Performance Research

Papers
(The median citation count of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
The Song of Disobedience11
On Hybridity4
Expanding Empathic and Perceptive Awareness: The experience of attunement in Contact Improvisation and Body Weather4
Magic Circles3
On Hybridity in Puppetry3
Into the Nebula: Embodied perception of scenography in virtual environments3
Towards Hybridity3
The Viewpoints and the Secret of the Original Anarchist: Mary Overlie and the Undercommons2
Experiencing Choreographed 4D Visuals in a VR Dance Installation2
Somatic Ways of Knowing: Fina Miralles’ earliest practices of sensorial perception2
Epistemes of Performativity2
Enduring Touch2
Necessity or Choice2
Stranger Things, Secret Cinema and the Transmateriality of Touch2
On Microperformativity2
Sonic Bodies1
Editorial: On Air1
Editorial: On Perception1
Microperformativity and Biomediality1
Designed to Save: Scenography and ideology in Hell House1
This is Not a Manifesto1
Listening in Three Acts1
A Maiden Speech1
Diffracting Virtual Realities1
Microorganisms on Stage1
The Diffracting Light in Contemporary Theatre1
Perceiving, Navigating and Inhabiting: Performance design through sonic strategies1
Learning from Experience1
On the Edge of the Perceptible: Microacting, imaginary worlds and cognitive estrangement in virtual performance1
Counter-attacking Pollution in Three Aerial Acts1
Stop. Rewind. Replay.: Performance, police training and mental health crisis response1
On Repair1
Non-terrestrial Material Agency1
On Solidarity1
The Legacy of Kristin Linklater1
The Politics of Urban Silence1
The Actor as Observer-Participant1
Art and the Microbiome1
On Touch1
A Hybridity Continuum1
‘Ladies and Gentlemen we interrupt our program … ’1
The Political Theatre of Dirty Hands in the UK Government Response to the COVID-19 Pandemic1
On Protest1
Circus Training in the Time of Coronavirus1
Touching through Music, Touching through Words1
Stop the Show1
Diffractive Co-conspiracy in Queer, Crip Live Art Production1
Seeing Alone Yet Together: Modern-day Tiresias in VR theatre1
Notes from the SemioticChora1
Performing Democracy1
Diffracting the Politicized Spectale1
A Grammar of Care1
Theatre Performance through the Intermedial Lens1
Performing Shared Atmospheres1
British Multiculturalism and Interweaving Hybridities in South Asian Dance1
Emersive Microperformativity1
Choreographic Gestures of Resurgence and Repair: Arkadi Zaides’s research-based performance project:Necropolis1
Neuronal Acts1
Queer Fiesta1
Kinesthetic Empathy as Embodied Research1
Decolonizing Performance Pedagogy1
Diffraction, Mixture and Cut-Ups in Performing with Plants1
Performing Porosity1
‘A blank page … ’ or ‘Ten years since language left … ’ (Artaud)1
Across Bodily and Disciplinary Borders1
Advaita Vedanta and Qi Gong0
rendezvous0
On Shared Resources: Performance studies publications from a pandemic0
Diffractive Dramaturgy0
On the Ends and Endings of Protest0
Guts ’n’ Brains0
The Universal Caregiver Society0
A bodily mental lexicon: Documenting a choreographer’s method through a multimodal archival resource0
Entangled Gestures and Technical Objects0
Collaboration and Co-finitude0
Utopia in Actor Training0
A Moving Moment0
Plutarch’s Boat0
[Dis]rupting, [mis]understanding, [un]learning and [re]membering—Lerato Shadi, Hamedine Kane and Euridice Zaituna Kala0
Care-filled Futures0
first draft·ings0
China Quick-Fix0
Intellectual responsibility and eco-aesthetic existentialism: Experimental kinetic dramaturgies from Flanders0
Backstage of the Eye0
(C)Overt Operations0
Performing Interruptions0
Ibu in Post-authoritarian Agonism0
On Dammed Landscapes and Invasive Infrastructures0
Defiant Joy and Care-Based Solidarity in Puerto Rican Theatre0
On Interruption0
Microhistories of Jewish Clandestine Performance, Self-Orientation and Survival during the Holocaust0
A Trilogy of Getting Stuck0
Bleeding Foreheads0
Resilient Matriarchs0
Making Sense of Life and Death: A Review of Andrew Griffin’s Untimely Deaths in Renaissance Drama0
Mette’s Pharmacy0
Epilogue0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
Exploring the Aesthetic Potential of AMB’s MOC and AAM0
Between Craft and Metaphysics0
Notes on Contributors0
Choreographing Breath and Air in Object Performances0
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)0
Trust Fall0
Touch (Sk)Interrupted?0
Performance and Protest as Creative World-Building for Black Liberation0
Dancers’ Perceptual Skills: An ethnographic, cognitive and phenomenological study0
Towards Becoming an Ecology of Care0
L’Enfer du Théatre0
Performative Scores in Pandemic Times10
South Africa’s Student Activist Turn in the Decolonial Present0
Invading Capitalist Ageism in Applied Theatre through Anti-Ageism Praxis0
Potential Singularity and Transformative Instability0
Parliament of Practices0
Speaking with Viruses0
The Task at Hand: Learning to unlearn in the politics of presence0
Training Beyond0
Performing Change0
Utopian Training0
The Vindication of Vocality in Occitan and Indigenous Oral Traditions0
Ibn ‘Arabi and the Shadhiliya of Tunisia0
Performing Solidarity0
Entangled Speech0
Hybridity in the Utopian City: A multisensory performance practice in action0
Meet – An intimate performative encounter format0
Interweaving Deaf and Hearing Cultural Practices in Performance Processes0
Allowing the Sacred to Appear0
Microbiospherians0
Anatomical Minutiae and Cannular Self-experimentation0
Book as Meeting Place: Dance, drama and cross-culture reconciliation across the life of physical theatre company Marrugeku Marrugeku: Telling that Story edited by Helen 0
A Mercurial Mirage: Seascapes as event, logic and method0
Bringing the Body to Beckett’s MOUTH0
Games and Playfulness0
Becoming-Leech0
Your House Does Not Look Like You Anymore0
Extravagantly Enigmatic0
The Artful Agile Atypical Octopussy0
Audiencing Slowness0
Performing Waria/Performing Care0
Performing care on the borders of the self in Tactility Studies: Pandemic distances0
Notes on Contributors0
Picturing Meditation0
Touch Me, If You Want0
Performing the Politics of Kindness in Aotearoa New Zealand0
Notes on Contributors0
Crafting Inoculation0
The Transloca as Theoretical and Hermeneutical Model0
'The great contraband a person can sneak into a prison is joy'0
Hidden Archives, Closeted Desires, Postponed Utopias0
Editorial: On Interruptions0
Solidarity in Performance0
I Was Thinking0
Dementia in Dramaturgically Hybrid Performance and the Performance of Objects0
On ‘Halt!’ and On ‘on’0
Keeping up Appearances0
Congealing the Abject0
Transgenesis as Art, Art as Infection0
The Chamber of Banality: Hell on Earth0
Inscribing Bodily Narratives0
The ‘Freicha’ as an Interruption in/of Westernized Israeli Theatre0
Signs of Life – Hearts, Blood and our Breath0
History Put in Touch with Itself0
Culturing <Paper>cut0
Technoparticipation0
Notes on Contributors0
Notes on Contributors0
Governing Care0
Training Artists in Times of Crisis0
The Formation of Identity and the Disruption of Colonial Ideological Hegemony0
Ecological Performance and ‘Settler Creep’0
Care Aesthetics, Coronavirus and Everyday Life0
Creating Nothing0
Vulnerable Paths to Freedom0
Gaming Protest0
The Forme of Cury0
Complicating Care0
Forming Blank, Performing Form0
Unfolding Images0
Who is Afraid of Mourning?0
Tribute to Mike Pearson Non omnis moriar (Not all of me will die)0
Towards Anamnestic Art0
Singing the Future Now0
Notes on Contributors0
Dancing Diffraction0
What about Knowledgefied Discourse in Artistic Research?0
Solidarity as a Common Notion0
What is Vodun?0
Histories, Stories and Encounters with Butō’s Mythopoesis A History of Butō by Bruce Baird, New York: Oxford University Press, 2022; pp. 288; 60 monochrome images.0
Moving across the Terrain: Perceiving and performing the landscape0
Resisting to Dystopias of Bodily Control0
Notes on Contributors0
Training Utopias: Editorial0
Failing Purposefully, Productively and Politically0
Sonic Touch0
‘And then again, I draw myself to the detail’0
The Aesthetic of Acclimatization0
The Power of Unwanted Presence0
Contingent Claims0
Concentric Circles of Dramaturgy0
I Had Fun Fearing Cockroaches0
The Anatomy of Knowledge0
Notes on Contributors0
Collaborating Across Borders in Isolating Times; Four Artistic Strategies for International Co-creation, with Examples0
Race and Performance Dal Segno0
Festivilization of Cultures0
Interrupting Everyday Life0
Diffraction and ‘In-Visible Light’0
Interruption(s)0
Freedom is a Performance Hangout* (*Click on this fake sweat distraction technique to release infinite scroll)0
Notes on Contributors0
Notes on Contributors0
Life as Script: Benjamin’s study of Brecht in Svendborg0
Fowl Play0
Here Now Yma Nawr0
White Privilege and the Return of the Real Playing Real: Mimesis, media, and mischief edited by Lindsay Brandon HunterEvanston, IL: Northwestern University Press, 2021; 0
The Men in White0
The Dancer–Drummer–Drum Body: Expanding corporeal experiences through improvisation in black dance0
minkfestival.com: an online festival about the zoo of the pandemic0
Bumps, Breakages, Bandages0
Blood Re-born0
Hell in the Cave: Falling down to find the light0
Sitting With My Legs Crossed–Unfolding0
A Note of Thanks0
Stratifying the Air: A review of Scott Magelssen’s Performing Flight Performing Flight: From barnstormers to space tourism by Scott Magelssen, Ann Arb0
Feeling(s) without Organs0
Wearing a Second Skin of Sounds: Touching the other through sounding and listening0
To Kill or Die For0
Airpocalypse0
Et Anima Est Sanguis et Sanguis Est Anima0
Y-Performance, Care and Intergenerational Response0
Marriage in Death and the Cyberspace of Feminist Intervention in Contemporary China0
Shifting Boundaries of ‘Perceived’ Legitimacy0
The Slow Emergency of the Future0
Growing Trees of Culture0
Diffracting Cybernetic-Existentialism0
‘Not knowable in advance’: Feeling brown with José Muñoz0
The ‘Squishy Science’ of Theatre and the Post-Relativistic Universe0
Unearth Not0
Live Transference on Stage as the Creation of a New Type of Performer0
Dramaturgy of Response-ability0
Dancing in Car Parks0
Choreography as Concept, Dancing as Material0
Moving Together0
Breathing Air into the Archive0
The Essay, the Maligned0
Tempered by Breath0
Words from a Pit0
Microbial Keywording0
Meeting on Paper0
(Micro-)Performing Ancient Weaving in the PENELOPE project0
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