Text and Performance Quarterly

Papers
(The TQCC of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana11
The motion of invisible objects: aging queer desires7
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography5
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies4
And so we adapt2
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing2
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly2
When the audience becomes the performer: a response to Last Words2
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other2
Staging Process: The Aesthetic Politics of Collective Performance2
Do objects perform?: anthrolithic performance in Chaco Canyon2
Freezing ontologies: making visible the messiness of working with theory1
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era1
Is she mad, or does she joke?1
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens1
The presence of the past: temporality, ontology, and the prehistory of performance1
This bridge we call communication: Anzaldúan approaches to theory, method, and praxis1
Conquergood’s other: materializing the cultural text of Hmong and Latinx1
Housekeeping as homecoming: adapting Chamber Theatre in “great time”1
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward1
Correction1
Bodies in dialogue: offering a model for queer oral history1
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work1
Baton Rouge SLAM! An Obituary for Summer 20161
Notes on Florida: a chaos narrative of everyday gay performances1
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States1
Out past metonymy in the New Jewish Cemetery, Lublin0
The Sense of Brown0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown0
Bitches unleashed: performance and embodied politics in favela funk0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver0
The performativity of comedic apologies0
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence0
Critical aunty studies: an auntroduction0
Poetic care: the orientations and relations of spoken word performance at three venues in East London0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film0
White-expat-fans’ performing K-pop Other on YouTube0
Adaptation as augmentation: performing writing as a means of survival0
Searching for the Captain’s House0
What performance/studies does (now)0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute0
In regards to performance at the end of the world0
Spaces for which I sledge0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect0
The performance studies pendulum0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes0
Practically Perfect0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond0
Performing Arts in Prisons: Creative Perspectives0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana0
Crossing representational borders in Lola Arias’Minefield/Campo Minado0
The Unruly Muse0
Queer freedom : Black sovereignty0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 970
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing0
Listen, performance: dropping a note for a future performer0
Dear Your name here0
An accounting from Dr. Ahlam Muhtaseb0
Towards a less perfect pedagogy0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography0
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía0
My pen-pal, TPQ0
A Performance studies scholar adapts0
Performing a departmental archive: half a century of performance0
Performativity confounded: agency, resistance, and the history of politeness0
Statement of Removal0
Modest trickster: a response to Last Words0
Ishtyle: Accenting Gay Indian Nightlife0
What can we do? Performative refusal in Ikaria0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an0
The Countess holds me0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia0
Moving through crisis in Mariana Valencia’s Solo B0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties0
In sickness and In health: confessions of a cowardly caregiver0
Digital performance in everyday life0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack0
On the censoring of Dr. Ahlam Muhtaseb0
Inner monologues of a newbie CCPer0
(Re)Positioning site dance: local acts, global perspectives0
The viral politics of masks: pandemic resistance and ontological performance0
At the nexus of gumption and intimacy0
The performance of Last Words: a play of relational aesthetics0
Culturally-responsive devising as performance0
How to see a superbloom0
Staging and intertextualizing Franz Kafka’s “in the penal colony”0
Performance as narrative medicine0
Killjoy pedagogy and the politics of a smile0
Communication at the end of the world: affective material performativity and the nuclear danger sign0
Performing ice (performing landscapes series)0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon0
Messy-making methods, staged encounters, and who’s performance?0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 20210
The serious business of performance practice0
Auntylectuals: a nonce taxonomy of aunty-power0
Revolt of the body in stillness0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies0
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: a recording of critical performance ethnography0
Skills and strategies of activist mermaids: from pretty to powerful pictures0
#AfricanAunties: performing diasporic digital disbelongings on TikTok0
Performing extinction stories: exploring creative responses to bee decline0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling0
Text and performance quarterly: in and of the humanities0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast0
Dear sabbatical committee: a plea, a reverie, a provocation0
“Knowledge is like food”: qanruyutet on change and subsistence from John Smith0
Editor's farewell: gratitude and futures0
Black thoughts on Black notes0
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear0
Shitsex: recontaminating queer sex and theory0
American cultures as transnational performance: commons, skills, traces0
¡Presente! The politics of presence0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione0
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”0
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy0
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster0
On the anguish of going: an actor’s Endgame0
The Beekeeper of Aleppo: a transnational collaboration0
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC0
Letter to the Editor0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation0
Disability works: performance after rehabilitation0
Adapting to survive … and thrive0
Miscommunication: transmission of information through The Letters of Shadow Puppets0
Fates of the performative: From the linguistic turn to the new materialism0
Laboring toward a critical methodpraxis of care0
Reenvisioning the need for scholarship on and from Latinidad0
All in A moment: the bridge to an aesthetic life0
A performance pedagogy of the small0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews0
Unsettling performance (studies) in communication0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum0
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