Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
A state against boys’ love? Reviewing the trajectory of censorship over danmei29
Community as the material basis of creative citizenship in Taiwan and Hong Kong18
Correction16
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)14
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’14
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’13
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise11
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand10
Guilt and migrant experience in Australia: narratives of happiness and hatred10
Youth arts as popular education: Cultural Studies at the edges of the creative industries10
Producing multiculturalism: casting and editing migrants in Korean reality television9
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic9
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan8
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media8
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson8
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia8
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space8
Critical data provenance as a methodology for studying how language conceals data ethics7
Afterword: troubling the dark social7
Algorithms, affordances and the ambiguity of credit on TikTok7
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi6
Terror: live6
Fake histories? Original bands, contemporary formations and Little River Band6
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries5
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making5
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?5
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok5
Fatalist attraction: structure of feeling in great recession fiction5
Precarious love of eSports players in China: work-and-play amidst love and precarity5
‘Pioneers of culture’: Australian natural history and the German colonial imaginary5
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED5
Jack Johnson’s quiet activism5
The diaspora queers back: reflections on rebetology and zine-making4
Account-sharing programme: beyond piracy streaming platforms in Indonesia4
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness4
XR support in the frame: the creative extended reality ecosystem in Australia4
Correction4
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures4
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Introduction: media and fakery3
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art3
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme3
Beyond the spectacle: everyday witnessing for we that are here3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
Failure to thrive: incels, boys and feminism3
TikTok’s tools: The politics of platform tools for cultural production3
Feminism and the politics of resilience: essays on gender, media and the end of welfare2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
Conspiracy Theories in the Time of Covid-192
Cultural Studies and critical allyship in the settler colonial academe2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Field recordings as invitation and transportation2
Animal activism on and off screen2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
The ‘poietic’ turn: creative arts research in the academy2
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies2
LGBTQA+ allies and activism: past, present and future perspectives2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic2
Indonesian critiques of the new musical system2
A moving view: an introduction to Our Sentimental Natures2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
Stranger Things: boys and feminism2
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education2
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
Migration and immigration in Europe and its edges1
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
Live streaming funerals: constructing togetherness and belonging in the mediatization era1
Climate nags: Affect and the convergence of global risk in online networks1
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it1
Between commodification and politicization: the social invention of Bella Ciao1
‘What awaits us’: the life-worlds of post-war migration1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century1
Introduction: from broken systems towards extended possibilities of XR technologies1
Making bodies, craft skills and the legacies of policy ‘blokeism’1
Birth Family Search (Part 1)1
Correction1
Dark, clear or brackish? Using Reddit to break down the binary of the dark and clear web1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
Celebrating 30 years of the CSAA1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
#Runningupthathill, revival and popular music fandom on TikTok1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
Fringe to famous1
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Great AI divides? Automated decision-making technologies and dreams of development1
Commercializing desire for platform economics: digital romance in China’s platformization age1
Transnational suburbia: suburban settings in Australian video games1
Continuum Acknowledgements 20241
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-191
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
Art-making for political ecology: practice, poetics and activism through enchantment1
Culture in practice1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war1
The affective pressures of WhatsApp: from safe spaces to conspiratorial publics1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays1
The darker turn of intimate machines: dark webs and (post)social media1
Correction1
Shedding light on ‘dark’ ads1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil1
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms1
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis1
The practices of care: extinction and de-colonization in the natural history museum1
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