Text and Performance Quarterly

Papers
(The TQCC of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-08-01 to 2024-08-01.)
ArticleCitations
Critical aunty studies: an auntroduction8
Do objects perform?: anthrolithic performance in Chaco Canyon6
Mapping the “naturecultural turn” in performance studies6
“Knowledge is like food”: qanruyutet on change and subsistence from John Smith5
Recalling emotional recall: reflecting on the methodological significance of affective memory in autoethnography4
Crafting empathy in I Got Your Back: A One(ish) Person Show Exploring Pain, Empathy, and Performance3
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy2
Skills and strategies of activist mermaids: from pretty to powerful pictures2
Queer generativity: temporal collisions of Fred Astaire’s Dancing Lessons2
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making2
Communication at the end of the world: affective material performativity and the nuclear danger sign2
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear1
Adaptation as augmentation: performing writing as a means of survival1
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 971
Performativity confounded: agency, resistance, and the history of politeness1
Laughing at pink ribbon culture: Tig Notaro’s comedic subversion of the she-ro1
Reframing the politics of performance at 14 Henrietta Street: ANU’sLiving the Lockoutand Company SJ’sFizzles1
The viral politics of masks: pandemic resistance and ontological performance1
Figuring the aggregated aunty: netporn, metadata and South Asian aunties1
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: a recording of critical performance ethnography1
#AfricanAunties: performing diasporic digital disbelongings on TikTok1
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC1
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía1
Baton Rouge SLAM! An Obituary for Summer 20161
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era1
Embodied abject play: women “sex comics” and abject feminism1
Auntylectuals: a nonce taxonomy of aunty-power1
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation1
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster1
Artistic research and the queer prophetic1
What can we do? Performative refusal in Ikaria0
American cultures as transnational performance: commons, skills, traces0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society0
Adapting to survive … and thrive0
Ishtyle: Accenting Gay Indian Nightlife0
Performing Arts in Prisons: Creative Perspectives0
Performing ice (performing landscapes series)0
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly0
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana0
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown0
Performing a departmental archive: half a century of performance0
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other0
Performing extinction stories: exploring creative responses to bee decline0
Searching for the Captain’s House0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond0
White-expat-fans’ performing K-pop Other on YouTube0
Shitsex: recontaminating queer sex and theory0
Creating performances for teaching and learning: a practice session for pedagogy0
Revolt of the body in stillness0
Embodiment and disembodiment in live art: from Grotowski to hologram0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect0
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens0
When the audience becomes the performer: a response to Last Words0
This bridge we call communication: Anzaldúan approaches to theory, method, and praxis0
Culturally-responsive devising as performance0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility0
Moving through crisis in Mariana Valencia’s Solo B0
The serious business of performance practice0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man0
Black thoughts on Black notes0
On the anguish of going: an actor’s Endgame0
And so we adapt0
Practically Perfect0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms0
Crossing representational borders in Lola Arias’Minefield/Campo Minado0
The Countess holds me0
Killjoy pedagogy and the politics of a smile0
Staging and intertextualizing Franz Kafka’s “in the penal colony”0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum0
Out past metonymy in the New Jewish Cemetery, Lublin0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography0
How to see a superbloom0
The Beekeeper of Aleppo: a transnational collaboration0
Towards a less perfect pedagogy0
¡Presente! The politics of presence0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling0
Bodies in dialogue: offering a model for queer oral history0
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing0
Conquergood’s other: materializing the cultural text of Hmong and Latinx0
The motion of invisible objects: aging queer desires0
Performance studies in Canada0
Poetic care: the orientations and relations of spoken word performance at three venues in East London0
Performance as narrative medicine0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 20210
The Sense of Brown0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione0
Miscommunication: transmission of information through The Letters of Shadow Puppets0
Digital performance in everyday life Digital performance in everyday life , by Lyndsay Michalik Gratch and Ariel Gratch, New York, Routledge, 2022, vi-247, $44.05 (eBook0
Housekeeping as homecoming: adapting Chamber Theatre in “great time”0
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries0
The performance of Last Words: a play of relational aesthetics0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film0
Honeypot: Black Southern women who love women0
Ecocultural adjustment: revisiting acculturation through a Peace Corps sojourn0
Modest trickster: a response to Last Words0
Inner monologues of a newbie CCPer0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast0
Fates of the performative: From the linguistic turn to the new materialism0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews0
The creative researcher: writing that makes readers want to read0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia0
(Re)Positioning site dance: local acts, global perspectives0
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward0
Statement of Removal0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative0
The Unruly Muse0
Staging Process: The Aesthetic Politics of Collective Performance0
Freezing ontologies: making visible the messiness of working with theory0
I got your back: a one(ish) person show exploring pain, medicine, empathy, and performance0
The performativity of comedic apologies0
Correction0
Is she mad, or does she joke?0
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