American Art

Papers
(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Oil in the Archive9
Feeling Brown or Acting White?2
Front Matter2
Announcements2
Front Matter1
Operating on a Continuum of My Ancestors1
Spirit Portraiture1
Dark Stars0
Leveraging the Limited Edition0
Islamic Architecture in New York Painting0
Visualizing Resource Extraction, 1840–19100
Front Matter0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs, including 2025 Charles C. Eldredge Prize Winner0
Front Matter0
Covers0
History in the First Person0
Introduction0
Felted Memories0
An Addendum to Pop0
Tapping Canvases0
Covers0
Alma W. Thomas0
Copyright and Creative Practice0
Front Matter0
Power and Portraiture in a Bolivian Mining Town0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Indexing Whiteness to American Design0
The McKinley Bowl’s Services and Disservices, 1898–19010
Covers0
Domesticating Jefferson Davis0
Seeing the Survey Anew0
Conclusion0
Extractive Ornament0
Visualizing Freedom0
Reclamations0
Front Matter0
Many Hands Make Light-Fingered Work0
Covers0
Can Animals Own Copyright?0
Artist as Arbiter0
Whiteness and the West before the Transcontinental Railroad0
Introduction0
Inherent Vice0
A Living Art0
Amistad II0
Front Matter0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Scene Painting0
Afro-Latinx Intersections0
Covers0
Where to Begin0
The Clean, Open Air of John Sloan’s Tenement Paintings0
The Animacy of Objects0
A Washington School “Thing”0
Announcements0
Cut and Sew0
Covers0
Front Matter0
Mercury is a Messenger0
The Storefront Method0
Crossing the Threshold0
Drawing in the Daily News0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Announcements0
Monumental Absence0
Whither Black Art?0
Disarming Surveillance0
Picturing White Skin on Elephant Tusk0
Crafting Territory in the Choctaw Homelands0
Covers0
“These cod factories”0
Covers0
Covers0
A Means of Protection or Destruction?0
Covers0
Laocoön in the Tropics0
Front Matter0
Announcements0
Playing the Long Game with Michael Jang0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Announcements0
Announcements0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Donald Evans0
Portraiture in Indigenous London0
Announcements0
Front Matter0
Appearing Asymptomatic0
Islam and the Middle East in the United States0
Traces of Touch0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Announcements0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
The International Origins of “Concerned Photography”0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Nikkei Artist Collectives in Interwar California0
The Turpentine State0
Indigenous Space0
Reframing Illustration0
Plague Winds0
Material Absence, Relational Presence0
From Acoma to the Bajío0
Plastic in Motion0
TheCemíand the Museum0
Excremental Miracles0
Front Matter0
Covers0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Juan Sánchez’s Counter-Archive0
Of Murals and Men0
Forging the Canon0
The Specter of Slavery in the British Art Museum0
“Not Acceptable to the People”0
Parodying the Biotech Industry0
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