Parallax

Papers
(The median citation count of Parallax is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Public Things, Public Squares: Aesthetic Democracy in Diamela Eltit’s E. Luminata11
Last Christmas? Depicting Christmas in Apocalyptic and Postapocalyptic Film and Television8
Titles as Beginnings before Beginnings5
What Objects Should We Carry? Identity Politics and the Logic of the Generic Left in the Era of the Pandemic4
Introduction to Feeling Implicated: Affect, Responsibility, Solidarity (2)3
Fantasies of Empowerment and Realities of Entrapment: Critique Amidst Ubiquitous Precarity3
The Role of Music in the Theory Canon: Remarks on Adorno2
The Christian Apocalypse (Re-)Imagined in Michael Symmons Roberts’s ‘Horsemen’ (2008)2
De-canonising Theory, Junūn-ising Canon2
Holocaust Narratives in the Post-Testimonial Era: Introduction2
Orient, Genesis, Figure2
‘Hope can make bad politics’: Jacqueline Rose and Lyndsey Stonebridge in Conversation2
RestartingThe Prelude2
Who and What Connects the Dots? Emma Kunz’s Method as Infographics and the Politics of Probability2
Literature and Public World-Making: Introduction2
Preserving Memory in the Twenty-First Century: The Testimonial Lives of Holocaust Objects1
Save Us or We Perish. We Are Subjects. Take Us Aboard.1
Guilty Grieving in an Age of Ecocide1
Techniques of Exposition: Introducing Heimito von Doderer’s The Strudlhof Steps1
Shifting Temporalities and Future-Oriented Ends in Two End-of-Life Memoirs1
Building Complicity with Another World1
‘Memory Work Alerts Consciousness’: Danai S. Mupotsa and Mbali Mazibuko in Conversation1
From Skopein to Scraping: Probability, Agency, and the Politics of Public Opinion Research1
‘You don’t have revolution without sound’: A Conversation between Christina Sharpe, Françoise Vergès and K’eguro Macharia1
The Aleph as Pandemonium: Borgesian Reflections in a Tired World1
If Watching Is an Action: On Pier Paolo Pasolini’s Rage1
Suddenly Beckett1
Bourgeois Coldness: Affect and Colonial Subjectivity1
Fictions of (Dis)Incorporation: José Saramago and the People’s Two Bodies0
Apocalyptic Legacies: Writing the End in Fiction and Non-fiction0
On Implicatedness as a Political Feeling0
The Necessary Dead: A New Literary Topos0
Charismatic Thieves and Troubled Teenagers: Miyazaki Hayao’s Animation Films and the Postmedia Condition0
No Telling, Beginning with Gravity’s Rainbow0
The Anatomy of ‘White Guilt’0
Born Implicated? The Black Mediterranean, Affects, and Political Responsibility0
Decolonising the Theory Canon: Literary Theory Outside the Norton Anthology0
Notes on a State of Extrusion: The Racialised Grammar of Cognitive Augmentation Devices0
Ashes: DeLillo’s Departure from the Referent0
Pandemonium0
Feeling Implicated: An Introduction0
The Politics of Weird Aesthetics: Fictionality in New Forms of Protest0
Environmental Guilt, Political Mourning and Contestatory Citizenship: Responsibility and its Ambiguities0
Pre-colonising the Literary Theory Canon0
Postmedia Art as ‘Intersection’ in Guattari and TV WAR0
The Beautiful Apocalypse0
The Underground Railroad and the Promise of Infrastructure0
Against Imperial Knowledges: Lisa Lowe and Ariella Aïsha Azoulay in Conversation0
The Secret Ghost of Theory0
Is Another Postmedia Possible? Rethinking Guattari’s Non-Semiotic Philosophy0
Posthuman Agency as Influenced Intra-Action0
Afterlives of the Literary: James Baldwin’s Posthumous Publics0
Enacting Postmemory in Hélène Cixous’s ‘Jewish Family Romance’0
From Testimony to Adaptation: Remedial Lives of Anne Frank0
Beyond Stupid: The Strange Machines of Yuko Mohri0
Pasts of Determinism: A Note on (Ian) Hacking0
Memory, Identity and Nostalgia: Facing Life Loss at the End of Days0
Galin Tihanov, The Birth and Death of Literary Theory: Regimes of Relevance in Russia and Beyond0
Tokyo Heterotopia0
Reweaving from the future: Patricia Domínguez and Victoria Vargas-Downing in conversation0
The Art of Japanese Postmedia0
Critique, Postcritique and the Pandemoniac Horizon0
Probability and Agency: Introduction0
Witness and Affection: Establishing the Truth of Traumatic Events0
After the Law: Police and Pandemonium0
Illiberal Publics: Irony, Critique and Trumpism in Ben Lerner’s The Topeka School and Hari Kunzru’s Red Pill0
Intropy, Sintropy, and the Rise of Monopolies of Information0
Pandemonium and Critique0
Dialogic Memories in Graphic Narratives: Intergenerational Entanglements of Witnessing, Trauma and Vulnerability0
‘On Being Committed to Indigenous Feminist Interventions’: Jodi Byrd and Eve Tuck in Conversation0
Material Histories of Trauma: Evolving Objects of Memory0
Complex Implication: Privilege, Positionality, and Racialised Immigration in Canada0
The Sea as Poièsis, the Poetics of the Sea: Glissant’s The Indies and the Poetics of Public World Relation0
Karen Cheung’s The Impossible City , a Commemoration of Hong Kong in Post-time0
“Hooked by the Mouth”: The Implicated Reader’s Response to Kincaid’s A Small Place0
Feeling Implicated by Fiction: Imbolo Mbue’s How Beautiful We Were and the Remaking of Human Rights Narrative0
Multi-Agential Situations: A View Through John Cage’s Works for Plant Materials0
Response: Grievability and Implication in the Black Mediterranean0
Reading Otherwise: Decolonial Feminisms0
Postmedia and Chaosmosis: Félix Guattari’s Media Philosophy0
Delayed Origins, Initial Inhibitions: The Beginnings of Fatherlandish Song and the Task of Answering the Mother in Hölderlin’s Am Quell der Donau0
Coming to (Language): Introduction0
Rousseau’s Shameless Beginnings0
Unbearable Sensorium: Sex and the Fugitivity of Critique0
The Immunopolitics of Covid-19 Technologies0
On Implicated Readers and Spectators: A Response Piece0
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