Music Theory Online

Article	Citations
Transcending Time (Feels)	6
A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception	6
A Bevy of Biases	6
Rhythmic Techniques in Deaf Hip Hop	4
Brahmsian Articulation	3
Compound AABA Form and Style Distinction in Heavy Metal	3
Analyzing Vocables in Rap	3
What Are the Truly Aural Skills?	3
Gould’s Creaking Chair, Schoenberg’s Metric Clarity	3
The Logic of Six-Based Minor for Harmonic Analyses of Popular Music	3
Intersubjectivity and Shared Dynamic Structure in Narrative Imaginings to Music	3
A Transformational Approach to Gesture in Shō Performance	3
Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work?	3
Developing Musical Imagery	3
Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10	2
Schubert’s Large-Scale Sentences	2
Macroharmonic Progressions through the Discrete Fourier Transform	2
Emotional Tones and Emotional Texts	2
Mixture Strategies	2
Xenakis’ Sieve Theory	2
The Many Paths of Decolonization	2
Rebonds: Structural Affordances, Negotiation, and Creation	2
Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Toru Takemitsu’s Rain Tree Sketch II	2
Onset and Contiguity	2
Cantopop and Speech-Melody Complex	2

Encoding Post-Spectral Sound	2
Sometimes the Music Wins	2
Review of John Paul Ito, Focal Impulse Theory: Musical Expression, Meter, and the Body (Indiana University Press, 2020)	1
Analyzing Vocal Placement in Recorded Virtual Space	1
Archival Research in Music	1
Performing Analysis, Performing Metal	1
Instrumental Transformations in Heinrich Biber’s Mystery Sonatas	1
Gender Identity and Gestural Representations in Jonathan Harvey’s String Quartet No. 2	1
Schoenberg’s Cinematographic Blueprint: A Programmatic Analysis ofBegleitungsmusik zu einer Lichtspielscene(1929–1930)	1
Ravel’s Sound	1
Three Audiovisual Correspondences in the Main Title forVertigo	1
Melody on the Threshold in Spectral Music	1
Diversity in Music Corpus Studies	1
A Cognitive Basis for Choosing a Solmization System	1
The Functions of Continuous Processes in Contemporary Electronic Dance Music	1
Review of Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies (University of Minnesota Press, 2020)	1
Disco Culture and the Ritual Journey in the Soviet 1980s	1
Female Subjectivities in the Words, Music, and Images of Progressive Metal	1
Romantic Periods	1
Extending the Parallel Multiple-Analysis Processor	1
Analyzing Schoenberg’s War Compositions as Satire and Sincerity: A Comparative Analysis of Ode to Napoleon Buonaparte and A Survivor from Warsaw	1
Codetta and Anthem Postchorus Types in Top-40 Pop from 2010 to 2015	1
Mapping Ravel’s “La vallée des cloches”	1
A “Proto-Theme” in Some of J. S. Bach’s Fugal Works	1
Was Mesopotamian Tuning Diatonic? A Parsimonious Answer	1
Injury, Affirmation, and the Disability Masquerade in Ye’s “Through the Wire”	1
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Contrapuntal Direction and the Diagnosis of Compositional Relationships in Fifteenth-Century Masses	0
The Turn in the Finale of Mahler’s Ninth Symphony as Allusion to Wagner’s Parsifal	0
Talking Scores and the Dismediation of Music Notation	0
On Meter and the Social Dynamics of Cueing in Bill Monroe’s “Muleskinner Blues”	0
Conference report	0
Global Philosophy of Music	0
Cadential Melodies	0
Flexible Ostinati, Groove, and Formal Process in Craig Taborn’sAvenging Angel	0
Review of Joel Lester, Brahms’s Violin Sonatas: Style, Structure, Performance (New York: Oxford University Press, 2020)	0
On the Tonic Added-Sixth Chord in Jazz	0
Late Night Thoughts on Listening to Schoenberg’s Klavierstück, op. 33a	0
Response to Trevor de Clercq’s “Some Proposed Enhancements to the Operationalization of Prominence	0
War and the Musical Grotesque in Crumb’s “When Johnny Comes Marching Home”	0
Review of Leslie A. Tilley, Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond (The University of Chicago Press, 2019)	0
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Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971	0
Hands, Fingers, Strings, and Bows	0
Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music	0
Review of Malawey, Victoria,A Blaze of Light in Every Word: Analyzing the Popular Singing Voice(Oxford University Press, 2020)	0
Three Sailors, Three Personalities: Choreomusical Analysis of the Solo Variations in Fancy Free	0
Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music	0
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Metric Modes and Fluid Meter in Mande Drumming Music	0
Pentatonic Xuangong 旋宮 Transformations in Chinese Music	0
Review ofRethinking Reich, Edited by Sumanth Gopinath and Pwyll ap Siôn (Oxford University Press, 2019)	0
Some Proposed Enhancements to the Operationalization of Prominence	0
Post-Recapitulatory Organization in Beethoven’s Early Sonata-Rondo Finales	0
Pen, Paper, Steel	0
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Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan	0
Blues Lyric Formulas in Early Country Music, Rhythm and Blues, and Rock and Roll	0
Sonic Bridges and Pitch-Based Bonding in Two Songs by Saariaho	0
Review of Kenneth Smith and Vasilis Kallis, eds., Demystifying Scriabin (Boydell Press, 2022)	0
Review of Elliott Carter Speaks: Unpublished Lectures, Edited and with an introduction by Laura Emmery (University of Illinois Press, 2021)	0
Emergent Modality	0
“Aus Mozart gestohlen”: Beethoven and Die Entführung aus dem Serail	0
Out of the Blue	0
Windows into Beethoven’s Lessons in Bonn: Kirnberger’sDie wahren Grundsätze zum Gebrauch der Harmonie(1773) and Vogler’sGründe der Kuhrpfälzischen Tonschule in Beyspielen(1776/1778)	0
Billy Joel’s Enharmonic Duplicity	0
Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben”	0
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Prosodic Dissonance	0
Music Theory’s Visceral Turn: A Review of Roger Matthew Grant,Peculiar Attunements: How Affect Theory Turned Musical(New York: Fordham University Press, 2020)	0
Review of Megan Kaes Long,Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century(Oxford University Press, 2020)	0
A General Method For Composing a Canon Against a Cantus Firmus Using Sergei Taneev’s Double-Shifting Counterpoint	0
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Gestural Temporality in Sciarrino’s Recitativo oscuro	0
Music from Plant Biosignals	0
Review of Violetta Kostka, Paulo F. de Castro, and William A. Everett, eds., Intertextuality in Music: Dialogic Composition (Routledge, 2021)	0
Review of Drew Nobile, Form as Harmony in Rock Music (Oxford University Press, 2020)	0
Public Music Theory’s Neoliberal Learning Outcomes	0
The Common Cold	0
Review ofThe Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019)	0
Computer-aided Analysis of Sonority in the French Motet Repertory, ca. 1300–1350	0
Chromatic Function in Schoenberg’s Little Piano Piece, op. 19, no. 1	0
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Integration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet	0
Ernst Friedrich Richter and the Birth of Modern Music Theory Pedagogy	0
Reconstructing the Paris Conservatory’sCours d’Harmonie1812–1844: Discipline, Sources, Theory, and Method	0
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Prioritizing Narrative Structure in Large-Scale Film-Music Analysis: A Case Study of Dramatic Irony inBarton Fink	0
A Thread of Recitative Ruffs	0
Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès	0
Analyzing the Beat in Metrically Consonant Popular Songs	0
Review of David Temperley,The Musical Language of Rock(Oxford University Press: 2018)	0
Harmonic “Quality” and Set-Class Structure	0
Returning to the Continuum	0
Gestural Perspectives on Popular-Music Performance	0
Referents in the Palimpsests of Jazz	0
Review of Amy Cimini, Wild Sound: Maryanne Amacher and the Tenses of Audible Life (Oxford University Press, 2022)	0
Rethinking Topic Theory	0
The Pen as Camera	0
Willaert’s Elusive Counterpoint Explained	0
Between Half and Perfect Cadences	0
Review of Philip Ewell, On Music Theory, and Making Music More Welcoming for Everyone (University of Michigan Press, 2023)	0
Reimagining Organicism	0
An Idiom of Melodic-Harmonic Divorce	0
“Your Soul is the Whole World”: The Spaces of Claude Vivier’s Siddhartha	0
Philosophizing Time in Sinitic Opera	0
Material Connections	0
Embedded Dissonance in Eighteenth- and Nineteenth-Century Harmonic Theory and Practice	0
Alanis Morissette’s Voices	0
The Poetics and Politics of Ambiguity	0
Rethinking Aural Skills Instruction through Cognitive Research	0
Cage’s Imitation Game: Cheap Imitation and Song Books through the sketches	0
Gesture through the Lens of Pluridimensional Serialism in the Music of Camillo Togni	0
Becoming and Disintegration in Wolfgang Rihm’s Fifth String Quartet, Ohne Titel	0
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Giving Voice to a Foxtrot from Auschwitz-Birkenau	0
Melodic Organization and Sequential Ordering of Galant Schemata	0
Tonal Ebb, Sunken II Chords, and Text-Music Correspondences in Robert Schumann’s Lieder	0
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Rotational Principle as Teleological Genesis in the “Annunciation of Death” Scene from Wagner’s Die Walküre	0
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Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”	0
Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012–2021	0
8-Bit Affordances: Jun Chikuma’s Soundtrack toFaxanadu	0
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Mid-Exposition Modal Contrast and Francesco Galeazzi’s “Characteristic Passage”	0
Conference Report	0
Musical Eschatology in Contemporary Christian Worship Songs	0
Buffy Sainte-Marie’s Self-Expressive Voice	0

Pitch Registration and Harmonic Fields in Works of Pierre Boulez, Marco Stroppa, and Yukiko Watanabe	0
Shaping Form: Performances as Analyses of Cyclic Macroform in Arnold Schoenberg’sSechs kleine Klavierstücke, op. 19 (1911), in the Recordings of Eduard Steuermann and Other Pianists	0
TheTechneof YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers	0
Teleology in Verse–Prechorus–Chorus Form, 1965–2020	0
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Sociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language	0
Reassessing the Plagal Cadence in Byrd and Morley	0
Review of Jason Yust,Organized Time: Rhythm, Tonality, and Form(Oxford University Press, 2018)	0
George Walker’s Piano Music	0
Introduction	0
Review of Laura Emmery, Compositional Process in Elliott Carter’s String Quartets: A Study in Sketches (Routledge, 2020)	0
Review of Matthew Santa, Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Music (Routledge, 2020)	0
Reimagining Formal Functions in Post-Tonal Music	0
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The Melodic Organization ofThe Rite of Spring	0
Switching the Backbeat	0
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