Lit-Literature Interpretation Theory

Papers
(The TQCC of Lit-Literature Interpretation Theory is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-07-01 to 2024-07-01.)
ArticleCitations
Fiction Passing for Non-Fiction: (Un)Real Identity and Fake News in The Human Stain1
Archival and Affective Displacements: The Ethics of Self-reflexivity, Shame, and Sacrifice in J.M. Coetzee’s Life-Writing1
Complex Slasher Characters in American Basic Cable Television1
Chasing David Copperfield’s Memory of a Stained Glass Window: Or, Meditations on the Postsecular and Postcritical1
Vietnam Vet Noir After 9/11: Quarry,Dog Soldiers, and the Anti-Ethical Appeal of a Contemporary Subgenre0
Sense and Sensibilityand Psychoanalysis: Jane Austen and the Kristevan Semiotic0
Emerging Trends in Horror Film and Television: Part 20
Processes of Abjection: Toward a Marxist Theory of Horror0
Introduction0
Friendship and Art in Valerie Martin’s I Give It to You0
Structural Racism and Just War Theory in Post-World War II America: Susan Choi and Toni Morrison on Violence, Imagination, and Human Flourishing0
Can Postcritique Handle a “Heaven-sent” Text?: Quranic Enchantment in Mohja Kahf’sThe Girl in the Tangerine Scarfand Ayad Akhtar’sAmerican Dervish0
Severe Pain and Good Faith: Just War Theory’s Right Intention in the Bush-Era Torture Memos0
The Secret History of HB-2: Bathroom Safety in the Eighteenth Century and Beyond0
Speaking Fees: Capital, Colony, and Reference in China Miéville’sEmbassytown0
“The Comrades are Sweet, but They Never Chat, They Make Speeches All the Time”: On Laughter and Linearity in Nancy Mitford’s The Pursuit of Love0
Wartime for Duz and Grape-Nut Flakes: Nostalgia, Capital, and War in Don DeLillo’s “Human Moments in World War III”0
Archives, Asylums, and Remembering Landscapes in Barry’s The Secret Scripture0
“See I Know How to Grab It”: Capturing Money in the Neoliberal Heist Film0
Reading As Conversation with the Overarching Blended Author (Or Roberto Bolaño): Joint Attention, Immersion, and Interaction0
“You Who Called Me Scout are Dead and in Your Grave”: Fathers and Daughters in Go Set a Watchman and to Kill a Mockingbird0
Speculative Formalism: Religion and Literature for a Postsecular Age0
“Maimed and Naked Monks in the Bloodslaked Dust”: Augustine, Aquinas, and Cormac McCarthy on Just War0
Children of the Culture Wars: Secularism, Aesthetics, and Judgments of Value in Zadie Smith’sOn Beauty0
Roads, Misogyny, and the Rape Culture in Joyce Carol Oates’ Rape: A Love Story and Cara Hoffman’s So Much Pretty0
Jennifer Egan’s Digital Archive: A Visit from the Goon Squad, Humanism, and the Digital Experience0
The Girl with All the Gifts: Eco-Zombiism, the Anthropocalypse, and Critical Lucidity0
The Trouble with Talking to God: Devotional Address in Jorie Graham’s Prayer Poetry0
“Live in Fragments No Longer. Only Connect.”: The Alienation and Self-Restoration of the Subject in Olga Tokarczuk’s Flights0
The Objects of Jane Gardam0
Contemporary Gothic Horror Cinema: The Imagined Pasts and Traumatic Ghosts of Crimson Peak (2015) and The Woman in Black (2012)0
From Superhero to Tragic Hero: Rethinking Genre and Character in Ryan Coogler’sBlack Panther0
The Book, Meaning, and Densities of Essential Forms in J.M. Coetzee’s Foe0
Barack Obama’s “Drone Speech” and the Meaning of “Just War” After 9/110
Natural Theology and the Revelation ofLittle Dorrit0
Man-Made Menopause and Architectural Embodiment in Herman Melville’s “I and My Chimney”0
Anachronism in the Anthropocene: Plural Temporalities and the Art of Noticing in Ruth Ozeki’s A Tale for the Time Being0
College Parochialism0
Metafiction, Lexical Ostentation, and Censorship in Umezaki Haruo’s “B-tō fūbutsushi”0
Wrestling with the Eco-Self in John Webster's Duchess of Malfi0
“The Spirit of Martyrdom is Over”: Irony, Communication, and Indifference in Daniel Defoe’sThe Shortest Way with the Dissenters(1702)0
Innocence, Provocation, and Moral Injury: The Problem of Discrimination in Phil Klay’s Redeployment0
The Limit Point of Hope: Black Theology and Gloria Naylor’s the Women of Brewster Place0
“The Spaces Between”: Bernadette Mayer’sMemoryand the Interstitial Archive0
Contemporary Basque Horror: Legado en los huesos (2019) and the Value of Regional Readings within National Traumas0
Literary Siblings, Decoloniality, and Delinking from the State: ReadingMoby-Dickat the Open City of Ritoque, Chile0
Defects of (Human) Nature? Cognitive Biases in Golding’s Lord of the Flies0
Finding Hope in the “Radical Ordinary”: Charles Dickens’s Perspectives on Christianity inBleak HouseandLittle Dorrit0
Einfühlung Als Gemeinschaft : Edith Stein, Emotional Numbing, and Anhedonia—A Way Forward0
“You Can’t Stop Picturing that Beautiful Handset”: The Found Phone Trope in Twenty-First-Century Media0
Against Rights: Jeremy Bentham on Sexual Liberty and Legal Reform0
“Prior Justification”: Neo-World War II Films as Rhetorical Appeals for “Just War” in the New Millennium0
Alex as the Product, Producer, and Consumer of Art in the Dilapidated State, in Anthony Burgess’s A Clockwork Orange0
Reading Contemporary American Warfare with Just War Theory0
Moments of Being, Moments of Nonbeing: Humanism and Posthumanism in Virginia Woolf’s “A Sketch of the Past” andTo the Lighthouse0
Hierarchies of Identity and Non-Belonging: The Unimagined Community in K. H. Lim’s Written in Black0
“Breaking the Frame:” The Role of Artmaking in Narratives of Migration and Diaspora0
Gastropods, Viruses, and Deep Time in The Sound of a Wild Snail Eating0
The Ghosts in the Machine: Screened Reality and the Desktop Film0
Reeducating The Sympathizer : Refugee Aesthetics and Intertextuality Recode the Western Canon0
Reparative Reading and Christian Anarchism0
Agency, Mobility, and Constraint in Neoliberal Fiction of Female Labor0
“Food Becomes a Measured Thing”: Family, Food, and Violence in Latina Memoir0
Psychoanalysis and the Politics of Prestige Horror0
Fanny’s Place in the Family: Useful Service and the Social Order inMansfield Park0
The Impossibility of (Not) Serving: Sovereignty and Subjectivity throughInfernoIX0
Being Vendible: Commodification and Agency in All’s Well That Ends Well0
Emerging Trends in Horror Film and Television: Part 10
Inoperativity and Forgiveness in Paul Muldoon’s “Dirty Data”10
After Peele: Get Out’s Influence on the Horror Genre and Beyond0
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