Organised Sound

Papers
(The TQCC of Organised Sound is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)
ArticleCitations
Politics of Gear: Gender, innovation and live embodied composition10
A Sound Artist’s Breakdown of Field Recording over History9
The Politics of Aesthetic Preference in Participatory Music7
OSO volume 28 issue 1 Cover and Front matter5
OSO volume 28 issue 3 Cover and Front matter5
Telematic Sound Body: A trajectory of intimacy and defiance4
Live Coding Outside, Live Coding Inside: Listening, participation and walking4
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.4
Peter Manning 1948–20223
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today3
OSO volume 29 issue 1 Cover and Back matter3
The Haptic in Soundscape Composition3
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM3
New Amateurs and Tricksters: A manifesto for music and sound creation3
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio2
Weightless Infrastructures2
Modular Composition: An approach towards structural plasticity in music2
Sound and Video Examples – Issue 28(3)2
Fostering Social Interaction Through Sound Feedback: Sentire2
Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions. New York: Bloomsbury Academic, 2019. ISBN: 9781501313851. DOI: https://doi.org/10.5040/97815013138992
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place2
Miller Puckette and Kerry L. Hagan (eds.), Between the Tracks: Musicians on Selected Electronic Music. Cambridge, MA: MIT Press, 2020. ISBN 9780262539302 (paperback).2
Improvising Inside a House of Cards: New performance and music-making through a collective networked instrument2
Externalising Psychological Spaces in Spatial Music through Gestural Mediation2
OSO volume 27 issue 1 Cover and Front matter2
Editorial: Live Coding Sonic Creativities2
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation2
Between Computer Automation, Voltage Control and Literature: A portrait of Peter Zinovieff1
Creative Agencies in Participatory Sound Art: Two case studies1
Editorial: Collective and networked sound practices1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America1
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds1
Machine Listening as Sonification1
The Topological Model in the Works of Yuasa Jōji1
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction1
Cathy Lane and Angus Carlyle (eds.), Sound Arts Now. Axminster: Uniformbooks, 2021. ISBN: 9781910010266.1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise1
Sound and video examples – issue 28 (2)1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI1
Visual Representations to Stimulate New Musicking Strategies in Live Coding1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.1
Experiencing Sound Installations: A conceptual framework1
On the Use of Field Recordings on Radio: A history of the beginnings1
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music1
OSO volume 28 issue 1 Cover and Back matter1
OSO volume 27 issue 3 Cover and Back matter1
Double Extension: Henri Chopin’s audiopoem performances1
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music1
Sound and Video Examples – Issue 27(1)1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Spaces for People: Technology, improvisation and social interaction in the music of Pauline Oliveros1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.1
Understanding and Analysing ‘Organised Space’1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne1
OSO volume 29 issue 1 Cover and Front matter1
OSO volume 29 issue 2 Cover and Back matter1
A Retrospective on Sound Space and Its Rhizomatic Genealogy1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
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