Continuum-Journal of Media & Cultural Studies

Article	Citations
A state against boys’ love? Reviewing the trajectory of censorship over danmei	29
Community as the material basis of creative citizenship in Taiwan and Hong Kong	18
Correction	16
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’	14
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)	14
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’	13
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise	11
Guilt and migrant experience in Australia: narratives of happiness and hatred	10
Youth arts as popular education: Cultural Studies at the edges of the creative industries	10
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand	10
Producing multiculturalism: casting and editing migrants in Korean reality television	9
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic	9
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson	8
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia	8
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space	8
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan	8
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media	8
Afterword: troubling the dark social	7
Algorithms, affordances and the ambiguity of credit on TikTok	7
Critical data provenance as a methodology for studying how language conceals data ethics	7
Terror: live	6
Fake histories? Original bands, contemporary formations and Little River Band	6
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi	6
Precarious love of eSports players in China: work-and-play amidst love and precarity	5
‘Pioneers of culture’: Australian natural history and the German colonial imaginary	5

Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’	5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED	5
Jack Johnson’s quiet activism	5
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries	5
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making	5
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?	5
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok	5
Fatalist attraction: structure of feeling in great recession fiction	5
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness	4
XR support in the frame: the creative extended reality ecosystem in Australia	4
Correction	4
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures	4
The diaspora queers back: reflections on rebetology and zine-making	4
Account-sharing programme: beyond piracy streaming platforms in Indonesia	4
Shaping old media on new media: vinyl revival and its representation on Chinese social media	3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art	3
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme	3
Beyond the spectacle: everyday witnessing for we that are here	3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum	3
Failure to thrive: incels, boys and feminism	3
TikTok’s tools: The politics of platform tools for cultural production	3
Longing and belonging: narratives by two Asian North American auto-graphic artists	3
Introduction: media and fakery	3
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China	3
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies	2
LGBTQA+ allies and activism: past, present and future perspectives	2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic	2
Indonesian critiques of the new musical system	2
A moving view: an introduction to Our Sentimental Natures	2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses	2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan	2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers	2
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media	2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media	2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation	2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder	2
Stranger Things: boys and feminism	2
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education	2
Feminism and the politics of resilience: essays on gender, media and the end of welfare	2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk	2
Conspiracy Theories in the Time of Covid-19	2
Cultural Studies and critical allyship in the settler colonial academe	2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film	2
Field recordings as invitation and transportation	2
Animal activism on and off screen	2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II	2
The ‘poietic’ turn: creative arts research in the academy	2
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones	1
Celebrating 30 years of the CSAA	1
Live streaming funerals: constructing togetherness and belonging in the mediatization era	1

#Runningupthathill, revival and popular music fandom on TikTok	1
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it	1
Fringe to famous	1
‘What awaits us’: the life-worlds of post-war migration	1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia	1
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century	1
Commercializing desire for platform economics: digital romance in China’s platformization age	1
Introduction: from broken systems towards extended possibilities of XR technologies	1
Making bodies, craft skills and the legacies of policy ‘blokeism’	1
Birth Family Search (Part 1)	1
Correction	1
Dark, clear or brackish? Using Reddit to break down the binary of the dark and clear web	1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction	1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea	1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site	1
The affective pressures of WhatsApp: from safe spaces to conspiratorial publics	1
Self-presentation of grey-haired influencers on TikTok: active ageing in China	1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram	1
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope	1
The darker turn of intimate machines: dark webs and (post)social media	1
Great AI divides? Automated decision-making technologies and dreams of development	1
Shedding light on ‘dark’ ads	1
Transnational suburbia: suburban settings in Australian video games	1
Continuum Acknowledgements 2024	1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-19	1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees	1
Art-making for political ecology: practice, poetics and activism through enchantment	1
Culture in practice	1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history	1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war	1
Migration and immigration in Europe and its edges	1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada	1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood	1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays	1
Climate nags: Affect and the convergence of global risk in online networks	1
Correction	1
Between commodification and politicization: the social invention of Bella Ciao	1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling	1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)	1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil	1
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms	1
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s	1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis	1
The practices of care: extinction and de-colonization in the natural history museum	1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom	1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)	1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism	1
The New Audience for Old TV: Considering the Resurgent Popularity of The Sopranos	0
Orange is the New Black face: economies of enjoyment and the formalist killjoy	0
Communities, connections, and careers: building personal and professional networks through community media work	0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model	0
Unearthing the code of Gondwana VR	0
Australian audience reactions to the ABC’s broadcast of Tales of the City , as seen in the Green Guide letters	0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism	0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia	0
Happy Valley	0
Register phenomena as international news: risk, register, and translation in Japanese coverage of quotes from the 2020 US presidential debate	0
A sense of home: two migrant personas during COVID-19	0
The digital departed: how we face death, commemorate life, and chase virtual immortality	0
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research	0
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation	0
Decolonising at the margins: herri as a model for radical decolonial publishing	0
(Auto)Theorizing the maternal interval: Burlesque performance as creative research	0
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students	0
Powering wicked futures: EV batteries as vital matters of care	0
Contested Spaces : an interdisciplinary collaboration	0
LGBTQ+ collecting institutions: the culture of strategic management, motivation and professionalization	0
Handshakes and hashtags: how changing social interactions make us feel awkward	0
Book publicists and the labour of cultural intermediation	0
Cultural Studies and education: a dialogue of ‘disciplines’?	0
In pursuit of happiness: motivations for urban to rural migration in Turkey	0
Gestures of concern	0
Ross Gibson’s head_phone_film_poems: music in collaboration	0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film	0
Revaluing the Eros Collection for Australian cultural histories	0
The everyday experiences of female electric vehicle owners: insights from Western Australia	0
Birch/Muecke/Gibson	0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context	0
The acoustemology of Hong Kong in protest: a sonic understanding of the Anti-Extradition Law Amendment Bill Movement	0
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green	0

Those old sounds of protest: resurgence and transformation of Nueva Canción Chilena in contemporary Chilean protest music	0
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy	0
CSAA 30 th anniversary and Continuum	0
How does the Chinese smartphone brand attract New filmmakers to make films with their phones?	0
Surveillance, citizenship and the state in Humans (2015-2018)	0
A queer feast of memories: using archives in festival research	0
‘Just like us’: community radio broadcasters and the on-air performance of community identity	0
Hong Kong vampire films: anxious imaginings of death and illness	0
Complicit masculinity and the serialization of violence: notes from Australian cinema	0
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU	0
'Perfect is boring': the character problem of electric vehicles	0
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’	0
Gaza speaks through translation: The politics of language on Palestinian social media	0
Ungrievable lives and the ensemble of opinions	0
Fashion futures and critical fashion studies	0
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance	0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin	0
How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter	0
A post-secular journey	0
English teaching and media education: the (lost) legacies of Cultural Studies	0
Beyond smell and sensationalism: remixing durian for and by Asians and Asian Canadians in Canada	0
Homophobic media or lesbian memories? Hong Kong queer women’ online debate over The First Girl I Loved	0
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis	0
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China	0
Climate change and SIDS in the transpacific region: flows of people, capital and goods	0
Digital books and the far right	0
The temporality of community sentiment on the Australian continent: mineral extraction, waste storage and Indigenous protest writing	0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick	0
Caring for clothes: how and why people maintain garments in regular use	0
On transience	0
Cultivating the audience: adaptation as technique in the case of Wake in Fright for Australia’s network 10	0
Correction	0
Biscuit production and consumption as war re-enactment	0
Fight for the Wild: emotion and place in conservation, community formation, and national identity	0
Bodies in flux, cultural studies and the current critical climate	0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing	0
Wogs as work: humour as ethnic entrepreneurship and convivial labour	0
Normporn: queer viewers and the TV that soothes us	0
The Two Revolutions, a History of the Transgender Internet	0
Cathy Freeman, reconciliation and the burden of history	0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience	0
Lesbian separatism and identity development: making space for themselves	0
Mapping fairy-tale space: pastiche and metafiction in borderless tales	0
Nihonjin after 3.11: the construction of Japaneseness in times of national crisis	0
From broadcast media to distributed systems – John Hartley’s ‘cultural science’ and the future of ‘old’ cultural studies	0
Gumnuts in the garden of good and evil: racialization and fetishism in May Gibbs’s Snugglepot and Cuddlepie	0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs	0
Deepfakes and documentary practice in an age of misinformation	0
Building a feminist world through memes: semiotic configuration of gender ideology in Chinese feminist memes	0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series	0
Overcoming ‘confirmation bias’ and the persistence of conspiratorial types of thinking	0
The ‘cassette comeback’: debunking a tenacious narrative	0
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)	0
This hashtag is just my style: popular feminism & digital fashion activism	0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia	0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia	0
The unpopular (manosphere) men of popular feminism	0
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context	0
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)	0
‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism	0
Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’	0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices	0
Filipino content creators brokering migration to Australia on TikTok	0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic	0
The Claremont serial killer and the production of class-based suburbia in serial killer mythology	0
North Korea and the ‘Peace Games’: media representations of sport and politics at the 2018 winter Olympics	0
Chinese-Australians, media consumption, and the politics of belonging	0
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education	0
Bullshit human rights: Breitbart News’ “Cartel Chronicles” and the militarized framing of humanitarian crisis on the US-Mexico border	0
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue	0
Book review: gender and popular visual culture in India: ‘benevolent’ sexism and Disguised Discrimination	0
Streaming platform imaginaries: audiences and Southeast Asian streaming	0
Indie porn: revolution, regulation, and resistance	0
Wardrobe stories: sustainability and the everyday aesthetics of fashion consumption	0
Global anniversaries and cultural rupture: September 11, COVID-19 and ethical cultural change	0
Getting research funded: five essential rules for early career researchers	0
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference	0
Bad actors never sleep: content manipulation on Reddit	0
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse	0
The French ideology?	0
Holy transmedia! - the many faces of Batman in 1960s Finland	0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix	0
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction	0
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship	0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards	0
Race and the suburbs in American film	0
Binge-watching: Cultural Studies and developing critical literacy in the age of surveillance capitalism	0
Beyond a queer utopia: interrogating misogyny in transnational boys love media	0
Dark web advertising: the dark magic system on Tor hidden service search engines	0
Queering primary initial teacher education	0
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell	0
Shaping pathways of the Musang King and Black Thorn in the Penang Island durian industry	0
Introduction: popular music, revival and renewal: histories, cultures, practices	0
Archives and autographics: reanimating diaspora in the Transpacific	0
Rethinking value: ‘radical transparency’ in fashion	0