OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
On the anguish of going: an actor’s Endgame	9
Baton Rouge SLAM! An Obituary for Summer 2016	8
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	7
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	5
Performing Arts in Prisons: Creative Perspectives	4
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	2
The serious business of performance practice	2
Culturally-responsive devising as performance	2
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	2
Is she mad, or does she joke?	2
The performance of Last Words: a play of relational aesthetics	2
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	2
A performance pedagogy of the small	1
Performance as narrative medicine	1
Killjoy pedagogy and the politics of a smile	1
Staging and intertextualizing Franz Kafka’s “in the penal colony”	1
The Unruly Muse	1
Performativity confounded: agency, resistance, and the history of politeness	1
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	1
Artistic research and the queer prophetic	1
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	1
Mapping the “naturecultural turn” in performance studies	1
The motion of invisible objects: aging queer desires	1
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	1
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	1

Inner monologues of a newbie CCPer	1
In regards to performance at the end of the world	1
Notes on Florida: a chaos narrative of everyday gay performances	1
Queer freedom : Black sovereignty	1
The viral politics of masks: pandemic resistance and ontological performance	1
Practically Perfect	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Recalling emotional recall: reflecting on the methodological significance of affective memory in autoethnography	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
Listen, performance: dropping a note for a future performer	0
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: a recording of critical performance ethnography	0
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	0
Messy-making methods, staged encounters, and who’s performance?	0
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making	0
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing	0
The Beekeeper of Aleppo: a transnational collaboration	0
A Performance studies scholar adapts	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
The Sense of Brown	0
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0
And so we adapt	0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
Fates of the performative: From the linguistic turn to the new materialism	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
All in A moment: the bridge to an aesthetic life	0
The Countess holds me	0
Laughing at pink ribbon culture: Tig Notaro’s comedic subversion of the she-ro	0
(Re)Positioning site dance: local acts, global perspectives	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”	0
Performing a departmental archive: half a century of performance	0
Shitsex: recontaminating queer sex and theory	0
#AfricanAunties: performing diasporic digital disbelongings on TikTok	0
“Knowledge is like food”: qanruyutet on change and subsistence from John Smith	0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance	0
Correction	0
Auntylectuals: a nonce taxonomy of aunty-power	0
Reenvisioning the need for scholarship on and from Latinidad	0
Statement of Removal	0
Dear sabbatical committee: a plea, a reverie, a provocation	0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
Conquergood’s other: materializing the cultural text of Hmong and Latinx	0
White-expat-fans’ performing K-pop Other on YouTube	0

Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
Towards a less perfect pedagogy	0
Critical aunty studies: an auntroduction	0
Do objects perform?: anthrolithic performance in Chaco Canyon	0
At the nexus of gumption and intimacy	0
The presence of the past: temporality, ontology, and the prehistory of performance	0
Performing ice (performing landscapes series)	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
This bridge we call communication: Anzaldúan approaches to theory, method, and praxis	0
Skills and strategies of activist mermaids: from pretty to powerful pictures	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
The performativity of comedic apologies	0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
Searching for the Captain’s House	0
When the audience becomes the performer: a response to Last Words	0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
Digital performance in everyday life	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
Adaptation as augmentation: performing writing as a means of survival	0
Unsettling performance (studies) in communication	0
The performance studies pendulum	0
American cultures as transnational performance: commons, skills, traces	0
Text and performance quarterly: in and of the humanities	0
¡Presente! The politics of presence	0
Ishtyle: Accenting Gay Indian Nightlife	0
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography	0
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear	0
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
Adapting to survive … and thrive	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Bodies in dialogue: offering a model for queer oral history	0
What can we do? Performative refusal in Ikaria	0
Embodied abject play: women “sex comics” and abject feminism	0
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	0
How to see a superbloom	0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver	0
Editor's farewell: gratitude and futures	0
My pen-pal, TPQ	0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand	0
Freezing ontologies: making visible the messiness of working with theory	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	0
What performance/studies does (now)	0
Dear Your name here	0
Modest trickster: a response to Last Words	0
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence	0
Revolt of the body in stillness	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	0
Performing extinction stories: exploring creative responses to bee decline	0
Queer generativity: temporal collisions of Fred Astaire’s Dancing Lessons	0
Moving through crisis in Mariana Valencia’s Solo B	0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
Staging Process: The Aesthetic Politics of Collective Performance	0
Black thoughts on Black notes	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0