Lit-Literature Interpretation Theory

Papers
(The TQCC of Lit-Literature Interpretation Theory is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Archives for the Anthropocene: Planetary Memory in Contemporary Global South Literature2
Chasing David Copperfield’s Memory of a Stained Glass Window: Or, Meditations on the Postsecular and Postcritical1
Politics of Literature, Politics of the Archive1
Archives and Indigeneity: Appropriative Poetic Interventions in the Settler-Colonial Archive1
The Dream of Absolute Memory: On Digital Self-Representation1
Archival and Affective Displacements: The Ethics of Self-reflexivity, Shame, and Sacrifice in J.M. Coetzee’s Life-Writing1
Complex Slasher Characters in American Basic Cable Television1
“Live in Fragments No Longer. Only Connect.”: The Alienation and Self-Restoration of the Subject in Olga Tokarczuk’s Flights0
Jennifer Egan’s Digital Archive: A Visit from the Goon Squad, Humanism, and the Digital Experience0
“Prior Justification”: Neo-World War II Films as Rhetorical Appeals for “Just War” in the New Millennium0
Contemporary Gothic Horror Cinema: The Imagined Pasts and Traumatic Ghosts of Crimson Peak (2015) and The Woman in Black (2012)0
“You Can’t Stop Picturing that Beautiful Handset”: The Found Phone Trope in Twenty-First-Century Media0
Structural Racism and Just War Theory in Post-World War II America: Susan Choi and Toni Morrison on Violence, Imagination, and Human Flourishing0
Moments of Being, Moments of Nonbeing: Humanism and Posthumanism in Virginia Woolf’s “A Sketch of the Past” andTo the Lighthouse0
Severe Pain and Good Faith: Just War Theory’s Right Intention in the Bush-Era Torture Memos0
Barack Obama’s “Drone Speech” and the Meaning of “Just War” After 9/110
Speaking Fees: Capital, Colony, and Reference in China Miéville’sEmbassytown0
The Secret History of HB-2: Bathroom Safety in the Eighteenth Century and Beyond0
Reeducating The Sympathizer : Refugee Aesthetics and Intertextuality Recode the Western Canon0
Archives, Asylums, and Remembering Landscapes in Barry’s The Secret Scripture0
Agency, Mobility, and Constraint in Neoliberal Fiction of Female Labor0
Innocence, Provocation, and Moral Injury: The Problem of Discrimination in Phil Klay’s Redeployment0
Psychoanalysis and the Politics of Prestige Horror0
Fanny’s Place in the Family: Useful Service and the Social Order inMansfield Park0
Fiction Passing for Non-Fiction: (Un)Real Identity and Fake News in The Human Stain0
Literary Siblings, Decoloniality, and Delinking from the State: ReadingMoby-Dickat the Open City of Ritoque, Chile0
Contemporary Basque Horror: Legado en los huesos (2019) and the Value of Regional Readings within National Traumas0
Einfühlung Als Gemeinschaft : Edith Stein, Emotional Numbing, and Anhedonia—A Way Forward0
Defects of (Human) Nature? Cognitive Biases in Golding’s Lord of the Flies0
Against Rights: Jeremy Bentham on Sexual Liberty and Legal Reform0
Vietnam Vet Noir After 9/11: Quarry,Dog Soldiers, and the Anti-Ethical Appeal of a Contemporary Subgenre0
Introduction0
“Documentary Evidence”: Archival Agency in Hilary Mantel’s A Place of Greater Safety0
Emerging Trends in Horror Film and Television: Part 20
“The Comrades are Sweet, but They Never Chat, They Make Speeches All the Time”: On Laughter and Linearity in Nancy Mitford’s The Pursuit of Love0
The Book, Meaning, and Densities of Essential Forms in J.M. Coetzee’s Foe0
Can Postcritique Handle a “Heaven-sent” Text?: Quranic Enchantment in Mohja Kahf’sThe Girl in the Tangerine Scarfand Ayad Akhtar’sAmerican Dervish0
Natural Theology and the Revelation ofLittle Dorrit0
The Ghosts in the Machine: Screened Reality and the Desktop Film0
Gastropods, Viruses, and Deep Time in The Sound of a Wild Snail Eating0
Reparative Reading and Christian Anarchism0
Wartime for Duz and Grape-Nut Flakes: Nostalgia, Capital, and War in Don DeLillo’s “Human Moments in World War III”0
Wrestling with the Eco-Self in John Webster's Duchess of Malfi0
“See I Know How to Grab It”: Capturing Money in the Neoliberal Heist Film0
Speculative Formalism: Religion and Literature for a Postsecular Age0
“You Who Called Me Scout are Dead and in Your Grave”: Fathers and Daughters in Go Set a Watchman and to Kill a Mockingbird0
Being Vendible: Commodification and Agency in All’s Well That Ends Well0
The Impossibility of (Not) Serving: Sovereignty and Subjectivity throughInfernoIX0
After Peele: Get Out’s Influence on the Horror Genre and Beyond0
Emerging Trends in Horror Film and Television: Part 10
Sense and Sensibilityand Psychoanalysis: Jane Austen and the Kristevan Semiotic0
Inoperativity and Forgiveness in Paul Muldoon’s “Dirty Data”10
Processes of Abjection: Toward a Marxist Theory of Horror0
Finding Hope in the “Radical Ordinary”: Charles Dickens’s Perspectives on Christianity inBleak HouseandLittle Dorrit0
The Trouble with Talking to God: Devotional Address in Jorie Graham’s Prayer Poetry0
Reading Contemporary American Warfare with Just War Theory0
From Superhero to Tragic Hero: Rethinking Genre and Character in Ryan Coogler’sBlack Panther0
Hierarchies of Identity and Non-Belonging: The Unimagined Community in K. H. Lim’s Written in Black0
“Breaking the Frame:” The Role of Artmaking in Narratives of Migration and Diaspora0
A “New Continent of Data”: Pola Oloixarac’s Dark Constellations and the Latin American Jungle Novel0
College Parochialism0
Anachronism in the Anthropocene: Plural Temporalities and the Art of Noticing in Ruth Ozeki’s A Tale for the Time Being0
Man-Made Menopause and Architectural Embodiment in Herman Melville’s “I and My Chimney”0
Metafiction, Lexical Ostentation, and Censorship in Umezaki Haruo’s “B-tō fūbutsushi”0
“Food Becomes a Measured Thing”: Family, Food, and Violence in Latina Memoir0
“The Spirit of Martyrdom is Over”: Irony, Communication, and Indifference in Daniel Defoe’sThe Shortest Way with the Dissenters(1702)0
“The Spaces Between”: Bernadette Mayer’sMemoryand the Interstitial Archive0
The Limit Point of Hope: Black Theology and Gloria Naylor’s the Women of Brewster Place0
Children of the Culture Wars: Secularism, Aesthetics, and Judgments of Value in Zadie Smith’sOn Beauty0
“Maimed and Naked Monks in the Bloodslaked Dust”: Augustine, Aquinas, and Cormac McCarthy on Just War0
The Girl with All the Gifts: Eco-Zombiism, the Anthropocalypse, and Critical Lucidity0
Roads, Misogyny, and the Rape Culture in Joyce Carol Oates’ Rape: A Love Story and Cara Hoffman’s So Much Pretty0
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