American Art

Papers
(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Oil in the Archive9
Feeling Brown or Acting White?2
Front Matter2
Announcements2
Front Matter1
Marcel Duchamp, Copyright, and the Emergence of Art as Idea1
Spirit Portraiture1
Leveraging the Limited Edition0
Visualizing Resource Extraction, 1840–19100
Alma W. Thomas0
Front Matter0
Monumental Absence0
Announcements0
Abstract Nationalisms0
Front Matter0
Islam and the Middle East in the United States0
Appearing Asymptomatic0
Tapping Canvases0
Announcements0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Indexing Whiteness to American Design0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Front Matter0
The International Origins of “Concerned Photography”0
Seeing the Survey Anew0
Front Matter0
Disarming Surveillance0
Visualizing Freedom0
Whither Black Art?0
Covers0
Indigenous Space0
Many Hands Make Light-Fingered Work0
Whiteness and the West before the Transcontinental Railroad0
Covers0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Forging the Canon0
Covers0
Copyright and Creative Practice0
Artist as Arbiter0
Reclamations0
Can Animals Own Copyright?0
Announcements0
Operating on a Continuum of My Ancestors0
Parodying the Biotech Industry0
Inherent Vice0
Mercury is a Messenger0
Islamic Architecture in New York Painting0
Front Matter0
Juan Sánchez’s Counter-Archive0
Introduction0
Afro-Latinx Intersections0
Poster Children of the Sun0
History in the First Person0
Covers0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs, including 2025 Charles C. Eldredge Prize Winner0
An Addendum to Pop0
Felted Memories0
The Storefront Method0
Drawing in the Daily News0
Covers0
Announcements0
Power and Portraiture in a Bolivian Mining Town0
Plague Winds0
Picturing White Skin on Elephant Tusk0
Christopher D’Arcangelo Speculates0
Plastic in Motion0
Front Matter0
“These cod factories”0
Conclusion0
Front Matter0
The McKinley Bowl’s Services and Disservices, 1898–19010
A Means of Protection or Destruction?0
From Acoma to the Bajío0
Donald Evans0
Excremental Miracles0
Sinners All0
The Specter of Slavery in the British Art Museum0
Scene Painting0
Front Matter0
Laocoön in the Tropics0
Dark Stars0
Nikkei Artist Collectives in Interwar California0
A Living Art0
Playing the Long Game with Michael Jang0
Announcements0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Announcements0
A Washington School “Thing”0
Covers0
Portraiture in Indigenous London0
TheCemíand the Museum0
The Animacy of Objects0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Traces of Touch0
Cut and Sew0
Announcements0
The Turpentine State0
Covers0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Covers0
Material Absence, Relational Presence0
Announcements0
Domesticating Jefferson Davis0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Front Matter0
Extractive Ornament0
Crossing the Threshold0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Crafting Territory in the Choctaw Homelands0
Covers0
Where to Begin0
Covers0
Covers0
Front Matter0
Of Murals and Men0
Reframing Illustration0
Introduction0
Whose Expanded Field?0
Covers0
“Not Acceptable to the People”0
Amistad II0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
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