Journal of Arts Management Law and Society

Papers
(The TQCC of Journal of Arts Management Law and Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
A(I)rtist or Counterfeiter? Artificial Intelligence as (D)Evaluating Factor on the Art Market16
The Successful Visual Artist: The Building Blocks of Artistic Careers Model12
A Networked Infrastructure of Cultural Equity? Social Identities in the Missions of Local Arts Agencies7
The Future of Museums. An Analysis from the Visitors’ Perspective in the Spanish Context7
The Impacts of Public Art on Cities, Places and People’s Lives7
The Artists’ Critique on Crowdfunding and Online Gift-Giving6
“Opening Pandora’s Box: Will the Return of Cultural Heritage Objects to Their Country of Origin Empty Western Museums?”5
Unpacking High-Impact Practices in the Arts: Predictors of College, Career, and Community Engagement Outcomes5
Cultural Democracy, Cultural Equity, and Cultural Policy: Perspectives from the UK and USA5
Building Legitimacy and Learning Lessons: A Framework for Cultural Organizations to Manage and Measure the Social Impact of Their Activities4
‘Mapping the Most Influential Art Districts in Shanghai (1912-1948) through Clustering Analysis’3
Art Practice as Policy Practice: Framing the Work of Artists Embedded in Government3
Ministry of Cultural Re-Centralization? Spanish Cultural Policy, from a Regionalized State System to Madrid’s Promotion as Hegemonic Cultural Capital (1980-2019)3
Professional Career Development in the Arts Management of Supported Studios in Australia3
Evaluating a Cultural Policy in the Dance Sector. Does Efficiency Always Mean Achieving Goals?3
The Cultural Entrepreneurship Scorecard: An Instrument for Assessing Cultural Institutions3
American Perspectives on Public Funding for Artists3
Revisiting Intellectual Property Rights in African Contexts: A Cultural Democracy Imperative2
Alternative Values and Stigmatized Agents: Communicating Legitimacy in the Creative Industries2
The Educational Barriers and Needs of Tertiary Arts Entrepreneurship Education: A Case Study in the Greater Bay Area of China2
Within a Carnivalesque Space: The Textual Identity of Danmu and the Rise of Mass Writing2
Hidden in Plain Sight: Systems Intelligence in Arts Leadership2
A Blind Spot? Cultural Field Perspectives on Tourism2
A Sociological Theory of Contemporary Art Collectors2
The Role of Universities in Strengthening Regional Arts Sectors: Central Queensland University and the Regional Arts Services Network2
The Impact of Specific versus General Art Expertise on Art Experiences – The Case of the Sistine Chapel1
The Future of the Museum. 28 Dialogues, by András Szántó. 20211
The Land of (Almost) No Central Government Arts Spending? Cultural Policy, Protestant Denominations, and the Cultural Policy Singularity of Unites States of America1
How Women Leaders of U.S. Dance Organizations Integrate Unique Leadership Approaches and Artistic Strategies to Increase Their Impact as Leaders and Benefit Their Organizations1
Creative Tourism in Smaller Communities: Place, Culture, and Local Representation1
The Arts Council at a Crossroad: stories from Britain and South Korea1
The Pretty Face of Inequality: Arts Attendance in Panama1
Collective Mobilization as a Mechanism for Cultural Democracy: The Case of Guggenheim Helsinki1
Foreign (In)Direct Investment in Chinese Contemporary Art Game: The Case Studies of Uli Sigg, Guy Ullens and beyond, 1989-20131
Digitizing Cinemas – Comprehensive Intended and Unintended Consequences for Diversity1
Digital Economy and Baumol’s Cost Disease of Performing Arts: An Empirical Research in China1
Integrating Music into Natural Disaster Recovery1
Artists and Online Dissemination: An Analysis of Positions and Position-Takings1
Contemporary Art Fairs in Mainland China: From Local to International Status?1
Ethics in Museum Fundraising: Evidence from the Czech Republic1
Generous and Ungenerous Contracts: Case Study of the Artist William Powhida’s Grevsky and Store-to-Own Contracts1
Olympic Film between Nationalism and Cosmopolitanism: The 1964 Tokyo Olympiad and the Postwar Mass Mobilization1
A New Direction? The Arts and Central Government Policy in Aotearoa New Zealand, 2017–20201
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