Organised Sound

Papers
(The TQCC of Organised Sound is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction9
Designing Musical Games for Electroacoustic Improvisation5
Postcritical Listening: Political affordances in participatory sound art5
On Designing, Composing and Performing Networked Collective Interactions5
Resistance, Mastery, Agency: Improvising with the feedback-actuated augmented bass4
From Physical to Spiritual: Defining the practice of embodied sonic meditation4
Ambiguous Devices: Improvisation, agency, touch and feedthrough in distributed music performance4
Distributed Participatory Design: The challenges of designing with physically disabled musicians during a global pandemic4
Shanshui-thought in Experimental Music Practices: China and beyond3
A Space for Making: Collaborative composition as social participation3
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds3
Soundscapes of Resistance: Amplifying social justice activism and aural counterpublics through field recording-based sound practices2
The Acousmatic Gap as a Flexile Path to Self-Understanding: A case for experiential listening2
Editorial: Collective and networked sound practices2
Pop Materialising: Layers and topological space in digital pop music2
Fusion and Application of Chinese Ethnic Elements in Electroacoustic Music in Mist on a Hill2
On the Integration of Machine Agents into Live Coding2
Lo-fi Today2
instance: Soma-based multi-user interaction design for the telematic sonic arts2
The Visual Representation of Timbre2
Strange Post-human Attractors: Algorithmic improvisation as acousmatic poiēsis2
Musical Live Coding in Relation to Interactivity Variations2
Web-based Form as Expression of Networked Sociality in the Community-based Piano Piece Wiki-Piano.Net1
Non-Mathematical Musings on Information Theory and Networked Musical Practice1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music1
Experiencing Sound Installations: A conceptual framework1
Using Spiritual Intelligence as a Framework to Link Electroacoustic Music and Spirituality1
‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy1
Discovering Creative Commons Sounds in Live Coding1
Flows of Inhomogeneous Matter: Improvising an augmented violin1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
Donohue+: Developing performer-specific electronic improvisatory accompaniment for instrumental improvisation1
Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville1
A Symphony of Sound Images: Spatial composition strategies in Zhang Xiaofu’sYarlung Zangbo1
Editorial: Socially engaged sound practices1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes1
Compositional Techniques and Sound Spatialisation in Shanghai-Based Electronic Music since 20001
Analytical Approaches to Electroacoustic Music Improvisation1
Listening and Recording In Situ: Entanglement in the sociopolitical context of place1
Creative Agencies in Participatory Sound Art: Two case studies1
Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks1
Fostering Social Interaction Through Sound Feedback: Sentire1
M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).1
Polite Applause: The sonic politics of ‘Clap for Carers’1
On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners1
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today1
Ecomprovisation: Project Markarian 3351
The Politics of Aesthetic Preference in Participatory Music1
Editorial: Chinese Electroacoustic Music Today1
OSO volume 28 issue 2 Cover and Front matter1
Electroacoustic Improvisation and Life Nourishment1
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