OOIR: Observatory of International Research

Papers

(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Red Power in the Black Panther	19
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage	9
Tonita Peña and the Politics of Pueblo Art	9
Dancing in the Flames	1
Artistic Process and Domestic Labor in Liza Lou’s Kitchen	1
Where to Begin	1
Christopher D’Arcangelo Speculates	1
Dark Stars	1
Designing Polaroid	1
Illuminating the Shadows of “Liberty”: George Washington and Blackness in American Art	1
The In/Visibility of Mourning	1
Add Bates, the 306 Studio, and Interlocking Modernisms in Mid-Twentieth-Century Harlem	1
A Washington School “Thing”	0
Front Matter	0
An Addendum to Pop	0
Announcements	0
Covers	0
Front Matter	0
Unfolding Metamorphosis, or the Early American Tactile Image	0
Can Animals Own Copyright?	0
Announcements	0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered	0
“I” is for “Italian”	0
“The Requisite Local Coloring”	0
The Specter of Slavery in the British Art Museum	0

Covers	0
Remapping Resistance	0
Feeling Brown or Acting White?	0
Sonja Sekula and “Art of the Mentally Ill”	0
Poster Children of the Sun	0
Conclusion	0
Floating on a Chemical Sea	0
Announcements	0
Design Intervention	0
Amistad II	0
Plastic in Motion	0
Copyright and Creative Practice	0
Harry Drinkwater and the Limits of Architectural Photography, 1966–69	0
Announcements	0
The Turpentine State	0
Parodying the Biotech Industry	0
Monumental Absence	0
Front Matter	0
Indexing Whiteness to American Design	0
Front Matter	0
Visualizing Freedom	0
Donald Evans	0
Whose Expanded Field?	0
Picturing White Skin on Elephant Tusk	0
“The Thirteenth Century Men”: Looking to the Past to Critique the Present	0
The Clean, Open Air of John Sloan’s Tenement Paintings	0
Forging the Canon	0
The McKinley Bowl’s Services and Disservices, 1898–1901	0
Of Murals and Men	0
Islam and the Middle East in the United States	0
Radically Anti-Modern	0
Covers	0
Announcements	0
TheCemíand the Museum	0
Introduction	0
Many Hands Make Light-Fingered Work	0
Disarming Surveillance	0
How to Have Color in a Pandemic	0
Front Cover	0
Sinners All	0
Announcements	0
About the Authors	0
Reframing Illustration	0
Announcements	0
The International Origins of “Concerned Photography”	0
A Dissenting Realism	0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)	0
Covers	0
Driving the American Dream	0
The Storefront Method	0

Laocoön in the Tropics	0
Anisa̱lag̱a’s Claim to the “Seattle Pole”	0
Front Matter	0
Whiteness and the West before the Transcontinental Railroad	0
Introduction	0
Covers	0
Juan Sánchez’s Counter-Archive	0
An Artist in the Secular World	0
Seeing the Survey Anew	0
Front Cover	0
Front Matter	0
History in the First Person	0
Indigenous Space	0
Power and Portraiture in a Bolivian Mining Town	0
Portraiture in Indigenous London	0
Material Absence, Relational Presence	0
Back Cover	0
Announcements	0
Islamic Architecture in New York Painting	0
Announcements	0
A Means of Protection or Destruction?	0
Abstract Nationalisms	0
Front Matter	0
Front Matter	0
Domesticating Jefferson Davis	0
Covers	0
Alma W. Thomas	0
Afro-Latinx Intersections	0
Front Matter	0
Front Matter	0
Front Cover	0
Tapping Canvases	0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea	0
Front Matter	0
Leveraging the Limited Edition	0
Covers	0
Announcements	0
Drawing in the Daily News	0
Covers	0