OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Critical aunty studies: an auntroduction	9
Do objects perform?: anthrolithic performance in Chaco Canyon	7
Mapping the “naturecultural turn” in performance studies	7
“Knowledge is like food”: qanruyutet on change and subsistence from John Smith	5
Recalling emotional recall: reflecting on the methodological significance of affective memory in autoethnography	4
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	2
Communication at the end of the world: affective material performativity and the nuclear danger sign	2
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	2
Auntylectuals: a nonce taxonomy of aunty-power	2
Skills and strategies of activist mermaids: from pretty to powerful pictures	2
Queer generativity: temporal collisions of Fred Astaire’s Dancing Lessons	2
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making	2
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	1
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: a recording of critical performance ethnography	1
Performativity confounded: agency, resistance, and the history of politeness	1
Laughing at pink ribbon culture: Tig Notaro’s comedic subversion of the she-ro	1
The viral politics of masks: pandemic resistance and ontological performance	1
Conquergood’s other: materializing the cultural text of Hmong and Latinx	1
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	1
Embodied abject play: women “sex comics” and abject feminism	1
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	1
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	1
Baton Rouge SLAM! An Obituary for Summer 2016	1
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear	1
Adaptation as augmentation: performing writing as a means of survival	1

#AfricanAunties: performing diasporic digital disbelongings on TikTok	1
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	1
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	1
Artistic research and the queer prophetic	1
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	1
Modest trickster: a response to Last Words	0
Queer freedom : Black sovereignty	0
Listen, performance: dropping a note for a future performer	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
White-expat-fans’ performing K-pop Other on YouTube	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
Reenvisioning the need for scholarship on and from Latinidad	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
Fates of the performative: From the linguistic turn to the new materialism	0
The Beekeeper of Aleppo: a transnational collaboration	0
Staging Process: The Aesthetic Politics of Collective Performance	0
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	0
Bodies in dialogue: offering a model for queer oral history	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Dear Your name here	0
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
Is she mad, or does she joke?	0
Freezing ontologies: making visible the messiness of working with theory	0
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography	0
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	0
The presence of the past: temporality, ontology, and the prehistory of performance	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
The performance of Last Words: a play of relational aesthetics	0
Correction	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
In regards to performance at the end of the world	0
American cultures as transnational performance: commons, skills, traces	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Inner monologues of a newbie CCPer	0
Ishtyle: Accenting Gay Indian Nightlife	0
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	0
Staging and intertextualizing Franz Kafka’s “in the penal colony”	0
Searching for the Captain’s House	0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia	0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand	0
¡Presente! The politics of presence	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	0

Performing a departmental archive: half a century of performance	0
Performing extinction stories: exploring creative responses to bee decline	0
Editor's farewell: gratitude and futures	0
The motion of invisible objects: aging queer desires	0
(Re)Positioning site dance: local acts, global perspectives	0
All in A moment: the bridge to an aesthetic life	0
Culturally-responsive devising as performance	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
What can we do? Performative refusal in Ikaria	0
Performance as narrative medicine	0
This bridge we call communication: Anzaldúan approaches to theory, method, and praxis	0
Adapting to survive … and thrive	0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	0
Digital performance in everyday life	0
The performance studies pendulum	0
Performing Arts in Prisons: Creative Perspectives	0
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	0
Black thoughts on Black notes	0
Unsettling performance (studies) in communication	0
A performance pedagogy of the small	0
Practically Perfect	0
The Countess holds me	0
At the nexus of gumption and intimacy	0
A Performance studies scholar adapts	0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
How to see a superbloom	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	0
Statement of Removal	0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography	0
Shitsex: recontaminating queer sex and theory	0
Towards a less perfect pedagogy	0
The performativity of comedic apologies	0
The Unruly Muse	0
Revolt of the body in stillness	0
When the audience becomes the performer: a response to Last Words	0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
The serious business of performance practice	0
The Sense of Brown	0
And so we adapt	0
On the anguish of going: an actor’s Endgame	0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
Performing ice (performing landscapes series)	0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	0
Moving through crisis in Mariana Valencia’s Solo B	0
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	0
Killjoy pedagogy and the politics of a smile	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
Dear sabbatical committee: a plea, a reverie, a provocation	0