American Art

Papers
(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Oil in the Archive9
Front Matter2
Announcements2
Feeling Brown or Acting White?2
Front Matter1
Operating on a Continuum of My Ancestors1
Spirit Portraiture1
A Living Art0
The McKinley Bowl’s Services and Disservices, 1898–19010
Introduction0
Amistad II0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Scene Painting0
Covers0
Where to Begin0
Can Animals Own Copyright?0
The Animacy of Objects0
A Washington School “Thing”0
Inherent Vice0
Cut and Sew0
Mercury is a Messenger0
The Storefront Method0
Front Matter0
Front Matter0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Announcements0
Afro-Latinx Intersections0
Drawing in the Daily News0
Disarming Surveillance0
Picturing White Skin on Elephant Tusk0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Whither Black Art?0
“These cod factories”0
Announcements0
Crafting Territory in the Choctaw Homelands0
Covers0
A Means of Protection or Destruction?0
Covers0
Covers0
Covers0
Front Matter0
Crossing the Threshold0
Covers0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Monumental Absence0
Announcements0
Announcements0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Donald Evans0
Announcements0
Front Matter0
Laocoön in the Tropics0
Islam and the Middle East in the United States0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Traces of Touch0
Playing the Long Game with Michael Jang0
Announcements0
Nikkei Artist Collectives in Interwar California0
The Turpentine State0
Announcements0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Plague Winds0
Material Absence, Relational Presence0
Portraiture in Indigenous London0
Reframing Illustration0
TheCemíand the Museum0
Appearing Asymptomatic0
From Acoma to the Bajío0
Plastic in Motion0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Front Matter0
Covers0
Of Murals and Men0
The International Origins of “Concerned Photography”0
Forging the Canon0
Juan Sánchez’s Counter-Archive0
Parodying the Biotech Industry0
Indigenous Space0
The Specter of Slavery in the British Art Museum0
Islamic Architecture in New York Painting0
Excremental Miracles0
Dark Stars0
Visualizing Resource Extraction, 1840–19100
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs, including 2025 Charles C. Eldredge Prize Winner0
Front Matter0
History in the First Person0
Introduction0
“Not Acceptable to the People”0
An Addendum to Pop0
Copyright and Creative Practice0
Tapping Canvases0
Leveraging the Limited Edition0
Alma W. Thomas0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Indexing Whiteness to American Design0
Front Matter0
Power and Portraiture in a Bolivian Mining Town0
Domesticating Jefferson Davis0
Seeing the Survey Anew0
Covers0
Covers0
Visualizing Freedom0
Felted Memories0
Conclusion0
Extractive Ornament0
Many Hands Make Light-Fingered Work0
Covers0
Reclamations0
Front Matter0
Artist as Arbiter0
Front Matter0
Whiteness and the West before the Transcontinental Railroad0
Covers0
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