Performance Research

Papers
(The TQCC of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
The Song of Disobedience11
Expanding Empathic and Perceptive Awareness: The experience of attunement in Contact Improvisation and Body Weather5
Magic Circles4
Into the Nebula: Embodied perception of scenography in virtual environments3
The Viewpoints and the Secret of the Original Anarchist: Mary Overlie and the Undercommons2
Enduring Touch2
Somatic Ways of Knowing: Fina Miralles’ earliest practices of sensorial perception2
Stop the Show2
Tactile Attention in One-to-One Performance: The effects of touch on participant experience2
Performing Solidarity2
This is Not a Manifesto2
On Solidarity2
Theatre Performance through the Intermedial Lens2
Necessity or Choice2
Counter-attacking Pollution in Three Aerial Acts1
Performing Democracy1
Editorial: On Air1
On Repair1
Editorial: On Perception1
The Actor as Observer-Participant1
Cassils with Jean-Luc Nancy1
A Dramaturgy of Feeling: Exploring Indigenous concepts of knowing through multimodal aesthetics1
Banners and Memes1
Listening in Three Acts1
Conceptualizing Care in Partnering1
The Legacy of Kristin Linklater1
Touch (Sk)Interrupted?1
Circus Training in the Time of Coronavirus1
Keeping up Appearances1
Stop. Rewind. Replay.: Performance, police training and mental health crisis response1
Decolonizing Performance Pedagogy1
Perceiving, Navigating and Inhabiting: Performance design through sonic strategies1
Moving Together1
Editorial1
(M)Othering Like Us1
Solidarity in Performance1
Liquid Social Choreography1
Touching through Music, Touching through Words1
Designed to Save: Scenography and ideology in Hell House1
Playing (with) the Machine I Already Am My Life as an Artificial Creative Intelligence by Mark Amerika, Stanford, CA: Stanford University Press, 2022; pp. 264.1
Demonic Interventions1
On the ‘Doing’ of ‘Something’1
A Maiden Speech1
The Politics of Urban Silence1
Hope at the Gates of Hell: Staging Dante’s Inferno behind bars1
Habit, Artificial Intelligence and the Ontological Performance of Trust1
On Protest1
‘A blank page … ’ or ‘Ten years since language left … ’ (Artaud)1
Breathing Air into the Archive1
The Time of Diagrams1
‘Ladies and Gentlemen we interrupt our program … ’1
The Political Theatre of Dirty Hands in the UK Government Response to the COVID-19 Pandemic1
Shifting Boundaries of ‘Perceived’ Legitimacy1
From an Atmospheric Point of View1
Diagramming performances1
Extravagantly Enigmatic1
Interrupted Authority1
Theatre and Solidarity among the Transnational Alevi Community1
Mapping and Cross-mapping the Hi:story of Performance Art in Switzerland through Collective Research for Deviant Understandings1
Performing Shared Atmospheres1
A Grammar of Care1
Artistic Practices as Gestures of Resistance and Repair1
Rudolf Laban's Diagrammatics1
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)1
Seeing Alone Yet Together: Modern-day Tiresias in VR theatre1
Choreographic Gestures of Resurgence and Repair: Arkadi Zaides’s research-based performance project:Necropolis1
Plant Blindness and Repair1
On Touch1
Kinesthetic Empathy as Embodied Research1
Towards Anamnestic Art1
On the Edge of the Perceptible: Microacting, imaginary worlds and cognitive estrangement in virtual performance1
I Had Fun Fearing Cockroaches0
Performing care on the borders of the self in Tactility Studies: Pandemic distances0
The Universal Caregiver Society0
Practical Manifesto for a Theatre of Repetition0
Meet – An intimate performative encounter format0
I Was Thinking0
Governing Care0
A Moving Moment0
The Problem of Commedia dell’Arte0
Book as Meeting Place: Dance, drama and cross-culture reconciliation across the life of physical theatre company Marrugeku Marrugeku: Telling that Story edited by Helen 0
Utopian Training0
Y-Performance, Care and Intergenerational Response0
Intellectual responsibility and eco-aesthetic existentialism: Experimental kinetic dramaturgies from Flanders0
first draft·ings0
Creating Nothing0
Growing Trees of Culture0
The Power of Unwanted Presence0
Defiant Joy and Care-Based Solidarity in Puerto Rican Theatre0
The Revolutionary Mourner, and the Collective Body: The performativity of grief in the Woman, Life, Freedom movement0
Revealing Interdependence0
Dramaturgy of Mundanity, Dramaturgy of Utopia The City We Make Together: City Council Meeting’s primer for participation by Mallory Ca0
Challenging Normo-divergency Inclusivity and Equality in Performance Training: Teaching and learning for neuro and physical diversity 0
A Trilogy of Getting Stuck0
Notes on Contributors0
Parliament of Practices0
minkfestival.com: an online festival about the zoo of the pandemic0
On Listening in to the Scientific Mundane0
‘And then again, I draw myself to the detail’0
Performative Scores in Pandemic Times10
La Merda0
Ibn ‘Arabi and the Shadhiliya of Tunisia0
The Formation of Identity and the Disruption of Colonial Ideological Hegemony0
Beyond Spectacle0
The Anatomy of Knowledge0
Hell in the Cave: Falling down to find the light0
Self-Starvation0
Habits of Belonging in and through Boxing0
Gaming Protest0
White Privilege and the Return of the Real Playing Real: Mimesis, media, and mischief edited by Lindsay Brandon HunterEvanston, IL: Northwestern University Press, 2021; 0
Notes on Contributors0
Training Beyond0
Body-worn Technology, Heightened Awareness and Habit0
Notes on Contributors0
Performing Waria/Performing Care0
Signs of Life – Hearts, Blood and our Breath0
Ecological Performance and ‘Settler Creep’0
'The great contraband a person can sneak into a prison is joy'0
Stanislavski versus the Peasant Woman0
On Shared Resources: Performance studies publications from a pandemic0
A Note of Thanks0
The Forme of Cury0
Interrupting Everyday Life0
‘Not knowable in advance’: Feeling brown with José Muñoz0
(C)Overt Operations0
To Kill or Die For0
Notes on Contributors0
Singing the Future Now0
What is Vodun?0
Who is Afraid of Mourning?0
Microhistories of Jewish Clandestine Performance, Self-Orientation and Survival during the Holocaust0
Tribute to Mike Pearson Non omnis moriar (Not all of me will die)0
Notes on Contributors0
The Men in White0
Race and Performance Dal Segno0
Your House Does Not Look Like You Anymore0
Re-generative Habit0
Histories, Stories and Encounters with Butō’s Mythopoesis A History of Butō by Bruce Baird, New York: Oxford University Press, 2022; pp. 288; 60 monochrome images.0
Resilient Matriarchs0
Complicating Care0
Notes on Contributors0
Notes on Contributors0
Sonic Touch0
And So …0
Dramaturgy of Response-ability0
On the Ends and Endings of Protest0
The Transloca as Theoretical and Hermeneutical Model0
Freedom is a Performance Hangout* (*Click on this fake sweat distraction technique to release infinite scroll)0
The Dancer–Drummer–Drum Body: Expanding corporeal experiences through improvisation in black dance0
Training Utopias: Editorial0
T.Mudd0
The Chamber of Banality: Hell on Earth0
Performance, Unknown Otherwise Surface Relations: Queer forms of Asian American inscrutability by Vivian L. Huang, Durham, NC: Duke University Press, 2022; pp. 2270
Political Paradigms of Hunger0
Ritualized / 070
Crafting Inoculation0
Presence / 130
Becoming Anorexia0
Unfolding Images0
Mette’s Pharmacy0
Presence / 060
A bodily mental lexicon: Documenting a choreographer’s method through a multimodal archival resource0
Vulnerable Paths to Freedom0
Creative Interventions0
What about Knowledgefied Discourse in Artistic Research?0
Performance and Protest as Creative World-Building for Black Liberation0
[Dis]rupting, [mis]understanding, [un]learning and [re]membering—Lerato Shadi, Hamedine Kane and Euridice Zaituna Kala0
History Put in Touch with Itself0
Global Action to End Hunger0
Habit as Restored Behaviour in Purulia Chhau0
Wearing a Second Skin of Sounds: Touching the other through sounding and listening0
Collaborating Across Borders in Isolating Times; Four Artistic Strategies for International Co-creation, with Examples0
Bleeding Foreheads0
Et Anima Est Sanguis et Sanguis Est Anima0
On Interruption0
Habits from Hyperconnected Solitude0
Words from a Pit0
Epilogue0
Blood Re-born0
The Slow Emergency of the Future0
Life as Script: Benjamin’s study of Brecht in Svendborg0
Unearth Not0
Notes on Contributors0
Live Transference on Stage as the Creation of a New Type of Performer0
On ‘Halt!’ and On ‘on’0
Towards Becoming an Ecology of Care0
Hidden Archives, Closeted Desires, Postponed Utopias0
Training Artists in Times of Crisis0
Airpocalypse0
Tempered by Breath0
Advaita Vedanta and Qi Gong0
Solidarity as a Common Notion0
Failing Purposefully, Productively and Politically0
On habit and performance0
On Dammed Landscapes and Invasive Infrastructures0
China Quick-Fix0
Concentric Circles of Dramaturgy0
Notes on Contributors0
rendezvous0
Sitting With My Legs Crossed–Unfolding0
Care Aesthetics, Coronavirus and Everyday Life0
Festivilization of Cultures0
Ibu in Post-authoritarian Agonism0
L’Enfer du Théatre0
Presence / 140
Potential Singularity and Transformative Instability0
Games and Playfulness0
Notes on Contributors0
‘It’s Not Because It’s Not There, That It Isn ’t There’: Visibility and invisibility within Black flamenco performance0
Making Sense of Life and Death: A Review of Andrew Griffin’s Untimely Deaths in Renaissance Drama0
Guts ’n’ Brains0
Ritualized / 100
Bumps, Breakages, Bandages0
Who Embodies Mourning? Performing Mourning: Laments in contemporary art by Guy Cools, Amsterdam: Valiz, 2021; pp. 2200
Nostalgic Hunger in Zhu Yu’s Eating People0
Ritualized / 110
A Mercurial Mirage: Seascapes as event, logic and method0
Marriage in Death and the Cyberspace of Feminist Intervention in Contemporary China0
‘We’ve Never Done This Before’0
Choreography as Concept, Dancing as Material0
Inscribing Bodily Narratives0
Walking Out of the Mundane0
The Artful Agile Atypical Octopussy0
The ‘Squishy Science’ of Theatre and the Post-Relativistic Universe0
A Look at the Fasting People0
Meeting on Paper0
South Africa’s Student Activist Turn in the Decolonial Present0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
Feeling(s) without Organs0
Between Craft and Metaphysics0
Habits of Listening: Encounters with sound art in urban spaces0
Trust Fall0
Collaboration and Co-finitude0
Congealing the Abject0
Dancers’ Perceptual Skills: An ethnographic, cognitive and phenomenological study0
Backstage of the Eye0
Materializing Habit to Make Visible0
Moving across the Terrain: Perceiving and performing the landscape0
The ‘Freicha’ as an Interruption in/of Westernized Israeli Theatre0
Choreographing Breath and Air in Object Performances0
Invading Capitalist Ageism in Applied Theatre through Anti-Ageism Praxis0
Picturing Meditation0
Touch Me, If You Want0
Technoparticipation0
Performing Change0
Plutarch’s Boat0
Utopia in Actor Training0
Fowl Play0
The Task at Hand: Learning to unlearn in the politics of presence0
Stratifying the Air: A review of Scott Magelssen’s Performing Flight Performing Flight: From barnstormers to space tourism by Scott Magelssen, Ann Arb0
0.050514936447144