American Art

Papers
(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Front Matter19
Oil in the Archive9
Announcements2
Front Cover1
Spirit Portraiture1
Front Matter1
Artistic Process and Domestic Labor in Liza Lou’s Kitchen1
Feeling Brown or Acting White?1
Amistad II0
A Living Art0
Afro-Latinx Intersections0
Forging the Canon0
Picturing White Skin on Elephant Tusk0
Excremental Miracles0
The In/Visibility of Mourning0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Covers0
Illuminating the Shadows of “Liberty”: George Washington and Blackness in American Art0
Islam and the Middle East in the United States0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Poster Children of the Sun0
Announcements0
The McKinley Bowl’s Services and Disservices, 1898–19010
“I” is for “Italian”0
TheCemíand the Museum0
Monumental Absence0
“The Thirteenth Century Men”: Looking to the Past to Critique the Present0
Felted Memories0
Covers0
How to Have Color in a Pandemic0
Red Power in the Black Panther0
Front Matter0
Alma W. Thomas0
Sinners All0
Visualizing Resource Extraction, 1840–19100
Covers0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Front Matter0
Covers0
Front Matter0
“The Requisite Local Coloring”0
A Means of Protection or Destruction?0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Front Matter0
Nikkei Artist Collectives in Interwar California0
Announcements0
Artist as Arbiter0
Inherent Vice0
Remapping Resistance0
Mercury is a Messenger0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Abstract Nationalisms0
Front Matter0
Covers0
Juan Sánchez’s Counter-Archive0
History in the First Person0
Announcements0
Announcements0
An Addendum to Pop0
Where to Begin0
Traces of Touch0
Front Matter0
The International Origins of “Concerned Photography”0
Indexing Whiteness to American Design0
Floating on a Chemical Sea0
The Storefront Method0
Announcements0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Domesticating Jefferson Davis0
Material Absence, Relational Presence0
Front Matter0
Announcements0
Seeing the Survey Anew0
Can Animals Own Copyright?0
Covers0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Donald Evans0
“These cod factories”0
Copyright and Creative Practice0
Conclusion0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
The Specter of Slavery in the British Art Museum0
Of Murals and Men0
Leveraging the Limited Edition0
Covers0
Plastic in Motion0
Dark Stars0
Parodying the Biotech Industry0
“Not Acceptable to the People”0
Reframing Illustration0
Islamic Architecture in New York Painting0
Portraiture in Indigenous London0
Scene Painting0
Introduction0
Radically Anti-Modern0
A Washington School “Thing”0
The Animacy of Objects0
Covers0
Announcements0
Cut and Sew0
Indigenous Space0
A Dissenting Realism0
Drawing in the Daily News0
Front Matter0
Tapping Canvases0
Front Matter0
Front Cover0
The Turpentine State0
Power and Portraiture in a Bolivian Mining Town0
Disarming Surveillance0
Announcements0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Unfolding Metamorphosis, or the Early American Tactile Image0
Extractive Ornament0
Visualizing Freedom0
Announcements0
Christopher D’Arcangelo Speculates0
Whose Expanded Field?0
Covers0
Many Hands Make Light-Fingered Work0
Front Matter0
Whiteness and the West before the Transcontinental Railroad0
Operating on a Continuum of My Ancestors0
Introduction0
Covers0
Laocoön in the Tropics0
Announcements0
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