Organised Sound

Papers
(The TQCC of Organised Sound is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Politics of Gear: Gender, innovation and live embodied composition10
OSO volume 28 issue 3 Cover and Front matter6
OSO volume 28 issue 1 Cover and Front matter6
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.5
Art of Sound – Creativity in Film Sound and Electroacoustic Music Andrew Knight-Hill and Emma Margetson, London: Focal Press, 2023. ISBN: 9780367755881.4
Live Coding Outside, Live Coding Inside: Listening, participation and walking4
OSO volume 29 issue 1 Cover and Back matter4
Audiovisual transformation strategies for object-based sound installations4
Peter Manning 1948–20224
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM3
Praat Audiotools: An offline analysis-resynthesis toolkit for experimental composition3
Modular observers: OpenSoundLab and PatchWorld as case studies for emerging practices of modular synthesis in extended realities3
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today3
The Haptic in Soundscape Composition2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio2
Weightless Infrastructures2
New Amateurs and Tricksters: A manifesto for music and sound creation2
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama2
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation2
Engaging with everyday sounds Marcel Cobussen, Cambridge: Open Book Publishers, 2022. ISBN: 9781800643925. Open access: https://doi.org/10.11647/OBP.02882
Sound and Video Examples – Issue 28(3)2
Externalising Psychological Spaces in Spatial Music through Gestural Mediation2
Vibrant algorithms: Sonic collaborations with the living environment2
Editorial: Perspectives and trajectories in spatial music and sonic art1
Experiencing Sound Installations: A conceptual framework1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI1
OSO volume 29 issue 1 Cover and Front matter1
A spherical microphone prototype for multichannel recording: Technological design, artistic applications and compositional implications1
A Retrospective on Sound Space and Its Rhizomatic Genealogy1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne1
Editorial: New Strategies for Music Notation and Representation in Electroacoustic Music1
The sound of consumption: The electromagnetic soundwalk as anti-method1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.1
Notation strategies for effect pedals in the compositional process of Étude n°11
Machine Listening as Sonification1
Modular Composition: An approach towards structural plasticity in music1
On the Use of Field Recordings on Radio: A history of the beginnings1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment1
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music1
OSO volume 29 issue 2 Cover and Back matter1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
OSO volume 28 issue 1 Cover and Back matter1
Understanding and Analysing ‘Organised Space’1
Composing the instrument: Revisiting the concept of the instrument’s score1
Editorial: Live Coding Sonic Creativities1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America1
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place1
Visual Representations to Stimulate New Musicking Strategies in Live Coding1
OSO volume 27 issue 3 Cover and Back matter1
Double Extension: Henri Chopin’s audiopoem performances1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction1
Sound and video examples – issue 28 (2)1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)1
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