Positions-Asia Critique

Papers
(The median citation count of Positions-Asia Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Paris in Korean Cinema: Fraudulence and the Female Form in Hong Sang-soo's Night and Day and Kim Ki-duk's Wild Animals18
Summer Happiness: Performing the Good Life in a Tibetan Town14
From Immigrants to Refugees: Relocating Strangers in Two Plays about North Korean Defectors13
Village Songs and the Building of Community Culture: A Talk12
The Fruits of Demolition: Generative Neglect in Zhengzhou's Urban Villages10
The Undocumented and Archipelagic Universal in Miko Revereza'sNo Data Plan10
“Archaepelago”: Island Intimacies ( Naeryŏk ) and Weathered Flesh in Jeju Art9
Spirits with Morality: Social Criticism and Notions of a Good Life in Laos through theBangbotImaginary9
The Archive as Infrastructure: Vietnamese Refugee Nonarrival, Visual Capture, and Erasure in Hong Kong Colonial Police Photography and Dinh Q. Lê’s Erasure 7
“When It's Dark in the East, It's Light in the West”: Lifelong Venturing and Accelerated Temporality in Beijing's Urban Villages5
Not before Twenty-Five: Contesting Marriage and Looking for the Good Life in Contemporary Urban China5
Pema Tseden's Balloon: Reincarnation of a Semi-transparent Envelope5
Shanzhai: Creative Imitation of China in Highland Myanmar5
Instinct, Society, and Li Zehou's Farewell to Revolution4
Negotiating Bu Kaifang : Chronicles of Opening and Engagement in Miao Country4
Feminist Visions for Genuine Security and a Culture of Life: A Conversation with Margo Okazawa-Rey4
Fragments of Our Youth in the Long 1980s: A Meandering Conversation in the Labyrinth of Time4
Archiving Facts and Documentary Films: Sites of Memorial Struggle for the October 6, 1976, Massacre in Thailand3
Throwing Stones: Translating Zhang Chengzhi3
Contributors3
Contributors3
Undoing the Nation-State-Capital Trinity: Turning Inagaki's Petition into a Korean Playwright's Taiwan3
Plugged into the Good Life: Living Electrically through the Ages in Urban Vietnam3
The University of the 1980s: Scattered Thoughts and Reminiscences on Literature2
Assimilation and Asian American Refusal2
Listening to the Stories Songaksan Tells2
Rewriting the Heart Sutra: Buddhism and the (Geo)Politics of Symbols in Qiu Zhijie's Art2
Zhao Liang's Behemoth (2015) and the Apocalypse of Ecological Visibility2
Imagined Islands and the Potential Nation2
Archive of the Missing: Speculative Visions and the Terms of Social Repair in Transnational Adoption2
The Dark Side of the Miracle: Spectacular and Precarious Accumulation in an Urban Village under Siege (A Photo Essay)2
Eating Out in Contemporary Hanoi: Middle-Class Food Practices, Capitalist Transformations, and the Late-Socialist Good Life2
China's Infrastructural Capitalism and Infrastructural Power of Labor: The Making of the Chinese Working Class2
Guest Editors’ Introduction: The Urban In-Between1
Zainichi Protagonists and the Making of Historical Fiction: Cold War Security and Economic Insecurity in Min Jin Lee's Pachinko and Yang Sŏk-il's Chi to hone (Blood and Bones)1
Wang Guowei's Theorization of the Human World: A Nonmetaphysical Approach to Will1
Editor's Introduction: Aesthetics of the Uncanny1
Opening a Virtual Space before the Door of the Law: The Transnational Togani Effect from Silenced to Angels Wear White1
Working Worlds in Neoliberal Japan: Precarity, Imagination, and the “Other-World” Trope1
Daizō Sakurai's Trans-Asian Tent Theater, Picun, and the Reenchantment of Urban Space1
Erratum1
Clashing Gender in the Age of Transnational Infrastructural Capitalism: The Vocational Education and Subject Making of China's Future Workers1
Jiang Qing, the Iconic Anti-icon: Visual Dissection of Female Political Power in Post-Mao People's Republic of China1
Guest Editor's Introduction—Expansive Trajectories: Remapping Transnationalism in the Global China Era1
Literature as Medium: The Development and Cultural Space of New Worker Literature1
The Two Movements in the 1980s: Forces That Shaped Contemporary China1
Living Through the Collapse: Translating Kim Su-Young and Choi Seung-ja's Poetic Witness1
Deleuze and East Asia: Toward a Comparative Methodology of the Gap1
Archaeology of the Eyeball: Lu Xun, Eye-Gouging Myth, and Ocular Anatomy1
Animating the Trauma: Colonial Atrocities and the Use of New Media in Contemporary South Korean Museums1
Mnemonic Politics around the Japanese Colonial Era in Post–Cold War Taiwan: Wei Te-sheng's Colonial Trilogy and Post–New Cinema1
Contesting the Residue: Bandits, Collective Hamlets, and Japanese Colonialism in Manchuria1
Editor's Introduction: Conditions of Seeing1
Between Plastic Surgery and the Photographic Representation: Ji Yeo Undoes the Elusive Narrative of Transformation1
Editor's Introduction1
Dancing and Rapping the Good Life: Sharing Aspirations and Values in Vietnamese Hip-Hop0
Contributors0
The Worker-Poet as the Ethnographic Partner: Documenting the Emotional Pain of Rural Migrant Women0
Musica Practica: The Sound of the Beijing New Worker Band0
Tu Er DaiPeasant Landlords and the Infrastructures of Accumulation in Guangzhou's Urban Villages0
Continuity and Disjuncture: The Translocal-Transnational Experiences of Chinese Skilled Trade Workers in Western Australia0
Proletarian Melodrama: Censorship, Popularization, and Consumerism in Colonial Korea0
The Transpacific on Fire: Sparks of Decolonial Resistance Across Okinawa and Brazil in Medoruma Shun's “My Brazilian Granddad's Sake” (1999)0
Hamaguchi Ryūsuke's Evil Does Not Exist as Degrowth Parable0
Reading the Redacted: Literature, Typography, and Censorship in Early Twentieth-Century China0
Aging into Posthumans0
Toward an Understanding of “Release” ( Fangkai ): Labor, Minerals, and the Transformation of a Mountain Region in China's Long 1980s0
Contributors0
“I Can't Do Anything but Wait”: The Lived Experiences of Children of Transnational Migrants in Lombok, Indonesia0
Erratum0
Forgotten Refugees and Erased “Multicultural” Subjects: The Vietnam War and South Korea's Subimperial Nation-Building0
“Flat Surface” as Material Metaphor: “Bad” Cover Design, “Good” Storytelling, and Post-Fordist Sensibility in Chinese Web Novels0
On Mourning and Solidarities0
Editor's Introduction: “We Are History”0
The Madness of Love: A Flower Unfurls Its Petals upon This Earth0
Children's Bodies Are Not Capital: Arduous Cross-Border Mobilities between Shenzhen and Hong Kong0
How to Create a New Workers’ Culture Together: An Interview with Wang Dezhi0
Made in Others’ Wor(l)ds: Personhood and the Angloscene in Afro-Chinese Beijing0
“Dulled Emotions and Dying Humanity”: The Jjimjilbang (Gay Bathhouse) as a Dark Space in Seoul0
Contributors0
Native Soil of Postmemory and Affective Archives in Wu Ming-Yi'sThe Stolen Bicycle0
I and We in Picun: The Making of Chinese Poet Xiao Hai0
Who Makes the City? Beijing's Urban Villages as Sites of Ideological Contestation0
Brown Theory: A Storied Manifest of Our World0
On Mourning and Solidarities, on Poetry and Translation: A Note from the Associate Editor0
Barriers Faced by Returning Migrant Children in Vietnam: The Case of the Mekong Delta Region0
Contributors0
Guest Editors’ Introduction Children and Youth in Asian Migration0
Between History and Phantasmagoria: Critical Nostalgic Lyricism in Alai's Poetry and Short Fiction0
Body Art in China: Yang Zhichao's Diary from a Psychiatric Ward0
From Golden Venture to Golden Visas: The Reenchantment of Culture and Flexible Citizenship in a Nativist World0
The Imperishables: Somatic Remediation, Femininity, and Plasticity in Ōshima Nagisa's Urban Critique0
Contributors0
Reflections on Bir'im: History, Memory, and the Archive0
Archipelagic Optics in Wu Ming-Yi's The Man with the Compound Eyes0
Editor's Introduction: Dissonances0
The Cultural Politics of Asian Life in Carl Mydans's Photojournalism of Tule Lake and Yosu-Sunchon0
A Collective Fantasia of the Financial Age in Early 1990s China: Erotic-Speculative Sensation, Neoliberal Labor Heroine, and Presentist Worldly Wisdom0
Epistemic Labor: Narratives of Hyper-Uncertainty and Future-Making on China's Urban Fringe0
The Uncanny Return of the Subversive: Censorship Regimes and Literary Politics0
Disorders of Temporality: A Conversation Between Historians (and a Therapist)0
Encountering Violence: Media and Memory in Asia0
Intersecting Labor in the Social Factory: Trajectory of a Migrant Woman in South China0
Cosmopolitanism from Below: Union Film's Adaptation of World Classics0
Contributors0
The Gap Which Separates: Simultaneity, Disparity, and Audiovisual-Linking Technologies in “Southeast Asian Contemporary Art”0
1979/1984: Of Scholarship, Sinological Tourism, and Thermoses0
The Production of Everyday Space for Workers: The New Village Movement in China, 1919–19360
Calculating Needs and Prescribing Properties: Chaiqian and the Commensuration of Value at Nanjing's Urban Edge0
Editor's Introduction: (un)precedented0
Sound, Gender, and the Thing: Earphone and Miss Earphone in Shanghai Cinema, 1939–19490
Contributors0
Contributors0
Contributors0
Foreign Bodies: Horror and Intimacy in Singapore's Migrant Labor Regimes0
Running and Reading RemnantDanweiWalls in China's Postsocialist City0
Editor's Introduction: Parables of Dissent0
The Market Life of Japanese Literature in Postwar America: Knopf, Translation, and the Archives of Cultural Commerce0
Voicing the Malayan Emergency: Ventriloquizing Subjectivity in British Colonial Film and Radio0
Village Lunatics0
Itinerant Verses: Ali Lameda's Poetics of Solidarity from Venezuela to North Korea0
Hope without a Future: Conflicts between Time and Place in Japan after 3/110
Contributors0
Building Solidarity in Struggle: A Conversation with Robin D. G. Kelley0
Cover Image Commentary—Shooting a Shot: The Decisive Moment of Abe Shinzo's and Asanuma Inejirō’s Assassinations on Camera0
Mismatched: Intensive Mothering in China's Urban Villages0
Familiar Strangers: North Koreans as “Dangerous Refugees” and the Crisis of Korean Chinese Community in Zhang Lu's Dooman River (2010)0
Philanthropy Fever from Below: On the Possibilities of a Good Life in Late-Socialist China0
Face Masks for the Ancestors: Everyday Life and Death during the COVID-19 Pandemic in Urban Hanoi0
A Changing Representation: “Personal Writing” in Artistic Intervention in Chinese Rural Communities0
China Anxiety: Deracializing Debates about Housing and Education0
Afterword: What Good Life, and Why Now?0
Guest Editor's Introduction: Cultures of Labor and the Labor of Culture0
The Last Korean Animation: Wonderful Days and the Aesthetics of Global Monopoly Capitalism0
Editor's Introduction: Praxis of On-Sitedness0
Semantics of Tea Drinking: Online Writing and the Shaping of Counter-public Spheres in Xi Jinping's China0
Contributors0
Can the “Comfort Women” Footage Speak? The Afterlives of Camera Images as Document and the Flow of Life0
China's Feminist Gap: Edges, Nearness, and Distance in Women's Arts0
Children's Experience and Practice of Belonging: The Realities of Integration among De Facto Stateless Vietnamese Children in Cambodia0
Frenemies on Film: Rescreening the Sino-Indian War of 19620
Low-End Accumulation: Spatial Transformation and Social Stratification in a Beijing Urban Village0
Contributors0
Editor's Introduction0
Editor's Introduction: Structures of Feeling0
Rise of the Brain: Envisioning Human Potential in 1980s China0
Caught between Two Transnationalisms: Mainland Chinese Students’ Emotional Conflicts in Recent Hong Kong Protests0
The “Unlikely Writers” from Picun: Reinventing Literature and Politics at the Migrant Workers Home0
Contributors0
From the First Thirty to the Next Thirty Years of positions: A Conversation between Editors0
Re/Turning to Tagore in Our Times: Considerations on a Resource of Hope0
Far-Right Orientalism and the Uyghurs: Revisiting Gunnar Jarring0
Between Koenji and Brooklyn: Tokyo, New York, and the Circulations of Experimental Musics in a Global World0
Contributors0
The Artificial World Model of “Chinese SF” Criticism: A Reflection on the State of the Field by Means of Hao Jingfang's Fiction0
Transperipheral Educational Mobility: Less Privileged South Korean Young Adults Pursuing English Language Study in a Peripheral City in the Philippines0
Japanese New Left's Political Theories of Subjectivity and Ōshima Nagisa's Practice of Cinema0
The Sinophone as an Uneven Experience of Time and Place: Translocal Media Consumption in Chinese-Speaking Malaysia0
Psychedelic Codes and Close Listening to South Korean Fiction, 1971 – 19890
“Snail Households”: Containerization of Migrant Housing on Shanghai's Fringe0
Ideology of the Image: Wu Guanzhong's Abstract Expression, 1979–19830
Guest Editors’ Introduction0
The Limits of Humanism: On the Discursive Construction of the Japanese “Chinatown”0
Editor's Introduction: Neng 能 and China's Long 1980s: A Reevaluation0
Editor's Afterword: Refuse and Repair0
You Forbid Me to Walk: Yokota Hiroshi's Disability Poetics0
Geometries of Fractals and Power: Transnational Marriages, Translocal Marriages, and Asia's Global Ruralities0
Deportable to Nowhere: Stateless Children as Challenges to State Logics of Immigration Control0
The Good Life as the Green Life: Digital Environmentalism and Ecological Consciousness in China0
Heterogenesis and the Affective Economies of Catastrophes0
Crazy English: Nation Strengthening and the Changing Politics of Neoliberal Selfhood in Reform-Era China0
Contributors0
The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise0
Outdoor Exhibitions in Beijing, 19790
The Unprecedented as Narrative Strategy0
The Promise of (Un)happiness:34 Literatureand Yi Si-u's Surrealist Poetics in Colonial Korea0
Protecting the Body, Living the Good Life: Negotiating Health in Rural Lowland Laos0
The Social Production and Political Potency of Home: Contentions between Housing Reconstruction and Place Making among the Chinese Qiang after the 2008 Sichuan Earthquake0
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