Continuum-Journal of Media & Cultural Studies

Article	Citations
Community as the material basis of creative citizenship in Taiwan and Hong Kong	36
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of Molly Johnson	22
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’	17
A state against boys’ love? Reviewing the trajectory of censorship over danmei	16
Correction	12
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’	11
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)	11
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson	9
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan	8
Guilt and migrant experience in Australia: narratives of happiness and hatred	8
Youth arts as popular education: Cultural Studies at the edges of the creative industries	8
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic	8
“An active and generative process”: encountering death with Ross Gibson	8
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand	7
Producing multiculturalism: casting and editing migrants in Korean reality television	7
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media	7
The ethics of welcome in place: LGBTQ+ migrants to South Australia	6
Algorithms, affordances and the ambiguity of credit on TikTok	6
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia	5
Precarious love of eSports players in China: work-and-play amidst love and precarity	5
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi	5
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries	5
Fake histories? Original bands, contemporary formations and Little River Band	5
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’	5
Terror: live	5

Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?	4
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia	4
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok	4
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED	4
‘Pioneers of culture’: Australian natural history and the German colonial imaginary	4
Fatalist attraction: structure of feeling in great recession fiction	4
Shaping old media on new media: vinyl revival and its representation on Chinese social media	3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum	3
XR support in the frame: the creative extended reality ecosystem in Australia	3
Account-sharing programme: beyond piracy streaming platforms in Indonesia	3
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making	3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness	3
Jack Johnson’s quiet activism	3
Longing and belonging: narratives by two Asian North American auto-graphic artists	3
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure	3
The diaspora queers back: reflections on rebetology and zine-making	3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures	3
A moving view: an introduction to Our Sentimental Natures	2
Animal activism on and off screen	2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory	2
Correction	2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok	2
Beyond the spectacle: everyday witnessing for we that are here	2
Introduction: media and fakery	2
Field recordings as invitation and transportation	2
Cultural Studies and critical allyship in the settler colonial academe	2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media	2
Ancestors on motorbikes: cosmic rays bring retribution	2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme	2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China	2
Indonesian critiques of the new musical system	2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder	2
LGBTQA+ allies and activism: past, present and future perspectives	2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art	2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film	2
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere	2
TikTok’s tools: The politics of platform tools for cultural production	2
Special issue introduction: reflecting on TikTok creators and digital economies	2
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea	1
The practices of care: extinction and de-colonization in the natural history museum	1
Introduction to the Ross Gibson memorial issue	1
The ‘poietic’ turn: creative arts research in the academy	1
Migration and immigration in Europe and its edges	1
Conspiracy Theories in the Time of Covid-19	1
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility	1
Commercializing desire for platform economics: digital romance in China’s platformization age	1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling	1
Feminism and the politics of resilience: essays on gender, media and the end of welfare	1
Transnational suburbia: suburban settings in Australian video games	1
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II	1

Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram	1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays	1
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it	1
Correction	1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site	1
Bodies in flux, cultural studies and the current critical climate	1
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse	1
Live streaming funerals: constructing togetherness and belonging in the mediatization era	1
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s	1
Culture in practice	1
Celebrating 30 years of the CSAA	1
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones	1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood	1
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope	1
#Runningupthathill, revival and popular music fandom on TikTok	1
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education	1
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk	1
Birth Family Search (Part 1)	1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “A City of Sadness”	1
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan	1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia	1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees	1
Fringe to famous	1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis	1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction	1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history	1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television	1
Revaluing the Eros Collection for Australian cultural histories	1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)	1
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 2	1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo	1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-19	1
Self-presentation of grey-haired influencers on TikTok: active ageing in China	1
Climate nags: Affect and the convergence of global risk in online networks	1
‘What awaits us’: the life-worlds of post-war migration	1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media	1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom	1
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers	1
Art-making for political ecology: practice, poetics and activism through enchantment	1
Correction	1
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation	1
Between commodification and politicization: the social invention of Bella Ciao	1
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses	1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)	1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war	1
Making bodies, craft skills and the legacies of policy ‘blokeism’	1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada	1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism	1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil	1
Communities, connections, and careers: building personal and professional networks through community media work	0
Shaping pathways of the Musang King and Black Thorn in the Penang Island durian industry	0
Cyborg : a book review	0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism	0
From broadcast media to distributed systems – John Hartley’s ‘cultural science’ and the future of ‘old’ cultural studies	0
Fight for the Wild: emotion and place in conservation, community formation, and national identity	0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series	0
Between culture and control: Genshin Impact and the evolution of Chinese online nationalism	0
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research	0
Gaza speaks through translation: The politics of language on Palestinian social media	0
‘Just like us’: community radio broadcasters and the on-air performance of community identity	0
Race and the suburbs in American film	0
The unpopular (manosphere) men of popular feminism	0
Filipino content creators brokering migration to Australia on TikTok	0
Happy Valley	0
Ross Gibson’s head_phone_film_poems: music in collaboration	0
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy	0
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance	0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia	0
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation	0
Decolonising at the margins: herri as a model for radical decolonial publishing	0
The temporality of community sentiment on the Australian continent: mineral extraction, waste storage and Indigenous protest writing	0
Correction	0
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education	0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film	0
On transience	0
The acoustemology of Hong Kong in protest: a sonic understanding of the Anti-Extradition Law Amendment Bill Movement	0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing	0
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context	0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix	0
Wogs as work: humour as ethnic entrepreneurship and convivial labour	0

It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms	0
Complicit masculinity and the serialization of violence: notes from Australian cinema	0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin	0
Kylie Minogue as a gay icon: artistic reinvention as coming out, drag aesthetics and the diva	0
Those old sounds of protest: resurgence and transformation of Nueva Canción Chilena in contemporary Chilean protest music	0
International influence on radio and family planning communication in Kenya: an historical assessment	0
Mapping fairy-tale space: pastiche and metafiction in borderless tales	0
Chinese-Australians, media consumption, and the politics of belonging	0
Cultivating the audience: adaptation as technique in the case of Wake in Fright for Australia’s network 10	0
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU	0
Powering wicked futures: EV batteries as vital matters of care	0
Introduction: popular music, revival and renewal: histories, cultures, practices	0
Ungrievable lives and the ensemble of opinions	0
Rethinking value: ‘radical transparency’ in fashion	0
Lesbian separatism and identity development: making space for themselves	0
Gender and popular visual culture in India: ‘Benevolent’ Sexism and Disguised Discrimination	0
How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter	0
Surveillance, citizenship and the state in Humans (2015-2018)	0
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship	0
Australian audience reactions to the ABC’s broadcast of Tales of the City , as seen in the Green Guide letters	0
The digital departed: how we face death, commemorate life, and chase virtual immortality	0
Caring for clothes: how and why people maintain garments in regular use	0
‘Why is everyone self-diagnosing with ADHD nowadays?’: the affective economy of ADHD TikTok	0
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell	0
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue	0
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students	0
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China	0
Climate change and SIDS in the transpacific region: flows of people, capital and goods	0
Mapping Shadows of the Bight: a road trip residency	0
A sense of home: two migrant personas during COVID-19	0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia	0
A post-secular journey	0
Unearthing the code of Gondwana VR	0
Digital books and the far right	0
LGBTQ+ collecting institutions: the culture of strategic management, motivation and professionalization	0
Getting research funded: five essential rules for early career researchers	0
The New Audience for Old TV: Considering the Resurgent Popularity of The Sopranos	0
Normporn: queer viewers and the TV that soothes us	0
'Perfect is boring': the character problem of electric vehicles	0
Global anniversaries and cultural rupture: September 11, COVID-19 and ethical cultural change	0
Cathy Freeman, reconciliation and the burden of history	0
Queering primary initial teacher education	0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context	0
Orange is the New Black face: economies of enjoyment and the formalist killjoy	0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards	0
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction	0
Techno-capitalist colonialism powered by combustion masculinity in the transition to electric utility vehicles: an analysis of Australian car advertising	0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience	0
Continuum Acknowledgements 2024	0
Binge-watching: Cultural Studies and developing critical literacy in the age of surveillance capitalism	0
Birch/Muecke/Gibson	0
‘The race for space’: capitalism, the country and the city in Britain under COVID-19	0
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)	0
Durian matters	0
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference	0
Archives and autographics: reanimating diaspora in the Transpacific	0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model	0
Mooncalf Menstrual Meat (MMM)	0
CSAA 30 th anniversary and Continuum	0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices	0
Hong Kong vampire films: anxious imaginings of death and illness	0
The French ideology?	0
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis	0
How does the Chinese smartphone brand attract New filmmakers to make films with their phones?	0
High voltage short forms: a reflection on Ross Gibson’s path	0
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)	0
Holy transmedia! - the many faces of Batman in 1960s Finland	0
Translation of deconstructivism in the Romanian post-communist transition interval	0
Nihonjin after 3.11: the construction of Japaneseness in times of national crisis	0
Streaming platform imaginaries: audiences and Southeast Asian streaming	0
English teaching and media education: the (lost) legacies of Cultural Studies	0
Beyond smell and sensationalism: remixing durian for and by Asians and Asian Canadians in Canada	0
Homophobic media or lesbian memories? Hong Kong queer women’ online debate over The First Girl I Loved	0
Handshakes and hashtags: how changing social interactions make us feel awkward	0
Biscuit production and consumption as war re-enactment	0
Indie porn: revolution, regulation, and resistance	0
Contested Spaces : an interdisciplinary collaboration	0
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’	0
Gestures of concern	0
A queer feast of memories: using archives in festival research	0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic	0
This hashtag is just my style: popular feminism & digital fashion activism	0
Introduction: from broken systems towards extended possibilities of XR technologies	0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick	0
‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism	0
Cultural Studies and education: a dialogue of ‘disciplines’?	0
The everyday experiences of female electric vehicle owners: insights from Western Australia	0
Beyond a queer utopia: interrogating misogyny in transnational boys love media	0
The two revolutions, a history of the transgender internet	0
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green	0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia	0
In pursuit of happiness: motivations for urban to rural migration in Turkey	0
The ‘cassette comeback’: debunking a tenacious narrative	0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs	0
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia	0