Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-07-01 to 2026-07-01.)
ArticleCitations
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of M49
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)22
Anime’s Knowledge Cultures: Geek, Otaku, Zhai17
Correction13
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’12
Community as the material basis of creative citizenship in Taiwan and Hong Kong11
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’11
A state against boys’ love? Reviewing the trajectory of censorship over danmei11
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson10
The politics and infrastructures of affect in the ‘battle’: making responsible bodies in the early COVID-19 pandemic8
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media8
Guilt and migrant experience in Australia: narratives of happiness and hatred7
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic6
Soft infrastructural visibility and the rhythms of queer media in Hong Kong6
“An active and generative process”: encountering death with Ross Gibson6
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan6
Bronze and scarlet: the material culture of commemoration6
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand5
‘Orlando in Oxbridge’ (for Virginia Woolf)5
Dreaming Down the Track: Awakenings in Aboriginal Cinema5
When I grow up, I want to be nothing at all : opacity, friction, refusal, and third-wave emo performances of nonbinary5
Youth arts as popular education: Cultural Studies at the edges of the creative industries5
The ethics of welcome in place: LGBTQ+ migrants to South Australia4
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’4
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia4
Precarious love of eSports players in China: work-and-play amidst love and precarity4
Algorithms, affordances and the ambiguity of credit on TikTok4
‘Pioneers of culture’: Australian natural history and the German colonial imaginary4
Terror: live4
Fatalist attraction: structure of feeling in great recession fiction4
Sport has never been binary: fragments of a provocation4
‘Every memory-soaked element in this lively landscape’: Ross Gibson’s fictive speculations4
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok4
Nonbinary and the limits of gender-affirming medical care: towards gender-negative care3
Correction3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
The diaspora queers back: reflections on rebetology and zine-making3
Account-sharing programme: beyond piracy streaming platforms in Indonesia3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures3
Restricting young people from digital platforms in Australia: the experience of digital harms and freedom of expression in community support for youth social media age bans3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure3
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere3
Jack Johnson’s quiet activism3
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries3
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness3
Ancestors on motorbikes: cosmic rays bring retribution3
XR support in the frame: the creative extended reality ecosystem in Australia3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art2
A moving view: an introduction to Our Sentimental Natures2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok2
Shaping old media on new media: vinyl revival and its representation on Chinese social media2
Animal activism on and off screen2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility2
Asian celebrity cultures in the digital age2
Special issue introduction: reflecting on TikTok creators and digital economies2
Hybrid futures and white nostalgia: Kamala Harris in the age of Trump2
After mass media: storytelling for microaudiences in the twenty-first century2
Field recordings as invitation and transportation2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China2
Cult baby: I am monster2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory2
Between the superhero and the supercrip: Deaf Gain, exceptionalism and normality in contemporary film and television2
Indonesian critiques of the new musical system2
Beyond the spectacle: everyday witnessing for we that are here2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme2
TikTok’s tools: The politics of platform tools for cultural production2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
LGBTQA+ allies and activism: past, present and future perspectives2
This non-binary body as protest1
Nonbinary on screen (on stolen Land): reading television representations for the colonial project of gender1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays1
‘What awaits us’: the life-worlds of post-war migration1
Sounding otherwise: sensory politics and platform resistance in Chinese blind podcasting1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
Transnational suburbia: suburban settings in Australian video games1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media1
Vivacious curation: Ross Gibson on the contemporary museum1
Correction1
Trans-sono-spatial: toward a nonbinary ontology of embodiment, sound, and space1
Precarious encounters: queer politics and dispossessed straight men on a Chinese online forum1
Modernity and indigeneity: Australian self-representation at the Osaka expositions of 1970 and 20251
Migration and immigration in Europe and its edges1
Commercializing desire for platform economics: digital romance in China’s platformization age1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo1
Climate nags: Affect and the convergence of global risk in online networks1
Imagining utopian futures in the present using nonbinary self-portraiture1
The ‘poietic’ turn: creative arts research in the academy1
The practices of care: extinction and de-colonization in the natural history museum1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Culture in practice1
The two revolutions, a history of the transgender internet1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television1
Bodies in flux, cultural studies and the current critical climate1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-191
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
Celebrating 30 years of the CSAA1
Fringe to famous1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
Algorithmic visual cultures: human vision, machines, and the case of CAPTCHAs1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “ A City of Sadness ”1
(Un)happy objects in the South Korean plastic surgery reality television Let Me In (2011–2015) and the Escape the Corset Movement1
The viral turn: rethinking virality in the creator economy on TikTok1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
Conspiracy Theories in the Time of Covid-191
Searching for belonging in exile: rohingya refugees, religion and media narratives1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war1
Between commodification and politicization: the social invention of Bella Ciao1
Birth Family Search (Part 1)1
Continuum Acknowledgements 20241
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil1
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms1
Correction1
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 21
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea1
Introduction to the Ross Gibson memorial issue1
Print, power, and modernity: the political economy of newspapers in Afghanistan before 19791
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
#Runningupthathill, revival and popular music fandom on TikTok1
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