OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	22
The motion of invisible objects: aging queer desires	13
When the audience becomes the performer: a response to Last Words	4
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	3
And so we adapt	3
Personal narrative fiction	2
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	2
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	2
Messy performance/s: an introduction	2
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	2
Correction	2
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work	2
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	2
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	2
The presence of the past: temporality, ontology, and the prehistory of performance	2
Freezing ontologies: making visible the messiness of working with theory	2
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	2
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence	1
Performativity confounded: agency, resistance, and the history of politeness	1
White-expat-fans’ performing K-pop Other on YouTube	1
Is she mad, or does she joke?	1
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	1
American cultures as transnational performance: commons, skills, traces	1
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	1
Notes on Florida: a chaos narrative of everyday gay performances	1

Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	1
Editor's farewell: gratitude and futures	1
Text and performance quarterly: in and of the humanities	1
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	0
A Performance studies scholar adapts	0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
Adapting to survive … and thrive	0
Searching for the Captain’s House	0
The Unruly Muse	0
Culturally-responsive devising as performance	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
Killjoy pedagogy and the politics of a smile	0
At the nexus of gumption and intimacy	0
Disability works: performance after rehabilitation	0
Reenvisioning the need for scholarship on and from Latinidad	0
Laboring toward a critical methodpraxis of care	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Statement of Removal	0
Posthumanist collaborations in performance studies: a praxis-based approach to qualitative inquiry	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing	0
#AfricanAunties: performing diasporic digital disbelongings on TikTok	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Practically Perfect	0
What performance/studies does (now)	0
All in A moment: the bridge to an aesthetic life	0
Writing through grief: lessons on loss and love from my teacher mother	0
Spaces for which I sledge	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0
Moving through crisis in Mariana Valencia’s Solo B	0
An accounting from Dr. Ahlam Muhtaseb	0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
He Kept Me Safe: a play on intimate partner violence amongst gay and bisexual men	0
Inner monologues of a newbie CCPer	0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
The performativity of comedic apologies	0
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”	0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0
Performing a departmental archive: half a century of performance	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0
Fates of the performative: From the linguistic turn to the new materialism	0
Performing Arts in Prisons: Creative Perspectives	0
Listen, performance: dropping a note for a future performer	0

On the censoring of Dr. Ahlam Muhtaseb	0
Queer freedom : Black sovereignty	0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
Auntylectuals: a nonce taxonomy of aunty-power	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
Towards a less perfect pedagogy	0
Performing extinction stories: exploring creative responses to bee decline	0
How to see a superbloom	0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance	0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
The Countess holds me	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Surface relations: queer forms of Asian American inscrutability	0
In sickness and In health: confessions of a cowardly caregiver	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
Black thoughts on Black notes	0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	0
My pen-pal, TPQ	0
Adaptation as augmentation: performing writing as a means of survival	0
A performance pedagogy of the small	0
Staging and intertextualizing Franz Kafka’s “in the penal colony”	0
The viral politics of masks: pandemic resistance and ontological performance	0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	0
Modest trickster: a response to Last Words	0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
Sexuality beyond consent: risk, race, traumatophilia	0
(Re)Positioning site dance: local acts, global perspectives	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
Jotería communication studies: narrating theories of resistance	0
Letter to the Editor	0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	0
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	0
Revolt of the body in stillness	0
In regards to performance at the end of the world	0
Dear sabbatical committee: a plea, a reverie, a provocation	0
Messy-making methods, staged encounters, and who’s performance?	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
The Beekeeper of Aleppo: a transnational collaboration	0
Archipelagic performance	0
The performance studies pendulum	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
Unsettling performance (studies) in communication	0
Rated A: soft-porn, cinema and mediations of desire in India	0
Dear Your name here	0
Critical aunty studies: an auntroduction	0
Shitsex: recontaminating queer sex and theory	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
The performance of Last Words: a play of relational aesthetics	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
The serious business of performance practice	0
Documenting Galindo/Galindo documenting	0
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	0
Bitches unleashed: performance and embodied politics in favela funk	0
Digital performance in everyday life	0