American Art

Papers
(The median citation count of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Front Matter19
Oil in the Archive9
Announcements2
Artistic Process and Domestic Labor in Liza Lou’s Kitchen1
Feeling Brown or Acting White?1
Front Cover1
Spirit Portraiture1
Front Matter1
The Storefront Method0
Covers0
Announcements0
Material Absence, Relational Presence0
Indigenous Space0
Front Matter0
Domesticating Jefferson Davis0
Seeing the Survey Anew0
Front Matter0
Covers0
Announcements0
“These cod factories”0
Front Matter0
Conclusion0
Donald Evans0
Unfolding Metamorphosis, or the Early American Tactile Image0
Covers0
The Specter of Slavery in the British Art Museum0
Of Murals and Men0
Whose Expanded Field?0
Reframing Illustration0
Dark Stars0
Announcements0
Parodying the Biotech Industry0
Operating on a Continuum of My Ancestors0
Scene Painting0
Front Matter0
Islamic Architecture in New York Painting0
A Washington School “Thing”0
Laocoön in the Tropics0
Introduction0
Announcements0
Afro-Latinx Intersections0
The Animacy of Objects0
A Dissenting Realism0
Excremental Miracles0
Cut and Sew0
Tapping Canvases0
Covers0
Drawing in the Daily News0
The Turpentine State0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Power and Portraiture in a Bolivian Mining Town0
Front Cover0
Announcements0
The McKinley Bowl’s Services and Disservices, 1898–19010
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Disarming Surveillance0
Visualizing Freedom0
Monumental Absence0
Christopher D’Arcangelo Speculates0
Extractive Ornament0
Many Hands Make Light-Fingered Work0
Felted Memories0
Whiteness and the West before the Transcontinental Railroad0
Covers0
Visualizing Resource Extraction, 1840–19100
Announcements0
Introduction0
Covers0
Front Matter0
Forging the Canon0
Amistad II0
Front Matter0
A Living Art0
Nikkei Artist Collectives in Interwar California0
The In/Visibility of Mourning0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Picturing White Skin on Elephant Tusk0
Illuminating the Shadows of “Liberty”: George Washington and Blackness in American Art0
Inherent Vice0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Poster Children of the Sun0
Abstract Nationalisms0
Islam and the Middle East in the United States0
“I” is for “Italian”0
Covers0
Announcements0
“The Thirteenth Century Men”: Looking to the Past to Critique the Present0
Announcements0
TheCemíand the Museum0
How to Have Color in a Pandemic0
Where to Begin0
Red Power in the Black Panther0
Covers0
Alma W. Thomas0
The International Origins of “Concerned Photography”0
Sinners All0
Front Matter0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Floating on a Chemical Sea0
Covers0
Covers0
A Means of Protection or Destruction?0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Front Matter0
“The Requisite Local Coloring”0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Remapping Resistance0
Announcements0
Can Animals Own Copyright?0
Artist as Arbiter0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Mercury is a Messenger0
Copyright and Creative Practice0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Plastic in Motion0
Juan Sánchez’s Counter-Archive0
Leveraging the Limited Edition0
Front Matter0
Announcements0
“Not Acceptable to the People”0
History in the First Person0
Traces of Touch0
Portraiture in Indigenous London0
An Addendum to Pop0
Indexing Whiteness to American Design0
Radically Anti-Modern0
Front Matter0
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