OOIR: Observatory of International Research

Papers

(The TQCC of Lit-Literature Interpretation Theory is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
The Objects of Jane Gardam	1
Vietnam Vet Noir After 9/11: Quarry,Dog Soldiers, and the Anti-Ethical Appeal of a Contemporary Subgenre	1
Emerging Trends in Horror Film and Television: Part 2	1
“You Can’t Stop Picturing that Beautiful Handset”: The Found Phone Trope in Twenty-First-Century Media	1
The Book, Meaning, and Densities of Essential Forms in J.M. Coetzee’sFoe	0
Speculative Formalism: Religion and Literature for a Postsecular Age	0
“The Spirit of Martyrdom is Over”: Irony, Communication, and Indifference in Daniel Defoe’sThe Shortest Way with the Dissenters(1702)	0
After Peele: Get Out’s Influence on the Horror Genre and Beyond	0
“Maimed and Naked Monks in the Bloodslaked Dust”: Augustine, Aquinas, and Cormac McCarthy on Just War	0
Considering the Intersections of Class and Gender Through Utopia: Lena Jane Fry’s Other Worlds	0
Roads, Misogyny, and the Rape Culture in Joyce Carol Oates’ Rape: A Love Story and Cara Hoffman’s So Much Pretty	0
Einfühlung Als Gemeinschaft : Edith Stein, Emotional Numbing, and Anhedonia—A Way Forward	0
“Prior Justification”: Neo-World War II Films as Rhetorical Appeals for “Just War” in the New Millennium	0
Reading As Conversation with the Overarching Blended Author (Or Roberto Bolaño): Joint Attention, Immersion, and Interaction	0
Reading Contemporary American Warfare with Just War Theory	0
Moments of Being, Moments of Nonbeing: Humanism and Posthumanism in Virginia Woolf’s “A Sketch of the Past” andTo the Lighthouse	0
Collecting Clout: Wharton’s The House of Mirth in the Digital Age	0
Barack Obama’s “Drone Speech” and the Meaning of “Just War” After 9/11	0
Gastropods, Viruses, and Deep Time in The Sound of a Wild Snail Eating	0
Alex as the Product, Producer, and Consumer of Art in the Dilapidated State, in Anthony Burgess’s A Clockwork Orange	0
Complex Slasher Characters in American Basic Cable Television	0
The Secret History of HB-2: Bathroom Safety in the Eighteenth Century and Beyond	0
Wartime for Duz and Grape-Nut Flakes: Nostalgia, Capital, and War in Don DeLillo’s “Human Moments in World War III”	0
From Superhero to Tragic Hero: Rethinking Genre and Character in Ryan Coogler’sBlack Panther	0
Agency, Mobility, and Constraint in Neoliberal Fiction of Female Labor	0

Being Vendible: Commodification and Agency in All’s Well That Ends Well	0
The Limit Point of Hope: Black Theology and Gloria Naylor’s the Women of Brewster Place	0
Innocence, Provocation, and Moral Injury: The Problem of Discrimination in Phil Klay’s Redeployment	0
“You Who Called Me Scout are Dead and in Your Grave”: Fathers and Daughters in Go Set a Watchman and to Kill a Mockingbird	0
The Girl with All the Gifts: Eco-Zombiism, the Anthropocalypse, and Critical Lucidity	0
Defects of (Human) Nature? Cognitive Biases in Golding’s Lord of the Flies	0
“Live in Fragments No Longer. Only Connect.”: The Alienation and Self-Restoration of the Subject in Olga Tokarczuk’s Flights	0
Introduction	0
Structural Racism and Just War Theory in Post-World War II America: Susan Choi and Toni Morrison on Violence, Imagination, and Human Flourishing	0
“The Comrades are Sweet, but They Never Chat, They Make Speeches All the Time”: On Laughter and Linearity in Nancy Mitford’s The Pursuit of Love	0
Can Postcritique Handle a “Heaven-sent” Text?: Quranic Enchantment in Mohja Kahf’sThe Girl in the Tangerine Scarfand Ayad Akhtar’sAmerican Dervish	0
Hierarchies of Identity and Non-Belonging: The Unimagined Community in K. H. Lim’s Written in Black	0
Archival and Affective Displacements: The Ethics of Self-reflexivity, Shame, and Sacrifice in J.M. Coetzee’s Life-Writing	0
Anachronism in the Anthropocene: Plural Temporalities and the Art of Noticing in Ruth Ozeki’s A Tale for the Time Being	0
Friendship and Art in Valerie Martin’s I Give It to You	0
Contemporary Basque Horror:Legado en los huesos(2019) and the Value of Regional Readings within National Traumas	0
Reparative Reading and Christian Anarchism	0
Metafiction, Lexical Ostentation, and Censorship in Umezaki Haruo’s “B-tō fūbutsushi”	0
On the Edge of Oblivion: Transatlantic Women’s Poetry, First World War and Pacifism at the Turn of the Century	0
Fiction Passing for Non-Fiction: (Un)Real Identity and Fake News in The Human Stain	0
Literary Siblings, Decoloniality, and Delinking from the State: ReadingMoby-Dickat the Open City of Ritoque, Chile	0
The Impossibility of (Not) Serving: Sovereignty and Subjectivity throughInfernoIX	0
Poetics and Politics of Seclusion : Approaching Purdah Through Intersectionality in Select Works of Indian Female Authors	0
Emerging Trends in Horror Film and Television: Part 1	0
Sense and Sensibilityand Psychoanalysis: Jane Austen and the Kristevan Semiotic	0
Inoperativity and Forgiveness in Paul Muldoon’s “Dirty Data”¹	0
Processes of Abjection: Toward a Marxist Theory of Horror	0
“See I Know How to Grab It”: Capturing Money in the Neoliberal Heist Film	0
Wrestling with the Eco-Self in John Webster's Duchess of Malfi	0
LIT Special Issue I Introduction: Intersectional Feminism and Barriers to Representation at the Turn of the Century	0
“Breaking the Frame:” The Role of Artmaking in Narratives of Migration and Diaspora	0
Severe Pain and Good Faith: Just War Theory’s Right Intention in the Bush-Era Torture Memos	0
The Ghosts in the Machine: Screened Reality and the Desktop Film	0
Psychoanalysis and the Politics of Prestige Horror	0
College Parochialism	0
Reeducating The Sympathizer : Refugee Aesthetics and Intertextuality Recode the Western Canon	0
Contemporary Gothic Horror Cinema: The Imagined Pasts and Traumatic Ghosts of Crimson Peak (2015) and The Woman in Black (2012)	0