogical Approaches in Music and Audio Education for Deaf and Hard-of-Hearing Students	1
‘To Explore the World of Sound’: Music, silence and nation-building in Bing Bang Boom (1969)	1
Sound and video examples – issue 28 (2)	1
OSO volume 27 issue 1 Cover and Back matter	1

From Boethian Harmony to a Dry Riverbed: El sonido recobrado	1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes	1
instance: Soma-based multi-user interaction design for the telematic sonic arts	1
Ecomprovisation: Project Markarian 335	1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America	1
Charting the Scene(s) of Sonic Arts in Hong Kong	1
Politics of Gear: Gender, innovation and live embodied composition	1
Agostino Di Scipio, Circuiti del Tempo - un percorso storico-critico nella creatività musicale elettroacustica e informatica. Lucca: LIM, Libreria Musicale Italiana, 2021. ISBN: 9788855430685.	1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.	1
Localising Acoustic Ecology: A critique towards a relational collaborative paradigm	1
Jennifer Iverson , Electronic Inspirations: Technologies of the Cold War Avant Garde. Oxford: Oxford University Press, 2019. ISBN: 9780190868208.	1
Machine Listening as Sonification	1
Compositional Techniques and Sound Spatialisation in Shanghai-Based Electronic Music since 2000	1
The Artist as a Subscription: Patching music as an artistic device	1
Agent-Based Music Live Coding: Sonic adventures in 2D	1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)	1
Live Coding Outside, Live Coding Inside: Listening, participation and walking	1
OSO volume 29 issue 2 Cover and Front matter	1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.	1
Weak Interactions, Strong Bonds: Live electronics as a complex system	1
Technology and Mathematics as Non-Human Forces: The agency of hyperbolic paraboloids, computer software and interface hardware in the making of a visitor-interactive audiovisual work	1
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.	1
Co-Sounding: Fostering intersubjectivity in electronic music improvisation	1
Ecologies of Sound with Regard toArrhythmia	0
Sine Wave in Music and Sound Art: A typology of artistic approaches	0
Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music	0
Spatiotemporal Networks in Ryoji Ikeda’s Electronic Music: Loop, variation and re-contextualisation of sound	0
‘The McBrides are from here’: Listening to Green Ways as creative cartophony	0
Editorial: Radio – a space for sonic art	0
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama	0
Live Coding and Music Production as Hybrid Practice	0
Ears to the Ground: Socially engaged sound art as learning in process	0
Editorial: Live Coding Sonic Creativities	0
Musical Hyperrealism: Exploring Noah Creshevsky’s compositions through Jean Baudrillard’s ideas	0
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI	0
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music	0
The Kaon’CPT Collective: Building a musical culture of not-in-real-life performance through conducted live comprovisation	0
Hello! I’ve Been Here the Whole Time: When non-cochlear sound art meets disability aesthetics	0
Sound and Video examples from this issue 26(3)	0
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process	0
Algorave Music Practice in Indonesia: Paguyuban Algorave	0
OSO volume 26 issue 2 Cover and Back matter	0
OSO volume 27 issue 2 Cover and Front matter	0
Modular Composition: An approach towards structural plasticity in music	0
The Music of James Tenney Robert Wannamaker, Volume 1: Contexts and Paradigms; Volume 2: A Handbook to the Pieces. Champaign, IL: University of Illinois Press, 2021. ISBN: 978-0-252-0436	0
Digital DJing in the GCSE Classroom: Art or instrument?	0
On Designing, Composing and Performing Networked Collective Interactions	0
Improvisation through Performance-installation	0
OSO volume 28 issue 2 Cover and Front matter	0
OSO volume 29 issue 1 Cover and Back matter	0

The Prisoner: A missing link in England’s history of electronic music	0
Ambiguous Devices: Improvisation, agency, touch and feedthrough in distributed music performance	0
OSO volume 28 issue 3 Cover and Back matter	0
Strange Post-human Attractors: Algorithmic improvisation as acousmatic poiēsis	0
Editorial: The sonic and the electronic in improvisation	0
OSO volume 29 issue 2 Cover and Back matter	0
Towards a Practice of Palimpsestic Listening	0
Jane Grant , John Matthias and David Prior (eds.), The Oxford Handbook of Sound Art. Oxford: Oxford University Press, 2021. ISBN: 9780190274054.	0
Polite Applause: The sonic politics of ‘Clap for Carers’	0
Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks	0
Sound and video examples — issue 29 (1)	0
Introducing the Networked Music Performance Library	0
Tom Erbe Interviewed by Theodore Gordon	0
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction	0
OSO volume 26 issue 3 Cover and Front matter	0
Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean and Thor Magnusson, Live Coding: A User’s Manual. Cambridge, MA: MIT Press, 2022. ISBN: 9780262544818. doi: https://doi.org/10.7551/mitpress/1377	0
Weightless Infrastructures	0
Web-based Form as Expression of Networked Sociality in the Community-based Piano Piece Wiki-Piano.Net	0
Structuring Spectra in Electroacoustic Music	0
Designing Musical Games for Electroacoustic Improvisation	0
Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions. New York: Bloomsbury Academic, 2019. ISBN: 9781501313851. DOI: https://doi.org/10.5040/9781501313899	0
François-Bernard Mâche’s ‘Sacred’ Music	0
Withdrawn from Use: Silence, listening and undoing	0
New Technologies, Old Behaviours: Electronic media and electronic music improvisors in Europe at the turn of the millennium	0
Creative Agencies in Participatory Sound Art: Two case studies	0
Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville	0
Tangible Radio: Deaf studies and sound studies coalitions	0
Donohue+: Developing performer-specific electronic improvisatory accompaniment for instrumental improvisation	0
Ear Talk Project: Participatory co-composition on YouTube and the Web	0
Sound and video examples – issue 26 (1)	0
Unstable Structure: The improvising modular synthesiser	0
Visual Representations to Stimulate New Musicking Strategies in Live Coding	0
OSO volume 26 issue 2 Cover and Front matter	0
Sounds of Aliyah: A journey towards a sonic methodology for diaspora studies	0
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne	0
Pop Materialising: Layers and topological space in digital pop music	0
OSO volume 29 issue 3 Cover and Back matter	0
R. Murray Schafer (1933–2021) and the World Soundscape Project	0
Improvising with Machines: A taxonomy of musical interactions	0
Other-than-Human Perspectives on Écosystème(s): Towards an ecosemiotic approach to sound and media art	0
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction	0
A Space for Making: Collaborative composition as social participation	0
Presentation of Noise Elements of Chinese Plucked String Instruments in Electronic Music	0
Spiralling Out of a Shell: Fictioning more-than-machine listening	0
The Haptic in Soundscape Composition	0
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds	0
Livecoderas Latinoamericanas: Diversity, educational access and musicking networks in live coding in Latin America	0
Editorial: Commercial music and the electronic music studio – influence, borrowings and language	0
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation	0
Discovering Creative Commons Sounds in Live Coding	0
Editorial: Radical education in electronic music, past and present	0
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today	0
More Than an Instrument: Improvising with failing playback media	0
‘If You Love Music You Should Learn How to DJ’: Maria Chavez and Elijah interviewed by Jake Williams	0
Simon Emerson (ed.), The Routledge Research Companion to Electronic Music: Reaching out with Technology. Abingdon: Routledge, 2018. ISBN: 9781472472915 (hardback).	0
Peter Manning 1948–2022	0
Cathy Lane and Angus Carlyle (eds.), Sound Arts Now. Axminster: Uniformbooks, 2021. ISBN: 9781910010266.	0
An Art of the Radio: Musique concrète and mass culture, 1941–1952	0
Electroacoustic Improvisation and the Metaphysical Imaginary	0
Free Improvisation as Experience: A pragmatic insight into improvisational gesture	0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts. Cambridge, MA: MIT Press, 2020. ISBN: 9780262044783.	0
OSO volume 28 issue 2 Cover and Back matter	0
Reframing Sound Shapes in Spectromorphological Composition: Notating perspectival space through spherical, Euclidean and Cartesian-coordinate systems	0
Dissident Sounds: Electronic music in Venezuela from the notions of radical education	0
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place	0
Lo-fi Today	0
Sound and video examples – issue 28 (1)	0
Sarah Washington (ed.), RadioArtZone. Berlin: Hatje Cantz Verlag, 2023. ISBN: 978-3-7757-5515-3.	0
The Aesthetics of Musical Complex Systems	0
Metastable Inventions: Simondonian concretisation and technical invention in modular synthesis practice	0
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment	0
Sound, Image and Motion: Teaching with an interdisciplinary approach	0
Enactive Listening: Perceptual reflections on soundscape composition	0
OSO volume 26 issue 1 Cover and Front matter	0
OSO volume 27 issue 2 Cover and Back matter	0
Editorial: Collective and networked sound practices	0
Improvising Inside a House of Cards: New performance and music-making through a collective networked instrument	0
B. Ellison and T. B. W. Bailey, Sonic Phantoms: Composition with Auditory Phantasmatic Presence. New York: Bloomsbury, 2020. ISBN: 9781501347023.	0
Fusion and Application of Chinese Ethnic Elements in Electroacoustic Music in Mist on a Hill	0
Sonic Sentimentality and the Unification of the Listening Space: Exploring the intersections of oral history and sonic art	0

Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585.	0
Editorial: Socially engaged sound practices, part 2	0
OSO volume 28 issue 1 Cover and Back matter	0
Flexibility Conceiving Relationships between Timbres Revealed by Network Analysis	0
Radio: An instrument in art – with reference to selected works by Polish artists	0
OSO volume 26 issue 1 Cover and Back matter	0
M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).	0
Distributed Participatory Design: The challenges of designing with physically disabled musicians during a global pandemic	0
Editorial: Socially engaged sound practices	0
Live 4 Life: A spatial performance tool to play the ephemeral and improvise with space and playback speeds	0
Flows of Inhomogeneous Matter: Improvising an augmented violin	0
Spaces for People: Technology, improvisation and social interaction in the music of Pauline Oliveros	0
Distributing Authorship at a Localised Scale: Developing public engagement in sound mapping	0
Anatomical Intelligence: Live coding as performative dissection	0
Sound and Video Examples – issue 29 (3)	0
Editorial: More-than-human, more-than-music	0
On the Integration of Machine Agents into Live Coding	0
OSO volume 29 issue 3 Cover and Front matter	0
Live Coding Patterns and a Toolkit for Pure Data	0
Trevurr: A dialogic composition on dementia, auraldiversity and companion listening	0
Sound and Video Examples – Issue 27(1)	0
Editorial: Chinese Electroacoustic Music Today	0
Biomimicry in Electroacoustic Composition: Conceptual frameworks and prototypes	0
On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners	0
Improvisational Listening:Audiowalk – St Enda’s Park	0
Sound and Video Examples – issue 29 (2)	0
Listening and Recording In Situ: Entanglement in the sociopolitical context of place	0
Between Computer Automation, Voltage Control and Literature: A portrait of Peter Zinovieff	0
Fostering Social Interaction Through Sound Feedback: Sentire	0
Debris:Machine learning, archive archaeology, digital audio waste	0
Marko Ciciliani, Barbara Lüneburg and Andreas Pirchner (eds.), Vol. 1: Ludified: Artistic Research in Audiovisual Composition, Performance & Perception and Vol. 2: Game Elements in Marko Cicili	0
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM	0
Sound and More-than-Human Sociality in Catherine Clover’sOh! Ah ah pree trra trra	0
Soundscapes of Resistance: Amplifying social justice activism and aural counterpublics through field recording-based sound practices	0
Radioatelier: Czech radio space for acoustic art 2003–2022	0
Group Performance Paradigms in Free Improvisation	0
A Symphony of Sound Images: Spatial composition strategies in Zhang Xiaofu’sYarlung Zangbo	0
Telematic Sound Body: A trajectory of intimacy and defiance	0
Sound Practices in the Global South: Co-listening to Resounding Plurilogues Budhaditya Chattopadhyay, Cham, Switzerland: Palgrave MacMillan, 2024. ISBN: 978-3-030-99731-1.	0
Récit Music: Musical community in the information age	0
Electroacoustic Improvisation and Life Nourishment	0
Non-Mathematical Musings on Information Theory and Networked Musical Practice	0
Musical Live Coding in Relation to Interactivity Variations	0
Live Coding Poetry: The narrative of code in a hybrid musical/poetic context	0
Sound and Video Examples – Issue 27(3)	0
Editorial: Ecologically grounded creative practices and ubiquitous music – interaction and environment	0
Diverse Sound Practices: An exploration of experimental electronic music in regional Australia	0
Experiencing Sound Installations: A conceptual framework	0
OSO volume 27 issue 1 Cover and Front matter	0
Sound and video examples – issue 26(2)	0
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook	0
Sound and Video Examples – Issue 28(3)	0
The Topological Model in the Works of Yuasa Jōji	0
Resistance, Mastery, Agency: Improvising with the feedback-actuated augmented bass	0
Material Media Sonification: Sounding the visibly present artefact	0
New Amateurs and Tricksters: A manifesto for music and sound creation	0
The Visual Representation of Timbre	0