Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of M46
Community as the material basis of creative citizenship in Taiwan and Hong Kong21
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)17
Correction12
Anime’s Knowledge Cultures: Geek, Otaku, Zhai12
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’11
A state against boys’ love? Reviewing the trajectory of censorship over danmei10
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’9
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media8
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson8
The politics and infrastructures of affect in the ‘battle’: making responsible bodies in the early COVID-19 pandemic7
Soft infrastructural visibility and the rhythms of queer media in Hong Kong6
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic6
Bronze and scarlet: the material culture of commemoration6
Guilt and migrant experience in Australia: narratives of happiness and hatred6
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan6
Youth arts as popular education: Cultural Studies at the edges of the creative industries5
When I grow up, I want to be nothing at all : opacity, friction, refusal, and third-wave emo performances of nonbinary5
“An active and generative process”: encountering death with Ross Gibson5
‘Orlando in Oxbridge’ (for Virginia Woolf)5
Precarious love of eSports players in China: work-and-play amidst love and precarity4
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand4
Sport has never been binary: fragments of a provocation4
Fatalist attraction: structure of feeling in great recession fiction4
Terror: live4
Dreaming Down the Track: Awakenings in Aboriginal Cinema4
Restricting young people from digital platforms in Australia: the experience of digital harms and freedom of expression in community support for youth social media age bans4
‘Pioneers of culture’: Australian natural history and the German colonial imaginary4
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’4
The ethics of welcome in place: LGBTQ+ migrants to South Australia4
Algorithms, affordances and the ambiguity of credit on TikTok4
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia4
‘Every memory-soaked element in this lively landscape’: Ross Gibson’s fictive speculations3
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures3
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure3
Account-sharing programme: beyond piracy streaming platforms in Indonesia3
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok3
Nonbinary and the limits of gender-affirming medical care: towards gender-negative care3
Ancestors on motorbikes: cosmic rays bring retribution3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries3
Correction3
Jack Johnson’s quiet activism3
The diaspora queers back: reflections on rebetology and zine-making3
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China2
XR support in the frame: the creative extended reality ecosystem in Australia2
Special issue introduction: reflecting on TikTok creators and digital economies2
Indonesian critiques of the new musical system2
The ‘poietic’ turn: creative arts research in the academy2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
Asian celebrity cultures in the digital age2
LGBTQA+ allies and activism: past, present and future perspectives2
Animal activism on and off screen2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme2
Field recordings as invitation and transportation2
Beyond the spectacle: everyday witnessing for we that are here2
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory2
TikTok’s tools: The politics of platform tools for cultural production2
A moving view: an introduction to Our Sentimental Natures2
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere2
Shaping old media on new media: vinyl revival and its representation on Chinese social media2
After mass media: storytelling for microaudiences in the twenty-first century2
Between the superhero and the supercrip: Deaf Gain, exceptionalism and normality in contemporary film and television2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
#Runningupthathill, revival and popular music fandom on TikTok1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
This non-binary body as protest1
Transnational suburbia: suburban settings in Australian video games1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “ A City of Sadness ”1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo1
Climate nags: Affect and the convergence of global risk in online networks1
Imagining utopian futures in the present using nonbinary self-portraiture1
Searching for belonging in exile: rohingya refugees, religion and media narratives1
Correction1
Correction1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-191
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
Migration and immigration in Europe and its edges1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
‘What awaits us’: the life-worlds of post-war migration1
Precarious encounters: queer politics and dispossessed straight men on a Chinese online forum1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
Commercializing desire for platform economics: digital romance in China’s platformization age1
Print, power, and modernity: the political economy of newspapers in Afghanistan before 19791
Sounding otherwise: sensory politics and platform resistance in Chinese blind podcasting1
Cult baby: I am monster1
Between commodification and politicization: the social invention of Bella Ciao1
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
Celebrating 30 years of the CSAA1
Culture in practice1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea1
The viral turn: rethinking virality in the creator economy on TikTok1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television1
Introduction to the Ross Gibson memorial issue1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
Fringe to famous1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays1
Conspiracy Theories in the Time of Covid-191
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media1
(Un)happy objects in the South Korean plastic surgery reality television Let Me In (2011–2015) and the Escape the Corset Movement1
The practices of care: extinction and de-colonization in the natural history museum1
Trans-sono-spatial: toward a nonbinary ontology of embodiment, sound, and space1
Birth Family Search (Part 1)1
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 21
Modernity and indigeneity: Australian self-representation at the Osaka expositions of 1970 and 20251
Nonbinary on screen (on stolen Land): reading television representations for the colonial project of gender1
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