Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Community as the material basis of creative citizenship in Taiwan and Hong Kong36
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of Molly Johnson22
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’17
A state against boys’ love? Reviewing the trajectory of censorship over danmei16
Correction12
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’11
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)11
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson9
“An active and generative process”: encountering death with Ross Gibson8
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan8
Guilt and migrant experience in Australia: narratives of happiness and hatred8
Youth arts as popular education: Cultural Studies at the edges of the creative industries8
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic8
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand7
Producing multiculturalism: casting and editing migrants in Korean reality television7
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media7
The ethics of welcome in place: LGBTQ+ migrants to South Australia6
Algorithms, affordances and the ambiguity of credit on TikTok6
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’5
Terror: live5
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia5
Precarious love of eSports players in China: work-and-play amidst love and precarity5
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi5
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries5
Fake histories? Original bands, contemporary formations and Little River Band5
‘Pioneers of culture’: Australian natural history and the German colonial imaginary4
Fatalist attraction: structure of feeling in great recession fiction4
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?4
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia4
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok4
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED4
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure3
The diaspora queers back: reflections on rebetology and zine-making3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
XR support in the frame: the creative extended reality ecosystem in Australia3
Account-sharing programme: beyond piracy streaming platforms in Indonesia3
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness3
Jack Johnson’s quiet activism3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere2
TikTok’s tools: The politics of platform tools for cultural production2
Special issue introduction: reflecting on TikTok creators and digital economies2
A moving view: an introduction to Our Sentimental Natures2
Animal activism on and off screen2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory2
Correction2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok2
Beyond the spectacle: everyday witnessing for we that are here2
Introduction: media and fakery2
Field recordings as invitation and transportation2
Cultural Studies and critical allyship in the settler colonial academe2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media2
Ancestors on motorbikes: cosmic rays bring retribution2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China2
Indonesian critiques of the new musical system2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
LGBTQA+ allies and activism: past, present and future perspectives2
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
Making bodies, craft skills and the legacies of policy ‘blokeism’1
Art-making for political ecology: practice, poetics and activism through enchantment1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war1
Correction1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
Between commodification and politicization: the social invention of Bella Ciao1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil1
The practices of care: extinction and de-colonization in the natural history museum1
The ‘poietic’ turn: creative arts research in the academy1
Conspiracy Theories in the Time of Covid-191
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism1
Feminism and the politics of resilience: essays on gender, media and the end of welfare1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea1
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II1
Introduction to the Ross Gibson memorial issue1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays1
Migration and immigration in Europe and its edges1
Correction1
Commercializing desire for platform economics: digital romance in China’s platformization age1
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it1
Bodies in flux, cultural studies and the current critical climate1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
Transnational suburbia: suburban settings in Australian video games1
Live streaming funerals: constructing togetherness and belonging in the mediatization era1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
Culture in practice1
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones1
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope1
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education1
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse1
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk1
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s1
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan1
Celebrating 30 years of the CSAA1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis1
#Runningupthathill, revival and popular music fandom on TikTok1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
Birth Family Search (Part 1)1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “A City of Sadness”1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
Fringe to famous1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
‘What awaits us’: the life-worlds of post-war migration1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media1
Revaluing the Eros Collection for Australian cultural histories1
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers1
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 21
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-191
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses1
Climate nags: Affect and the convergence of global risk in online networks1
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