Organised Sound

Papers
(The median citation count of Organised Sound is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
OSO volume 28 issue 3 Cover and Front matter9
A Sound Artist’s Breakdown of Field Recording over History7
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.5
OSO volume 28 issue 1 Cover and Front matter5
Live Coding Outside, Live Coding Inside: Listening, participation and walking4
The Politics of Aesthetic Preference in Participatory Music3
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today2
Telematic Sound Body: A trajectory of intimacy and defiance2
Sound and Video Examples – Issue 28(3)2
New Amateurs and Tricksters: A manifesto for music and sound creation2
Politics of Gear: Gender, innovation and live embodied composition2
Sound and More-than-Human Sociality in Catherine Clover’sOh! Ah ah pree trra trra2
Improvising Inside a House of Cards: New performance and music-making through a collective networked instrument2
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM2
Peter Manning 1948–20222
OSO volume 29 issue 1 Cover and Back matter2
OSO volume 26 issue 2 Cover and Back matter2
OSO volume 28 issue 1 Cover and Back matter1
Editorial: Collective and networked sound practices1
Visual Representations to Stimulate New Musicking Strategies in Live Coding1
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America1
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place1
Weightless Infrastructures1
Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions. New York: Bloomsbury Academic, 2019. ISBN: 9781501313851. DOI: https://doi.org/10.5040/97815013138991
The Haptic in Soundscape Composition1
Between Computer Automation, Voltage Control and Literature: A portrait of Peter Zinovieff1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment1
Spaces for People: Technology, improvisation and social interaction in the music of Pauline Oliveros1
Machine Listening as Sonification1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)1
Modular Composition: An approach towards structural plasticity in music1
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation1
Fostering Social Interaction Through Sound Feedback: Sentire1
Editorial: Live Coding Sonic Creativities1
Experiencing Sound Installations: A conceptual framework1
Distributing Authorship at a Localised Scale: Developing public engagement in sound mapping1
Polite Applause: The sonic politics of ‘Clap for Carers’1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction1
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music1
On the Use of Field Recordings on Radio: A history of the beginnings1
The Topological Model in the Works of Yuasa Jōji1
Miller Puckette and Kerry L. Hagan (eds.), Between the Tracks: Musicians on Selected Electronic Music. Cambridge, MA: MIT Press, 2020. ISBN 9780262539302 (paperback).1
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama1
OSO volume 27 issue 1 Cover and Front matter1
Sound and video examples – issue 28 (2)1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.1
The Prisoner: A missing link in England’s history of electronic music0
Soundscapes of Resistance: Amplifying social justice activism and aural counterpublics through field recording-based sound practices0
Baschet’s Voice Leaf: The voice wrapped in the sculptural leaf0
Récit Music: Musical community in the information age0
Discovering Creative Commons Sounds in Live Coding0
Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks0
Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean and Thor Magnusson, Live Coding: A User’s Manual. Cambridge, MA: MIT Press, 2022. ISBN: 9780262544818. doi: https://doi.org/10.7551/mitpress/13770
Sound and video examples — issue 29 (1)0
Spiralling Out of a Shell: Fictioning more-than-machine listening0
Editorial: Chinese Electroacoustic Music Today0
The Kaon’CPT Collective: Building a musical culture of not-in-real-life performance through conducted live comprovisation0
OSO volume 26 issue 2 Cover and Front matter0
Distributed Participatory Design: The challenges of designing with physically disabled musicians during a global pandemic0
The Visual Representation of Timbre0
Sound and Video examples from this issue 26(3)0
Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music0
Introducing the Networked Music Performance Library0
OSO volume 27 issue 3 Cover and Front matter0
The Music of James Tenney Robert Wannamaker, Volume 1: Contexts and Paradigms; Volume 2: A Handbook to the Pieces. Champaign, IL: University of Illinois Press, 2021. ISBN: 978-0-252-04360
Sound and video examples – issue 28 (1)0
Editorial: Radical education in electronic music, past and present0
OSO volume 27 issue 2 Cover and Back matter0
OSO volume 29 issue 3 Cover and Front matter0
Musical Live Coding in Relation to Interactivity Variations0
Soundscapes of Papua: Cultural-based pedagogical approach through electroacoustic music0
Agent-Based Music Live Coding: Sonic adventures in 2D0
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process0
Technology and Mathematics as Non-Human Forces: The agency of hyperbolic paraboloids, computer software and interface hardware in the making of a visitor-interactive audiovisual work0
Musical Hyperrealism: Exploring Noah Creshevsky’s compositions through Jean Baudrillard’s ideas0
Presentation of Noise Elements of Chinese Plucked String Instruments in Electronic Music0
Tangible Radio: Deaf studies and sound studies coalitions0
Compositional Techniques and Sound Spatialisation in Shanghai-Based Electronic Music since 20000
Trevurr: A dialogic composition on dementia, auraldiversity and companion listening0
OSO volume 26 issue 3 Cover and Front matter0
OSO volume 29 issue 2 Cover and Back matter0
Live Coding and Music Production as Hybrid Practice0
On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners0
OSO volume 29 issue 2 Cover and Front matter0
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook0
‘The McBrides are from here’: Listening to Green Ways as creative cartophony0
Digital DJing in the GCSE Classroom: Art or instrument?0
Other-than-Human Perspectives on Écosystème(s): Towards an ecosemiotic approach to sound and media art0
‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy0
Analytical Approaches to Electroacoustic Music Improvisation0
Live Coding Patterns and a Toolkit for Pure Data0
Listening and Recording In Situ: Entanglement in the sociopolitical context of place0
Editorial: More-than-human, more-than-music0
Thirty Years of Sound Hacking: From freeware to Eurorack0
Marko Ciciliani, Barbara Lüneburg and Andreas Pirchner (eds.), Vol. 1: Ludified: Artistic Research in Audiovisual Composition, Performance & Perception and Vol. 2: Game Elements in Marko Cicili0
Editorial: Socially engaged sound practices, part 20
Sonic Sentimentality and the Unification of the Listening Space: Exploring the intersections of oral history and sonic art0
Ear Talk Project: Participatory co-composition on YouTube and the Web0
Editorial: Ecologically grounded creative practices and ubiquitous music – interaction and environment0
Ecologies of Sound with Regard toArrhythmia0
Hello! I’ve Been Here the Whole Time: When non-cochlear sound art meets disability aesthetics0
Live Coding Poetry: The narrative of code in a hybrid musical/poetic context0
The Aesthetics of Musical Complex Systems0
Structuring Spectra in Electroacoustic Music0
Sound and Video Examples – issue 29 (3)0
Debris:Machine learning, archive archaeology, digital audio waste0
Electroacoustic Improvisation and Life Nourishment0
Sound and video examples – issue 26(2)0
Material Media Sonification: Sounding the visibly present artefact0
Ears to the Ground: Socially engaged sound art as learning in process0
Anatomical Intelligence: Live coding as performative dissection0
Dissident Sounds: Electronic music in Venezuela from the notions of radical education0
Improvising with Machines: A taxonomy of musical interactions0
A Space for Making: Collaborative composition as social participation0
On the Integration of Machine Agents into Live Coding0
instance: Soma-based multi-user interaction design for the telematic sonic arts0
OSO volume 27 issue 1 Cover and Back matter0
OSO volume 29 issue 3 Cover and Back matter0
Ecomprovisation: Project Markarian 3350
Biomimicry in Electroacoustic Composition: Conceptual frameworks and prototypes0
OSO volume 27 issue 3 Cover and Back matter0
Localising Acoustic Ecology: A critique towards a relational collaborative paradigm0
Flexibility Conceiving Relationships between Timbres Revealed by Network Analysis0
Sine Wave in Music and Sound Art: A typology of artistic approaches0
A Sonic Indofuturism0
The Artist as a Subscription: Patching music as an artistic device0
From Boethian Harmony to a Dry Riverbed: El sonido recobrado0
Radio: An instrument in art – with reference to selected works by Polish artists0
Pedagogical Approaches in Music and Audio Education for Deaf and Hard-of-Hearing Students0
Cathy Lane and Angus Carlyle (eds.), Sound Arts Now. Axminster: Uniformbooks, 2021. ISBN: 9781910010266.0
Editorial: The sonic and the electronic in improvisation, part 20
Agostino Di Scipio, Circuiti del Tempo - un percorso storico-critico nella creatività musicale elettroacustica e informatica. Lucca: LIM, Libreria Musicale Italiana, 2021. ISBN: 9788855430685.0
‘To Explore the World of Sound’: Music, silence and nation-building in Bing Bang Boom (1969)0
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI0
Acouscapes: A software for ecoacoustic education and soundscape composition in primary and secondary education0
Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville0
OSO volume 28 issue 2 Cover and Front matter0
Spatiotemporal Networks in Ryoji Ikeda’s Electronic Music: Loop, variation and re-contextualisation of sound0
OSO volume 26 issue 3 Cover and Back matter0
Algorave Music Practice in Indonesia: Paguyuban Algorave0
Group Performance Paradigms in Free Improvisation0
Electroacoustic Improvisation and the Metaphysical Imaginary0
Weak Interactions, Strong Bonds: Live electronics as a complex system0
Jane Grant , John Matthias and David Prior (eds.), The Oxford Handbook of Sound Art. Oxford: Oxford University Press, 2021. ISBN: 9780190274054.0
Editorial: Radio – a space for sonic art0
On Designing, Composing and Performing Networked Collective Interactions0
An Art of the Radio: Musique concrète and mass culture, 1941–19520
‘If You Love Music You Should Learn How to DJ’: Maria Chavez and Elijah interviewed by Jake Williams0
Sarah Washington (ed.), RadioArtZone. Berlin: Hatje Cantz Verlag, 2023. ISBN: 978-3-7757-5515-3.0
Sound Practices in the Global South: Co-listening to Resounding Plurilogues Budhaditya Chattopadhyay, Cham, Switzerland: Palgrave MacMillan, 2024. ISBN: 978-3-030-99731-1.0
OSO volume 28 issue 3 Cover and Back matter0
Web-based Form as Expression of Networked Sociality in the Community-based Piano Piece Wiki-Piano.Net0
OSO volume 27 issue 2 Cover and Front matter0
OSO volume 28 issue 2 Cover and Back matter0
Improvisation through Performance-installation0
Sound and Video Examples – Issue 27(3)0
Sound and Video Examples – issue 29 (2)0
M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).0
Fusion and Application of Chinese Ethnic Elements in Electroacoustic Music in Mist on a Hill0
Bridging Gaps in Black Music Research: A conversation on experimental sound by the BMRU0
Enactive Listening: Perceptual reflections on soundscape composition0
A Symphony of Sound Images: Spatial composition strategies in Zhang Xiaofu’sYarlung Zangbo0
Radioatelier: Czech radio space for acoustic art 2003–20220
Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585.0
Sounds of Aliyah: A journey towards a sonic methodology for diaspora studies0
Livecoderas Latinoamericanas: Diversity, educational access and musicking networks in live coding in Latin America0
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music0
Editorial: Socially engaged sound practices0
Diverse Sound Practices: An exploration of experimental electronic music in regional Australia0
Editorial: Commercial music and the electronic music studio – influence, borrowings and language0
Metastable Inventions: Simondonian concretisation and technical invention in modular synthesis practice0
OSO volume 29 issue 1 Cover and Front matter0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts. Cambridge, MA: MIT Press, 2020. ISBN: 9780262044783.0
Lo-fi Today0
Sound, Image and Motion: Teaching with an interdisciplinary approach0
Creative Agencies in Participatory Sound Art: Two case studies0
Sound and video examples – issue 27 (2)0
New Technologies, Old Behaviours: Electronic media and electronic music improvisors in Europe at the turn of the millennium0
A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance0
Sound and Video Examples – Issue 27(1)0
Non-Mathematical Musings on Information Theory and Networked Musical Practice0
Withdrawn from Use: Silence, listening and undoing0
Reframing Sound Shapes in Spectromorphological Composition: Notating perspectival space through spherical, Euclidean and Cartesian-coordinate systems0
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music0
Crossing Lines: Stylistic gradients in Chinese electroacoustic music0
Pop Materialising: Layers and topological space in digital pop music0
Tom Erbe Interviewed by Theodore Gordon0
Unstable Structure: The improvising modular synthesiser0
Charting the Scene(s) of Sonic Arts in Hong Kong0
Simon Emerson (ed.), The Routledge Research Companion to Electronic Music: Reaching out with Technology. Abingdon: Routledge, 2018. ISBN: 9781472472915 (hardback).0
R. Murray Schafer (1933–2021) and the World Soundscape Project0
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