Continuum-Journal of Media & Cultural Studies

Article	Citations
Neoliberalism and the undead gothic subject in Daybreakers	23
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history	17
The colonial project of gender: trans joy, queerness in practice, coloniality in turmoil	11
Theory for the world to come: speculative fiction and apocalyptic anthropology	11
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance	11
Editing After Exit – Alienation and Counter–Alienation in the Cultures of Cultural Studies Journals	9
Not suiting the bureau: Tom O’Regan’s early work	9
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis	8
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship	8
Birth Family Search (Part 1)	7
Happy Valley	7
Race and the suburbs in American film	7
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees	7
English teaching and media education: the (lost) legacies of Cultural Studies	7
The web series: empowering diversity on the Australian screen	6
Chinese-language digital news media in Australia: new narratives of hybrid identities	6
Art-making for political ecology: practice, poetics and activism through enchantment	6
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder	5
Field recordings as invitation and transportation	5
A moving view: an introduction to Our Sentimental Natures	5
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education	4
Underrated, overlooked, suppressed, discarded: canonical discourse and 1980s rock music from Australia and New Zealand	4
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)	4
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’	4
The Rassemblement National on social media: the online rewards of gendered political speech for radical right politicians	4

Resisting division: migrant sex work and “New Zealand working girls”	4
Vive la république européenne? Reading The European Balcony Project as artistic counter-public	4
Unearthing the code of Gondwana VR	3
Caring for clothes: how and why people maintain garments in regular use	3
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)	3
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia	3
Climate change and SIDS in the transpacific region: flows of people, capital and goods	3
Indigenous Cinema, the camera ashore, andHouse Made of Dawn	3
Citizenship and neoliberalism: pandemic horror in Latin America	3
Indonesian critiques of the new musical system	3
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students	3
Pandemic citizenship: introduction	3
Migrant placemaking and authorship: digital storytelling by Chinese interprovincial students	3
Dark, clear or brackish? Using Reddit to break down the binary of the dark and clear web	3
The practices of care: extinction and de-colonization in the natural history museum	3
Translation of deconstructivism in the Romanian post-communist transition interval	3
Correction	2
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’	2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art	2
Vampiric love: Autoimmunization, Romanticism and sacrifice in F.W. Murnau’s Nosferatu	2
Youth arts as popular education: Cultural Studies at the edges of the creative industries	2
Industry dialogue: navigating complexity in the future of fashion	2
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling	2
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue	2
‘I Blame House Hunters’: How real estate agents use property TV to manage clients and establish expertise	2
Culture in practice	2
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell	2
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic	2
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’	2
Correction	2
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom	2
A state against boys’ love? Reviewing the trajectory of censorship over danmei	2
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy	2
The politics of the representation of Christian women characters in select Hindi films	2
Correction	2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II	1
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand	1
Transgression, resistance and independent art in contemporary russia	1
A post-secular journey	1
Cultural nationalism, Australian media studies, and Tom O’Regan	1
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU	1
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media	1
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)	1
Ungrievable lives and the ensemble of opinions	1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)	1
Streaming platform imaginaries: audiences and Southeast Asian streaming	1
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia	1
Between commodification and politicization: the social invention of Bella Ciao	1
Contemporary drag practices and performers: drag in a changing scene volume 1	1
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series	1

Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic	1
Archives and autographics: reanimating diaspora in the Transpacific	1
Communities, connections, and careers: building personal and professional networks through community media work	1
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses	1
LGBTQA+ allies and activism: past, present and future perspectives	1
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century	1
Back catalogue touring and the ephemeral archive: personal memory and popular music heritage	1
Proud to be not beautiful: navigating affects in the rebellious body project of Chinese TuoMeiYi feminism	1
Cultural Studies and critical allyship in the settler colonial academe	1
Producing multiculturalism: casting and editing migrants in Korean reality television	1
Transnational suburbia: suburban settings in Australian video games	1
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China	1
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation	1
Representing Aboriginal Childhood: The politics of memory and forgetting in Australia	1
Shedding light on ‘dark’ ads	1
The darker turn of intimate machines: dark webs and (post)social media	1
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research	1
Notes on Transkids: an affirmative feminist study of transgender boyhood in Israel’s sexual modernity	1
Guilt and migrant experience in Australia: narratives of happiness and hatred	1
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space	1
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan	1
Stranger Things: boys and feminism	1
Vampiric transformations: the popular politics of the (post) romantic vampire	1
Overcoming ‘confirmation bias’ and the persistence of conspiratorial types of thinking	1
‘Just like us’: community radio broadcasters and the on-air performance of community identity	1
Vampire apocalypse and the evolutionary sublime: the ‘End of Days’ in John Logan’sPenny Dreadful	1
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context	1
Mental and social scotoma represented and worked through in the television series Our Boys (Levi, Ceder and Abu-Wael 2019)	1
Some reflections on the ‘policy moment’	1
Figured actions in the Transformers action figure, nonnormative positivism, disability, and transformation	1
Fashion futures and critical fashion studies	0
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction	0
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies	0
The affective cultural commons of Hong Kong’s pro-democracy movement and figurations of the anonymous protestor	0
North Korea and the ‘Peace Games’: media representations of sport and politics at the 2018 winter Olympics	0
Conceptualizing heritaging in the representation of the revival of the record store and vinyl	0
Feedback, difference, and remediation: post-war Taiwanese covers of Shanghai shidaiqu	0
Autographics as autoethnography: comic book adventures of a migrant academic	0
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood	0
Fight for the Wild: emotion and place in conservation, community formation, and national identity	0
Quiet celebrity in the time of pandemic: stripping away artifice in performances of self, cultures of citizenship, and community care	0
Correction	0
Southeast Asian shapeshifters in the age of streaming: minor transnationalism, horror and reimagining MUBI in Malaysia	0
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures	0
Growing violence: the image of the boy in Australian domestic violence prevention campaigns	0
Jack Johnson’s quiet activism	0
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan	0
In pursuit of happiness: motivations for urban to rural migration in Turkey	0
The Claremont serial killer and the production of class-based suburbia in serial killer mythology	0
Continuum Acknowledgements 2024	0
Surveillance, citizenship and the state in Humans (2015-2018)	0
Capital, labour and currency: book love in the economy of young adult publishing	0
‘The race for space’: capitalism, the country and the city in Britain under COVID-19	0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia	0
Global anniversaries and cultural rupture: September 11, COVID-19 and ethical cultural change	0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick	0
The ‘poietic’ turn: creative arts research in the academy	0
The acoustemology of Hong Kong in protest: a sonic understanding of the Anti-Extradition Law Amendment Bill Movement	0
Browning’s Dracula and the development of the classical screen vampire: genre, form, and figure	0
Introduction: from broken systems towards extended possibilities of XR technologies	0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context	0
The pastoral station: an overlooked ‘outback’ location space in Australia’s regional screen history	0
Mooncalf Menstrual Meat (MMM)	0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic	0
A queer feast of memories: using archives in festival research	0
Seeking connections across constellations: a reflection on Tom O’Regan	0
A sense of home: two migrant personas during COVID-19	0
Handshakes and hashtags: how changing social interactions make us feel awkward	0
What’s the use?: on the uses of use	0
XR support in the frame: the creative extended reality ecosystem in Australia	0
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China	0
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference	0
Great AI divides? Automated decision-making technologies and dreams of development	0
Year zero of tomorrow’s pasts	0
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’sFaking it	0
Commercializing desire for platform economics: digital romance in China’s platformization age	0
Reluctant selfies: older people, social media sharing and digital inclusion	0
This hashtag is just my style: popular feminism & digital fashion activism	0
Researching audiences in Surabaya: an initial engagement with Brian Shoesmith to study the Indonesian television audience (1993-1995)	0
Critical data provenance as a methodology for studying how language conceals data ethics	0

Doing the Nutbush: how Australia got its very own line dance	0
(Auto)Theorizing the maternal interval: Burlesque performance as creative research	0
Introduction: the cultural deliberation of Europe	0
Feminism and the politics of resilience: essays on gender, media and the end of welfare	0
Bullshit human rights: Breitbart News’ “Cartel Chronicles” and the militarized framing of humanitarian crisis on the US-Mexico border	0
Account-sharing programme: beyond piracy streaming platforms in Indonesia	0
Biscuit production and consumption as war re-enactment	0
B is for Baempaieo: the rise of K-vampires	0
Live streaming funerals: constructing togetherness and belonging in the mediatization era	0
Mapping Shadows of the Bight: a road trip residency	0
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation	0
Introduction: media and fakery	0
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum	0
Chinese-Australians, media consumption, and the politics of belonging	0
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope	0
The cultural politics of East-West encounter in Crazy Rich Asians	0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism	0
Durian matters	0
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making	0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film	0
Revaluing the Eros Collection for Australian cultural histories	0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience	0
Rethinking value: ‘radical transparency’ in fashion	0
Provocation in women’s filmmaking: authorship and art cinema	0
Beyond smell and sensationalism: remixing durian for and by Asians and Asian Canadians in Canada	0
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme	0
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse	0
Register phenomena as international news: risk, register, and translation in Japanese coverage of quotes from the 2020 US presidential debate	0
The digital superhero: conspiracy and convergence	0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards	0
The unpopular (manosphere) men of popular feminism	0
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada	0
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction	0
Failure to thrive: incels, boys and feminism	0
Nihonjinafter 3.11: the construction of Japaneseness in times of national crisis	0
Harold A. Innis, Asian media and dependency theory: remembering the work of Brian Shoesmith	0
Beyond the spectacle: everyday witnessing for we that are here	0
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia	0
Some reflections on Tom O’Regan’s “Some Reflections on the ‘Policy Moment’”	0
Making bodies, craft skills and the legacies of policy ‘blokeism’	0
Dark web advertising: the dark magic system on Tor hidden service search engines	0
Ghosts of modernity, warnings of Urban Transience: Hallam Towers expedition, 17th January 2012. Illustrations from the ‘book of humanity’	0
Media portrayals of binational couples in90 Day Fiancé	0
Afterword: The fake and the authentic	0
Book publicists and the labour of cultural intermediation	0
Misadventure in Little Lon: augmented reality and the question of historical ’presence’	0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia	0
Suicide, depression and mental disorder in vampire fiction: when the world starts crumbling	0
Afterword: troubling the dark social	0
Two or three things I know about Tom	0
Digital books and the far right	0
Complicit masculinity and the serialization of violence: notes from Australian cinema	0
Hong Kong vampire films: anxious imaginings of death and illness	0
Bad actors never sleep: content manipulation on Reddit	0
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram	0
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site	0
Dracula’s other modernity: liberalism and ‘Life’ at the fin de siècle	0
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms	0
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media	0
Self-presentation of grey-haired influencers on TikTok: active ageing in China	0
The cultural economy of Xiangqin: an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones	0
Correction	0
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers	0
From grassroots to dissent: media activism and campaigning for equality, diversity and inclusion in media industries	0
Cultural Studies and education: a dialogue of ‘disciplines’?	0
Bodies in flux, cultural studies and the current critical climate	0
Lesbian separatism and identity development: making space for themselves	0
#HereToStay: murals of resistance and civic engagement	0
LGBTQ+ collecting institutions: the culture of strategic management, motivation and professionalization	0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices	0
Deepfakes and documentary practice in an age of misinformation	0
Contested Spaces : an interdisciplinary collaboration	0
Beyond a queer utopia: interrogating misogyny in transnational boys love media	0
Cathy Freeman, reconciliation and the burden of history	0
Normporn: queer viewers and the TV that soothes us	0
Getting research funded: five essential rules for early career researchers	0
A pandemic of creative loneliness	0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix	0
Queering primary initial teacher education	0
Corridor talk: conversing with Tom O’Regan	0
Cultivating the audience: adaptation as technique in the case of Wake in Fright for Australia’s network 10	0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing	0
Cosplay as vernacular adaptation: the argument for adaptation scholarship in media and cultural studies	0
Re-reading Personal Influence in an age of social media	0
Multiplicity, relationality, and petal avatars: Thatgamecompany’sFloweras an identity model	0
The temporality of community sentiment on the Australian continent: mineral extraction, waste storage and Indigenous protest writing	0
Climate nags: Affect and the convergence of global risk in online networks	0
Brian Shoesmith’s contributions to Bangladesh’s media and cultural studies	0
Gestures of concern	0
Shaping pathways of the Musang King and Black Thorn in the Penang Island durian industry	0
Vampire nostalgia	0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs	0
Hermeneutic theory: Malaysian practices	0
From broadcast media to distributed systems – John Hartley’s ‘cultural science’ and the future of ‘old’ cultural studies	0
Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’	0