Continuum-Journal of Media & Cultural Studies

Article	Citations
Community as the material basis of creative citizenship in Taiwan and Hong Kong	36
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of Molly Johnson	23
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’	16
Correction	9
A state against boys’ love? Reviewing the trajectory of censorship over danmei	8
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’	8
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)	8
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson	7
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic	6
Youth arts as popular education: Cultural Studies at the edges of the creative industries	5
Guilt and migrant experience in Australia: narratives of happiness and hatred	5
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media	5
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan	5
Producing multiculturalism: casting and editing migrants in Korean reality television	5
“An active and generative process”: encountering death with Ross Gibson	5
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand	5
The politics and infrastructures of affect in the ‘battle’: making responsible bodies in the early COVID-19 pandemic	5
Precarious love of eSports players in China: work-and-play amidst love and precarity	4
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi	4
Terror: live	4
Algorithms, affordances and the ambiguity of credit on TikTok	4
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries	4
The ethics of welcome in place: LGBTQ+ migrants to South Australia	4
Fatalist attraction: structure of feeling in great recession fiction	3
XR support in the frame: the creative extended reality ecosystem in Australia	3

Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok	3
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’	3
‘Every memory-soaked element in this lively landscape’: Ross Gibson’s fictive speculations	3
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED	3
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?	3
‘Pioneers of culture’: Australian natural history and the German colonial imaginary	3
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia	3
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure	2
The diaspora queers back: reflections on rebetology and zine-making	2
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures	2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok	2
TikTok’s tools: The politics of platform tools for cultural production	2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film	2
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere	2
Correction	2
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum	2
Longing and belonging: narratives by two Asian North American auto-graphic artists	2
Ancestors on motorbikes: cosmic rays bring retribution	2
Introduction: media and fakery	2
Beyond the spectacle: everyday witnessing for we that are here	2
Special issue introduction: reflecting on TikTok creators and digital economies	2
Shaping old media on new media: vinyl revival and its representation on Chinese social media	2
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness	2
Jack Johnson’s quiet activism	2
Account-sharing programme: beyond piracy streaming platforms in Indonesia	2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme	2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China	2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art	2
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada	1
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility	1
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones	1
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk	1
Commercializing desire for platform economics: digital romance in China’s platformization age	1
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan	1
Climate nags: Affect and the convergence of global risk in online networks	1
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses	1
Between commodification and politicization: the social invention of Bella Ciao	1
Cultural Studies and critical allyship in the settler colonial academe	1
Transnational suburbia: suburban settings in Australian video games	1
Culture in practice	1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history	1
The practices of care: extinction and de-colonization in the natural history museum	1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction	1
Field recordings as invitation and transportation	1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling	1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo	1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site	1
Conspiracy Theories in the Time of Covid-19	1
Fringe to famous	1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media	1

Migration and immigration in Europe and its edges	1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays	1
Introduction to the Ross Gibson memorial issue	1
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation	1
#Runningupthathill, revival and popular music fandom on TikTok	1
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media	1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia	1
Animal activism on and off screen	1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “ A City of Sadness ”	1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis	1
Correction	1
Birth Family Search (Part 1)	1
Self-presentation of grey-haired influencers on TikTok: active ageing in China	1
A moving view: an introduction to Our Sentimental Natures	1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television	1
‘What awaits us’: the life-worlds of post-war migration	1
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers	1
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education	1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)	1
The ‘poietic’ turn: creative arts research in the academy	1
Celebrating 30 years of the CSAA	1
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory	1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood	1
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II	1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram	1
LGBTQA+ allies and activism: past, present and future perspectives	1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)	1
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder	1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil	1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees	1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom	1
Art-making for political ecology: practice, poetics and activism through enchantment	1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war	1
Indonesian critiques of the new musical system	1
Correction	1
Live streaming funerals: constructing togetherness and belonging in the mediatization era	1
Contested Spaces : an interdisciplinary collaboration	0
The New Audience for Old TV: Considering the Resurgent Popularity of The Sopranos	0
Mapping Shadows of the Bight: a road trip residency	0
Archives and autographics: reanimating diaspora in the Transpacific	0
The Rassemblement National on social media: the online rewards of gendered political speech for radical right politicians	0
'Perfect is boring': the character problem of electric vehicles	0
Streaming platform imaginaries: audiences and Southeast Asian streaming	0
Mapping fairy-tale space: pastiche and metafiction in borderless tales	0
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis	0
Doing the Nutbush: how Australia got its very own line dance	0
Biscuit production and consumption as war re-enactment	0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia	0
Building a feminist world through memes: semiotic configuration of gender ideology in Chinese feminist memes	0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism	0
Powering wicked futures: EV batteries as vital matters of care	0
Climate change and SIDS in the transpacific region: flows of people, capital and goods	0
Cultivating the audience: adaptation as technique in the case of Wake in Fright for Australia’s network 10	0
The digital departed: how we face death, commemorate life, and chase virtual immortality	0
Cultural Studies and education: a dialogue of ‘disciplines’?	0
The two revolutions, a history of the transgender internet	0
Ross Gibson’s head_phone_film_poems: music in collaboration	0
Race and the suburbs in American film	0
English teaching and media education: the (lost) legacies of Cultural Studies	0
Introduction: from broken systems towards extended possibilities of XR technologies	0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs	0
A sense of home: two migrant personas during COVID-19	0
Gender and popular visual culture in India: ‘Benevolent’ Sexism and Disguised Discrimination	0
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction	0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick	0
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education	0
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse	0
Cyborg : a book review	0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards	0
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)	0
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)	0
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 2	0
CSAA 30 th anniversary and Continuum	0
Nihonjin after 3.11: the construction of Japaneseness in times of national crisis	0
Pandemic citizenship: introduction	0
Holy transmedia! - the many faces of Batman in 1960s Finland	0
International influence on radio and family planning communication in Kenya: an historical assessment	0
The ‘cassette comeback’: debunking a tenacious narrative	0
‘Just like us’: community radio broadcasters and the on-air performance of community identity	0
Beyond smell and sensationalism: remixing durian for and by Asians and Asian Canadians in Canada	0

Homophobic media or lesbian memories? Hong Kong queer women’ online debate over The First Girl I Loved	0
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference	0
Communities, connections, and careers: building personal and professional networks through community media work	0
Citizenship and neoliberalism: pandemic horror in Latin America	0
On transience	0
Filipino content creators brokering migration to Australia on TikTok	0
A queer feast of memories: using archives in festival research	0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series	0
Autographics as autoethnography: comic book adventures of a migrant academic	0
Birch/Muecke/Gibson	0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia	0
Correction	0
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell	0
Ghosts of modernity, warnings of Urban Transience: Hallam Towers expedition, 17th January 2012. Illustrations from the ‘book of humanity’	0
The temporality of community sentiment on the Australian continent: mineral extraction, waste storage and Indigenous protest writing	0
Handshakes and hashtags: how changing social interactions make us feel awkward	0
Hong Kong vampire films: anxious imaginings of death and illness	0
How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter	0
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation	0
Global anniversaries and cultural rupture: September 11, COVID-19 and ethical cultural change	0
How does the Chinese smartphone brand attract new filmmakers to make films with their phones?	0
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia	0
Indie porn: revolution, regulation, and resistance	0
Making bodies, craft skills and the legacies of policy ‘blokeism’	0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model	0
Translation of deconstructivism in the Romanian post-communist transition interval	0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film	0
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms	0
Unearthing the code of Gondwana VR	0
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue	0
Continuum Acknowledgements 2024	0
Complicit masculinity and the serialization of violence: notes from Australian cinema	0
Book publicists and the labour of cultural intermediation	0
The French ideology?	0
Revaluing the Eros Collection for Australian cultural histories	0
Binge-watching: Cultural Studies and developing critical literacy in the age of surveillance capitalism	0
Beyond a queer utopia: interrogating misogyny in transnational boys love media	0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix	0
Techno-capitalist colonialism powered by combustion masculinity in the transition to electric utility vehicles: an analysis of Australian car advertising	0
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism	0
Getting research funded: five essential rules for early career researchers	0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia	0
Misadventure in Little Lon: augmented reality and the question of historical ’presence’	0
Provocation in women’s filmmaking: authorship and art cinema	0
Indigenous futurisms: re-reading contemporary Indigenous climate stories as guidance in the material world	0
‘Why is everyone self-diagnosing with ADHD nowadays?’: the affective economy of ADHD TikTok	0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin	0
Decolonising at the margins: herri as a model for radical decolonial publishing	0
High voltage short forms: a reflection on Ross Gibson’s path	0
Queering primary initial teacher education	0
Ungrievable lives and the ensemble of opinions	0
Vive la république européenne? Reading The European Balcony Project as artistic counter-public	0
Between culture and control: Genshin Impact and the evolution of Chinese online nationalism	0
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China	0
Register phenomena as international news: risk, register, and translation in Japanese coverage of quotes from the 2020 US presidential debate	0
Australian audience reactions to the ABC’s broadcast of Tales of the City , as seen in the Green Guide letters	0
Before streaming media: the emergence of marathon viewing in Romania during the 1980s	0
The unpopular (manosphere) men of popular feminism	0
A post-secular journey	0
Introduction: popular music, revival and renewal: histories, cultures, practices	0
Underrated, overlooked, suppressed, discarded: canonical discourse and 1980s rock music from Australia and New Zealand	0
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context	0
Happy Valley	0
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research	0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices	0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic	0
Vivacious curation: Ross Gibson on the contemporary museum	0
Wogs as work: humour as ethnic entrepreneurship and convivial labour	0
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’	0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context	0
In pursuit of happiness: motivations for urban to rural migration in Turkey	0
Gaza speaks through translation: The politics of language on Palestinian social media	0
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy	0
Orange is the New Black face: economies of enjoyment and the formalist killjoy	0
The acoustemology of Hong Kong in protest: a sonic understanding of the Anti-Extradition Law Amendment Bill Movement	0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing	0
Southeast Asian shapeshifters in the age of streaming: minor transnationalism, horror and reimagining MUBI in Malaysia	0
Bodies in flux, cultural studies and the current critical climate	0
Kylie Minogue as a gay icon: artistic reinvention as coming out, drag aesthetics and the diva	0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience	0
Fight for the Wild: emotion and place in conservation, community formation, and national identity	0
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance	0
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-19	0
The everyday experiences of female electric vehicle owners: insights from Western Australia	0
Those old sounds of protest: resurgence and transformation of Nueva Canción Chilena in contemporary Chilean protest music	0
Normporn: queer viewers and the TV that soothes us	0
‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism	0
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea	0
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green	0
Chinese-Australians, media consumption, and the politics of belonging	0
The Claremont serial killer and the production of class-based suburbia in serial killer mythology	0
LGBTQ+ collecting institutions: the culture of strategic management, motivation and professionalization	0
Year zero of tomorrow’s pasts	0
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU	0
The colonial project of gender: trans joy, queerness in practice, coloniality in turmoil	0