Text and Performance Quarterly

Papers
(The TQCC of Text and Performance Quarterly is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The motion of invisible objects: aging queer desires5
Auto-Grafting traumatic excess: tattooing Medusa and the visibility politics of survival5
Personal narrative fiction4
When the audience becomes the performer: a response to Last Words4
Soulscaping Black feminist performance through home finding4
The presence of the past: temporality, ontology, and the prehistory of performance3
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States3
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing3
What is K-pop dance studies?2
Is she mad, or does she joke?2
Puppets, community, and cultural intervention: political puppetry in our lives and the world2
Messy performance/s: an introduction2
Notes on Florida: a chaos narrative of everyday gay performances2
Editor's farewell: gratitude and futures2
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work2
Bellied in Bahia2
Text and performance quarterly: in and of the humanities2
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence2
Queer freedom : Black sovereignty1
Messy-making methods, staged encounters, and who’s performance?1
Joyful resistance: reflections on a creative process in two student solo performances1
Wave 1.12.221
Digital performance in everyday life1
Letter to the Editor1
Disability works: performance after rehabilitation1
Killjoy pedagogy and the politics of a smile1
The dramaturgy of digital resurrection1
(Re)Positioning site dance: local acts, global perspectives1
In a queer new light: eluridating difference beyond clarity1
Redface: race, performance, and indigeneity1
Homing performance: a Black feminism roundtable1
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing1
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”1
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative1
Why performance (now?): audience, dialogue and Wave 1.12.221
Culturally-responsive devising as performance1
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