OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	11
The motion of invisible objects: aging queer desires	4
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography	4
When the audience becomes the performer: a response to Last Words	3
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	3
Personal narrative fiction	2
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	2
The presence of the past: temporality, ontology, and the prehistory of performance	2
Staging Process: The Aesthetic Politics of Collective Performance	2
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	2
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	2
And so we adapt	2
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	2
Correction	2
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work	1
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	1
Notes on Florida: a chaos narrative of everyday gay performances	1
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	1
Is she mad, or does she joke?	1
This bridge we call communication: Anzaldúan approaches to theory, method, and praxis	1
Conquergood’s other: materializing the cultural text of Hmong and Latinx	1
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	1
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence	1
Bodies in dialogue: offering a model for queer oral history	1
Freezing ontologies: making visible the messiness of working with theory	1

The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	1
Text and performance quarterly: in and of the humanities	1
Searching for the Captain’s House	0
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
Inner monologues of a newbie CCPer	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	0
An accounting from Dr. Ahlam Muhtaseb	0
In regards to performance at the end of the world	0
Letter to the Editor	0
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
Archipelagic performance	0
Disability works: performance after rehabilitation	0
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
Staging and intertextualizing Franz Kafka’s “in the penal colony”	0
Laboring toward a critical methodpraxis of care	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
Jotería communication studies: narrating theories of resistance	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Towards a less perfect pedagogy	0
Listen, performance: dropping a note for a future performer	0
A performance pedagogy of the small	0
All in A moment: the bridge to an aesthetic life	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
Dear Your name here	0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies	0
¡Presente! The politics of presence	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Unsettling performance (studies) in communication	0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
Reenvisioning the need for scholarship on and from Latinidad	0
Performativity confounded: agency, resistance, and the history of politeness	0
Statement of Removal	0
Posthumanist collaborations in performance studies: a praxis-based approach to qualitative inquiry	0
White-expat-fans’ performing K-pop Other on YouTube	0
Writing through grief: lessons on loss and love from my teacher mother	0
What performance/studies does (now)	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	0
Adaptation as augmentation: performing writing as a means of survival	0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
The Sense of Brown	0
On the anguish of going: an actor’s Endgame	0
Culturally-responsive devising as performance	0
Bitches unleashed: performance and embodied politics in favela funk	0

Ishtyle: Accenting Gay Indian Nightlife	0
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon	0
At the nexus of gumption and intimacy	0
Queer freedom : Black sovereignty	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
Fates of the performative: From the linguistic turn to the new materialism	0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance	0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing	0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand	0
Performing ice (performing landscapes series)	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
Revolt of the body in stillness	0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
How to see a superbloom	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0
Performing Arts in Prisons: Creative Perspectives	0
The performativity of comedic apologies	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
My pen-pal, TPQ	0
Modest trickster: a response to Last Words	0
What can we do? Performative refusal in Ikaria	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
The Countess holds me	0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver	0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia	0
Black thoughts on Black notes	0
In sickness and In health: confessions of a cowardly caregiver	0
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear	0
Digital performance in everyday life	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
Spaces for which I sledge	0
On the censoring of Dr. Ahlam Muhtaseb	0
(Re)Positioning site dance: local acts, global perspectives	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
The performance of Last Words: a play of relational aesthetics	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
The viral politics of masks: pandemic resistance and ontological performance	0
Performance as narrative medicine	0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	0
Killjoy pedagogy and the politics of a smile	0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health	0
Performing a departmental archive: half a century of performance	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
Messy-making methods, staged encounters, and who’s performance?	0
Adapting to survive … and thrive	0
The Unruly Muse	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
Auntylectuals: a nonce taxonomy of aunty-power	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
A Performance studies scholar adapts	0
The serious business of performance practice	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
The Beekeeper of Aleppo: a transnational collaboration	0
The performance studies pendulum	0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
Skills and strategies of activist mermaids: from pretty to powerful pictures	0
Performing extinction stories: exploring creative responses to bee decline	0
#AfricanAunties: performing diasporic digital disbelongings on TikTok	0
Dear sabbatical committee: a plea, a reverie, a provocation	0
Editor's farewell: gratitude and futures	0
Critical aunty studies: an auntroduction	0
Practically Perfect	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0
American cultures as transnational performance: commons, skills, traces	0
Moving through crisis in Mariana Valencia’s Solo B	0
Shitsex: recontaminating queer sex and theory	0