Ben Jonson Journal

Papers
(The TQCC of Ben Jonson Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Acknowledgements1
Scottish Designs: Bedchamber Politics in Volpone0
Italy in Philip Massinger’s The Maid of Honour0
The Strictly Limited Use of Audience Address in Shakespeare's Plays: An Empirical Approach to Theatrical History0
Ben Jonson's Patron, Esmé Stuart0
“What do you lack? What is’t you buy?”: Commodity and Community in Bartholomew Fair0
Back matter0
Tom Harrison's Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides not Commanders0
The Binding: Aogan O’Rathaille and Muckross Abbey (A Travelogue)0
Acknowledgements0
Alchemy of Light: The Art of Reading in Vaughan’s “Regeneration”0
Ben Jonson Journal Literary Awards0
New Light on Thomas May's Date of Birth0
Lycidas and Catullus' Poem 640
Front matter0
Acknowledgements0
Transcending Justice, Transcending Human Control: Overarching Providence in Shakespeare's Comedies and Romances0
Contributors0
Front matter0
Fletcher's Fathers0
The Independent Parasite: Mosca’s Theatrical Service in Volpone0
Hamlet, Fortinbras, and the Time Value of Risk in Shakespeare’s Elsinore0
Lee Oser, Christian Humanism in Shakespeare: A Study in Religion and Literature0
Front matter0
Front matter0
Acknowledgements0
Introduction0
But Did You See the Handkerchief? Celia and the Problem of Inattentional Blindness in Jonson’s Volpone0
Acknowledgements0
Ben Jonson Journal Literary Awards0
Ben Jonson Journal Literary Awards0
Literature, Truth, and Knowledge0
Heather James, Ovid and the Liberty of Speech in Shakespeare's England0
Fletcher’s Humorous Lieutenant , Soldierly Identity, and Disability0
Victoria Moul, A Literary History of Latin & English Poetry: Bilingual Verse Culture in Early Modern England0
Front matter0
Back matter0
Contributors0
Ben Jonson Journal Literary Awards0
Matthew Hunter, The Pursuit of Style in Early Modern Drama: Forms of Talk on the London Stage0
Ben Jonson Journal Awards0
Front matter0
The Body and Figurative Language in Ben Jonson's Epigram CXXV, “To Sir William Uvedale”0
Back matter0
Milton’s Dantean Raphael0
Foreword: Fletcher and Jonson, Jonson and Fletcher0
Back matter0
Contributors0
Punctuation and Style in Christopher Marlowe's Tamburlaine the Great and Ben Jonson's Volpone0
Contributors0
Special Issue Preface0
The Convention of Self-Addressed Speech in Shakespeare’s Plays: New Empirical Data0
Back matter0
Curtis Perry, Shakespeare and Senecan Tragedy0
Sidney’s Astrophil and Stella: A Reader’s Guide0
The Sons of Bensalem: Unity and Election in Francis Bacon’s New Atlantis0
Jonson’s University Show0
Back matter0
Ben Jonson Journal Literary Awards0
Jakub Boguszak’s The Self-Centred Art: Ben Jonson’s Parts in Performance0
Contributors0
Chris Fitter, Majesty and the Masses in Shakespeare and Marlowe: Western Anti-monarchism, the Earl of Essex Challenge, and Political Stagecraft0
Tom Cain and Ruth Connolly's The Poems of Ben Jonson0
Archbishop Caiaphas: The Medieval Stage-Tyrant in the Elizabethan “Martin Marprelate” Controversy0
Front matter0
The Ends of Fletcherian History0
Contributors0
Acknowledgements0
2021 Scholarship on Ben Jonson: An Overview0
Ben Jonson on Father Thomas Wright0
Preface0
Four Monarchies, a Dog, a Cat, and Peg, Meg, or Margaret: “Upward Allusions” in Jonson’s Entertainment at Britain’s Burse0
Henry Vaughan: Pilgrim Marauder0
Female Silence and Poetic Authority in Jonson’s Volpone and Shakespeare’s Measure for Measure0
Dennis Taylor, Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference0
Ben Jonson Journal Literary Awards0
Fletcher in Company: Collaboration, the Whitefriars Playhouse, and Four Plays or Moral Representations in One0
The English Renaissance Playwright’s Classical Encyclopedia: The Lectiones Antiquae of Caelius Rhodiginus as a Resource for Jonson and Chapman0
Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England0
Back matter0
Acknowledgements0
Acknowledgements0
Afterword0
Epicene and the Bearded Woman Saint0
“Shall I … act part of Malevole”: A reception history of The Malcontent, 1604–16500
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