OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Medieval and Early Modern Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-07-01 to 2024-07-01.)

Article	Citations
Reconsidering the Boredom of King James: Performance and Premodern Histories	3
Milk and Miracles: Heteroglossia and Dissent in Venetian Religious Art after the Council of Trent	2
Pilgrimage and Textual Culture	2
Andrew Marvell in Russia	2
Afterword	1
The Authority of Written and Oral Sources of Knowledge in Ludolf of Sudheim’s De itinere Terre Sancte	1
The Madness of Hugo van der Goes: The Troubled Search for Origins in Early Netherlandish Painting	1
The Audacity of Judging Mind in Medieval England	1
The Restless Orders of Nature: Multispecies Classification in Jean Corbechon's Livre des propriétés des choses	1
Trusting Women's Visions: The Discernment of Spirits in Julian of Norwich's Revelation of Love	1
Making or Declaring Law? Legislative Intent and Privileged Speech in Anglo-Saxon England	1
“Good in Every Thing”: Erasmus and Communal Virtue in As You Like It	1
Thomas Aquinas and Dionysian Ecclesiastical Hierarchy	1
Theological Polemics and James I’s Diplomacy, 1603–1617	1
Who Has Intention? Chaucer Studies and the Search for Meaning	1
Festive Friars: Embodied Performance and Audience Affect	1
Imagining the Virtues: Medieval and Early Modern Histories	1
Form versus Catastrophe in the Old English Christ III	1
Ideologies of Diplomacy	1
Call for Submissions	0
Early Stuart Clergyman Poets: A Prosopographic Approach	0
Afterword: Documenting Performance across the Medieval/Modern Frontier	0
Reorienting English Protestantism	0
Call for Submissions	0
Diplomatic Parrhesia and the Ethos of Trustworthiness in Hotman’s The Ambassador and Shakespeare’s Henry V	0

Introduction to Whither the Bodies? A Forum	0
Scrollwork: Visual Cultures of Musical Notation and Graphic Materiality in the English Renaissance	0
“Not a drop of tears, or any sweat from fear came from her”: Interrogating Mind, Body, and Emotions in Early Modern German Witch Trials	0
New Books across the Disciplines	0
Call for Submissions	0
The Mandylions in Genoa and Rome: On the Authenticity of Christ's True Image in Counter-Reformation Italy	0
New Books across the Disciplines	0
Building Paper Embassies	0
The Author's Three Bodies: Codicological Intentionalism and the Medieval Text	0
New Books across the Disciplines	0
“Touching the Author's Mind”: Judgment and Intention in Jasper Heywood's Translations of Seneca	0
“Printed follyes”: Mountebanks and the Performance of Ambivalence within the Archive	0
Rogationtide Perambulation as Performative Law	0
Nugae on the Block: Maffeo Vegio (1407–1458), Virgil, and the Early Quattrocento Polemic over Light Verse	0
Earth and Ore: Materializing Transalpine Relations on the Eve of the Reformation	0
Pilgrimage, Print, and Performance	0
Passion Relic Devotion, an Implanted Relic, and a Prostheticized Body: Rethinking Matter and Agency in “A Grete Myracle of a Knyghte Good Callyd Syr Roger Wallysborow”	0
The Art of Conjecture: A Window into the Heart	0
Spectacular Absence, Spectacular Presence: Experimenting with the Eucharist in the Play of the Sacrament	0
New Books across the Disciplines	0
Call for Submissions	0
New Books across the Disciplines	0
Undeadness	0
To Measure Is to Feel: The Mathematics of Middle English Metric Relics	0
Physiognomy and Visual Judgment in Medieval and Early Modern Europe	0
Calvinist Versions of God: A Revolution in Medieval Tradition	0
Holy Land Pilgrimage and Geography in Fifteenth-Century England	0
Faction, Rhetoric, and Ideology	0
Edward Pococke (1604–1691), Comparative Arabic-Hebrew Philology, and the Bible	0
New Books across the Disciplines	0
Ordering Chaos in Old English Wisdom Poetry	0
From Rabbis and Millenarians to High Church Orthodoxy: Edward Bernard (1638–1697) Reads the 1646 Amsterdam Vocalized Mishnah	0
From Rags to Paper: Alchemy, Chymistry, and the Perfective Art of Papermaking	0
A Pilgrimage to Purgatory	0
The Artless Devil in The Book of Margery Kempe	0
Bodies of Evidence: Judges and Surgeons at the Crime Scene in Early Modern France	0
Empire, Shame, and Medieval Text Editing: The Case of Beowulf Line 1382a	0
John Lightfoot (1602–1675), the Westminster Assembly, and the Horae Hebraicae et Talmudicae	0
Infinite Sorrows: Catastrophic Forms in Chaucer's Knight's Tale	0
May Philosophy Flourish: Pantheisticon, Freemasonry, and Eighteenth-Century Ritual Philosophy	0
Managed Catastrophe: Problem-Solving and Rhyming Couplets in the Seventeenth-Century Country House Poem	0
Wicked Mysteries and Notorious Conjurors: Magic, Rape, and Violence in Two Early Modern Pamphlets	0
Medieval Engagement with Authorial Intention	0
The Dominican Educational and Social Contexts of Riccoldo of Monte Croce’s Pilgrimage Writing	0
Call for Submissions	0
Reading Diplomacy across the Archives	0
“Do Poor Tom Some Charity”: Performing Poverty and Pity in King Lear	0
Fate, Human Character, and Divinatory Perception in Early Modern Metoposcopy	0
Call for Submissions	0
Unfinished Designs: Petrarch, Pliny, and the Aesthetics of Rupture	0

Margery Kempe as Mankind: Scripted Devotion and East Anglian Performance Culture	0
Credibility, Certainty, and Belief in Legal Thought and Moral Theology, or On the Afterlife of Augustine's Credulitas	0
Performance beyond Drama	0
New Books across the Disciplines	0
Petrarch's Civilized Barbarians	0
Marginal Performances by Late Medieval Pigs and Blind Men	0
The Apocalyptic Chivalry of Thomas Dekker’s The Whore of Babylon and Anglo-Spanish Diplomacy	0
Visual Judgment: Physiognomy, Law, Medicine, and Art in Sixteenth-Century Venice	0
Unwritten Virtues, Selves, and Texts: Early Modern Self-Erasure	0
Call for Submissions	0
New Books across the Disciplines	0
New Books across the Disciplines	0
The Life of Love and Resistance to Clerical Authority in Book to a Mother and Middle English Lollard Writing	0
“Al the town in a rore”: Authority, Revolt, and Rational Obedience in Thomas Usk's Appeal and Testament of Love	0
New Books across the Disciplines	0
Attending to the Passion in Early Modern England: Lancelot Andrewes's Good Friday Sermons	0
Call for Submissions	0
Forms of Catastrophe	0
Beyond Monstrosity: Natural Hybridity in Medieval and Early Modern Travel Narratives	0
Textual Representations of Greek Christianity during the English Reformations	0
Call for Submissions	0
Who Owns the Hebrew Doctors? Oriental Scholarship, Historical Proportionality, and the Puritan “Invention” of Avant-Garde Conformity	0
Call for Submissions	0
John Gower Illustrated: The Archer Images, Astronomical Science, and Poetic Identity	0
Marginal Geography: Pedagogical Design in Medieval Commentaries on Classical Poems	0
The Apocalyptic Aesthetics of the List: Form and Political Economy in Wynnere and Wastoure	0
Provoking Performance: Printed Dialogue and Early Modern Publics in Christopher St. German's Salem and Bizance	0
“They Saw Mute Creation Trembling”: Forms of Catastrophe in the Old English Christ III	0
Call for Submissions	0
The Byzantine Icon of the Virgin in the Church of the Blachernae: Michael Psellos on the Problem of Miraculous Timing	0
The Copy Room: Imagining a Huguenot Library in Early Modern London	0
Goya, Portraiture, and the (Impossible) Art of Deciphering Faces	0
Call for Submissions	0
Intention and Interpretation, Now and Then	0
From Rhetorical Theory to Spiritual Pedagogy in The Cloud of Unknowing	0
Scholastic Literary Theory: Intentionalism and the Desire for Stable Sense	0
The Meaning of Imagined Pilgrimage	0
John Donne in the Hague and the Hague at the Globe: Performing Reformation England's Religio-Political Doctrine of Perseverance	0
New Books across the Disciplines	0
Shakespeare's Comedy of Judgment	0
Virtual Reality: Virtue, the Eucharist, and Translation in the Writings of Thomas More	0
New Books across the Disciplines	0