Performance Research

Papers
(The median citation count of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
The Song of Disobedience11
Expanding Empathic and Perceptive Awareness: The experience of attunement in Contact Improvisation and Body Weather5
Magic Circles4
Into the Nebula: Embodied perception of scenography in virtual environments3
Somatic Ways of Knowing: Fina Miralles’ earliest practices of sensorial perception3
Plant Blindness and Repair2
On Solidarity2
Theatre Performance through the Intermedial Lens2
This is Not a Manifesto2
Kinesthetic Empathy as Embodied Research2
Enduring Touch2
Performing Solidarity2
The Viewpoints and the Secret of the Original Anarchist: Mary Overlie and the Undercommons2
Stop the Show2
Tactile Attention in One-to-One Performance: The effects of touch on participant experience2
Necessity or Choice2
On the Edge of the Perceptible: Microacting, imaginary worlds and cognitive estrangement in virtual performance1
Moving across the Terrain: Perceiving and performing the landscape1
Performing Democracy1
Touching through Music, Touching through Words1
Diagramming performances1
Counter-attacking Pollution in Three Aerial Acts1
Editorial: On Perception1
On the ‘Doing’ of ‘Something’1
Rudolf Laban's Diagrammatics1
A Grammar of Care1
Demonic Interventions1
The Politics of Urban Silence1
A Maiden Speech1
Hope at the Gates of Hell: Staging Dante’s Inferno behind bars1
On Protest1
The Political Theatre of Dirty Hands in the UK Government Response to the COVID-19 Pandemic1
On Touch1
Stop. Rewind. Replay.: Performance, police training and mental health crisis response1
Decolonizing Performance Pedagogy1
Seeing Alone Yet Together: Modern-day Tiresias in VR theatre1
Moving Together1
(M)Othering Like Us1
On Repair1
Liquid Social Choreography1
Theatre and Solidarity among the Transnational Alevi Community1
The Actor as Observer-Participant1
Mapping and Cross-mapping the Hi:story of Performance Art in Switzerland through Collective Research for Deviant Understandings1
Listening in Three Acts1
Performing Shared Atmospheres1
Keeping up Appearances1
Artistic Practices as Gestures of Resistance and Repair1
From an Atmospheric Point of View1
Choreographic Gestures of Resurgence and Repair: Arkadi Zaides’s research-based performance project:Necropolis1
Circus Training in the Time of Coronavirus1
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)1
The Time of Diagrams1
‘Ladies and Gentlemen we interrupt our program … ’1
Editorial1
Shifting Boundaries of ‘Perceived’ Legitimacy1
Editorial: On Air1
Solidarity in Performance1
Interrupted Authority1
Designed to Save: Scenography and ideology in Hell House1
Playing (with) the Machine I Already Am My Life as an Artificial Creative Intelligence by Mark Amerika, Stanford, CA: Stanford University Press, 2022; pp. 264.1
A Dramaturgy of Feeling: Exploring Indigenous concepts of knowing through multimodal aesthetics1
Cassils with Jean-Luc Nancy1
The Legacy of Kristin Linklater1
Banners and Memes1
Touch (Sk)Interrupted?1
Conceptualizing Care in Partnering1
Perceiving, Navigating and Inhabiting: Performance design through sonic strategies1
Habit, Artificial Intelligence and the Ontological Performance of Trust1
‘A blank page … ’ or ‘Ten years since language left … ’ (Artaud)1
Breathing Air into the Archive1
Congealing the Abject0
Bumps, Breakages, Bandages0
Stratifying the Air: A review of Scott Magelssen’s Performing Flight Performing Flight: From barnstormers to space tourism by Scott Magelssen, Ann Arb0
'The great contraband a person can sneak into a prison is joy'0
[Dis]rupting, [mis]understanding, [un]learning and [re]membering—Lerato Shadi, Hamedine Kane and Euridice Zaituna Kala0
Composing Atmospheres, Engineering Liveness Kinetic Atmospheres: Performance and immersion by Johannes Birringer, London and New York, NY: Routledge, 2022; pp. 3000
Signs of Life – Hearts, Blood and our Breath0
Hell in the Cave: Falling down to find the light0
Airpocalypse0
On ‘Halt!’ and On ‘on’0
Fowl Play0
Walking Out of the Mundane0
The Universal Caregiver Society0
Training Utopias: Editorial0
Inscribing Bodily Narratives0
Collaboration and Co-finitude0
South Africa’s Student Activist Turn in the Decolonial Present0
Race and Performance Dal Segno0
Who Embodies Mourning? Performing Mourning: Laments in contemporary art by Guy Cools, Amsterdam: Valiz, 2021; pp. 2200
The ‘Freicha’ as an Interruption in/of Westernized Israeli Theatre0
Dramaturgy of Mundanity, Dramaturgy of Utopia The City We Make Together: City Council Meeting’s primer for participation by Mallory Ca0
A Moving Moment0
Trust Fall0
Technoparticipation0
Re-generative Habit0
The Transloca as Theoretical and Hermeneutical Model0
Notes on Contributors0
T.Mudd0
What about Knowledgefied Discourse in Artistic Research?0
Habit as Restored Behaviour in Purulia Chhau0
The Problem of Commedia dell’Arte0
The Slow Emergency of the Future0
The Men in White0
Games and Playfulness0
Body-worn Technology, Heightened Awareness and Habit0
The Queer Archive as Promiscuous Ethics of Care0
Meet – An intimate performative encounter format0
Training Beyond0
Performing Interruptions0
Towards Becoming an Ecology of Care0
Marriage in Death and the Cyberspace of Feminist Intervention in Contemporary China0
Between Craft and Metaphysics0
Book as Meeting Place: Dance, drama and cross-culture reconciliation across the life of physical theatre company Marrugeku Marrugeku: Telling that Story edited by Helen 0
Words from a Pit0
Revealing Interdependence0
Self-Starvation0
The ‘Squishy Science’ of Theatre and the Post-Relativistic Universe0
Dramaturgy of Response-ability0
Feeling(s) without Organs0
Notes on Contributors0
Notes on Contributors0
To Kill or Die For0
Complicating Care0
Dancers’ Perceptual Skills: An ethnographic, cognitive and phenomenological study0
A Mercurial Mirage: Seascapes as event, logic and method0
Political Paradigms of Hunger0
White Privilege and the Return of the Real Playing Real: Mimesis, media, and mischief edited by Lindsay Brandon HunterEvanston, IL: Northwestern University Press, 2021; 0
Making Sense of Life and Death: A Review of Andrew Griffin’s Untimely Deaths in Renaissance Drama0
Interrupting Everyday Life0
Unfolding Images0
The Artful Agile Atypical Octopussy0
Presence / 040
Blood Re-born0
Unpacking and Enveloping0
Choreographing Breath and Air in Object Performances0
Life as Script: Benjamin’s study of Brecht in Svendborg0
(C)Overt Operations0
On Listening in to the Scientific Mundane0
Tribute to Mike Pearson Non omnis moriar (Not all of me will die)0
Who is Afraid of Mourning?0
minkfestival.com: an online festival about the zoo of the pandemic0
Microhistories of Jewish Clandestine Performance, Self-Orientation and Survival during the Holocaust0
Beyond Spectacle0
Performance and Protest as Creative World-Building for Black Liberation0
Your House Does Not Look Like You Anymore0
Utopia in Actor Training0
‘It’s Not Because It’s Not There, That It Isn ’t There’: Visibility and invisibility within Black flamenco performance0
Performing Waria/Performing Care0
Gaming Protest0
China Quick-Fix0
The Revolutionary Mourner, and the Collective Body: The performativity of grief in the Woman, Life, Freedom movement0
A Note of Thanks0
Challenging Normo-divergency Inclusivity and Equality in Performance Training: Teaching and learning for neuro and physical diversity 0
Notes on Contributors0
Ritualized / 110
Choreography as Concept, Dancing as Material0
Habits of Listening: Encounters with sound art in urban spaces0
On habit and performance0
Notes on Contributors0
On Dammed Landscapes and Invasive Infrastructures0
And So …0
Meeting on Paper0
Materializing Habit to Make Visible0
Unearth Not0
Invading Capitalist Ageism in Applied Theatre through Anti-Ageism Praxis0
Resilient Matriarchs0
The Power of Unwanted Presence0
Habits from Hyperconnected Solitude0
Limit(less)0
Histories, Stories and Encounters with Butō’s Mythopoesis A History of Butō by Bruce Baird, New York: Oxford University Press, 2022; pp. 288; 60 monochrome images.0
Utopian Training0
Editorial: On Interruptions0
Creative Interventions0
Performative Scores in Pandemic Times10
Care Aesthetics, Coronavirus and Everyday Life0
Sonic Touch0
On Shared Resources: Performance studies publications from a pandemic0
Correction0
‘We’ve Never Done This Before’0
The Task at Hand: Learning to unlearn in the politics of presence0
Governing Care0
Notes on Contributors0
Freedom is a Performance Hangout* (*Click on this fake sweat distraction technique to release infinite scroll)0
Becoming Anorexia0
Training Artists in Times of Crisis0
Plutarch’s Boat0
L’Enfer du Théatre0
‘And then again, I draw myself to the detail’0
Women’s Work: The ‘inescapable presence’ of intimate partner violence0
Bleeding Foreheads0
The Chamber of Banality: Hell on Earth0
‘Not knowable in advance’: Feeling brown with José Muñoz0
Backstage of the Eye0
The Anatomy of Knowledge0
Editorial: On mundane performance0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
A Trilogy of Getting Stuck0
Notes on Contributors0
On Interruption0
Hidden Archives, Closeted Desires, Postponed Utopias0
Presence / 060
Failing Purposefully, Productively and Politically0
Solidarity as a Common Notion0
Mette’s Pharmacy0
Collaborating Across Borders in Isolating Times; Four Artistic Strategies for International Co-creation, with Examples0
The Formation of Identity and the Disruption of Colonial Ideological Hegemony0
Performing care on the borders of the self in Tactility Studies: Pandemic distances0
Performance, Unknown Otherwise Surface Relations: Queer forms of Asian American inscrutability by Vivian L. Huang, Durham, NC: Duke University Press, 2022; pp. 2270
Epilogue0
Presence / 140
Concentric Circles of Dramaturgy0
Wearing a Second Skin of Sounds: Touching the other through sounding and listening0
Notes on Contributors0
Practical Manifesto for a Theatre of Repetition0
Intellectual responsibility and eco-aesthetic existentialism: Experimental kinetic dramaturgies from Flanders0
Crafting Inoculation0
Ritualized / 070
Ibn ‘Arabi and the Shadhiliya of Tunisia0
Habits of Belonging in and through Boxing0
Notes on Contributors0
Ecological Performance and ‘Settler Creep’0
I Was Thinking0
On the Ends and Endings of Protest0
Stanislavski versus the Peasant Woman0
Recipes for (un)learning to (re)member: Ripples, responses, responsibilities0
Tempered by Breath0
Ritualized / 100
Growing Trees of Culture0
Presence / 130
‘I Have the Need to Never Arrive’0
rendezvous0
Notes on Contributors0
Here Now Yma Nawr0
A Look at the Fasting People0
Vulnerable Paths to Freedom0
Y-Performance, Care and Intergenerational Response0
History Put in Touch with Itself0
first draft·ings0
Nostalgic Hunger in Zhu Yu’s Eating People0
La Merda0
Defiant Joy and Care-Based Solidarity in Puerto Rican Theatre0
Potential Singularity and Transformative Instability0
Et Anima Est Sanguis et Sanguis Est Anima0
Ibu in Post-authoritarian Agonism0
Global Action to End Hunger0
The Dancer–Drummer–Drum Body: Expanding corporeal experiences through improvisation in black dance0
Picturing Meditation0
Parliament of Practices0
A bodily mental lexicon: Documenting a choreographer’s method through a multimodal archival resource0
Vivacious and Sad Dances: Yala jama and yala paatey as pre- and post-burial celebrations of the Ga people in Ghana0
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