American Art

Papers
(The median citation count of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Oil in the Archive9
Announcements2
Front Matter1
Front Cover1
Front Matter1
Spirit Portraiture1
Feeling Brown or Acting White?1
Announcements0
Dark Stars0
Islamic Architecture in New York Painting0
Covers0
Scene Painting0
Introduction0
Front Matter0
History in the First Person0
The International Origins of “Concerned Photography”0
An Addendum to Pop0
Illuminating the Shadows of “Liberty”: George Washington and Blackness in American Art0
Traces of Touch0
Drawing in the Daily News0
Unfolding Metamorphosis, or the Early American Tactile Image0
“The Thirteenth Century Men”: Looking to the Past to Critique the Present0
Power and Portraiture in a Bolivian Mining Town0
Operating on a Continuum of My Ancestors0
Indexing Whiteness to American Design0
Front Matter0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Plastic in Motion0
Announcements0
Covers0
“Not Acceptable to the People”0
Extractive Ornament0
Picturing White Skin on Elephant Tusk0
Announcements0
Covers0
Many Hands Make Light-Fingered Work0
Front Matter0
Abstract Nationalisms0
Covers0
Artist as Arbiter0
Reframing Illustration0
Excremental Miracles0
Introduction0
A Living Art0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Amistad II0
Visualizing Freedom0
Juan Sánchez’s Counter-Archive0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Indigenous Space0
Poster Children of the Sun0
The Animacy of Objects0
Monumental Absence0
Announcements0
Radically Anti-Modern0
A Dissenting Realism0
TheCemíand the Museum0
Whose Expanded Field?0
Visualizing Resource Extraction, 1840–19100
The Storefront Method0
Announcements0
Can Animals Own Copyright?0
Nikkei Artist Collectives in Interwar California0
How to Have Color in a Pandemic0
Covers0
Laocoön in the Tropics0
Domesticating Jefferson Davis0
Seeing the Survey Anew0
Leveraging the Limited Edition0
Front Matter0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Conclusion0
Front Matter0
Donald Evans0
A Means of Protection or Destruction?0
Forging the Canon0
Portraiture in Indigenous London0
“The Requisite Local Coloring”0
Covers0
Sinners All0
Felted Memories0
Announcements0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Covers0
Mercury is a Messenger0
Alma W. Thomas0
A Washington School “Thing”0
Announcements0
The McKinley Bowl’s Services and Disservices, 1898–19010
Front Matter0
Islam and the Middle East in the United States0
Where to Begin0
Cut and Sew0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Tapping Canvases0
Front Matter0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
The Turpentine State0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Copyright and Creative Practice0
Front Matter0
Material Absence, Relational Presence0
Christopher D’Arcangelo Speculates0
Inherent Vice0
Disarming Surveillance0
Announcements0
Front Matter0
Announcements0
“These cod factories”0
Whiteness and the West before the Transcontinental Railroad0
Afro-Latinx Intersections0
Covers0
Of Murals and Men0
Remapping Resistance0
Covers0
The Specter of Slavery in the British Art Museum0
Parodying the Biotech Industry0
Covers0
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