Journal of Victorian Culture

Papers
(The TQCC of Journal of Victorian Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Maps of a Nation? The Digitized Ordnance Survey for New Historical Research9
Knocker Ups: A Social History of Waking Up in Victorian Britain’s Industrial Towns2
Curious Conversations: Henry Mayhew and the Street-Sellers in the Media Ecology of London Labour and the London Poor2
‘Short-Spanned Living Creatures’: Evolutionary Perspectives in Rhoda Broughton’s Not Wisely, but Too Well (1867)2
Chronotopic Cartography: Mapping Literary Time-Space2
Mapping Victorian Homes and Haunts: A Methodological Introduction2
Victorian Faddishness: The Dolly Varden from Dickens to Patience2
Cookbook Writers and Recipe Readers: Georgiana Hill, Isabella Beeton and Victorian Domesticity1
Pox, Prose, and Prostitution: Masculine Anxiety, the Myth of the Male Author, and the Late-Victorian ‘Exchange Economy’ in George Gissing’s New Grub Street1
Becoming Foreign in the Victorian Novel: International Migration in Little Dorrit and Villette1
Ecumenism to Ontology: Stoker’s Theology of the Host1
Tomboys in Sarah Grand’s New Woman Fiction1
Private Spirits, Public Lives: Sober Citizenship, Shame and Secret Drinking in Victorian Britain1
Serena Partridge’s ‘Accessories’: Fabricating Uncertainty in the Brontë Parsonage Museum1
Digital Maps and Mapping in Victorian Studies1
Provincialism at Large: Reading Locality, Scale, and Circulation in Nineteenth-Century Britain1
Listening to the Alice Books1
Detective Fictions: The ‘baby-farming detective’ in Britain, 1867–971
The ‘Scourge of Modern Times’: Cholera, Race, and Empire in Early Nineteenth-Century British Illustrated Print Culture1
Killing the Letter: Alternate Literacies and Orthographic Distortions in Jude the Obscure1
Race, Specificity, and Statistics in Victorian Medicine1
A Catholic Atlantic?1
‘This spasm upon canvas’: George Eliot, Gustave Courbet and Realist Aesthetics1
Place and Space in Nineteenth-Century Representations of Old London: The Thieves’ House on West Street1
Poets of Promotion: Corporate Personality and Crowd Psychology in Guy Thorne and Leo Custance’s Sharks (1904)1
Queer Music in the Queen’s Hall: Teleny and Decadent Musical Geographies at the Fin de Siècle1
Humbug and a ‘Welsh Hindoo’: A Small History of Begging, Race and Language in Mid-nineteenth Century Liverpool0
A Tale of Two Bridges: The Poetry and Politics of Infrastructure in Nineteenth-Century Wales0
Fin-de-Siècle Cosmopolitanism0
Walter Pater and Non-Darwinian Science0
Vegetarian Evolution in Nineteenth-Century Britain0
“Mirror, Mirror on the Wall”: Elizabeth Barrett Browning Version 2.00
The Commodification of Identity in Victorian Narrative: Autobiography, Sensation and the Literary Marketplace0
Notes on Contributors0
An Extraordinary Sequel: The ‘Russian’ Influenza and Enduring Sequelae in Victorian Culture0
Of Mouchers and Men0
Photography and the Perils of Automaticity: P. H. Emerson, Copyright, and the Agency of the Artist0
Sculpture and Faith at St Paul’s Cathedral, c. 1796–1913: Introduction0
Sculpture, Faith, and the Many Worlds of Victorian Sculpture: W. F. Woodington, Genesis (1862)0
Inconsistency is the Key: Unravelling the Relationship between Victorian Penny Fiction and Radical Politics0
The Oxford Handbook of Victorian Medievalism0
8. And/also: Laurel Brake, Print Culture’s Restless Pluralist0
Cities and Empire through Space and Time: Dickens’s Virtual Afterlife0
Living Vicariously: A Literary Anthropology of Our Unrealized Selves0
Ophelia’s Bathtub Boogaloo0
Interpreters of the Real: Poems about Photographs in the Periodical Press, 1840–18600
The ‘Gluttonous Child’ Narrative in Italy and Britain: A Transnational Analysis0
2. Laurel Brake and Theatre: The Case of Oscar Wilde0
Political Censorship on the Late-Victorian Stage: Rereading Oscar Wilde’s Vera; or, the Nihilist[s]0
A Catalogue of Labouring-Class and Self-Taught Poets, c. 1700–1900: A Reflection0
3. Pushing the Boundaries: Laurel Brake as Research Pioneer0
Even Better than the Real Thing? Victorian Literary Imitations0
Raising the Dead: Bodysnatching and Anatomy in Penny Blood Fiction0
Musical Experience in the Bower: D. G. Rossetti, Listening, and Space0
“I have loved, O Lord, the beauty of thy house’: Magnificence and Catholic Architecture in Ireland, 1850–19000
10. Laurel Brake and the Media History Turn0
Masculinity, Madness and Empire in Kipling’s ‘Thrown Away’ and ‘The Madness of Private Ortheris’0
Unsettling Entitlement and ‘Ginx’s Baby’0
Outbreak: Contagion and Culture in the Victorian Era: Introduction0
Remembering Hodson’s Horse: Commemoration and the Indian Uprising of 1857–580
Queer for Art: Tennyson’s Poetic Autonomy as Female Same-Sex Desire0
Working Lives and Beyond: The Workplace and the Formation of Popular Literary Cultures0
Even the dogs are shocked!0
Playing Cute: Sensation Villainy and the Aesthetics of Small Things in The Woman in White and Lady Audley’s Secret0
Notes on Contributors0
A Touch of Empire: Joseph E. Boehm’s Monument to Charles George Gordon (c. 1887–1889)0
‘Epidemics in a Mist’: Medical Climatology and Cholera in Victorian Visual Culture0
Responsibility and Community: Narrating the Individual and the Collective in Pandemic Times0
Correction: Workers’ Responses to Paternalism in British Factory-Based Events (1840–1860)0
Female Husbands and ‘Transing Gender’0
Fame is the Name of the Game0
The Forms of Informal Empire: Britain, Latin America, and Nineteenth-Century Literature0
A Paris of Their Own: Guidebooks for Anglo-American Female Travellers and the Rewriting of Mainstream Travel Culture0
Gaskell in China: A History of Translation and Critical Reception0
Afterword: Provincialism at Large0
(Un)muzzled: Dogs in Mid-Nineteenth-Century Fiction0
1. ‘Trafficking in the rich marketplace of the press’: Walter Pater and Print Culture0
Deceit, Deservingness, and Destitution: Able-Bodied Widows and the New Poor Law0
‘Medical Popes’ and ‘Vaccination Protestants’: Anti-Catholicism and the Campaign against Compulsory Vaccination in Victorian England0
Notes on Contributors0
Performing Plainness in Sarah Stickney Ellis’s Friends at Their Own Fireside: Or, Pictures of the Private Life of the People Called Quakers0
The Racialization of Gratitude in Victorian Culture0
‘Sermons in Stones’: Glasnevin Cemetery and the Development of a Catholic Burial Space0
‘An Industrial Revelation’ – The Political Apocalyptic in Gaskell’s North and South0
The Catholic Footprint in Victorian Dublin0
Disraeli and the Bible0
The Adventure of the Stradivarius: Violins in the Work of Arthur Conan Doyle and William Crawford Honeyman0
The ABCs of Fame Culture in an ‘Age of Reform’0
Ethnic Jokes: Mocking the Working Irish Woman: Winning Essay, Journal of Victorian Culture Graduate Essay Prize 20210
‘Meeting Together in an Equal and Friendly Manner’: The Workplace Literary Culture of Lancashire Mutual Improvement Societies0
Immediate Accidents and Lingering Trauma: Railwaymen Poets, Danger, and Emotive Verse0
Sculpture and Faith at St Paul’s Cathedral, c. 1796-1914: W. F. Woodington, The Gospel of St Luke (1862): Enlisting the Bible0
The Jew in the Jamaican, the Amalgam in the Attic: A New View of Bertha Mason in Charlotte Brontë’s Jane Eyre0
The Folklore of Evolution in Andrew Lang’s Writings0
Bodies and Deathscapes in Rural Catholic Ireland, 1800–19000
Bringing Africans into the British Narrative of African Exploration0
Sir John Gardner Wilkinson (1797–1875) in Turkish Dress, at Thebes: The Self-Fashioning of an Antiquarian Egyptologist0
Locating the Backstage of Victorian Religion: Spaces of Irish Catholicism0
Erskine Nicol and the representation of national and religious identities in nineteenth-century Ireland0
Edward Burne-Jones: A Radical Interpretation0
Performing the Self through Orientalizing the Kurds in Isabella Bird’s Journeys in Persia and Kurdistan0
‘Of Pride and Joy No Common Rate’: From the Surplus Women Problem to Surplus Jouissance in Margaret Oliphant’s Hester0
‘Buy Cheap, Buy Dear!’: Selling Consumer Activism in the Salvation Army c. 1885–19050
‘Consider yourself kissed’: Intimacy, Engagement, and Material Culture in Nineteenth-Century 
Middle-Class English Love Letters0
The Victorian Gayze from Winckelmann to Michael Field0
‘Certain passages of it are quite as bad and immoral as anything that Zola has ever written’: Lucas Malet and the Victorian Bildungsroman0
The Reception House: A New Space for Managing Infectious Disease ‘Contacts’0
War at t’ Parsonage: The Brontës and Military Conflict0
Thinking Back Through Her Mothers0
Notes on Contributors0
A New Woman Dialogue with Aestheticism and Decadence: Netta Syrett’s Short Stories for The Yellow Book0
Notes on Contributors0
Soldiership, Christianity, and the Crimean War: The Reception of Catherine Marsh’s Memorials of Captain Hedley Vicars0
Notes on Contributors0
Re-forming the Transnational Victorian Archive: Introduction0
Notes on Contributors0
Ignoble Strife: Far From the Madding Crowd and the Agricultural Labourers Strike of 18740
Masculinity and Vulnerability: Frederick William Pomeroy’s Memorial to Archbishop Frederick Temple (1905)0
Picturing Music: Doubling Ekphrasis in Six Rossetti Sonnets0
The Remission of Our Ignorance: Beginning to Explore ‘The Cancer Problem’0
Gothic Secret Histories and Representing Australian Colonial Deaths at Sea: The Case of Captain Charles Wright Harris and the Wreck of the SS Admella (1859)0
Spaces of Space-making: Diaspora Fundraising by the Nineteenth-Century Irish Catholic Church0
Victorian Romance and Religion Collide0
Radical Changes: Decolonizing, not just Diversifying, Digital Crime Archives0
Normalizing Vision: The Representation and Use of Spectacles and Eyeglasses in Victorian Britain0
Carving Destruction: Carlo Marochetti’s Monument to Granville Gower Loch (1853)0
John Bull in a China Shop0
Microbial Matters: Form and Process in Thomas Hardy’s The Woodlanders0
Workers’ Responses to Paternalism in British Factory-Based Events (1840–1860)0
Oscar Wilde and the Confidence Trick0
Cross-Dressing in the City: Olive Malvery’s The Speculator0
9. The Gendered Press: On Victorian Media as an Invitation to Politics0
Life on Mars?: Hélène Smith, Clairvoyance, and Occult Media0
[Re-]forming Cotton Famine Poetry – Some Implications0
Seen through Deep Time: Occult Clairvoyance and Palaeoscientific Imagination0
Control and Enlightenment: Nineteenth-Century Miners’ Reading Rooms0
‘Monstrous Tumours’: Elephantiasis between Disability and Contagion in British India, 1850–19500
Blessed Damozel(s): Ekphrastic Perspectives on Rossetti’s Poem and Painting0
Different Kinds of Silence: Revisions of Villette and the ‘Reader’s Romance’0
William Calder Marshall’s Imperial Homonormativity: Righteousness and Peace Have Kissed Each Other (1862–63)0
The Suburbs – A Promise Made Good0
Hot Off the Press0
‘Be a gen’l’m’n and a Conserwative Sammy’: Political Remediations of the Pickwick Papers in the Provincial Press (1836–1837)0
Sex and the Scottish City0
Notes on Contributors0
‘The Eyes of an Intellectual Vampire’: Michael Field, Vernon Lee and Female Masculinities in Late Victorian Aestheticism0
Edward Lloyd’s World Revealed0
Taste in North and South Reconsidered: A Case for Attention to Downward and Lateral Mobility in the Victorian Novel0
Edwardian Follies0
Middleness: Provincial Fiction and the Aesthetics of Dull Life0
The Photographs of A. B. Ovenstone and the Reinvention of the Scottish Amateur Tradition0
Aesthetic Networks among Patrons and Collectors0
More Light or Heat? A Spiritual Look at the Life of W. T. Stead0
William Calder Marshall’s Biblical Historicism: The Book of Job (1862–63)0
University Work: Re-Forming Manuscripts in Elizabeth Jesser Reid’s Correspondence Networks0
Writers-in-Residence: Women Teachers and the Formation of Character in Hardy’s Jude the Obscure0
Bodily-Material Culture Techniques in the Spaces of the Devotional Revolution0
Notes on Contributors0
Religion Pays: The Business of Art Industry Entrepreneurs and Splendour in the Spaces of Nineteenth-Century Irish Catholicism0
Ford Madox Brown’s History of Manchester0
Lost Letters Found: The Charles Dickens Letters Project0
‘A Library of Our Own Compositions’: The Minervian Library and Children’s Social Authorship in Victorian Orkney0
Villette, Female Political Agency, and the French Revolution of 18480
‘A great pedestrian’: John Stuart Mill, the Walking Philosopher0
‘[D]onning the Garb of a Pit Girl again’: Imagining the ‘Pit Brow Lassie’ in Late-Victorian Fiction0
A Personal Response to a Public Commission: William Calder Marshall’s Gospel of St Matthew Panel at St Paul’s Cathedral0
Amelia B. Edwards and Romantic Egyptology0
Correction to: ‘Meeting Together in an Equal and Friendly Manner’: The Workplace Literary Culture of Lancashire Mutual Improvement Societies0
‘Quite a pleasant little afternoon’s sport’: Imperial Femininity and Hunting Culture in Impressions of a Tenderfoot0
Palatable Bugs for the Victorians: Entomophagy, Class and Colonialism in Vincent M. Holt’s Why Not Eat Insects?0
Catherine Helen Spence’s Autobiography: Literary Culture and Associational Life in Nineteenth-Century South Australia0
The Rossettis: Radical Romantics, or, GABRIEL DANTE ROSSETTI and Some Other People I Guess0
Roundtable Reflection0
The Imperturbable Seriousness of the Circus Buffoon: The Shakespearean Clown on the Threshold of Modern Comedy0
‘Going home when it was not home’: Jamais Vu in Nineteenth-Century British Fiction0
Re-reading the Moxon Tennyson0
Notes on Contributors0
Experiencing Léotard’s Sensational Body: Risk, Morality and Pleasure above the British Stage0
7. Collaboration with Laurel0
Sculpture and Faith at St Paul’s Cathedral, c. 1796–1914: F. J. Williamson, Monument to Henry Hart Milman (1876)0
A Vishnu-Come-Lately: John Bacon’s Monument to William Jones (1799)0
Vision, Vulnerability, and the Victorian Marketplace in Christina Rossetti’s ‘Goblin Market’0
The Best Developed Man in Great Britain and Ireland? Eugen Sandow and the Commercialization of Eugenics in Twentieth-Century Britain0
A Great, Big, Happy (white) Family? Utopian Dreams of Anglo-American Unity0
Notes on Contributors0
The Agency of Music in Industrial Society: A Comparative Study of the Royal Manchester Institution, Manchester Athenaeum and Manchester Mechanics’ Institution, 1834-18600
Notes on Contributors0
4. Intro-/Inter-: Laurel Brake and the Political Epistemology of the Introduction 1990–20160
‘What it meant to be human in the nineteenth century’: The Ambiguities and Vulnerabilities of Victorian Skin0
5. Laurel Brake, the Study of European Periodicals, and ESPRit0
Contesting Hymnody in the Victorian Church: Henry Pegram’s Monument to John Stainer (1901–1903)0
Local Histories0
Commemorative Print: Serialized Monuments during the Shakespeare Tercentenary Debates0
Reshaping the Ballad: William Wallace’s Musical Re-figuring of Rossetti’s Sister Helen’0
Polyphonic History: The Reception of Boudica and Notions of History-Making0
The Victorian National Theatre0
Learning ‘The Customs of their Fathers’: Irish Villages in Chicago’s Columbian Exposition, 18930
Notes on Contributors0
Swinburne’s Boyishness0
Notes on Contributors0
Bodies of Ornament: Henry Harris Brown and James Powell & Sons, Monument to Bishop Mandell Creighton and His Wife, Louise (1901)0
Pugilism in Petticoats: Women and Prize-Fighting in Victorian Britain0
Self-Fashioning Illusions: Twinship, Subjectivity, and Neo-Victorianism in Christopher Priest’s 
The Prestige0
Women, Home, and Alcohol: Constructed Façades and Social Norms in Nineteenth-Century Polish and British Representations of Female Drinking Practices0
Roundtable: Piston, Pen & Press0
Capital, Conversion, and Settler Colonialism in Samuel Butler’s Erewhon0
Introduction: The ‘Laurel Brake Turn’0
Light and Devotion: Heber, Middleton and the Iconography of Conversion: J. G. Lough, Monument to Bishop Middleton (1832), and Francis Chantrey, Monument to Bishop Heber (1828–35)0
‘Goblin Market’, Sisterhood and the Church Penitentiary Association0
Epidemics in Nineteenth-Century British Towns: How Important was Cholera?0
Labour, Literature and Culture in the Not Just Long but also ‘Vast Nineteenth Century’0
Troubling the Tragic Paradigm: Genre and Epigraph in Thomas Hardy’s Tess of the d’Urbervilles0
Meta-Dracula: Contagion and the Colonial Gothic0
Robert Paul and the Origins of British Cinema0
‘A man greatly beloved’ and Immortalized in opus sectile Powell & Sons, Monument to Robert Claudius Billing (1899)0
Florence Nightingale and the Provincial Response to the Crimean War0
Dante Gabriel Rossetti and Music: Introduction0
Methodological Battles0
Sounding Slavery in the Victorian Drawing Room: The ‘Blackface’ Ballads of Philip Klitz0
Notes on Contributors0
A Crusader Duel at the Crystal Palace: The statues of Godfrey of Bouillon and Richard the Lionheart at the Great Exhibition0
From ‘a piece of grossness’ to ‘minute particularity’: Queen Victoria’s First Pregnancy in the British Press0
Making a Comeback0
Alienated Heroines in Basil, Lady Audley’s Secret, and East Lynne: A Jaeggian Reading0
‘A slashing review is a thing that they like’: Vivisection and Victorian Literary Criticism0
‘Circumstances Sufficiently Appalling to the Country People’: Suicide Burial in Thomas Hardy’s ‘The Grave by the Handpost’0
12. ‘A Revolution in the Making’: Theory, Practice, Print Culture0
On Exhibition: The Globalization of Stained Glass0
An Episcopal Puzzle: George Richmond’s Monument to Bishop Charles James Blomfield (1859–67)0
William Morris, News from Nowhere, and the Hammersmith Bridge: Visual Encounters0
Walking as a Gendered Practice: Travel and Transgressions in Henry James’s Daisy Miller (1878) and The Wings of the Dove (1902)0
“I didn’t know there were so many kinds of people and so many sorts of provincialism in the world’’: Tracking Provincialism Through the Nineteenth-Century Corpus0
Addressing the Machine: Victorian Working-Class Poetry and Industrial Machinery0
Katharine Conway’s Ethics of Intimacy0
6. Taking the Brake Off0
Trick of the Eye: Prospect Gazing, Illusion, and the University Novel0
The Archaeological Aesthetic0
Olive Schreiner, Marie Corelli and the Anxieties of Female Authorship0
Notes on Contributors0
Samuel Smiles, Asa Briggs, and Working-Class Leeds0
Day in the Life0
Hilarious Homicides: Satirizing Sensational Murders in Late Nineteenth-Century London0
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