Organised Sound

Papers
(The median citation count of Organised Sound is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction9
Designing Musical Games for Electroacoustic Improvisation5
Postcritical Listening: Political affordances in participatory sound art5
On Designing, Composing and Performing Networked Collective Interactions5
From Physical to Spiritual: Defining the practice of embodied sonic meditation4
Ambiguous Devices: Improvisation, agency, touch and feedthrough in distributed music performance4
Distributed Participatory Design: The challenges of designing with physically disabled musicians during a global pandemic4
Resistance, Mastery, Agency: Improvising with the feedback-actuated augmented bass4
A Space for Making: Collaborative composition as social participation3
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds3
Shanshui-thought in Experimental Music Practices: China and beyond3
Soundscapes of Resistance: Amplifying social justice activism and aural counterpublics through field recording-based sound practices2
The Acousmatic Gap as a Flexile Path to Self-Understanding: A case for experiential listening2
Editorial: Collective and networked sound practices2
Pop Materialising: Layers and topological space in digital pop music2
Fusion and Application of Chinese Ethnic Elements in Electroacoustic Music in Mist on a Hill2
On the Integration of Machine Agents into Live Coding2
Lo-fi Today2
instance: Soma-based multi-user interaction design for the telematic sonic arts2
The Visual Representation of Timbre2
Strange Post-human Attractors: Algorithmic improvisation as acousmatic poiēsis2
Musical Live Coding in Relation to Interactivity Variations2
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music1
Experiencing Sound Installations: A conceptual framework1
Using Spiritual Intelligence as a Framework to Link Electroacoustic Music and Spirituality1
‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy1
Discovering Creative Commons Sounds in Live Coding1
Flows of Inhomogeneous Matter: Improvising an augmented violin1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
Donohue+: Developing performer-specific electronic improvisatory accompaniment for instrumental improvisation1
Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville1
A Symphony of Sound Images: Spatial composition strategies in Zhang Xiaofu’sYarlung Zangbo1
Editorial: Socially engaged sound practices1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes1
Compositional Techniques and Sound Spatialisation in Shanghai-Based Electronic Music since 20001
Analytical Approaches to Electroacoustic Music Improvisation1
Listening and Recording In Situ: Entanglement in the sociopolitical context of place1
Creative Agencies in Participatory Sound Art: Two case studies1
Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks1
Fostering Social Interaction Through Sound Feedback: Sentire1
M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).1
Polite Applause: The sonic politics of ‘Clap for Carers’1
On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners1
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today1
Ecomprovisation: Project Markarian 3351
The Politics of Aesthetic Preference in Participatory Music1
Editorial: Chinese Electroacoustic Music Today1
OSO volume 28 issue 2 Cover and Front matter1
Electroacoustic Improvisation and Life Nourishment1
Web-based Form as Expression of Networked Sociality in the Community-based Piano Piece Wiki-Piano.Net1
Non-Mathematical Musings on Information Theory and Networked Musical Practice1
OSO volume 28 issue 1 Cover and Back matter0
Group Performance Paradigms in Free Improvisation0
Improvising Inside a House of Cards: New performance and music-making through a collective networked instrument0
Sound and video examples – issue 28 (1)0
A Sound Artist’s Breakdown of Field Recording over History0
Tom Erbe Interviewed by Theodore Gordon0
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process0
OSO volume 27 issue 2 Cover and Front matter0
A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance0
Sound and video examples – issue 26 (1)0
OSO volume 28 issue 2 Cover and Back matter0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts. Cambridge, MA: MIT Press, 2020. ISBN: 9780262044783.0
Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean and Thor Magnusson, Live Coding: A User’s Manual. Cambridge, MA: MIT Press, 2022. ISBN: 9780262544818. doi: https://doi.org/10.7551/mitpress/13770
Sound and movie examples – issue 25(3)0
Withdrawn from Use: Silence, listening and undoing0
Reframing Sound Shapes in Spectromorphological Composition: Notating perspectival space through spherical, Euclidean and Cartesian-coordinate systems0
Editorial: The sonic and the electronic in improvisation0
Enactive Listening: Perceptual reflections on soundscape composition0
Sound and video examples – issue 27 (2)0
Sound and Video examples from this issue 26(3)0
Cathy Lane and Angus Carlyle (eds.), Sound Arts Now. Axminster: Uniformbooks, 2021. ISBN: 9781910010266.0
OSO volume 27 issue 1 Cover and Back matter0
B. Ellison and T. B. W. Bailey, Sonic Phantoms: Composition with Auditory Phantasmatic Presence. New York: Bloomsbury, 2020. ISBN: 9781501347023.0
OSO volume 28 issue 1 Cover and Front matter0
Structuring Spectra in Electroacoustic Music0
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.0
‘The McBrides are from here’: Listening to Green Ways as creative cartophony0
OSO volume 27 issue 3 Cover and Front matter0
Spaces for People: Technology, improvisation and social interaction in the music of Pauline Oliveros0
OSO volume 26 issue 1 Cover and Front matter0
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music0
Audiovisual Materialism0
On Phonosophy0
Co-Sounding: Fostering intersubjectivity in electronic music improvisation0
Editorial: Ecologically grounded creative practices and ubiquitous music – interaction and environment0
Tangible Radio: Deaf studies and sound studies coalitions0
Flexibility Conceiving Relationships between Timbres Revealed by Network Analysis0
Visual Representations to Stimulate New Musicking Strategies in Live Coding0
Editorial: Socially engaged sound practices, part 20
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America0
Revealing Sonic Wisdom in the Works of Cat Hope0
Ecologies of Sound with Regard toArrhythmia0
Anatomical Intelligence: Live coding as performative dissection0
Introducing the Networked Music Performance Library0
Charting the Scene(s) of Sonic Arts in Hong Kong0
Algorave Music Practice in Indonesia: Paguyuban Algorave0
Sarah Washington (ed.), RadioArtZone. Berlin: Hatje Cantz Verlag, 2023. ISBN: 978-3-7757-5515-3.0
Editorial: Commercial music and the electronic music studio – influence, borrowings and language0
Ears to the Ground: Socially engaged sound art as learning in process0
Acousmatic-Creationism: A creative method for acousmatic music inspired by Chilean poet Vicente Huidobro’s aesthetic theories0
Sine Wave in Music and Sound Art: A typology of artistic approaches0
Jane Grant , John Matthias and David Prior (eds.), The Oxford Handbook of Sound Art. Oxford: Oxford University Press, 2021. ISBN: 9780190274054.0
Between Computer Automation, Voltage Control and Literature: A portrait of Peter Zinovieff0
OSO volume 25 issue 3 Cover and Back matter0
Acouscapes: A software for ecoacoustic education and soundscape composition in primary and secondary education0
Marko Ciciliani, Barbara Lüneburg and Andreas Pirchner (eds.), Vol. 1: Ludified: Artistic Research in Audiovisual Composition, Performance & Perception and Vol. 2: Game Elements in Marko Cicili0
OSO volume 29 issue 1 Cover and Back matter0
Improvisation through Performance-installation0
On the Use of Field Recordings on Radio: A history of the beginnings0
Sonic Sentimentality and the Unification of the Listening Space: Exploring the intersections of oral history and sonic art0
Editorial: Live Coding Sonic Creativities0
Telematic Sound Body: A trajectory of intimacy and defiance0
Dissident Sounds: Electronic music in Venezuela from the notions of radical education0
OSO volume 25 issue 3 Cover and Front matter0
Free Improvisation as Experience: A pragmatic insight into improvisational gesture0
Sound and Video Examples – Issue 27(3)0
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.0
OSO volume 27 issue 1 Cover and Front matter0
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music0
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment0
R. Murray Schafer (1933–2021) and the World Soundscape Project0
Agostino Di Scipio, Circuiti del Tempo - un percorso storico-critico nella creatività musicale elettroacustica e informatica. Lucca: LIM, Libreria Musicale Italiana, 2021. ISBN: 9788855430685.0
Weak Interactions, Strong Bonds: Live electronics as a complex system0
The Kaon’CPT Collective: Building a musical culture of not-in-real-life performance through conducted live comprovisation0
OSO volume 26 issue 3 Cover and Back matter0
Sound and Video Examples – Issue 28(3)0
Swamp, Sound, Sign: Reflections on interspecies difference in compositional practice0
OSO volume 26 issue 2 Cover and Front matter0
OSO volume 27 issue 3 Cover and Back matter0
New Technologies, Old Behaviours: Electronic media and electronic music improvisors in Europe at the turn of the millennium0
Sound and video examples – issue 26(2)0
Crossing Lines: Stylistic gradients in Chinese electroacoustic music0
The Aesthetics of Musical Complex Systems0
New Amateurs and Tricksters: A manifesto for music and sound creation0
The Artist as a Subscription: Patching music as an artistic device0
Material Media Sonification: Sounding the visibly present artefact0
Radio: An instrument in art – with reference to selected works by Polish artists0
Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music0
Live Coding and Music Production as Hybrid Practice0
Ear Talk Project: Participatory co-composition on YouTube and the Web0
Live Coding Outside, Live Coding Inside: Listening, participation and walking0
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama0
Weightless Infrastructures0
Trevurr: A dialogic composition on dementia, auraldiversity and companion listening0
An Art of the Radio: Musique concrète and mass culture, 1941–19520
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)0
Livecoderas Latinoamericanas: Diversity, educational access and musicking networks in live coding in Latin America0
Electroacoustic Improvisation and the Metaphysical Imaginary0
The Topological Model in the Works of Yuasa Jōji0
Presentation of Noise Elements of Chinese Plucked String Instruments in Electronic Music0
Thirty Years of Sound Hacking: From freeware to Eurorack0
Simon Emerson (ed.), The Routledge Research Companion to Electronic Music: Reaching out with Technology. Abingdon: Routledge, 2018. ISBN: 9781472472915 (hardback).0
Musical Hyperrealism: Exploring Noah Creshevsky’s compositions through Jean Baudrillard’s ideas0
OSO volume 27 issue 2 Cover and Back matter0
OSO volume 29 issue 1 Cover and Front matter0
Music Thinking Process: Unfolding the creation of the pieceRésonances manifestes0
OSO volume 28 issue 3 Cover and Back matter0
Peter Manning 1948–20220
Live Coding Poetry: The narrative of code in a hybrid musical/poetic context0
Editorial: On Phonosophy0
Distributing Authorship at a Localised Scale: Developing public engagement in sound mapping0
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place0
OSO volume 26 issue 3 Cover and Front matter0
Sound and Video Examples – Issue 27(1)0
Editorial: The sonic and the electronic in improvisation, part 20
More Than an Instrument: Improvising with failing playback media0
The Prisoner: A missing link in England’s history of electronic music0
Sound and video examples – issue 28 (2)0
Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions. New York: Bloomsbury Academic, 2019. ISBN: 9781501313851. DOI: https://doi.org/10.5040/97815013138990
Sanne Krogh Groth and Holger Schulze (eds.), The Bloomsbury Handbook of Sound Art. New York: Bloomsbury, 2020. ISBN: 978-1-5013-3879-3. - Alan Licht , Sound Art Revisited. New York: Bloomsbury, 2010
Diverse Sound Practices: An exploration of experimental electronic music in regional Australia0
Localising Acoustic Ecology: A critique towards a relational collaborative paradigm0
Sound and More-than-Human Sociality in Catherine Clover’sOh! Ah ah pree trra trra0
OSO volume 26 issue 1 Cover and Back matter0
Miller Puckette and Kerry L. Hagan (eds.), Between the Tracks: Musicians on Selected Electronic Music. Cambridge, MA: MIT Press, 2020. ISBN 9780262539302 (paperback).0
Sounds of Aliyah: A journey towards a sonic methodology for diaspora studies0
Récit Music: Musical community in the information age0
Jennifer Iverson , Electronic Inspirations: Technologies of the Cold War Avant Garde. Oxford: Oxford University Press, 2019. ISBN: 9780190868208.0
Live 4 Life: A spatial performance tool to play the ephemeral and improvise with space and playback speeds0
Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585.0
‘To Explore the World of Sound’: Music, silence and nation-building in Bing Bang Boom (1969)0
Debris: Machine learning, archive archaeology, digital audio waste0
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM0
OSO volume 28 issue 3 Cover and Front matter0
Editorial: Radio – a space for sonic art0
Spatiotemporal Networks in Ryoji Ikeda’s Electronic Music: Loop, variation and re-contextualisation of sound0
François-Bernard Mâche’s ‘Sacred’ Music0
Unstable Structure: The improvising modular synthesiser0
Improvisational Listening:Audiowalk – St Enda’s Park0
Towards a Practice of Palimpsestic Listening0
Agent-Based Music Live Coding: Sonic adventures in 2D0
Live Coding Patterns and a Toolkit for Pure Data0
Sound and video examples — issue 29 (1)0
OSO volume 26 issue 2 Cover and Back matter0
Radioatelier: Czech radio space for acoustic art 2003–20220
‘Making Life Lively’: Co-estrangement in live electroacoustic improvisation0
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