OOIR: Observatory of International Research

Papers

(The median citation count of Ben Jonson Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
Acknowledgements	1
“What do you lack? What is’t you buy?”: Commodity and Community in Bartholomew Fair	0
Back matter	0
Ben Jonson Recalled in 1683	0
Acknowledgements	0
Afterword	0
But Did You See the Handkerchief? Celia and the Problem of Inattentional Blindness in Jonson’s Volpone	0
Hamlet, Fortinbras, and the Time Value of Risk in Shakespeare’s Elsinore	0
Jakub Boguszak’s The Self-Centred Art: Ben Jonson’s Parts in Performance	0
Acknowledgements	0
Ben Jonson on Father Thomas Wright	0
Alchemy of Light: The Art of Reading in Vaughan’s “Regeneration”	0
Tom Harrison's Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides not Commanders	0
Contributors	0
Ben Jonson Journal Awards	0
The English Renaissance Playwright’s Classical Encyclopedia: The Lectiones Antiquae of Caelius Rhodiginus as a Resource for Jonson and Chapman	0
Acknowledgements	0
Transcending Justice, Transcending Human Control: Overarching Providence in Shakespeare's Comedies and Romances	0
Acknowledgements	0
Lycidas and Catullus' Poem 64	0
Dennis Taylor, Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference	0
Contributors	0
Preface	0
Lee Oser, Christian Humanism in Shakespeare: A Study in Religion and Literature	0
Queen Anna of Denmark, Prince Henry Stuart, and an Education in Masquing	0

Contributors	0
Chris Fitter, Majesty and the Masses in Shakespeare and Marlowe: Western Anti-monarchism, the Earl of Essex Challenge, and Political Stagecraft	0
Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England	0
Cosmopolitan Fletcher: Reimagining Commedia dell’Arte on the Jacobean Stage	0
The Sons of Bensalem: Unity and Election in Francis Bacon’s New Atlantis	0
Front matter	0
Sidney’s Astrophil and Stella: A Reader’s Guide	0
Literature, Truth, and Knowledge	0
Ben Jonson Journal Literary Awards	0
Back matter	0
Ben Jonson Journal Literary Awards	0
Back matter	0
Back matter	0
Front matter	0
Ben Jonson Journal Awards	0
Acknowledgements	0
Ben Jonson Journal Literary Awards	0
Tom Cain and Ruth Connolly's The Poems of Ben Jonson	0
2021 Scholarship on Ben Jonson: An Overview	0
Contributors	0
Foreword: Fletcher and Jonson, Jonson and Fletcher	0
Front matter	0
Archbishop Caiaphas: The Medieval Stage-Tyrant in the Elizabethan “Martin Marprelate” Controversy	0
Punctuation and Style in Christopher Marlowe's Tamburlaine the Great and Ben Jonson's Volpone	0
Back matter	0
Acknowledgements	0
The Convention of Self-Addressed Speech in Shakespeare’s Plays: New Empirical Data	0
Henry Vaughan: Pilgrim Marauder	0
Fletcher in Company: Collaboration, the Whitefriars Playhouse, and Four Plays or Moral Representations in One	0
Introduction	0
Back matter	0
Fletcher’s Humorous Lieutenant , Soldierly Identity, and Disability	0
“Shall I … act part of Malevole”: A reception history of The Malcontent, 1604–1650	0
Curtis Perry, Shakespeare and Senecan Tragedy	0
Epicene and the Bearded Woman Saint	0
Back matter	0
Front matter	0
Ben Jonson Journal Literary Awards	0
Ben Jonson’s 1545 Aldine Copy of the Hypnerotomachia Poliphili and its Role in his Early Masques	0
Ben Jonson's Patron, Esmé Stuart	0
The Ends of Fletcherian History	0
Front matter	0
Ben Jonson Journal Literary Awards	0
New Light on Thomas May's Date of Birth	0
Matthew Hunter, The Pursuit of Style in Early Modern Drama: Forms of Talk on the London Stage	0
Desecration and Veneration in Shakespeare's Othello and The Winter's Tale	0
Four Monarchies, a Dog, a Cat, and Peg, Meg, or Margaret: “Upward Allusions” in Jonson’s Entertainment at Britain’s Burse	0
Victoria Moul, A Literary History of Latin & English Poetry: Bilingual Verse Culture in Early Modern England	0
Front matter	0
Contributors	0

Acknowledgements	0
Special Issue Preface	0
Fletcher's Fathers	0
Contributors	0
Female Silence and Poetic Authority in Jonson’s Volpone and Shakespeare’s Measure for Measure	0
The Strictly Limited Use of Audience Address in Shakespeare's Plays: An Empirical Approach to Theatrical History	0
Front matter	0
The Binding: Aogan O’Rathaille and Muckross Abbey (A Travelogue)	0