Parallax

Papers
(The TQCC of Parallax is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Public Things, Public Squares: Aesthetic Democracy in Diamela Eltit’s E. Luminata11
Last Christmas? Depicting Christmas in Apocalyptic and Postapocalyptic Film and Television8
What Objects Should We Carry? Identity Politics and the Logic of the Generic Left in the Era of the Pandemic7
Fantasies of Empowerment and Realities of Entrapment: Critique Amidst Ubiquitous Precarity6
Introduction to Feeling Implicated: Affect, Responsibility, Solidarity (2)5
The Role of Music in the Theory Canon: Remarks on Adorno4
Holocaust Narratives in the Post-Testimonial Era: Introduction3
Orient, Genesis, Figure3
The Christian Apocalypse (Re-)Imagined in Michael Symmons Roberts’s ‘Horsemen’ (2008)3
‘Hope can make bad politics’: Jacqueline Rose and Lyndsey Stonebridge in Conversation2
Who and What Connects the Dots? Emma Kunz’s Method as Infographics and the Politics of Probability2
Guilty Grieving in an Age of Ecocide2
De-canonising Theory, Junūn-ising Canon2
From Skopein to Scraping: Probability, Agency, and the Politics of Public Opinion Research2
The Weird Turn: Spillovers of Weird Fiction into Ecology and Economy2
Literature and Public World-Making: Introduction2
‘Memory Work Alerts Consciousness’: Danai S. Mupotsa and Mbali Mazibuko in Conversation2
Building Complicity with Another World1
Preserving Memory in the Twenty-First Century: The Testimonial Lives of Holocaust Objects1
Shifting Temporalities and Future-Oriented Ends in Two End-of-Life Memoirs1
Environmental Guilt, Political Mourning and Contestatory Citizenship: Responsibility and its Ambiguities1
Reading Otherwise: Decolonial Feminisms1
The Immunopolitics of Covid-19 Technologies1
Save Us or We Perish. We Are Subjects. Take Us Aboard.1
The Aleph as Pandemonium: Borgesian Reflections in a Tired World1
Bourgeois Coldness: Affect and Colonial Subjectivity1
Postmedia Art as ‘Intersection’ in Guattari and TV WAR1
Feeling Implicated: An Introduction1
Multi-Agential Situations: A View Through John Cage’s Works for Plant Materials1
Probability and Agency: Introduction1
If Watching Is an Action: On Pier Paolo Pasolini’s Rage1
‘You don’t have revolution without sound’: A Conversation between Christina Sharpe, Françoise Vergès and K’eguro Macharia1
After the Law: Police and Pandemonium1
The Art of Japanese Postmedia1
Tokyo Heterotopia1
“Hooked by the Mouth”: The Implicated Reader’s Response to Kincaid’s A Small Place1
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