American Art

Papers
(The median citation count of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Oil in the Archive9
Feeling Brown or Acting White?2
Front Matter2
Announcements2
Front Matter1
Operating on a Continuum of My Ancestors1
Spirit Portraiture1
Nikkei Artist Collectives in Interwar California1
Portraiture in Indigenous London0
Dark Stars0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Laocoön in the Tropics0
Visualizing Resource Extraction, 1840–19100
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Covers0
Announcements0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Front Matter0
Islam and the Middle East in the United States0
The International Origins of “Concerned Photography”0
Traces of Touch0
Announcements0
Indigenous Space0
The Turpentine State0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Felted Memories0
Reframing Illustration0
Domesticating Jefferson Davis0
Material Absence, Relational Presence0
Reclamations0
Extractive Ornament0
TheCemíand the Museum0
Conclusion0
“Not Acceptable to the People”0
Front Matter0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Whither Black Art?0
Playing the Long Game with Michael Jang0
Donald Evans0
Of Murals and Men0
Front Matter0
Introduction0
Parodying the Biotech Industry0
Covers0
Amistad II0
Islamic Architecture in New York Painting0
Excremental Miracles0
Scene Painting0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs, including 2025 Charles C. Eldredge Prize Winner0
Front Matter0
History in the First Person0
Covers0
Introduction0
An Addendum to Pop0
Front Matter0
Tapping Canvases0
Alma W. Thomas0
The Clean, Open Air of John Sloan’s Tenement Paintings0
The McKinley Bowl’s Services and Disservices, 1898–19010
Indexing Whiteness to American Design0
Power and Portraiture in a Bolivian Mining Town0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Forging the Canon0
Disarming Surveillance0
Seeing the Survey Anew0
Whiteness and the West before the Transcontinental Railroad0
Covers0
Visualizing Freedom0
From Acoma to the Bajío0
Inherent Vice0
Juan Sánchez’s Counter-Archive0
Many Hands Make Light-Fingered Work0
Covers0
Front Matter0
Covers0
Artist as Arbiter0
Afro-Latinx Intersections0
Announcements0
A Living Art0
Appearing Asymptomatic0
Announcements0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Announcements0
Mercury is a Messenger0
Covers0
Where to Begin0
The Animacy of Objects0
Covers0
A Washington School “Thing”0
Cut and Sew0
Crossing the Threshold0
The Storefront Method0
Front Matter0
Covers0
Monumental Absence0
Drawing in the Daily News0
Plague Winds0
Announcements0
Covers0
Plastic in Motion0
Picturing White Skin on Elephant Tusk0
Crafting Territory in the Choctaw Homelands0
Can Animals Own Copyright?0
Covers0
“These cod factories”0
Front Matter0
Leveraging the Limited Edition0
Copyright and Creative Practice0
A Means of Protection or Destruction?0
Announcements0
The Specter of Slavery in the British Art Museum0
Front Matter0
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