Organised Sound

Article	Citations
Politics of Gear: Gender, innovation and live embodied composition	10
OSO volume 28 issue 3 Cover and Front matter	6
OSO volume 28 issue 1 Cover and Front matter	5
Praat Audiotools: An offline analysis-resynthesis toolkit for experimental composition	4
Audiovisual transformation strategies for object-based sound installations	4
OSO volume 29 issue 1 Cover and Back matter	4
Live Coding Outside, Live Coding Inside: Listening, participation and walking	4
Peter Manning 1948–2022	4
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.	4
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM	3
Modular observers: OpenSoundLab and PatchWorld as case studies for emerging practices of modular synthesis in extended realities	3
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today	3
New Amateurs and Tricksters: A manifesto for music and sound creation	2
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation	2
Sound and Video Examples – Issue 28(3)	2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio	2
The Haptic in Soundscape Composition	2
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama	2
Externalising Psychological Spaces in Spatial Music through Gestural Mediation	2
Agent-Based Music Live Coding: Sonic adventures in 2D	1
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music	1
Double Extension: Henri Chopin’s audiopoem performances	1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction	1
Sound and video examples – issue 28 (2)	1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction	1

Editorial: New Strategies for Music Notation and Representation in Electroacoustic Music	1
Editorial: Live Coding Sonic Creativities	1
Editorial: Perspectives and trajectories in spatial music and sonic art	1
Weightless Infrastructures	1
Visual Representations to Stimulate New Musicking Strategies in Live Coding	1
A spherical microphone prototype for multichannel recording: Technological design, artistic applications and compositional implications	1
OSO volume 27 issue 3 Cover and Back matter	1
A Retrospective on Sound Space and Its Rhizomatic Genealogy	1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise	1
Understanding and Analysing ‘Organised Space’	1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne	1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.	1
The sound of consumption: The electromagnetic soundwalk as anti-method	1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.	1
Machine Listening as Sonification	1
Modular Composition: An approach towards structural plasticity in music	1
Experiencing Sound Installations: A conceptual framework	1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook	1
The Artist as a Subscription: Patching music as an artistic device	1
OSO volume 29 issue 1 Cover and Front matter	1
OSO volume 29 issue 2 Cover and Back matter	1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI	1
Notation strategies for effect pedals in the compositional process of Étude n°1	1
OSO volume 28 issue 1 Cover and Back matter	1
Composing the instrument: Revisiting the concept of the instrument’s score	1
On the Use of Field Recordings on Radio: A history of the beginnings	1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America	1
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place	1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)	1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment	1
Ecomprovisation: Project Markarian 335	0
The well-tempered network: From monochrony to polychrony	0
Dissident Sounds: Electronic music in Venezuela from the notions of radical education	0
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process	0
Livecoderas Latinoamericanas: Diversity, educational access and musicking networks in live coding in Latin America	0
Radioatelier: Czech radio space for acoustic art 2003–2022	0
Spiralling Out of a Shell: Fictioning more-than-machine listening	0
Experience of Space in Sound: Perceptions, concepts and methods	0
A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance	0
Tangible Radio: Deaf studies and sound studies coalitions	0
Baschet’s Voice Leaf: The voice wrapped in the sculptural leaf	0
OSO volume 28 issue 2 Cover and Back matter	0
Structuring Spectra in Electroacoustic Music	0
Sound Practices in the Global South: Co-listening to Resounding Plurilogues Budhaditya Chattopadhyay, Cham, Switzerland: Palgrave MacMillan, 2024. ISBN: 978-3-030-99731-1.	0
Electroacoustic Improvisation and Life Nourishment	0
The open work and AI: Co-creation and haunting in text scores and inherent scores	0
Charting the Scene(s) of Sonic Arts in Hong Kong	0
A Sonic Indofuturism	0
Navigating an Urban Archive : An exploration of wavefield synthesis as soundscape composition	0
Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville	0

The LADIM’s story or something over One Thousand and One Nights of an electroacoustic music laboratory in Venezuela in the 21st century. The electroacous	0
‘To Explore the World of Sound’: Music, silence and nation-building in Bing Bang Boom (1969)	0
On the Integration of Machine Agents into Live Coding	0
The virtual synthesiser as a prescriptive element in musical creation: A digital-organological study of instrumental configurations, control and form	0
New Technologies, Old Behaviours: Electronic media and electronic music improvisors in Europe at the turn of the millennium	0
Reimagining performance: Latin American concert practices in the metaverse during the pandemic	0
Fusion and Application of Chinese Ethnic Elements in Electroacoustic Music in Mist on a Hill	0
Compositional Techniques and Sound Spatialisation in Shanghai-Based Electronic Music since 2000	0
A Symphony of Sound Images: Spatial composition strategies in Zhang Xiaofu’sYarlung Zangbo	0
‘Hello world’: Tracing the early development of computer music in Brazil (1962–1980)	0
The materiality of radio art: Towards a theory of radiophonic matter	0
Group Performance Paradigms in Free Improvisation	0
Towards common ground in notation for augmented instruments	0
Other-than-Human Perspectives on Écosystème(s): Towards an ecosemiotic approach to sound and media art	0
Editorial: More-than-human, more-than-music – CORRIGENDUM	0
Material Media Sonification: Sounding the visibly present artefact	0
Editorial: More-than-human, more-than-music	0
Editorial: Radical education in electronic music, past and present	0
Editorial: Sound, music and technology in Latin America	0
Bridging Gaps in Black Music Research: A conversation on experimental sound by the BMRU	0
Phenomenological open graphic notation with chaotic systems in interactive electroacoustic music	0
Sound and video examples — issue 29 (1)	0
Live Coding Poetry: The narrative of code in a hybrid musical/poetic context	0
Editorial: Chinese Electroacoustic Music Today	0
Live Coding and Music Production as Hybrid Practice	0
OSO volume 28 issue 2 Cover and Front matter	0
Soundscapes of Papua: Cultural-based pedagogical approach through electroacoustic music	0
Reflecting on China’s electroacoustic music: Rethinking the Chinese-Western dualism and exploring ecological perspectives	0
Hello! I’ve Been Here the Whole Time: When non-cochlear sound art meets disability aesthetics	0
The Aural Aesthetics of Modernity: From the Philips Pavilion to EMPAC	0
Sound and video examples – issue 27 (2)	0
OSO volume 29 issue 3 Cover and Back matter	0
Sound and Video Examples – Issue 27(3)	0
Metastable Inventions: Simondonian concretisation and technical invention in modular synthesis practice	0
The Aesthetics of Musical Complex Systems	0
Ruining the algorithm: Sound, technology, and collaborative networks in Latin American sonic experimentalism	0
Jane Grant , John Matthias and David Prior (eds.), The Oxford Handbook of Sound Art. Oxford: Oxford University Press, 2021. ISBN: 9780190274054.	0
OTTOsonics: Designing and implementing an open and affordable 3D spatial audio system	0
OSO volume 29 issue 2 Cover and Front matter	0
Spatiotemporal Networks in Ryoji Ikeda’s Electronic Music: Loop, variation and re-contextualisation of sound	0
OSO volume 27 issue 2 Cover and Back matter	0
Editorial: Experimental sound from the Black and South Asian diaspora	0
Ai-Maako: The Super Electroacoustic Festival with a Strange Name	0
Circuito Abierto : Challenging conservative Peruvian music education through open science in electronic music (2022–2024)	0
OSO volume 29 issue 3 Cover and Front matter	0
Live Coding Patterns and a Toolkit for Pure Data	0
Sound and Video Examples – issue 29 (2)	0
Investigating the Physically Hidden: Auditory-based illusions for sound installations	0
Sine Wave in Music and Sound Art: A typology of artistic approaches	0
Intermedial interference in electroacoustic audiovisual composition: Theoretical and practical explorations in combining sound and moving image	0
Technology and Mathematics as Non-Human Forces: The agency of hyperbolic paraboloids, computer software and interface hardware in the making of a visitor-interactive audiovisual work	0
Listening after nature: Field recording, ecology, critical practice Mark Peter Wright, New York: Bloomsbury, 2022. ISBN: 978-1501354519, 978-501392863.	0
Algorave Music Practice in Indonesia: Paguyuban Algorave	0
Reassembling Russek’s Summermood : Revitalising Mexico’s electroacoustic legacy through modern performance	0
Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean and Thor Magnusson, Live Coding: A User’s Manual. Cambridge, MA: MIT Press, 2022. ISBN: 9780262544818. doi: https://doi.org/10.7551/mitpress/1377	0
Embedding Data into Instruments: An Ethical-Embodied Framework for Electroacoustic Practice	0
Editorial: The sonic and the electronic in improvisation, part 2	0
Anatomical Intelligence: Live coding as performative dissection	0
Digital DJing in the GCSE Classroom: Art or instrument?	0
Small Gestures: Generating radical sonic futures in an algorithmic world	0
Chilean electroacoustic music as living memory: Reinterpreting history through sound	0
The harmonicity of brain dynamics: A neurophenomenological approach to creative biofeedback	0
Sound, Image and Motion: Teaching with an interdisciplinary approach	0
Transdisciplinary artistic strategies in environmental sound art (and the politics of listening) in contemporary Latin America	0
Editorial: Radio – a space for sonic art	0
Sarah Washington (ed.), RadioArtZone. Berlin: Hatje Cantz Verlag, 2023. ISBN: 978-3-7757-5515-3.	0
Electroacoustic Confessional: Confronting one’s artistic past	0
Beyond Symbols: Indexical Notation for Sound Morphology	0
Ambient Machines: Synthesis in the domestic sphere	0
Machine Learning in Electromechanical Sound Art	0
The Visual Representation of Timbre	0
Waste Whisperer: How salvaged loudspeakers and ‘e-waste’ invite creativity in spatialisation and sound installation design	0
Presentation of Noise Elements of Chinese Plucked String Instruments in Electronic Music	0
Diverse Sound Practices: An exploration of experimental electronic music in regional Australia	0
Contemporary Notation Framework: Approaches, encoding and medium	0
The Prisoner: A missing link in England’s history of electronic music	0
Crossing Lines: Stylistic gradients in Chinese electroacoustic music	0
When AI don’t sound like AI: Negotiating aesthetic expectations in technology-mediated musical practice	0
Electroacoustic music in Latin America: Two examples of sound-based research conducted at Studio PANaroma	0
Xenomusicology	0

Pedagogical Approaches in Music and Audio Education for Deaf and Hard-of-Hearing Students	0
Reframing Sound Shapes in Spectromorphological Composition: Notating perspectival space through spherical, Euclidean and Cartesian-coordinate systems	0
Exploration of Spatial Composition with a New Electronic Stringed Instrument	0
Editorial: Ecologically grounded creative practices and ubiquitous music – interaction and environment	0
Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585.	0
Queernotation : A proposal for experimental composition	0
Weak Interactions, Strong Bonds: Live electronics as a complex system	0
The Biophilic Instrument Pavilion: Spatialisation across disciplines	0
Debris:Machine learning, archive archaeology, digital audio waste	0
An Art of the Radio: Musique concrète and mass culture, 1941–1952	0
The Emergence of Spaces: Openness and identity/ies	0
Experimental luthiery in Latin America: A postcolonial and acoustemological approach	0
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music	0
M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).	0
Flexibility Conceiving Relationships between Timbres Revealed by Network Analysis	0
OSO volume 27 issue 3 Cover and Front matter	0
Biomimicry in Electroacoustic Composition: Conceptual frameworks and prototypes	0
Radio: An instrument in art – with reference to selected works by Polish artists	0
3D scores – Affordances and applications	0
From Boethian Harmony to a Dry Riverbed: El sonido recobrado	0
Relating electronic musical instruments to composition and notation	0
Drawing sound in space: Digital spatial notation as constitutive audiovisuality	0
Spaces within spaces: Composing aural architectures within site-specific sound	0
Editorial: Socially engaged sound practices, part 2	0
Improvising with Machines: A taxonomy of musical interactions	0
Mimesis and the Durational Becoming: Assimilation and Emergent Behavior in Art	0
Sound and Video Examples – issue 29 (3)	0
Expanding the machine: Notating generative synthesis with a state-based representation and a navigable timbre space	0
Identity and belonging in South American electroacoustic music	0
Acouscapes: A software for ecoacoustic education and soundscape composition in primary and secondary education	0
The Mind Amplifier: Software Composition in José Vicente Asuar’s COMDASUAR	0
‘If You Love Music You Should Learn How to DJ’: Maria Chavez and Elijah interviewed by Jake Williams	0
Sense of Place, Space and Belonging in Ainolnaim Azizol’s Electroacoustic Soundscape Bayu Nokturnal II	0
Electroacoustic Improvisation and the Metaphysical Imaginary	0
Generative soundscapes in exhibition contexts: Methods, implementation and perspectives	0
Discovering Creative Commons Sounds in Live Coding	0
Musical Live Coding in Relation to Interactivity Variations	0
OSO volume 27 issue 2 Cover and Front matter	0
Sound and video examples – issue 28 (1)	0
Ma and Traditional Japanese Aesthetics in Spatial Music and Sonic Art	0
OSO volume 28 issue 3 Cover and Back matter	0
The Music of James Tenney Robert Wannamaker, Volume 1: Contexts and Paradigms; Volume 2: A Handbook to the Pieces. Champaign, IL: University of Illinois Press, 2021. ISBN: 978-0-252-0436	0
A Thing in the Weave of Things: SONAMB’s NEURAL MATERIALS and Sonic Materialism in the age of artificial intelligence	0