OOIR: Observatory of International Research

Papers

(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
Oil in the Archive	9
Announcements	2
Feeling Brown or Acting White?	1
Spirit Portraiture	1
Front Matter	1
Front Matter	1
Playing the Long Game with Michael Jang	0
Cut and Sew	0
Traces of Touch	0
Announcements	0
Alma W. Thomas	0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea	0
The Turpentine State	0
Announcements	0
Nikkei Artist Collectives in Interwar California	0
Material Absence, Relational Presence	0
Portraiture in Indigenous London	0
Domesticating Jefferson Davis	0
Visualizing Freedom	0
Covers	0
Covers	0
Extractive Ornament	0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program	0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage	0
Conclusion	0

Front Matter	0
Of Murals and Men	0
The International Origins of “Concerned Photography”	0
Covers	0
Covers	0
Covers	0
Indigenous Space	0
Reclamations	0
Announcements	0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs	0
Excremental Miracles	0
Announcements	0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered	0
Announcements	0
Juan Sánchez’s Counter-Archive	0
“Not Acceptable to the People”	0
Islam and the Middle East in the United States	0
Poster Children of the Sun	0
Leveraging the Limited Edition	0
Announcements	0
Copyright and Creative Practice	0
Tapping Canvases	0
Harry Drinkwater and the Limits of Architectural Photography, 1966–69	0
Whose Expanded Field?	0
Indexing Whiteness to American Design	0
Front Matter	0
Front Matter	0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court	0
Seeing the Survey Anew	0
Abstract Nationalisms	0
Disarming Surveillance	0
TheCemíand the Museum	0
Felted Memories	0
Christopher D’Arcangelo Speculates	0
Covers	0
Many Hands Make Light-Fingered Work	0
Covers	0
Whiteness and the West before the Transcontinental Railroad	0
Donald Evans	0
Artist as Arbiter	0
Front Matter	0
Forging the Canon	0
The Specter of Slavery in the British Art Museum	0
Parodying the Biotech Industry	0
The McKinley Bowl’s Services and Disservices, 1898–1901	0
Dark Stars	0
Islamic Architecture in New York Painting	0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)	0
Visualizing Resource Extraction, 1840–1910	0
Introduction	0

Can Animals Own Copyright?	0
History in the First Person	0
Front Matter	0
Inherent Vice	0
An Addendum to Pop	0
A Washington School “Thing”	0
Front Matter	0
Drawing in the Daily News	0
Scene Painting	0
The Storefront Method	0
Power and Portraiture in a Bolivian Mining Town	0
Operating on a Continuum of My Ancestors	0
Announcements	0
Afro-Latinx Intersections	0
Front Matter	0
Picturing White Skin on Elephant Tusk	0
The Clean, Open Air of John Sloan’s Tenement Paintings	0
Reframing Illustration	0
Plastic in Motion	0
Anisa̱lag̱a’s Claim to the “Seattle Pole”	0
Announcements	0
From Acoma to the Bajío	0
Covers	0
A Means of Protection or Destruction?	0
Covers	0
Front Matter	0
Covers	0
Front Matter	0
Crossing the Threshold	0
Sinners All	0
Introduction	0
A Living Art	0
Monumental Absence	0
Amistad II	0
“These cod factories”	0
Covers	0
Mercury is a Messenger	0
Laocoön in the Tropics	0
The Animacy of Objects	0
Where to Begin	0