OOIR: Observatory of International Research

Papers

(The TQCC of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
On Repair	11
A Look at the Fasting People	3
La Merda	3
‘Not knowable in advance’: Feeling brown with José Muñoz	2
Life as Script: Benjamin’s study of Brecht in Svendborg	2
Resilient Matriarchs	2
Notes on Contributors	2
Complicating Care	2
Signs of Life – Hearts, Blood and our Breath	2
Hidden Archives, Closeted Desires, Postponed Utopias	2
Who is Afraid of Mourning?	2
Governing Care	2
Interruption(s)	1
Intimate Engagements with the Earth Assuming the Ecosexual Position: The Earth as lover by Annie Sprinkle and Beth Stephens with Jennie Klein, Minneapolis, MN: Universit	1
Ibn ‘Arabi and the Shadhiliya of Tunisia	1
Hunger Action	1
Correction	1
The In-between Relation of Performers as Foundational Principle for Constructing Alternative Social Imaginaries	1
Mapping Polivocality in East Asian Theatrical Realism	1
Entering / 04	1
T.Mudd	1
US Dance and Globalism at Mid-Century	1
On Touch	1
The Revolutionary Mourner, and the Collective Body: The performativity of grief in the Woman, Life, Freedom movement	1
On the Question of the Artistic Transmission of Political Death (II) ¹	1

A Radical Imagination	1
Through the Lens of Grief: Re-reading performance through pregnancy loss	1
Addressable Volume	1
A Period Piece that Endures	1
Choreographic Explorations in the Middle and the Excess	1
Starting from Lived Experience	1
Political Paradigms of Hunger	1
On Air and in Breath	1
Notes on Contributors	1
Clods, Compost and the Buoyancy of Clowns	1
Touch (Sk)Interrupted?	1
Rich Archival Pickings	1
Notes on Contributors	1
Ibu in Post-authoritarian Agonism	1
Notes on Contributors	1
Performing Interruptions	1
What the heck? – hacking HEK	1
Signposting the Anthropocene	1
Racial Kinaesthesia and Coalition in MovementBlack Dragon: Afro Asian performance and the martial arts imagination by Zachary F. Price, Columbus, OH: The Ohio State University Press, 2022; pp. 240.	1
Sensation and Sensibility: Ron Athey's archive of feeling	1
Games and Playfulness	1
Mourning the Factory	1
Bumps, Breakages, Bandages	1
Presence / 02	1
Editorial: On mundane performance	1
Mapping and Cross-mapping the Hi:story of Performance Art in Switzerland through Collective Research for Deviant Understandings	1
Ecological Performance and ‘Settler Creep’	1
Re-generative Habit	1
Recipes for (un)learning to (re)member: Ripples, responses, responsibilities	1
Reorientations and Reckonings in Response to Wild Weather	1
Participatory Futuring	1
Performing Livelier Biosecurity in Human–Candida Artistic Encounters	0
Dancing and Reading across Difference, with love	0
Performative Scores in Pandemic Times¹	0
Becoming with Wheat	0
I Was Thinking	0
The Remnant of My Volition (Force Majeure)	0
‘This is My Life’	0
Watching the Detectives	0
Feeling(s) without Organs	0
‘Signature Act’	0
WORK! From Home	0
Pushing Forward with Creative Practice	0
Undercover Next Door	0
Counterpointing Care	0
Here Now Yma Nawr	0
Stop the Show	0
Embodied Rhetoric	0
The Political Theatre of Dirty Hands in the UK Government Response to the COVID-19 Pandemic	0
Notes on Contributors	0

‘A blank page … ’ or ‘Ten years since language left … ’ (Artaud)	0
Gezi’s Many Women in Red: A genealogy of an icon from street to stage	0
Queer, Brown Dancing Bodies in a White Cube: Refusal and mourning in Gerald Casel’s Not About Race Dance	0
Theatre and Solidarity among the Transnational Alevi Community	0
The Minutes of the Hildegard von Bingen Society for Gardening Companions	0
Ritualized / 01	0
Introduction	0
Beginning with Love	0
On ‘a certain convocation of politic worms’ ( Hamlet )	0
After the Ordinary	0
A Mercurial Mirage: Seascapes as event, logic and method	0
Diagramming performances	0
Lessons of Decal (Language as Repertoire)	0
What Must Be Re-Imagined	0
Ashes to Ashes: Is expression of female violence just too much? Putin’s Ashes by Pussy Riot Performance and short film (2022), www.youtube.com/watch?v=ni_CRPAw_5Q; 3.04	0
Embodying Utopia	0
Activation in the Moment of Pausing or Slowing	0
Repertoire, Relation and Technique	0
Towards Becoming an Ecology of Care	0
Careful Lessons From For You’s Artists & Elders	0
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)	0
(M)Othering Like Us	0
Emotional Weather Reports: Online performance as affective practice in the MonoVlogs of Layeta Bucoy and Olivia Kristine Nieto	0
Potential Singularity and Transformative Instability	0
Still Resisting Left Melancholy? Chinese New Leftist theatre’s inheritance and resistance in Che Guevara (Qie Gewala) (2000–1)	0
Habits of Belonging in and through Boxing	0
Airpocalypse	0
Live Art	0
Web Walking, the Landscape Pattern and Place-story Diagrams in Performance	0
Maintenance and Care /06	0
Practical Manifesto for a Theatre of Repetition	0
A Grammar of Care	0
Walk This Way	0
Entering / 02	0
Cura, the Curatorial and Paradoxes of Care	0
Performative Scores for More-Than-Human Swamp Becomings	0
Composing Atmospheres, Engineering Liveness Kinetic Atmospheres: Performance and immersion by Johannes Birringer, London and New York, NY: Routledge, 2022; pp. 300	0
On the ‘Doing’ of ‘Something’	0
The Deep, Dark Play of the US Capitol Riots	0
Breathing out of the University, and into many Schools	0
Notation as Diagram	0
Presence / 07	0
On the Ends and Endings of Protest	0
Presence / 09	0
China Quick-Fix	0
Inside Out: Praxis as autoethnographic research An Empty Room: Imagining butoh and the social body in crisis by Michael Sakamoto, Middleton, CT: Wesleyan University Pres	0
The Sad Choreography of Systemic Misconduct, from Cause to Affect	0
Ashray and Shushrusha	0
Notes on Contributors	0
To Do, To Act, To Reform	0
Reflection: Beyond metaphor	0
Becoming Anorexia	0
How to Resist When Resistance Feels Impossible	0
The Song of Disobedience	0
A Listening of the Flesh	0
Sonic Touch	0
Collective Breath	0
Ritualized / 02	0
Listening in Three Acts: Thinking, responding, doing Act 3	0
Transmuting Trauma and ‘Alchemiz[ing] Inherited Wounds’: iele paloumpis’s disabled, diasporic choreographies of care	0
Three Acts of Care in Performance and Beyond	0
Walking (to) Greenham, Again	0
Drawing Oblivion	0
Care-filled Futures	0
Towards an Ecodramaturgical Human	0
Presence / 11	0
UNcovering Stories of Displacement and Hope	0
Editorial	0
WE/Time/Trembling/Softly	0
COVID-19 Protests and the Performative Force of Untruth	0
The Limits of Cis Compassion: The sad trans experience and its others in contemporary Turkish theatre	0
Being and Pub	0
Cover to Uncover	0
On Activation	0
We Will Outlive the Blood You Bleed	0
UnCooked Meets	0
Performance, Unknown Otherwise Surface Relations: Queer forms of Asian American inscrutability by Vivian L. Huang, Durham, NC: Duke University Press, 2022; pp. 227	0
Towards a Non-Anthropocentric ¹ Social Imaginary	0
Digital Contention in Latin America	0
Activations of the Threshold	0

Performances of Exposure and Ethical Spectatorship in Hanna Cormick’s The Mermaid	0
Care Aesthetics, Coronavirus and Everyday Life	0
The Power of the Sad: Performance, bearing with and compassion	0
Dancing with Epistemic Borders	0
‘I Have the Need to Never Arrive’	0
Stranger than Kindness	0
Meeting on Paper	0
Interrupting Everyday Life	0
Performing Shared Atmospheres	0
A Manifesto for Care with regards to Labour	0
Interruptions from Speech	0
Body-worn Technology, Heightened Awareness and Habit	0
Dancing in Car Parks	0
Unintentional Poetics of Deleuze's Diagram between Mapping and Tracing	0
Editorial: On (Un)Knowns	0
Reading Rest as Resistance	0
History Put in Touch with Itself	0
Negation as Condition of Possibility for Imagining Anew	0
Banners and Memes	0
Plant Blindness and Repair	0
Witnessing the Mundane	0
The Aesthetic of Acclimatization	0
Page, Stage and Expanding Iberian Performance	0
Breathing Air into the Archive	0
Towards a Rattling of the Everyday	0
Mette’s Pharmacy	0
Larvatus Prodeo	0
[xxxxx]: A video documented performance study	0
Presence / 12	0
Unearthing Undercover	0
Editorial: On Air	0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press,	0
Voice is Vision	0
Why Do I Keep Crying?	0
Enstranglements: Undercover in Arts for Health	0
Invasion, Replacement and Colonial Anxiety in The War of the Worlds	0
Epilogue	0
Qualic monsters in corridors: Reading Mette Ingvartsen’s ‘Manual Focus (solo version for camera)’	0
Self-Starvation	0
A Multitude of Drops	0
Notes on Contributors	0
Ritualized / 03	0
Holding Breath	0
Notes on Contributors	0
Ballet, Biopolitics and the Relevance of History	0
Confronting Coloniality’s Unpayable Debts	0
Interrupted Authority	0
Come to the Table	0
Magicking possible futures	0
‘Do We Need to Talk about Prince Harry?’	0
Performing the Politics of Kindness in Aotearoa New Zealand	0
Remembering Differently	0
Presence / 08	0
Repertoire and Pedagogical Transmission of Asian ‘Traditional Forms’ at the Intercultural Theatre Institute of Singapore	0
Representing Hunger	0
A Star isn’t Born, judy’s Made!	0
The Politics of Urban Silence	0
Stratifying the Air: A review of Scott Magelssen’s Performing Flight Performing Flight: From barnstormers to space tourism by Scott Magelssen, Ann Arb	0
Performing Relations	0
'The great contraband a person can sneak into a prison is joy'	0
The Color of Water	0
I am Queen Mary	0
Enduring Touch	0
Repertoire Research	0
Imagining Togetherness Amid Dislocation	0
Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland	0
Wearing a Second Skin of Sounds: Touching the other through sounding and listening	0
Liquid Social Choreography	0
The Anatomy of Knowledge	0
Twelve (Queer) Labours	0
The Aesthetics of Invasion	0
In Remembrance	0
‘At last we were offered a glass of champagne!’: A study of live art	0
The Transloca as Theoretical and Hermeneutical Model	0
With Whom Can You Imagine Sharing This World’s Sidewalk?	0
Between Japan and the Global: Marking Okada Toshiki’s innovations Okada Toshiki & Japanese Theatre edited by Peter Eckersall, Barbara Geilhorn, Andreas Regelsberger	0
Let This Sentence Be Your Guide	0
Assemblies under Pressure from Catastrophe *Back Stages: Essays across art, performance, and public life* by Shannon JacksonEvanston, IL	0
A Trilogy of Getting Stuck	0
Waiting / 02	0
A bodily mental lexicon: Documenting a choreographer’s method through a multimodal archival resource	0
Notes on Contributors	0
Presence / 05	0
A Different Hunger	0
Editorial	0
Introduction	0
Notes on Contributors	0
Kinesthetic Empathy as Embodied Research	0
Performing Processions: Premonitions and palimpsests	0
Imagine a Review	0
Breath^work	0
Materializing Habit to Make Visible	0
Maintenance and Care / 05	0
Inscribing Bodily Narratives	0
When Melancholia Turns Black	0