OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	11
The motion of invisible objects: aging queer desires	7
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography	5
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	4
When the audience becomes the performer: a response to Last Words	2
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	2
Staging Process: The Aesthetic Politics of Collective Performance	2
Do objects perform?: anthrolithic performance in Chaco Canyon	2
And so we adapt	2
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	2
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	2
Conquergood’s other: materializing the cultural text of Hmong and Latinx	1
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	1
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	1
Correction	1
Bodies in dialogue: offering a model for queer oral history	1
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work	1
Baton Rouge SLAM! An Obituary for Summer 2016	1
Notes on Florida: a chaos narrative of everyday gay performances	1
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	1
Freezing ontologies: making visible the messiness of working with theory	1
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	1
Is she mad, or does she joke?	1
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	1
The presence of the past: temporality, ontology, and the prehistory of performance	1

This bridge we call communication: Anzaldúan approaches to theory, method, and praxis	1
Statement of Removal	0
Ishtyle: Accenting Gay Indian Nightlife	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing	0
The Countess holds me	0
Dear Your name here	0
Towards a less perfect pedagogy	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
In sickness and In health: confessions of a cowardly caregiver	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
Moving through crisis in Mariana Valencia’s Solo B	0
Inner monologues of a newbie CCPer	0
A Performance studies scholar adapts	0
Performativity confounded: agency, resistance, and the history of politeness	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
The performance of Last Words: a play of relational aesthetics	0
Modest trickster: a response to Last Words	0
What can we do? Performative refusal in Ikaria	0
The viral politics of masks: pandemic resistance and ontological performance	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia	0
How to see a superbloom	0
Performance as narrative medicine	0
Digital performance in everyday life	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0
(Re)Positioning site dance: local acts, global perspectives	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
The serious business of performance practice	0
On the censoring of Dr. Ahlam Muhtaseb	0
Culturally-responsive devising as performance	0
Revolt of the body in stillness	0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand	0
At the nexus of gumption and intimacy	0
Killjoy pedagogy and the politics of a smile	0
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: a recording of critical performance ethnography	0
Skills and strategies of activist mermaids: from pretty to powerful pictures	0
Staging and intertextualizing Franz Kafka’s “in the penal colony”	0
#AfricanAunties: performing diasporic digital disbelongings on TikTok	0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
Performing ice (performing landscapes series)	0
Messy-making methods, staged encounters, and who’s performance?	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
“Knowledge is like food”: qanruyutet on change and subsistence from John Smith	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
Auntylectuals: a nonce taxonomy of aunty-power	0
Shitsex: recontaminating queer sex and theory	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0

La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	0
Black thoughts on Black notes	0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies	0
¡Presente! The politics of presence	0
On the anguish of going: an actor’s Endgame	0
Performing extinction stories: exploring creative responses to bee decline	0
Text and performance quarterly: in and of the humanities	0
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	0
Dear sabbatical committee: a plea, a reverie, a provocation	0
Editor's farewell: gratitude and futures	0
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making	0
American cultures as transnational performance: commons, skills, traces	0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear	0
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”	0
Adapting to survive … and thrive	0
Fates of the performative: From the linguistic turn to the new materialism	0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	0
The Beekeeper of Aleppo: a transnational collaboration	0
Reenvisioning the need for scholarship on and from Latinidad	0
A performance pedagogy of the small	0
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	0
Letter to the Editor	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance	0
Disability works: performance after rehabilitation	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
The Sense of Brown	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
Bitches unleashed: performance and embodied politics in favela funk	0
The performativity of comedic apologies	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Laboring toward a critical methodpraxis of care	0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
All in A moment: the bridge to an aesthetic life	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Critical aunty studies: an auntroduction	0
What performance/studies does (now)	0
Unsettling performance (studies) in communication	0
Adaptation as augmentation: performing writing as a means of survival	0
Spaces for which I sledge	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Practically Perfect	0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver	0
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence	0
The performance studies pendulum	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0
White-expat-fans’ performing K-pop Other on YouTube	0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health	0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
The Unruly Muse	0
Searching for the Captain’s House	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography	0
In regards to performance at the end of the world	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
Listen, performance: dropping a note for a future performer	0
An accounting from Dr. Ahlam Muhtaseb	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
Performing Arts in Prisons: Creative Perspectives	0
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
My pen-pal, TPQ	0
Performing a departmental archive: half a century of performance	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Queer freedom : Black sovereignty	0