OOIR: Observatory of International Research

Papers

(The TQCC of Music Theory Online is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception	6
A Bevy of Biases	6
Transcending Time (Feels)	6
Rhythmic Techniques in Deaf Hip Hop	4
What Are the Truly Aural Skills?	3
Gould’s Creaking Chair, Schoenberg’s Metric Clarity	3
The Logic of Six-Based Minor for Harmonic Analyses of Popular Music	3
Intersubjectivity and Shared Dynamic Structure in Narrative Imaginings to Music	3
A Transformational Approach to Gesture in Shō Performance	3
Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work?	3
Developing Musical Imagery	3
Brahmsian Articulation	3
Compound AABA Form and Style Distinction in Heavy Metal	3
Analyzing Vocables in Rap	3
Mixture Strategies	2
Xenakis’ Sieve Theory	2
The Many Paths of Decolonization	2
Rebonds: Structural Affordances, Negotiation, and Creation	2
Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Toru Takemitsu’s Rain Tree Sketch II	2
Onset and Contiguity	2
Cantopop and Speech-Melody Complex	2
Encoding Post-Spectral Sound	2
Sometimes the Music Wins	2
Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10	2
Schubert’s Large-Scale Sentences	2

Macroharmonic Progressions through the Discrete Fourier Transform	2
Emotional Tones and Emotional Texts	2
Three Audiovisual Correspondences in the Main Title forVertigo	1
Melody on the Threshold in Spectral Music	1
Diversity in Music Corpus Studies	1
A Cognitive Basis for Choosing a Solmization System	1
The Functions of Continuous Processes in Contemporary Electronic Dance Music	1
Review of Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies (University of Minnesota Press, 2020)	1
Disco Culture and the Ritual Journey in the Soviet 1980s	1
Female Subjectivities in the Words, Music, and Images of Progressive Metal	1
Romantic Periods	1
Extending the Parallel Multiple-Analysis Processor	1
Analyzing Schoenberg’s War Compositions as Satire and Sincerity: A Comparative Analysis of Ode to Napoleon Buonaparte and A Survivor from Warsaw	1
Codetta and Anthem Postchorus Types in Top-40 Pop from 2010 to 2015	1
Mapping Ravel’s “La vallée des cloches”	1
A “Proto-Theme” in Some of J. S. Bach’s Fugal Works	1
Was Mesopotamian Tuning Diatonic? A Parsimonious Answer	1
Injury, Affirmation, and the Disability Masquerade in Ye’s “Through the Wire”	1
Review of John Paul Ito, Focal Impulse Theory: Musical Expression, Meter, and the Body (Indiana University Press, 2020)	1
Analyzing Vocal Placement in Recorded Virtual Space	1
Archival Research in Music	1
Performing Analysis, Performing Metal	1
Instrumental Transformations in Heinrich Biber’s Mystery Sonatas	1
Gender Identity and Gestural Representations in Jonathan Harvey’s String Quartet No. 2	1
Schoenberg’s Cinematographic Blueprint: A Programmatic Analysis ofBegleitungsmusik zu einer Lichtspielscene(1929–1930)	1
Ravel’s Sound	1