OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 500 papers]. The publications cover those that have been published in the past four years, i.e., from 2019-08-01 to 2023-08-01.)

Article	Citations
Unlearning cisheteronormativity at the intersections of difference: performing queer worldmaking through collaged relational autoethnography	14
Performance studies in communication	13
Mapping the “naturecultural turn” in performance studies	6
The place of performance in performance studies	5
“Knowledge is like food”: qanruyutet on change and subsistence from John Smith	4
Performative neutrality and rape culture in Naomi Iizuka’s Good Kids	3
Do objects perform?: anthrolithic performance in Chaco Canyon	3
Crafting empathy in I Got Your Back: A One(ish) Person Show Exploring Pain, Empathy, and Performance	3
“I know how it is when nobody sees you”: oral-history performance methods for staging trauma	3
Witnessing the archive: Stormé DeLarverie and queer performance historicity	2
Mapping performance studies in US universities	2
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making	2
Disbelonging and unruly return in the performance art of Wura-Natasha Ogunji	1
Light in the dark/luz en lo oscuro: rewriting identity, spirituality, reality	1
Auntylectuals: a nonce taxonomy of aunty-power	1
(Re)directing a university storytelling troupe for at-risk elementary students for course credit: a story of embodied empathy, literacy, and personal transformation	1
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	1
Staging the family unfamiliar: the queer intimacies inRamble-Ations: A One D’Lo Show	1
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	1
Critical aunty studies: an auntroduction	1
#AfricanAunties: performing diasporic digital disbelongings on TikTok	1
Queer generativity: temporal collisions of Fred Astaire’s Dancing Lessons	1
Reframing the politics of performance at 14 Henrietta Street: ANU’sLiving the Lockoutand Company SJ’sFizzles	1
Baton Rouge SLAM! An Obituary for Summer 2016	1
Tour guide performances: four modes of framing tourist experience	1

Recalling emotional recall: reflecting on the methodological significance of affective memory in autoethnography	1
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: a recording of critical performance ethnography	1
Skills and strategies of activist mermaids: from pretty to powerful pictures	1
Becoming A Happily Married Man	1
Toward critical nostalgia: performing African-American genealogical memory	1
Artistic research and the queer prophetic	1
American cultures as transnational performance: commons, skills, traces	0
Turning archival: the life of the historical in queer studies	0
Queering autoethnography	0
Modest trickster: a response to Last Words	0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand	0
Honeypot: Black Southern women who love women	0
Ishtyle: Accenting Gay Indian Nightlife	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	0
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	0
The Unruly Muse	0
Towards a less perfect pedagogy	0
K-pop dance: fandoming yourself on social media	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
Unfinished business: Michael Jackson, Detroit, and the figural economy of America	0
With our Clipped Wings: a research-based performance on gay men’s identities devised through narrative portraiture	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
Old tales through new images and new tales through old images: ethnography of a Jambavantaru katha (narrative) performance in Telangana	0
White-expat-fans’ performing K-pop Other on YouTube	0
Culturally-responsive devising as performance	0
Revolt of the body in stillness	0
When the audience becomes the performer: a response to Last Words	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	0
The creative researcher: writing that makes readers want to read	0
Performing ice (performing landscapes series)	0
“Vale verga” (“it’s worth a cock (nothing)”): the queer of color world-making consejos of Fernanda, an aging undocumented muxer/jota	0
The performance of Last Words: a play of relational aesthetics	0
On the pedagogical and practical values of community-engaged storytelling	0
And so we adapt	0
Frames and community in Arizona’s All Souls Procession	0
This bridge we call communication: Anzaldúan approaches to theory, method, and praxis	0
“A terrible beauty is born”: using Yeats to respond to Last Words, November 2021	0
Teaching performance studies: communicating contemporary curricular practice in the United States	0
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	0
Ecocultural adjustment: revisiting acculturation through a Peace Corps sojourn	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	0
Black thoughts on Black notes	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
Inner monologues of a newbie CCPer	0
Growing from the outside, in: a response toA Happily Married Man	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	0

Correction	0
The motion of invisible objects: aging queer desires	0
A Happily Married Man	0
Shitsex: recontaminating queer sex and theory	0
The Beekeeper of Aleppo: a transnational collaboration	0
Performativity confounded: agency, resistance, and the history of politeness	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Adaptation online: creating memes, sweding movies, and other digital performances	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
Creating performances for teaching and learning: a practice session for pedagogy	0
Muslim women and White femininity: reenactment and resistance	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography	0
Staging Process: The Aesthetic Politics of Collective Performance	0
Performing Arts in Prisons: Creative Perspectives	0
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy in Shakespeare Wallah and The Last Lear	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Statement of Removal	0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	0
Bodies in dialogue: offering a model for queer oral history	0
What can we do? Performative refusal in Ikaria	0
I got your back: a one(ish) person show exploring pain, medicine, empathy, and performance	0
Conquergood’s other: materializing the cultural text of Hmong and Latinx	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
Performance studies in Canada	0
The Sense of Brown	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	0
“Home Charms”: unpacking an Irish immigrant woman’s home through speculative design	0
Moving through crisis in Mariana Valencia’s Solo B	0
Animal acts through the looking-glass: art, theater, and a Zoopoetic possibility for performance	0
On the anguish of going: an actor’s Endgame	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	0
“Marina Abramović Made Me Cry”: performance and presence work in the affective economy	0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	0
Fates of the performative: From the linguistic turn to the new materialism	0
The viral politics of masks: pandemic resistance and ontological performance	0
Practically Perfect	0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography	0
Performing extinction stories: exploring creative responses to bee decline	0
Laughing at pink ribbon culture: Tig Notaro’s comedic subversion of the she-ro	0
(Re)Positioning site dance: local acts, global perspectives	0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia	0
How to see a superbloom	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton Als The Women	0
Embodiment and disembodiment in live art: from Grotowski to hologram	0
Freezing ontologies: making visible the messiness of working with theory	0
The performativity of comedic apologies	0
Sexual futures, queer gestures, and other Latina longings	0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	0
¡Presente! The politics of presence	0
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	0
Our conversation: a response to A Happily Married Man	0
Adapting to survive … and thrive	0
Killjoy pedagogy and the politics of a smile	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Adaptation as augmentation: performing writing as a means of survival	0
Embodied abject play: women “sex comics” and abject feminism	0
The Hundreds	0
Performance as narrative medicine	0