Performance Research

Papers
(The TQCC of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Governing Care9
Complicating Care6
Resilient Matriarchs4
T.Mudd3
A Look at the Fasting People3
Recipes for (un)learning to (re)member: Ripples, responses, responsibilities3
La Merda3
Breathwork in VestAndPage Performance Practice3
Signs of Life – Hearts, Blood and our Breath3
Notes on Contributors2
Te Mana Motuhake o te Hā: Sovereignty of breath2
Political Paradigms of Hunger2
Rediscovered Music, Undiscoverable Interpretation2
Now I am Ready to Die2
Bumps, Breakages, Bandages2
Ibu in Post-authoritarian Agonism2
Re-generative Habit2
The Revolutionary Mourner, and the Collective Body: The performativity of grief in the Woman, Life, Freedom movement2
Mapping Polivocality in East Asian Theatrical Realism2
Rich Archival Pickings1
The Embodied Archive and the Metaphor of Compost1
Clods, Compost and the Buoyancy of Clowns1
Ritualized / 081
Mapping and Cross-mapping the Hi:story of Performance Art in Switzerland through Collective Research for Deviant Understandings1
On the Question of the Artistic Transmission of Political Death (II) 11
Ecological Performance and ‘Settler Creep’1
Entering / 041
Participatory Futuring1
Mother, Daughter and the Shame of Menarche1
A Forbidden Sistine Chapel Selfie and Paying Attention to Art Today1
Conjuring the Ghosts1
Mourning the Factory1
XX1
On Collapsing Time and Withholding Endings, or Hopeful Failure1
‘Holding Breath’1
A Period Piece that Endures1
Integrating the Popular in Nineteenth-Century Improvisation1
Racial Kinaesthesia and Coalition in MovementBlack Dragon: Afro Asian performance and the martial arts imagination by Zachary F. Price, Columbus, OH: The Ohio State University Press, 2022; pp. 240.1
Editorial: On mundane performance1
Gender Performance on the Stage of Chinese Opera1
The Reactionary Repertoire1
On Invasion1
Entering / 031
Notes on Contributors1
The In-between Relation of Performers as Foundational Principle for Constructing Alternative Social Imaginaries1
Ugly Feelings1
Presence / 021
Through the Lens of Grief: Re-reading performance through pregnancy loss1
Hunger Action1
Choreographic Explorations in the Middle and the Excess1
Correction1
Intimate Engagements with the Earth Assuming the Ecosexual Position: The Earth as lover by Annie Sprinkle and Beth Stephens with Jennie Klein, Minneapolis, MN: Universit1
Where Do Animals Go When They Disappear?1
Notes on Contributors1
On Exits and Endings1
Entering / 011
An Archipelago of Aid1
To Photograph Without Taking Any Pictures — Notes on the act of photographing0
Why Do I Keep Crying?0
Somewhere Between Breathing In and Breathing Out0
To Do, To Act, To Reform0
Josephine0
Body as a Proletarian0
Presence / 100
Witnessing the Mundane0
Emotional Weather Reports: Online performance as affective practice in the MonoVlogs of Layeta Bucoy and Olivia Kristine Nieto0
What Colour Is a Ghost?0
Rehearsing Exits0
Three Acts of Care in Performance and Beyond0
I Was Thinking0
Walk This Way0
A Replica of a Replica: Memory, trauma and monumental repair0
Beginning with Love0
A Manifesto for Care with regards to Labour0
Nostalgic Hunger in Zhu Yu’s Eating People0
UNcovering Stories of Displacement and Hope0
Breathing with Ghosts0
Silver Halide Crystals and Ionizing Radiation0
Tracking the Social Process0
Now What?0
Inside Out: Praxis as autoethnographic research An Empty Room: Imagining butoh and the social body in crisis by Michael Sakamoto, Middleton, CT: Wesleyan University Pres0
Performing Waria/Performing Care0
Remembering Differently0
Limit(less)0
Haunting Spectres and Spectating Ghosts0
Voice is Vision0
Meet – An intimate performative encounter format0
Ritualized / 070
Dispossessed Breath0
Presence / 070
Phrenos – The Bank of Breath0
Twelve (Queer) Labours0
Keeping up Appearances0
The Queer Archive as Promiscuous Ethics of Care0
The Limits of Cis Compassion: The sad trans experience and its others in contemporary Turkish theatre0
Ghostwriting the Stage0
Ghost of Justice0
Just One Big Green Ball0
Waiting / 020
‘I Have the Need to Never Arrive’0
What Must Be Re-Imagined0
Invading Capitalist Ageism in Applied Theatre through Anti-Ageism Praxis0
‘Doesn’t Every Dying Person’s Last Breath Touch the Living?’0
Invasion as Trespassing Spatial Boundaries0
Black Lung0
Practical Manifesto for a Theatre of Repetition0
COVID Relief and the Dynamics of State Care in South Africa’s Performance Economy0
wind meeting0
DJ Performance Analysis0
Careful Lessons From For You’s Artists & Elders0
The Minutes of the Hildegard von Bingen Society for Gardening Companions0
Care Aesthetics, Coronavirus and Everyday Life0
WE/Time/Trembling/Softly0
An Act of Becoming: Dance, doing dancing, dancing bodies0
Stranger than Kindness0
Reading Rest as Resistance0
Maintenance and Care / 050
Towards a Fluid Performance Practice0
Resounding Relations0
Live Art0
Performative Scores for More-Than-Human Swamp Becomings0
Ghosts of Queer Past, Present and Future0
The Life and Art of a Death Doula0
Ritualized / 020
The Sad Choreography of Systemic Misconduct, from Cause to Affect0
Death and Performative Engagement in Child of Tree0
Repertoire Research0
On Ghosts Editorial0
Vocality, Interspecies Conflict and the Tourist Gaze0
Injecting the Essayistic into the Curatorial0
Entering / 020
The Color of Water0
Queer, Brown Dancing Bodies in a White Cube: Refusal and mourning in Gerald Casel’s Not About Race Dance0
Radio-Active Ghosts0
Repertoire and Pedagogical Transmission of Asian ‘Traditional Forms’ at the Intercultural Theatre Institute of Singapore0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
Cultivating ‘ Qi’ in Connecting the More-Than-Human World0
Unintentional Poetics of Deleuze's Diagram between Mapping and Tracing0
On Activation0
Let This Sentence Be Your Guide0
Unpacking and Enveloping0
The Three-Dimensional Open Work0
Self-Starvation0
Materializing Habit to Make Visible0
Performing Processions: Premonitions and palimpsests0
Revealing Interdependence0
When Melancholia Turns Black0
Collaborating Across Borders in Isolating Times; Four Artistic Strategies for International Co-creation, with Examples0
The Dying Art of Magic0
Unbounding [sic] Prometheus0
The Afterlife of Life as Art0
Breathing out of the University, and into many Schools0
On Listening in to the Scientific Mundane0
Composing Improvisational Cells for Networked Music Performance0
Dramaturgies of Decay0
The Koortjie Undercommons0
Stanislavski versus the Peasant Woman0
The Practice of Endings in a Work that has no End0
Negation as Condition of Possibility for Imagining Anew0
On ‘a certain convocation of politic worms’ ( Hamlet )0
Drawing Oblivion0
Collaboration and Co-finitude0
Care-filled Futures0
Representing Hunger0
Drawing Our Breath in Pain to Tell Hamlet’s Story0
Potential Singularity and Transformative Instability0
Activations of the Threshold0
The Art of Notation Revisited0
Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland0
Ashes to Ashes: Is expression of female violence just too much? Putin’s Ashes by Pussy Riot Performance and short film (2022), www.youtube.com/watch?v=ni_CRPAw_5Q; 3.04 0
Introduction0
The Uncanny Sounds in Kamisato Yudai’s Immigrant Ghost Stories0
A Lament for the Earth: Performing loneliness and liminality with Annie Lennox’s Dido0
Slow Fade to Blackout0
It’s time0
Still Resisting Left Melancholy? Chinese New Leftist theatre’s inheritance and resistance in Che Guevara (Qie Gewala) (2000–1)0
‘Signature Act’0
Towards Becoming an Ecology of Care0
Body-worn Technology, Heightened Awareness and Habit0
Naming the Unnamed0
The Aesthetics of Invasion0
Maintenance and Care /060
Presence / 090
Anatomy of Death – Reminiscences of rebirth0
Invasion, Replacement and Colonial Anxiety in The War of the Worlds0
Presence / 120
Artificial Respiration0
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)0
Gardens Speak: We are amazingly near in Tania El Khoury’s live art0
Thorax0
Presence / 090
Notes on Contributors0
A Different Hunger0
Feeling(s) without Organs0
Counterpointing Care0
Making and Breaking ‘Bad’ Habits in Drugs, Law and Human Rights Scrutiny0
Composing Atmospheres, Engineering Liveness Kinetic Atmospheres: Performance and immersion by Johannes Birringer, London and New York, NY: Routledge, 2022; pp. 3000
Looking Back and Facing Forward: How to learn from pandemic theatre0
Lessons of Decal (Language as Repertoire)0
A Listening of the Flesh0
Activation in the Moment of Pausing or Slowing0
Ritualized / 030
Becoming Anorexia0
Come to the Table0
Notes on Contributors0
Page, Stage and Expanding Iberian Performance0
With Whom Can You Imagine Sharing This World’s Sidewalk?0
Habits from Hyperconnected Solitude0
Introduction0
‘It’s Not Because It’s Not There, That It Isn ’t There’: Visibility and invisibility within Black flamenco performance0
Performing the Politics of Kindness in Aotearoa New Zealand0
Contracts as Protocols of Governmentality in Performance Art0
The Voice of the Air0
rendezvous0
And So …0
Speculative Sites and Slippery Temporalities0
‘Nothing is more tragic than the grotesque’0
A Star isn’t Born, judy’s Made!0
Hooding a Hawk: Searching beyond the citta0
Ritualized / 100
Habits of Belonging in and through Boxing0
Notes on Contributors0
What Can Heavy Metal Do for Disability Studies?0
Dramaturgy of Mundanity, Dramaturgy of Utopia The City We Make Together: City Council Meeting’s primer for participation by Mallory Ca0
A Grammar of Care0
Uneasy Breathing0
‘Do We Need to Talk about Prince Harry?’0
Habit as Restored Behaviour in Purulia Chhau0
Transmuting Trauma and ‘Alchemiz[ing] Inherited Wounds’: iele paloumpis’s disabled, diasporic choreographies of care0
Can Stories Save Us?0
A Close Listening to Theatre Aurality0
Performance, Unknown Otherwise Surface Relations: Queer forms of Asian American inscrutability by Vivian L. Huang, Durham, NC: Duke University Press, 2022; pp. 2270
In Remembrance0
‘Who Cleans the Blood of the City?’0
Editorial0
UnCooked Meets0
Planting Ghosts in a Time Machine0
Embodying Utopia0
History Put in Touch with Itself0
Walking (to) Greenham, Again0
Performance Encounters with Ana Mendieta0
Assemblies under Pressure from Catastrophe Back Stages: Essays across art, performance, and public life by Shannon JacksonEvanston, IL0
Reflection: Beyond metaphor0
Pirouetting on the twists and turns of music performance studies0
Being on Time0
Between Japan and the Global: Marking Okada Toshiki’s innovations Okada Toshiki & Japanese Theatre edited by Peter Eckersall, Barbara Geilhorn, Andreas Regelsberger 0
Repertoire, Relation and Technique0
Towards a Multi-dimensional Understanding of the Performer–Audience Relationship0
Feeling and Falling at the End-Times0
Towards a Rattling of the Everyday0
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