OOIR: Observatory of International Research

Papers

(The TQCC of Music Theory Online is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
	6
Reimagining Formal Functions in Post-Tonal Music	6
Between Half and Perfect Cadences	6
“Your Soul is the Whole World”: The Spaces of Claude Vivier’s Siddhartha	4
Sonic Bridges and Pitch-Based Bonding in Two Songs by Saariaho	3
“Aus Mozart gestohlen”: Beethoven and Die Entführung aus dem Serail	3
George Walker’s Piano Music	3
Harmonic “Quality” and Set-Class Structure	3
Disco Culture and the Ritual Journey in the Soviet 1980s	3
Review of Amy Cimini, Wild Sound: Maryanne Amacher and the Tenses of Audible Life (Oxford University Press, 2022)	3
Pentatonic Xuangong 旋宮 Transformations in Chinese Music	3
Female Subjectivities in the Words, Music, and Images of Progressive Metal	3
	3
Cantopop and Speech-Melody Complex	2
Injury, Affirmation, and the Disability Masquerade in Ye’s “Through the Wire”	2
Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès	2
Musical Eschatology in Contemporary Christian Worship Songs	2
Intersubjectivity and Shared Dynamic Structure in Narrative Imaginings to Music	2
A Bevy of Biases	2
Schoenberg’s Cinematographic Blueprint: A Programmatic Analysis ofBegleitungsmusik zu einer Lichtspielscene(1929–1930)	2
	2
	2
Macroharmonic Progressions through the Discrete Fourier Transform	2
Ravel’s Sound	2
	2

The Many Paths of Decolonization	2
The Common Cold	1
Analyzing Vocables in Rap	1
Flexible Ostinati, Groove, and Formal Process in Craig Taborn’sAvenging Angel	1
On Meter and the Social Dynamics of Cueing in Bill Monroe’s “Muleskinner Blues”	1
Review of Malawey, Victoria,A Blaze of Light in Every Word: Analyzing the Popular Singing Voice(Oxford University Press, 2020)	1
	1
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”	1
Melodic Organization and Sequential Ordering of Galant Schemata	1
Onset and Contiguity	1
Gesture through the Lens of Pluridimensional Serialism in the Music of Camillo Togni	1
Review of Violetta Kostka, Paulo F. de Castro, and William A. Everett, eds., Intertextuality in Music: Dialogic Composition (Routledge, 2021)	1
Response to Trevor de Clercq’s “Some Proposed Enhancements to the Operationalization of Prominence	1
Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet	1
	1
Schubert’s Large-Scale Sentences	1
Gender Identity and Gestural Representations in Jonathan Harvey’s String Quartet No. 2	1
A General Method For Composing a Canon Against a Cantus Firmus Using Sergei Taneev’s Double-Shifting Counterpoint	1
Was Mesopotamian Tuning Diatonic? A Parsimonious Answer	1
Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971	1